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Anna ShesterikovaBefore The Rain. Baltic Sea. Sweden2025
2025
$1,557.46
£1,155.82
€1,300
CA$2,146.26
A$2,361.88
CHF 1,238.57
MX$28,664.47
NOK 15,481.95
SEK 14,657.12
DKK 9,897.21
About the Item
Seascape, Sweden, horizontal, nature, sea, impressionism
The painting "Before the Rain. Baltic Sea, Sweden" is a poetic and profound canvas that conveys the state of nature on the verge of change.
The sea is hidden by a thin strip on the horizon, and ahead we see part of the bay. The masterfully painted water seems to hold its breath, frozen in anticipation of the first gusts of wind. The cold blue-gray range of shades emphasizes the approaching elements, and the warm shades of the grass in the foreground add contrast to the painting and create emotional tension.
The artist accurately conveys the atmosphere of the northern coast of Sweden: severe, but majestic. The space of the Scandinavian landscape is deeply revealed, with attention to the cloudy sky and shimmering reflections on the water. This is not just a landscape, but a subtle emotional state conveyed through natural forms.
Ideal for interiors in the Scandinavian style, minimalism or modern art decor. The painting will become an expressive accent, a source of peace and reflection.
The painting is painted with the highest quality materials and does not need a frame, as the sides are painted with dark paint, creating a framing effect. If necessary, the artist can help with framing the painting.
The gallery presents the Swiss artist Anna Shesterikova, a highly professional artist who has been working in the international art market for many years.
In 1993, she defended her master's degree with honors at the Faculty of Applied Arts at the Moscow Textile Academy.
She is the founder of ANNA-ART-STUDIO in Buchs SG and has dozens of students. Anna has participated in more than 70 international exhibitions and has won many prizes. In 2023, she was awarded the Leonardo da Vinci Prize in Milan. The artist is regularly invited to various galleries for collaboration, and her works adorn hundreds of collections.
The gallery guarantees the uniqueness and high quality of this work of art, confirmed by a certificate of authenticity. By purchasing paintings by Anna Shesterikova, you make a smart investment, as the price of her paintings is growing every year.
The team of curators of the Art-S-Gallery.
- Creator:Anna Shesterikova (1968, Swiss)
- Creation Year:2025
- Dimensions:Height: 15.75 in (40 cm)Width: 19.69 in (50 cm)Depth: 0.4 in (1 cm)
- More Editions & Sizes:40 x 50 cm, edition of 1Price: $1,557
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Oslo, NO
- Reference Number:Seller: Certificate of authenticity1stDibs: LU2717216890252
I spent my childhood and youth in Petropavlovsk-Kamchatski, where I finished secondary school and art school. Thanks to my parents, who took a great interest in tourism, I was able to visit many interesting places in this beautiful land. The Kamchatka Peninsula, lapped by the Pacific Ocean, is the land of volcanoes and geysers, ice-cold mountain streams and thermal springs, the land of a long winter, an empire of rare plants and animals. The love of this rigorous and unique land has stayed in my heart forever and can be seen in my poetry and pictures. I am grateful to my first teachers Y. E. Koldayev and P. K. Derevyanko, who have awoken the artist within me and have taught me many mysteries of this trade. In 1988 I entered the applied art faculty of the Moscow Textile Academy. Two years of hard work forewent it. During my study I took part in several student exhibitions. Furthermore, at this time I painted traditional works of art like Easter eggs and «matreshka»'s. It was a very useful experience and I can say with pride, that my work now decorates many houses worldwide from Japan to Mexico. Our family has been living in Switzerland since 2001. In Switzerland I especially like springtime, when valleys are in flower and snow still lies in the mountains… the fabulous contrasts! I always admire the Alps and mountain lakes. I like to stroll about the ancient medieval streets of the cities. The originality and diversity of European centers of art amazes me - imperial Vienna, medieval Venice, antique Rome, Paris, full of architectural contrasts. I often carry my impressions of the trips onto canvas and paper. Besides landscape, an other direction of my creative work is the portrait. It is very important for me to convey not only similarity of appearance, but also a personality. I like very much to work on children's portraits, which I mostly paint in water-colors. These reflect especially brightly the softness and freshness of a children's skin and the expressiveness of a glance. In spite of the difficulties, which a painter faces in a work with water colors (this technique doesn't allow corrections), it has been interesting for me since studentship. Developing every next theme, I try to give my most completed vision of the world, to look at it in a new fashion and to not be limited only by blind imitation. Using different methods of painting and graphic arts is interesting to me. Water colors, acrylic, pastel crayons, ink, pencil... . The various interpretations of the same subject is interesting too, be it a flower, a landscape or abstract composition. My inspiration comes not only from nature, but also from music, poetry, literature and theater.
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Artist Statement:
My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark. I enjoy using a palette knife for the immediate bold statement it offers. I started painting as a young child and studied for a while at the School of the Art Institute of Chicago but ultimately decided to be a self-taught artist, My style of painting is called abstract impressionism. I work Alla Prima, wet into wet, not reworking a picture that has dried. I started using the palette knife to do color charts, then kept using it for immediate effects and fun texture. The challenge is making the whole painting cohesive enough in a single session, which can be a fun challenge working big!. I paint intuitively, and I enjoy painting landscapes best, scenes all people can relate to at a fundamental level, green fields in Ireland, Paris alleys, and little white barns.
I'm drawn to old structures, falling down barns, fences, and houses. I love the sense of history, fragility, and secrets they exude. Artists I'm inspired by are Edward Seago, Kyffin Williams, Nicolai Fechin, and Sergei Bogart. These painters have a very particular style and handle of paint manipulation I find fascinating. My color palette has simplified over time. I've experimented with many colors; my basic palette is usually around seven colors plus white. I like creating color harmony, so the focus is on shape, composition, and edges, although colorful paintings have a place in my work. Overall, I intend to show my viewers simplicity in art and create transcendent experiences.
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