British Prints

Wonderful set of 10 botanical prints - all herbs Lithographs after original drawings by Sowerby Original colour Published by George Bell, 1875 Unframed. The measurement given is...

This 21st-century limited edition lithograph features Banksy’s iconic pop-art portrait of supermodel Kate Moss, inspired by Andy Warhol’s famous Marilyn Monroe prints and created for...

Title: Rare Persian Lustreware Albarello Chromolithograph, Henry Wallis, 1899 Description: An exceptionally rare original chromolithographic plate depicting a Persian albarello or apothecary jar from the 13th century. The vessel is richly ornamented with seated courtly figures framed by scrolling vegetal motifs and lustrous metallic decoration characteristic of the celebrated ceramic workshops of medieval Persia. Rendered in warm copper, gold, olive, and cream tones, the composition exemplifies the extraordinary artistic achievements of Persian lustreware production during the Seljuk and early Ilkhanid periods. The elegant figural imagery, combined with rhythmic arabesques and ornamental bands, reflects the refined visual language that made Kashan ceramics among the most admired luxury objects of the Islamic world. This plate originates from Henry Wallis's important folio Persian Lustre Vases, privately printed in London in 1899 in a strictly limited edition of only 200 copies. The publication remains one of the earliest scholarly studies devoted exclusively to Persian lustre ceramics, and individual plates from the work are today exceptionally scarce. This is an original 1899 chromolithograph and not a later reproduction. Sold unframed. Any images showing the print in a frame or interior setting are for visual impression only. Frame dimensions, matting proportions, and room presentations are not always to scale. Creator: Henry Wallis (1811–1891), published posthumously. Publication: Persian Lustre Vases, London, 1899. Date: 1899 Medium: Original chromolithograph on paper. Condition: Good antique condition with age-related toning, scattered foxing, and minor handling wear to the sheet edges consistent with removal from the original folio volume. The image remains bright, decorative, and well preserved. Provenance: From Persian Lustre Vases, London, 1899, privately printed in an edition limited to only 200 copies. Keywords: Persian art, Islamic art, Persian ceramics, lustreware, albarello, apothecary jar, Kashan pottery...

Title: The Battle of Trafalgar, Admiral Nelson & British Fleet, 1805 Original antique 19th-century steel engraving depicting the Battle of Trafalgar, the decisive British naval victory of 21 October 1805 during the Napoleonic Wars. This dramatic maritime scene is after the painting by celebrated British marine artist Clarkson Frederick Stanfield, R.A. (1793–1867), and was engraved by John Cousen (1804–1880). The inscriptions beneath the image read: “C. STANFIELD, R.A. PAINTER.” “J. COUSEN, ENGRAVER.” “THE BATTLE OF TRAFALGAR.” “FROM THE PICTURE IN THE VERNON GALLERY.” The Battle of Trafalgar Fought on 21 October 1805 off Cape Trafalgar on the southwestern coast of Spain, the Battle of Trafalgar was one of the most important naval engagements of the Napoleonic Wars. The British Royal Navy, commanded by Vice-Admiral Horatio Nelson, confronted the combined French and Spanish fleet under Admiral Pierre-Charles Villeneuve. Nelson employed an unconventional attack, dividing his fleet into columns that sailed directly into the Franco-Spanish battle line. The resulting close-range engagement ended in a decisive British victory and confirmed Britain’s command of the seas. The battle became one of the defining events of British maritime history. Admiral Horatio Nelson & HMS Victory Vice-Admiral Horatio Nelson (1758–1805) commanded the British fleet from his famous flagship HMS Victory. Shortly before the battle commenced, Nelson ordered the celebrated signal: “England expects that every man will do his duty.” During the fighting, Nelson was struck by a musket ball fired from the French ship Redoutable and was mortally wounded. He died aboard HMS Victory during the battle, having lived long enough to learn that victory was assured. His death at the moment of triumph made Nelson a national hero and permanently linked his name with Trafalgar. The Scene Stanfield’s composition conveys the enormous scale, violence and confusion of a major naval engagement in the age of sail. Ships-of-the-line crowd the horizon, their towering masts and rigging emerging through smoke, spray and the dramatic sky. Several vessels are depicted fighting at extremely close quarters, recalling the devastating exchanges of cannon fire that characterized the battle. In the foreground, broken spars, wreckage and sailors struggling in the turbulent sea emphasize the human consequences of the engagement. The exceptionally wide composition gives the engraving an almost panoramic character and makes it particularly effective as a decorative maritime print. Clarkson Frederick Stanfield, R.A. (1793–1867) Clarkson Frederick Stanfield was one of the leading British marine painters of the 19th century. Stanfield had first-hand experience of life at sea before establishing himself as an artist. His knowledge of ships, rigging, changing weather and the movement of the ocean contributed to the convincing maritime atmosphere for which his work became celebrated. He was elected a Royal Academician and became particularly admired for his dramatic marine and historical paintings. John Cousen (1804–1880) The painting was translated into engraving by John Cousen, an accomplished English engraver known particularly for his landscape, architectural and marine subjects after important contemporary British artists. His finely worked engraving preserves the dramatic tonal effects of Stanfield’s original painting, from the dark turbulent foreground water to the distant ships disappearing into smoke and atmospheric haze. The Vernon Gallery The original painting was part of the important collection assembled by British businessman and philanthropist Robert Vernon (1774–1849). Vernon built an extensive collection devoted primarily to contemporary British art and presented his collection to the British nation in 1847. The inscription “From the Picture in the Vernon Gallery” records the important provenance of Stanfield’s original composition. Technique: Original antique steel engraving Artist: Clarkson Frederick Stanfield, R.A. (1793–1867) Engraver: John Cousen (1804–1880) Title: The Battle of Trafalgar Subject: Battle of Trafalgar Date depicted: 21 October 1805 Historical figure: Vice-Admiral Horatio Nelson British flagship: HMS Victory Historical period: Napoleonic Wars Origin: England Publication date: 19th century Style / Period: Victorian / 19th-century British maritime art Condition: Good antique condition with overall age-related toning, scattered spotting and foxing and minor staining. There is visible wear and some paper loss and irregularity to the outer edges and corners, particularly at the upper corners. Some minor handling marks and creasing are present, consistent with the age of the sheet. The engraved image itself remains strong, detailed and visually impressive. Please study the photographs carefully as they form part of the condition description. Please note: This is an original antique 19th-century steel engraving, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Battle of Trafalgar, Trafalgar 1805, Admiral Nelson, Horatio Nelson, Lord Nelson, HMS Victory, Royal Navy, British Navy, Napoleonic Wars, Napoleon, naval battle, naval warfare, British naval history, maritime history, military history, sailing ships, ships of the line, antique maritime print, antique naval engraving, Clarkson Stanfield, Clarkson Frederick Stanfield, John Cousen, Vernon Gallery, British marine art, Victorian engraving, steel engraving, original antique print, 19th century maritime art

Sensational image by Gustave Doré From Milton's " Paradise Lost " Woodcut engraving Published C.1870 Unframed. Free shipping

Great image after Guido Reni Fine steel engraving Published by Fisher. Dated 1841 Unframed. Free shipping

Wonderful print of wall-paper designed by Walter Crane Published 1906 Unframed and not matted. The size is for one of the prints Free shipping.  

This is a digitally remastered print of a Roseate Spoonbill referenced from an Audubon Birds of America hand coloured print, originally from the 1800's Prints of this style were ori...

Glorious set of 24 prints of English Kings Steel engravings with amazing decorative vignettes Published by Virtue C.1840 Unframed. The measurement given is the paper size of one...

Wonderful set of 12 orchid prints. Lithographs after drawings mainly by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed. Free shipping

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. The white...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

Pair of Botanical Engravings from *The Botanic Garden* by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin...

Diana of Ephesus Antique Engraving, Montfaucon Antiquité Expliquée, 1721 This original eighteenth-century copper engraving titled “Diane d’Ephese” illustrates several sculptural representations of the celebrated cult statue of Artemis of Ephesus, one of antiquity’s most enigmatic and symbolically charged religious images. The plate originates from Bernard de Montfaucon’s landmark antiquarian publication L’antiquité expliquée et représentée en figures, published in Paris in 1721, a pioneering encyclopedic study that helped establish the scholarly foundations of archaeology and art history during the Enlightenment. Montfaucon’s ambitious project sought to systematically document the material culture of the ancient world through carefully researched engravings based on surviving sculptures, coins, reliefs, and historical sources. This plate presents multiple interpretations of the Ephesian goddess, comparing sculptural variants and medallion representations. The central figures stand rigidly frontal, crowned and richly adorned, their bodies covered with registers of animals, symbolic figures, and ritual ornamentation. Smaller circular images below further demonstrate how the goddess appeared on ancient coins and reliefs, reflecting Montfaucon’s analytical approach to classical imagery. Unlike the familiar Greek Artemis, goddess of the hunt, the Ephesian Diana represents an older Anatolian mother deity assimilated into Greco-Roman religion. Her distinctive iconography—tiered body coverings, animal motifs, and fertility symbolism—expresses abundance, cosmic order, and divine protection. During the eighteenth century, such images fascinated European scholars attempting to interpret ancient religions through comparative symbolism, making Montfaucon’s publication a cornerstone reference for collectors, antiquarians, and early museums. The engraving is executed with refined precision typical of Parisian copperplate work of the early 1700s, combining scientific clarity with strong decorative appeal. The balanced composition and graphic symmetry allow the print to function equally as a scholarly artifact and an elegant wall piece suited to both classical and contemporary interiors. This original antique engraving is offered unframed, providing flexibility to select a frame appropriate to the intended interior setting. Condition: Good antique condition with age-related toning and light paper discoloration consistent with early eighteenth-century prints...

Great images of Lions and tigers Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Great image of The Battle of The Boyne Fine steel engraving after Benjamin West With a highly decorative figural border Published by London prin...

Antique China Punishment of the Bastinado Print – Thomas Allom, 1843 This striking antique print titled Punishment of the Bastinado was drawn by the English artist Thomas Allom and ...

Victorian Country House Views – Trentham, Burghley, Alton Towers, ca.1850 This attractive set of six original Victorian architectural prints depicts prominent British country houses...

Title: Rascal from 'Cats and Kittens' by Henriette Ronner, 1894 Description: This charming artwork, titled 'Rascal,' is from the collection 'Cats and Kittens' by Henriette Ronner, p...

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

Antique print titled 'Chinese Punishment of the Rack'. Print of Chinese punishment of the rack. The rack is a torture device consisting of a rectangular...

These 19th-century lithographs—War and Peace—carry the layered authorship typical of British printmaking at the time, where image, technique, and distribution each played a distinct ...

Wonderful print of St Anthony of Padua Illuminated Chromolithograph Published circa 1880 Unframed. Foxing to the margin Free shipping The me...

Great image of a Blue Tit Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color P...

Title: 1897 Botanical Print – Alpine Forget-Me-Not (Myosotis Alpestris) Description: This original 1897 botanical print features the alpine forget-me-not (Myosotis alpestris), a...

Wonderful Gothic architectural print. Pierced ornaments from Lisieux, Bayeux, Verona and Padua. Steel engraving by R.P. Cuff after the original drawing by John Ruskin. Published, ...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A striking pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin M...

Great image by Heinrich Leutemann From the Reynard The Fox series Fine steel engraving Published by A.H. Payne C.1850 Unframed.

Lovely botanical print Chromo-lithograph Original color Published, circa 1870 Unframed. Chipped top left corner Free shipping

Glorious set of 12 prints of English country houses or stalely homes. Chromo-lithographs After the original drawings by Alexander Francis Lydon Published by Mackenzie C.1880 Unfr...

Great map of Europe Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 ...

Great images of monkeys Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Wonderful set of 16 botanical prints Lithographs after the original botanical drawings by Hooker. Original color Published, circa 1850 Unframed. The measurement given is for one...

This is a digitally remastered print of a Banana Palm referenced from a French print dating to circa 1843 Prints of this style were originally printed in black and white and then ...

Great image of parrots. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after cpt. Brown with original hand color. Publish...

Title: Collection of 10 Original Antique Tropical Fern Lithographs by E.J. Lowe, 1856 Description: An elegant collection of ten original hand-colored botanical lithographs depicting a remarkable diversity of tropical fern species from the celebrated botanical publications of Edward Joseph Lowe. Produced in London in 1856, these finely executed plates capture the graceful forms, intricate venation and distinctive reproductive structures that made ferns one of the greatest botanical fascinations of the Victorian era. The collection includes the following species, identified by their historical Latin names and corresponding English descriptive names: Polypodium latipes – Broad-Stalked Polypody Fern Polypodium karwinskianum – Karwinski's Polypody Fern Polypodium scolopendroides – Hart's-Tongue-Like Polypody Fern Polypodium simplex – Simple Polypody Fern Polypodium peltideum – Shield-Leaved Polypody Fern Polypodium spectabile (Pinna) – Showy Polypody Fern Polypodium terminale – Terminal Polypody Fern Polypodium palustre – Marsh Polypody Fern Polypodium concinnum – Elegant Polypody Fern Polypodium longissimum – Long-Leaved Polypody Fern Polypodium refractum – Bent or Recurved Polypody Fern The scientific names shown beneath the plates reflect the nineteenth-century botanical classification used by Edward Joseph Lowe. While many of these species have since been reassigned to other genera, the historical nomenclature remains an important part of the original publication. Several of the English names are descriptive translations, as no universally accepted common names exist today. Edward Joseph Lowe was one of the most influential British botanists of the Victorian period and a leading authority on ferns during the famous "Pteridomania" movement, when the cultivation and collection of ferns became immensely popular throughout Britain and Europe. His beautifully illustrated works successfully combined scientific accuracy with exceptional decorative quality and remain among the finest botanical publications of the nineteenth century. This collection presents an outstanding variety of fern forms, from broad pinnate fronds and finely divided foliage to deeply lobed and shield-shaped leaves. Displayed together, the ten prints form a harmonious botanical ensemble that is equally suited to a period interior, contemporary home or professional collection. Maker: Edward Joseph Lowe Place of publication: London Date: 1856 Technique: Original hand-colored lithographs Subject: Tropical ferns and botanical natural history Number of prints: 10 Condition: Good overall antique condition with age-appropriate toning, occasional foxing or small stains, and minor edge wear consistent with age and use. Some sheets retain small binding remnants or marginal irregularities from the original volume. Please study the images carefully. The prints are original antique lithographs, not reproductions. All items we offer are authentic period works of art over 100 years old. The pieces are sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be to scale. Keywords: Edward Joseph Lowe, antique fern prints...

Great image of The Battle of Naseby Fine steel engraving after G.Cattermole Published by Mackenzie C.1870 Unframed. The size given is the paper size

Great image of a Crested Tit Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color...

Great image of a Spotted Flycatcher Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Origina...

Great image of dolphins. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. ...

Great image of a Marsh Warbler Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original col...

Wonderful gothic architectural print. Cathedral of Salisbury and Rouen Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published circa 1880 On wove quality...

Wonderful images by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free shi...

Wonderful bird prints Chromo-lithographs Published by Cassell, C.1880 The measurement shown relates to one of the prints Unframed. Free shipping

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

Great image of beetles. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original color. Published, 1...

These are a set of FOUR digitally remastered prints of Macaws, hand coloured framed prints, originally from Circa 1864. Prints of this style were originally printed in black and whi...

Great image of a jaguar presented in an antique oak frame Lithograph with original hand color. After Cpt.Brown Published, 1847. Free UK shipping

Botanical Brilliance: Edward Dalton Smith’s Copperplate Engravings 1829 This exquisite pair of hand-colored copperplate engravings represents the precision and artistry of the celeb...

One of nine striking 19th Century chromolithographs by John Burley Waring. Originally created to showcase the Masterpieces of Industrial Art and Sculpture at the 1862 International ...

Antique India Battle Print – Siege of Mooltan 1849, Elephant War Scene A striking and highly decorative mid-19th century historical engraving depicting The Siege of Mooltan, 1849, o...

Great image of an Orphean Warbler Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original ...

Fabulous set of 12 prints. All statesmen. Humorous caricatures by Sir Lesley " Spy " Ward. Chromolithographs Unframed. Published in Vanity fair. Dated 1873 The measurement give...

A fine antique of the colony of Pennsylvania. Noted at the top of the sheet as a 'Map of the province of Pensilvania'. This undated and anonymous map is thought to be from the Gentleman's Magazine, London, circa 1775, although the general appearance could date it to the 1760's. The southern boundary reflects the Mason-Dixon survey (1768), the western boundary is placed just west of Pittsburgh, and the northern boundary is not marked. The map has a number of reference points that likely refer to companion text and appear to be connected to boundaries. The western and southern boundaries are marked Q, R, S, for example. A diagonal line runs from the Susquehanna R to the Lake Erie P. A broken line marked by many letters A, B, N, O, etc., appears in the east. There are no latitude or longitude markings, blank verso. Framed in a shaped contemporary gilt wooden frame and matted under a cream colored matte. Bearing an old Graham Arader Gallery...

A Pair of Botanical Prints from Paxton’s Magazine of Botany: Rhododendron standishii and Camellia japonica miniata (Low’s) S. Holden, del. & lith. (Rhododendron); lithographer unid...

Antique map titled 'Philips' New Commercial Map of Europe'. Very large wall map of Europe including the North African coast and Turkey. Decorative bord...

Victorian Blooms: Pair of Botanical Prints by Jane Wells Loudon, Plates 11 & 31, Circa 1843 This exquisite pair of hand-colored lithographs is by the celebrated botanical artist Jan...

Elizabeth Twining Prints from Natural Order of Plants 1849, (English, 1805-1889) A pair of hand-colored prints from Natural Order of Plants published 1849. 143 COMMELINACEÆ THE SPI...

Monument of King Edward IV – Antique Engraving of St George’s Chapel, Windsor, 1790 This finely detailed antique engraving shows the monument of King E...

Antique print titled 'William Cecil Lord Burleigh'. William Cecil, 1st Baron Burghley. Engraved by John Goldar (1729–1795) from an earlier portrait.