GENEVIEVE ZONDERVAN (1922-2013)

SET OF 12 OIL PAINTINGS - Mid 20th century French Impressionist Sky Clouds

c. 1970's

Haley Lever 1958 Elm Tree 1958 oil on Board Signed Lower Left 21x15 inches unframed 33x27 inches framed Good condition Here I am selling a beautiful Post Impressionist oil painting...

Bathed in luminous Mediterranean light, Wisteria in Italy captures a dreamlike hillside scene glimpsed through a curtain of violet-blue wisteria blooms. The composition reveals Faith...

Fruit On The Table Artist signed lower right, 22K Gold Motyka custom made frame, canvas size 30x24 frame 38x32. Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract constructionists, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as laid down by the European Cubists. Sobel’s work was selected for the First Exhibit of Modern Art Museum Krakow in 1948-49. Judith Sobel emigrated to the newly found Israel where she lived for five years, becoming very active in Israel’s emerging art world. Her work was collected and exhibited by the major art museums of Israel including the Museum of Modern Art at Haifa; her art was regularly shown in the Israeli galleries. In 1956, Sobel came to New York on a scholarship, and before that she lived in France for two years. The same year she received the First Prize at the Exhibition in the Saks...

Brilliantly-colored bouquet of flowers in a landscape, set against a dramatic sky. Oil on canvas measures 16 x 12; frame dimensions measure 24 x 20 x 1 1/2. Housed in a soft-gold to...

Signed lower right, 'Jane Chenoweth' for Jane Chenoweth (American, 20th century). Oil botanical showing a field of vermilion poppies with white and gold daisies contrasted against ...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Signed fauvist landscape oil on canvas by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer. The trees and the flower...

Signed and dated oil on panel landscape by sought after French post impressionist painter Jacques Martin-Ferrieres. This beautiful piece depicts a view of Auribeau-sur-Siagne, is a c...

Signed fauvist oil on canvas landscape circa 1910 by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer when all of th...

Signed oil on board riverscape circa 1950 by French Post Impressionist painter Georges Charles Robin. The work depicts a view of the Dordogne riv...