Stephen Shore Badlands Monument Print

An updated edition of Shore's groundbreaking book, now with previously unpublished photographs and a new introduction Stephen Shore's images from his travels across America in 1972-...

Photograph Photograph taken with a digital single-lens reflex camera and printed with archival pigments on fine art rag paper Measures: 30.00 x 40.00 in 76.2 x 101.6 cm Edition...

The documentary image fortified door is a portrait of urban defence that denies entry not only to visitors but also to the viewer. Tightly cropped and shot nearly head-on, it offers little information about its location or context (although small clues can be found at the edges of the photo). The door and the picture of it share a particularly ambivalent position in time, quoting idioms from the past but bearing traces of the present. Jeff Wall adopts the 19th century poet Baudelaire's famous description of one of his contemporaries as "a painter of modern life" to describe his own very different work: huge transparencies mounted onto light boxes which diffuse a brilliant glow of white light evenly through his photographs of contemporary urban scenes and 'constructed' social situations. Jeff Wall is foremost among the pioneering artists who since the late 1960s have brought photography to the forefront of contemporary art. His constructed images employ the latest sophisticated technology in the creation of compelling tableaux, which are evocative of subjects ranging from Hollywood cinema to nineteenth-century history painting. When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex wall reliefs. All of these elements - traditional figurative painting, cinema, minimalism, conceptual art, documentary photography - are consciously evoked and explored in Wall's work. Associated closely since the late 1960s with conceptual artists such as Dan Graham...

Badminton Horse Trials, Gloucestershire showcases the vibrant palette that made Parr one of the most important color photographers in the world, and continues his ferocious appetite ...

12121 Amboy Road (California Badlands) - 2010 20x24cm, Edition of 10, digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 10912. Not mounted...

Along the road to the promised land of California…. an abandoned shack on the dry side of the mountains – Cawston’s eye for colour, structure and the beauty of the mundane finds a wo...

Along the road to the promised land of California…. an abandoned shack on the dry side of the mountains – Cawston’s eye for colour, structure and the beauty of the mundane finds a wo...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...