Renaissance Revival Prints

This set of four engravings in detail with compendium landscape details and related prey animals are done in steel engraved plates and come from the first quarter of the 19th century...

A pair of framed prints of 19th century lithographs, Belgium, circa 1870. The two prints depict five different peaches; the first Alexander and R...

Pablo Picasso (1881-1973) Framed Offset Lithograph of the Linocut print entitled 'Before the goading of the bull' published in New York circa 70s/80s. Signed with a Stamped Signature...

Large Maxfield Parrish Art Deco Print “The Lute Players”, Framed, C1920 Measures- 22.5''H x 34.75''W x 2''D

Two antique Richard Evans hand colored equestrian officer engravings featuring Lieut General Henry William Paget and Field Marshal Von Blucher. Both dres...

Antique print titled 'Der Moderne Kleidermacher XII'. German fashion print, published circa 1900. Four men showing various outfits (incl. long jackets/coats), all wearing hats.

A pair of 19th century hand colored engravings titled Anguienus DUX, Indorum Rex. (Horseman on horse and the second Romanus Castrorum Praefectus (the commander of the camp). Framed i...

Henry Moore lithograph, entitled Studies of Three Standing Figures, English, circa 1960s. Beautifully framed in a 22 karat gold reeded frame with silk...

A framed "Mc Ilhenny Co. Tabasco" Pop Art lithograph, circa 1980s. This offset print is after a pop art graphic of a bottle of Tabasco sauce, with the caption “Hot Stuff, Union St. G...

Beautiful etching representing the classic religious subject of the "Adoration of the Magi" by the Baroque painter and engraver Pietro Testa known as il Lucchesino. The print derives from an oil on canvas of the same name now in Montpelier. Identified by the TPL monogram on the right and the dedication signature. Paolo Bellini in the book "L'opera incisa di Pietro Testa" (The engraving work of Pietro Testa) ,published in 1976 by Neri Pozza in Vicenza, identifies this work as an example of the third state of three since, respect to the second state, the address of Gio Giacomo Rossi is added . In the lower margin there is the dedication in Latin to: Most illustrious and most reverend (cardinal) Gerolamo Bonvisi, Cleric of the Apostolic Chamber, D.D. The star on the left often blushes with the light of evil / Kings live here so that they recognize the Lord, / happy face good star shines benignly./ Petrus Testa Pietro Testa (1611–1650) was an Italian High Baroque artist active in Rome. He is best known as a printmaker and draftsman. He was born in Lucca, and thus is sometimes called il Lucchesino. He moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop. Others state Testa trained under Pietro Paolini or under Domenichino, for whom he worked under the patronage of Cassiano dal Pozzo. He was friends with Nicolas Poussin and Francesco Mola. Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His Sacrifice of Iphigenia appears to have influenced Tiepolo's rendition at Villa Valmarana Ai Nani in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci...

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

Boat of Nymphs by Hermann Clementz. Clementz was a German genre and portrait painter (1852-1930). In 2012, the original oil painted of this lithograph "Boat of Nymphs" was found in...