Native American Prints

Vintage 1991 lithograph print titled "Eclipse" by Johnny Tiger, Jr. Shows a Native American warrior / hunter on a paint horse, standing on a sand dune under a total eclipse. Pencil signed and numbered 662/900. Includes Affidavit of Limited Edition. Dark brown wood frame, gray and red layered mat with eclipse printed in the upper corner. "Johnny Moore Tiger Jr. (Muscogee Creek-Seminole), (February 13, 1940 – August 5, 2015) was a Native American artist from Oklahoma. Johnny Moore Tiger Jr. was born on February 13, 1940, in Tahlequah, Oklahoma. His parents were Lucinda Lou Lewis and the John M. Tiger. His younger brother, the late Jerome Tiger...

Vintage 1990's lithograph print on paper titled "Man of Vision" by Johnny Tiger, Jr. Dedicated to the memory of his nephew Chirs Tiger, the painting features a Native American in profile gazing up at a row of teepees in a red sun and a hazy portrait of (presumably) Chris in the clouds. Purchased at / original of event poster for the Second Annual Indian Market, Inter-Tribal Arts Experience 1991 - Dayton, OH. Uniquely shaped wood frame, purple and blue layered mat with darker sweeping geometric details. Includes matching framed museum label dedicating the work to Chris Tiger. "Johnny Moore Tiger Jr. (Muscogee Creek-Seminole), (February 13, 1940 – August 5, 2015) was a Native American artist from Oklahoma. Johnny Moore Tiger Jr. was born on February 13, 1940, in Tahlequah, Oklahoma. His parents were Lucinda Lou Lewis and the John M. Tiger. His younger brother, the late Jerome Tiger...

This pair of framed prints were done by the well known Indigenous artist Patrick Amos of Nootka, British Columbia Canada in his signature West Coast Haida style. Each of the prints i...

This large hand-crafted and numbered print was done by the very well known Inuit artist Kenojuak Ashevak of Cape Dorset Canada in 2005 in her signatur...

A wonderfully evocative and well-executed early 1950s serigraph depicting Navajo weavers by important and renowned Diné (Navajo) painter, printmaker, and illustrator Harrison Begay...

A very thought provoking etched image of an American Indian with folded United States flag as an eye patch. "American Indian Triage" 1 of limited edition of 10 prints by Oklahoma artist D.J. Lafon, (1929-2011) Professionally framed with black frame and very light grey mat. Signed and numbered. Pictured with Eames wire rocking chair...

A large original pencil signed lithograph entitled "Tonto Woman" by R.C. Gorman, 1992. The artwork is of a Native American Woman with a traditional clay pottery bowl in a desert sett...

Exquisite pair of framed etchings featuring Native American life in New Mexico by Frederick Monhoff (American 1897-1975). Monhoff was an American architect, illustrator, and artist w...

For your consideration is a framed print of a Native America, signed and stamped. In excellent condition. The dimensions of the frame are 27.5" W x 35.5" H and the dimensions of the ...

Iconic lithograph, circa 1901, depicts a wagon train under siege. Advertising is by the leading wagon and coach producer, Mitchell & Lewis Company of Racine, Wisconsin. The image is from a painting by Gean Smith (1851-1928) who was a painter and illustrator, famous for his accurate depiction of horses. Some of his paintings have brought as much as $30,000. A copy of this lithograph is in the Library of Congress. Born in 1810, Henry Mitchell...

Two original hand-colored lithographs from Catlin's famed North American Indian portfolio. Each work is housed in a custom frame with archival materials. Each print as shown within the mat measure 15 x 19 inches; outer dimensions of each frame measure 21 x 25 inches. As displayed, the overall measurements are 45 x 25 inches Upper image: "The Snow Shoe Dance"; 1835-1837; published in 1844 Lower image: "The Bear Dance, Preparing for a Bear Hunt...

"Rant-Che-Wai-Me " translates to " Female Flying Pigeon " which is indicated on this hand-painted color lithograph, made by McKenny and Hall and dated 1837. It was published by E.C. Biddle in Philadelphia, Pennsylvania and is one of the many Indians (approximately 120) that are portrayed in the major work, "History of The Indian Tribes of North America, Volumes 1-3" by Thomas McKenny and James Hall (from the Library of Congress). Along with Catlin's "North American Indian Portfolio" these are the two most important works of 19th century North American Indian study. McKenny's work was based on his travel of the west in the late 1820's. Thomas Hall was the "academia" member of the team. Charles Bird King painted the Indian portraits which hung in the Indian Gallery of the War Department. One by one the chiefs and other Indians were brought in to sit for portraits. Other portraits were loosely based on another painter who had traveled with McKenny, J.O. Lewis. The book with the folios and hand-painted lithographs was done in 1836. The significance of this is, that following the transfer of the paintings to the Smithsonian all of the paintings were destroyed in a fire in 1865. So all we have to chronicle those images are these McKenny-Hall lithographs. Any complete versions of McKenny's folio work are very rare and exist in a few private collections, museums, the Smithsonian etc. There are very few complete versions and most of the lithographs have been removed for framing to display as was this one. This is an authentic and original first edition dated 1837 from the "History of The Indian Tribes of North America" by McKenny and Hall. One way to validate authenticity is that on most of the folios the print comes through slightly on the front from leaving it's mark on the back of the page. Along with the folio, each Indian or scene was described in detail. This is a wonderful, authentic and original, article of Americana Provenance: This particular lithograph has impressive provenance having come from the Sondley Library in Asheville, North Carolina. It had been bequeathed to that library by Forster Alexander Sondley (1857-1931). F.A. Sondley was a successful attorney who studied American history and geography and collected Civil War and American Indian artifacts. The seal of the Sondley library is impressed as a round circle on the lithograph. A simple but elegant one inch gold leaf frame surrounds the lithograph which is: 19" wide x 23 3/4" high in frame; 17" wide x 21 3/4" high under glass; and matted to 10 1/4" wide x 14 1/2" high. Note: Please see the other McKenny & Hall hand painted lithograph...