Asia - Art

The series is a dialogue between abstract art and the cultural heritage of the past. Enjoyment of a certain layer of visual culture familiar to everyone. I want to actualize the hist...

Subrata Gangopadhyay - Untitled - 28 x 34.5 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style : He is widely considered one of India's leading pain...

Prokash Karmakar Untitled Ink and Acrylic on Canvas 60 x 36 inches 91.4 x 122 cm 2005 shipment in roll form Approx 200 Usd Framed Shipment : 1000-1200 usd complimentary frami...

Emotional Color Change 34 (Abstract painting) Acrylic on canvas — Unframed. Kyong Lee's series combines colour and language to visually represent the external environment. The proce...

Saikat Maity - Old Kolkata Painting Watercolour on paper Framed Size : 15 x 17 inches Painting size : 8 x 10 inches (unframed ) Inclusive of shipm...

Temperamento is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture th...

Still life , 70x70cm, print on canvas Edition 20 pcs.

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Subrata Gangopadhyay - The Mirror - 30 x 24 inches (unframed size) Oil & Acrylic on Canvas Inclusive of shipment in roll form. Style : He is widely considered one of India's leadin...

Yugal Kishor Sharma - Meghdootam-1 - 15 x 15 inches (unframed size) Gouache & Gold Leaf on Handmade Paper. About thwe Artist & his works : Born : Rajasthan in 1959. Education : Post Graduation (Painting) M.L.S. University, Udaipur Ph.D (Painting) M.L.S. University, Udaipur. Fellowship : 1989-1990 National Jr. Fellowship by M-HRD,GoI-New Delhi. Work Experience : 1970-80 : In traditional miniature painting of Nathdwara, School, Nathdwara 1982-83 : In graphics art, Lalit Kala Academy’s Artists Studios, Garhi, New Delhi. Participation : 1980-2001 9th International Exhibition of Art AIFACS. 5th International Biennial of Print Art-2001,Bhopal National Exhibition of Art, Lalit Kala Academy, New Delhi. Selected Exhibitions : 1992 & 94 : The Heritage, Chennai 1991, 2000 & 03 : Jehangir Art Gallery, Mumbai 2002 : Birla Academy of Art & Culture, Kolkata 2004 : Harmony Show by Tina Ambani, Mumbai 2005 : Exhibition at Kriti Gallery, Varanasi. Awards : 1980 : Maharana Raj Singh Award, Mewar Foundation, Udaipur 1983 & 2001 : State Award of Art, Rajasthan Lalit Kala Academy, Jaipur 1989 : All India Silver...

Sangeeta Singh - Dance of Delight - 18 x 18 inches (Unframed Size) Acrylic & Oil on Canvas, 2019 Born : 16TH OCTOBER 1982, W.B. Art Education B.F.A. PRINT MAKING 2008, M.F.A. PRINT MAKING 2010, KALABHAVANA,VISVA-BHARATI UNIVERSITY,SANTINIKETAN, INDIA, Exhibitions. 2020- GROUP SHOW AT NIV ART CENTRE, NEW DEW 2019- 100 years celebration of Kala Bhavana at shridharani art gallery. 2019- Invited show at LOAFT, organized by ShivikaGoenka, Kolkata, 2018- Invited show at Art Chill, Jaipur, 2018-Group show at Gallery Time & Space, Bangalore, 2017- SOLO SHOW AT ARTCHILL GALLERY, JAIPUR AMBER FORT 2017-GROUP SHOW AT LDFT QUEST, SHIVIKA GOENKA, KOLKATA 2017- ARTCAMP AT STATE ART GALLERY, HYDERABAD 2016- GROUP SHOW AT GALLERY ARTCHILL, AMER FORT, JAIPUR 2016- GROUP SHOW AT TAO ART GALLERY, MUMBAI, 2016- GROUP SHOW AT AT TIME & SPACE GALLERY, BANGALORE 2015 -‘ART WALK’ BY JUNEJA ART GALLERY, JAIPUR 2015- JAIPUR ART SUMMIT SHOW AT GALLERY “Alliance Française” NEW DELHI, ONGOING SHOW AT GALLERY “INCH”, SWITZERLAND, 2014- SHOW ATGWANG JUINTERNATIONAL ART FAIR, KOREA, SHOW AT GALLERY SPACE, HYDERABAD, PARTICIPATED AT BUSAN INTERNATIONAL ART FAIR, KOREA, INDIAN ART FAIR ORGANIZED BY CREATIVITY ARTGALLERY, INDIA 2013- GROUP SHOW AT CREATIVITY ART GALLERY, NEW DELHI, PARTICIPATED ATUNITED ART FAIR SELECTED GROUP SHOW AT HABITAT CENTRE, NEW DELHI SELECTED GROUP SHOWAT NIV ART CENTRE, DELHI, GROUP EXHIBITION AT FORUM ART GALLERY, CHENNAIORGANIZED BYENGENTED GALLERY GROUP EXHIBITION AT GALLERY BEYOND, MUMBAI,ORGANIZED BY ENGENTED GALLERY. SUMMER SHOW AT PALETTE ART GALLERY, NEW DELHI, ART CAMP AT GANGOTRI ORGANIZED BY GALLERY 1000A,NEW DELHI. SHOW AT PALLETE ART GALLERY, NEW DELHI GROUP ART EXHIBITION AT AMERICAN CENTER, NEW DELHI ORGANISED BY ‘ENGENDARD ART GALLERY, NEW DELHI, WOMENS WORLD DAY WITH SENIOR PAINTERS. 2012– SOLO ARTEXHIBITION ATTIME&SPACEGALLERY, BANGALORE A GROUP EXHIBITION AT LALITKALA ACADEMY NEW DELHI, EXHIBITION AT GALLERY RAGINI, NEW DELHI 2011–2010 ANNUALEXHIBITION, BIRLA ACADEMY & OF ART & CULTURE,KOLKATA GROUP EXHIBITION SREE ART GALLERY, KOLKATA SOLO EXHIBITION AT EMAMI CHISEL ART WALK,KOLKATA, 2010-2009- GROUP SHOW AT ACADEMY OF FINE ARTS, KOLKATA 2008-2007- NANDAN ART GALLERY, SHANTINIKETAN& SAGA ART GALLERY, JAPAN. NANDAN MELA...

sisterhood , 70x70cm, print on canvas Edition 20 pcs.

2021, 110x80cm

Happiness , 140x70 cm , oil\canvas

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

Sekhar Kar - Untitled, Mixed Media on Paper 30 x 22 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling masses ...

Kartick Chandra Pyne - Untitled - 18 x 29 inches (unframed size) Water color on Rice paper Inclusive of shipment in roll form. Style : After...

Amit Kalla - Pratyabhigyan - 36 x 72 inches (unframed size) Acrylic on Canvas, 2021 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his commitment to experimenting with social engagement through the arts. It is here his strength lies. Through his deep connection to a cultural expression of a universal spirituality and passionate sense of humanity Kalla, continuously draws people from all communities into acts of creativity in the belief that through creativity people are empowered and communities move incrementally closer to truth. His poetry and paintings are spiritually intuited. While his poems create a secretive world of words, where silence speaks his paintings are calligraphic and draw on the same silent unknowing of invented texts. His paintings represent moments on the continuum; a slice snatched from his deeper hidden journey. The strength of Kalla’s work is that it represents an Indian artist’s quest for an indigenous tenor rather than a superficial inventory of native motifs, there is nothing about his work which relies on a static Indian Identity. About the Artist & his work : Born : 1980 in Jaipur, Rajasthan. Education : 2005 - Masters in Art and Aesthetics from Jawaharlal Nehru University, New Delhi 2003 - Graduation in Art History, National Museum Institute specializing in ancient Indian art...

Prakash Karmakar – Untitled 28 x 20 inches (unframed size) Acrylic on Paper, 2007 ( Unframed & Delivered ) In this bold acrylic on paper, Prokash Karmakar juxtaposes a dyna...

Prakash Karmakar – Untitled 28 x 20 inches (unframed size) Acrylic on Paper, 2004 (Set of 2 works) ( Unframed & Delivered ) Karmakar’s vibrant composition bursts with energ...

Jayashree Chakravarty - Untitled - 27 x 39 inches (unframed size) Mixed Media on Board, 2017 Free shipment in a roll form all over the world. Style : Jayashree’s distinctive art pra...

Soft picture “Loading”, 2024 Textile 35x45cm, embroidery

Perfect Coincidence 22 (Abstract painting) Acrylic on canvas — Unframed. The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminis...

70x70cm, print on canvas Edition 20 pcs.

Hares, 2023, 78x54 cm

In my paintings, I chose the main character Gestalt wooden figurine of a man) and trying to "animate" his\her

Solstice 120x120cm

Mohan L. Mazumder - Untitled – 24 x 16 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...

Madonna. 100x100cm

Soft picture “Morning will be to late”, 2024 Textile 35x45cm, embroidery

In the cake, 150x80cm, Watercolor, paper, pencil

Catch a deer, 2023, 78x54 cm

Rabin Mondal (Unframed & Delivered) (a) Untitled, Ink on Paper 9 x 7.9 inches 1979 Mondal’s expressive ink drawing brims with raw emotion and psychological intensity, rendered in a...

Paritosh Sen - Mother and Child Acrylic on Paper Board 40 x 30 inches, 2005 (Framed & Delivered) Paritosh’s Mother and Child is a powerful portrayal of maternal anguish and vulnerab...

Paritosh Sen - Young Women before the Mirror Acrylic on Canvas 24 x 12 inches, 2005 (Framed & Delivered) Paritosh Sen’s Young Woman Before the Mirror (2005) combines bold lines and ...

Perfect Coincidence 24 (Abstract painting) Acrylic on canvas — Unframed. The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminis...

Stratification, 55x48 cm, watercolor, paper

Atul Bose - Rajgir-1 & Roadside Tea Stall, Bankura Pencil on Paper 7 x 10 inches & 9.3 x 7 inches, 1943 (Set of 2 Works) (Framed & Delivered) In this evocative sketch, Atul captures...

Atul Bose - Royal Academy Series-1, Vivisection Pencil on Paper 12.2 x 8.1 inches (Unframed & Delivered) In this academic study from his Royal Academy series, he masterfully explore...

Atul Bose - Seated Nude Pencil on Paper 11 x 7.3 inches (Unframed & Delivered) In this delicate pencil study, he captures the quiet grace of a seated female nude with minimal lines ...

Bijan Choudhury - Untitled - 13 x 10 inches (unframed size) Ink on Paper , 2010 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientatio...

Red violin, 150x150cm, Oil, Canvas

Red still life , 70x70cm, print on canvas Edition 20 pcs.

Inspired by the song cycle by Franz Schubert. The wanderer is also a reflection of human’s soul. Clementine believes in the power of colour and the pow...

Aditya Basak - Untitled - 24 x 20 inches (unframed size) Acrylic on Canvas, 2017 ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes the ...

Bijan Choudhury - Untitled - 7.6 x 10.6 inches (unframed size) Mixed Media on Paper ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientation did not allow Bijan Chowdh...

Solomon reads, 170x130cm, Oil, Canvas

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.75 x W 7.5 x D 8.75 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Lalu Prasad Shaw - Biwi - 12 x 9 inches Ink on Canvas Board, 2022 ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu...

Jogen Chowdhury Woman Face with Braid, Dry Pastel on Paper 10 x 6.3 inches , 2022 ( this is the unframed size ) The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Party, 2021, 78x54 cm

Sunil Das - Untitled - 9 x 7 inches & 9.25 x 7 inches (unframed size) Pen and Ink on Paper, 2012 & 2010 (Set of 2) Inclusive of shipment in ready to hang form. The exceptions are the faces such as the profiles of bearded men in which the content is a mere excuse for the lines to create a pattern of untrammeled playfulness. Of course the Japanese face...

Self Talk, 90x80cm

Ramanando Bandopadhayay - 8 x 10 inches ( Unframed ) Mixed media on paper We shall include shipping in frame form all across the world. Just hang and relish the work. Style : Lyrical and romantic, his work is typical of the Bengal School and reminiscent of Nandalal Bose...

I love Italy! The buildings that crowd the sea in their beautiful array of colours are eye catching for me and I have to paint them. A beautiful, young lady in Edwardian clothin...

70x70cm, print on canvas Edition 20 pcs.

Haren Das - Dream Woodcut Edition 12/15 10.6 x 11.6 inches, 1976 ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a diploma in fine a...

Amit Kalla - Untitled - 60 inches (Dia) (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his commitment to experimenting with social engagement through the arts. It is here his strength lies. Through his deep connection to a cultural expression of a universal spirituality and passionate sense of humanity Kalla, continuously draws people from all communities into acts of creativity in the belief that through creativity people are empowered and communities move incrementally closer to truth. His poetry and paintings are spiritually intuited. While his poems create a secretive world of words, where silence speaks his paintings are calligraphic and draw on the same silent unknowing of invented texts. His paintings represent moments on the continuum; a slice snatched from his deeper hidden journey. The strength of Kalla’s work is that it represents an Indian artist’s quest for an indigenous tenor rather than a superficial inventory of native motifs, there is nothing about his work which relies on a static Indian Identity. About the Artist & his work : Born : 1980 in Jaipur, Rajasthan. Education : 2005 - Masters in Art and Aesthetics from Jawaharlal Nehru University, New Delhi 2003 - Graduation in Art History, National Museum Institute specializing in ancient Indian art...

Xanadu 竹外桃源 Chinese artist Gao Xiao Yun is inspired by nature scenes of Suzhou city, China. He illustrates sceneries are filled with an unlimited sense of time and nature light...

Morocco , 70x70cm, print on canvas Edition 20 pcs.