Painted Prints

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Print from a Collection of three faunistic prints: - Tiger an Jaguar - Elephant - Giraffe Printed manually on 100% cotton engraving paper in Florence Italy. Each print is entir...

One of six hands watercolored and press printed botanical print. Each print is entirely printed and colored in Italy by our master craftsmen. The complete set can be viewed on our pa...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881)...

John Gould September 1804 – February 1881 Published by Thomas Rymer Jones / Dr Brehm, Cassells Book of Birds, volume III London C.1875. A set of four lithograph prints of parrots...

Series of three prints representing 3 different ancient Chinese vases with a black patinated wooden frame, it is printed with an antique press and colo...

Lithograph by Italian artist Salvatore Tresca (1750–1815) after an original painting by French artist Louis-Léopold Boilly (1761–1845) of a work entitled 'La Douce...

Elegant and refined print representing French architecture and, precisely, a house in Billancourt, a commune in the Somme department in Northern France. Together with the other three...

Pair of hand colored engravings by Jacques Grasset de Sainte-Sauveur, 1797 Paris publication, 'Costumes de Different Pays', (Costumes of Different Countries). This pair depicting two...

Goldfinch Fine large folio stipple engraving with hand colour. On Turkey Mills Wattman paper. Overall dimensions: 35.3 x 26 cm Issued in Brookshaw’s scarce monograph: Six...

Elegant hand-watercolored print representing an Hippocampus Guttulatus in light blue nuance, Image reproduced from ancient and famous illustrations, with a simple gold squaring. Thes...

A set of 4 hand colored birds prints, from 1830. By Comte, Achille Joseph (1802-1866), "Keepsake d´histoire naturelle. Description des oiseaux. Suivie d´un exposé de l art de les pr...

Coc Gallus Poulle Gallina Nicolas Robert (18 April 1614 – 25 March 1685) Issued in the scarce work: Diverses oyseaux dessignées et gravées d'apres le nature...

Issued in the much sought after and scarce series: Abbé Lorenzo Berlèse Iconographie du genre camellia ou description et figures des camellia les plus belles et les plus rares ...

Very early 18th century Dutch woodblock engraving of the Northern Whale Fishery, circa 1720, a hand colored engraving illustrating the Dutch whaling flee...

Redstart Fine large folio stipple engraving with hand colour. On Turkey Mills Wattman paper. Overall dimensions: 35.3 x 26 cm Issued in Brookshaw’s scarce monograph: Six ...

Selby's Illustrations of British Ornithology (London: 1841-1846). Likely a later restrike printing (20th c.,) hand-colored prints, embossed with plate marks, includes: "Eider Duck, M...

J. VET - Amsterdam National Monument - WWII - Vintage original print - hand colored with oil paints and varnish - Dutch Royal Coat of Arms lower right - Amsterdam city flag and Nethe...

Fiber ales Bieure Nicolas Robert (18 April 1614 – 25 March 1685) Issued in the scarce work: Diverses oyseaux dessignées et gravées d'apres le naturel. Paris, F. Pilly, (1673). ...

Decorate a office or study with this set of antique lithographs. Hand painted in France circa 1920 by E. Guerin, each print is set in the original gilt wood frame adding a touch of elegance and preserving the artwork. These framed illustrations showcasing detailed and vibrant depictions of birds perched on branches. The lithographs are expertly crafted, highlighting the intricate details of the birds and surrounding foliage. Guerin's work is known for its accuracy and artistic finesse, often used in botanical and ornithological studies of the time. These pieces reflect the era's appreciation for nature and artistry, making them valuable collectibles for enthusiasts of vintage illustrations and natural history. Ernest Pierre Guerin (1887-1952) was a French artist born in Brittany; he educated at the Rennes School of Fine Arts, where he studied under Félix Lafond and Jules Ronsin. His work vividly depicted the customs and harsh realities of Breton life, drawing inspiration from the region’s landscapes, religious festivals, and traditional culture. Influenced by the Pre-Raphaelite movement and medieval illumination...

Executed and hand-watercolored by the artist, James Sheppard, this large and impressive print depicts three boxers in various stages of undress in a men's locker room, the figures hi...

A set of 4 hand colored birds prints, from 1830. By Comte, Achille Joseph (1802-1866), "Keepsake d´histoire naturelle. Description des oiseaux. Suivie d´un exposé de l art de les pré...

Print from the Collection Botanique representing Crinum Gigantum. Another different Crinum prints are available to create a colourful composition. Crinum Erubescens. print measure: ...

A set of 4 hand colored birds prints, from 1830. By Comte, Achille Joseph (1802-1866), "Keepsake d´histoire naturelle. Description des oiseaux. Suivie d´un exposé de l art de les pré...

Tom Tit & Redpoll Fine large folio stipple engraving with hand colour. On Turkey Mills Wattman paper dated 1819. Overall dimensions: 35.3 x 26 cm Issued in Brookshaw’s scarce mon...

Elegant and refined print representing "A Train of Carriage with Caddle", with a steam locomotive, the carriages loaded with cattle. All enhanced by the beautiful hand-made watercolo...

18th Century Engraving of Sperm Whales, by Bertuch, 1790, an engraved zoological plate depicting what was thought to be two species of Sperm Whale (Physeter), the Cylindrical Pot-Wha...

On offer two superb and large aquatints (with original hand color) depicting the “Explosion on, and Sinking of Her Majesty’s Ship BOYNE” Plate 1. “View of His Majesty's Ship Boyne...

Each in later bird’s-eye maple frames. Depicting farm animals and skaters on a pond, houses and people in daily pursuits along a waterway.

From Selby's Illustrations of British Ornithology (London: 1841-1846). Likely a restrike printing (20th c.,) hand-colored prints, embossed with plate marks, includes two after Pridea...

"Chippeway Widow" hand-painted color lithograph on paper depicts a Native American Indian woman lamenting the death of her husband, presum...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

Elegant and refined print representing French architecture and, precisely, a Maison de medecin in Pontonx-sur-l'Adour, a commune in the Landes department in Nouvelle-Aquitaine. Toget...

Hand-colored copperplate engraving depicting an interesting old view of Copenhagen seen from Frederiksberg Castle Gardens, approximate. 1790-1800. Framed in a mahogany frame from sam...

A rare and exquisite set of two original hand-colored antique prints, created using etching or steel engraving techniques, from the Works of Cuvier and Lacépède. These detailed scien...

Vintage Hand colored lithograph by artist Swankar Hanumann of a kachina (Katsina) Doll standing on a pedestal holding a rattle and bow. Presen...

A hand-colored aquatint engraving dated January 1, 1825 and engraved by T. Sutherland, London. Titled "South Sea Whale Fishery", after a painting by Will...

These Beautiful Italian 18th Century Black & White Engravings on Laid Paper Feature the Portrait of Female Statues, these pieces has been professionally Framed using all new Material...

Mary Burgess is of the New Hope School and this is a wonderful Pennsylvania Impressionist winter landscape in its original frame. Signed in lower left corner. Overall size 25" by 21"...

This handsome pair of 19th century hand-colored Lithographs of ducks is by John Gould and HC Richter and are titled "Casarca Tadornoides: Eyton" and "Nyroca Ferina." Site line 14 inc...

Fine colored lithograph of Sperm Whaling with its Varieties, after Original by Benjamin Russell (New Bedford: 1804-1885), Published by John Henry Bu...

A rare 18th Century set of 12 handcoloured copperplate engravings of Zoological studies, featuring primates of varying species. Each colourfully executed with a naive charm, and Lati...

The image shows a page from "Baronagium Genealogicum" by Joseph Edmondson, published in 1764. It features the coats of arms for Prince Frederick, Princess Anne, Princess Amalia Sophi...

A finely detailed panoramic ink print with gouache of the Goodyear factory in the early 20th century done by Woodbury & Co, of Worcester, Massachusetts. This company was known for th...

Pair Of 19th Century Glass Front Framed German Botanicals Wall Art, Both Framed Botanicals are Pre-Owned Condition, can be used in Home or Office, ...

A rare and exquisite set of two original hand-colored antique prints, created using etching or steel engraving techniques, from the Works of Cuvier and Lacépède. These detailed scien...

Funny and elegant hand-watercoloured jungle style print representing an elephant. The frame is black patinated and the print is engraved with a star press. This print is part of a se...

The two 19th century engravings of the town of Naestved and Estate of Herlufsholm are hand-colored and dated circa 1820s. The engravings are made by Heinrich Gustav Ferdinand Holm, ...

This hand-colored engraving is based on Raphael's "The Hours of the Day and the Night". Created in Paris, circa 1805 with a black background and red border. There are twelve in the o...

Ten hand colored engravings of birds in new frames and matting sold individually. François Nicolas Martinet. Martinet engraved illustrations of birds for books by some of the mo...

DOURAT - 'Notre-Dame No. 1' - Antique fine art colored sepia tone engraving on heavy cream paper - Notre Dame Cathedral in Paris - signed and titled -...

Elegant hand-watercolored print representing Corallium Rubrum in red nuance, Image reproduced from the famous illustrations by Albertus Seba' Cabinet of Natural Curiosities. These pr...

Large Roman marble vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, pompeian red and blue highlights and details. Light brown ma...

Print from the Collection Botanique Vegetables representing a big Sunflower enriched with green and yellow colors and nuances of watercolor. Another different vegetables and flowers...

Custom framed art engraving that features a shield with heraldic symbols, supported by two dragons. This versatile artwork and can be displayed in any living room, office, or bedroom...

A set of six of exceptional quality 18th century hand-colored engravings Buchoz, Pierre Joseph. Collection précieuse et enluminée des fleurs les plus belles et les plus curieuses, qu...

Large Roman marble vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, pompeian red and blue highlights and details. Light brown ma...

Extra large Roman marble vase on a porphyry pedestal printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte bla...