Bay Area - Mixed Media

Raymond Graber's celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Raymond Graber‘s celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fu...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of black creates its own essences of form atop washes of whites, yellow and rust. Spill...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

This artwork titled "Kennett's Window High Tide (Variation #2)" 1988 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 57/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

This artwork by noted American artist Inez Storer, b. 1933 is titled Homage to Matisse. The piece is composed of mixed media (oil paint, board, latex) with collage on board. The artwork measures 24 x 24 inches (25 x 25 inches, framed.) It is floating in a simple painted wood frame. It is hand signed in the lower right corner of the frame by the artist. The piece is in very good condition. I am estimating this work was created some time in the 1990s based on the subject and style, but that is only an educated guess. About the artist: From Inverness, California, north of San Francisco and working from a studio in Point Reyes, Inez Storer creates mixed-media narrative paintings, collages and assemblages in naive-sophisticated style, which she describes as Magic Realism: "I am a visual raconteur. I use paint to tell stories." Most of these stories are explorations of the human condition with characters who seem allegorically to be walking tightropes. She gets many ideas from her studio collection of old...

"Coyote Wreath" By Johanna Mueller is a unique and detailed piece which depicts a coyote, curled among iconography of the forest, structured in a Native American style flat ink style...

Richard Overstreet (American, 20th c.) Reclining Figure Pastel Painting Brilliant original pastel painting by noted American artist Richard Overstr...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

A superb expression of a triumphant free spirit, and the balancing act required to maintain it, this watercolor was created by a woman who embodied female independence—especially rem...

bauxite, sheet metals, shale, oxides, acrylic paints Dan Corbin's sculptures are a convergence of conceptualism and the human figure, illuminating what it feels like to be alive during current times, with all its beauty, complexity, contradictions, and possibilities. The artist’s sculptures address issues of contemporary society - materialism, industrialization and cultural change - while simultaneously referring to a wide range of human emotions. His sculptures lift the spirit while questioning what it is to be human. In Corbin’s archetype of man, intellect and soul are separate from the body. Armless, headless, anonymous cores can now be broken down to the smallest units, analyzed, engineered, beautified, and commodified. Corbin’s articulation of figurative sculpture takes iconography of the present and embeds it in the surface of his sculptures. He calls these miniature time capsules ‘inclusions’. Objects like cosmetic bottles, action figures, dolls, and feeder fish are sealed in resin and strategically embedded throughout the body. With these ‘inclusions’ the figure becomes a technologically enhanced vessel. The human body is no longer a container for a perfect being, handed down by god or evolution, but an aesthetically enhanced harbinger of a new era. In combination with the ‘inclusions’ Corbin uses a multitude of industrial materials, emphasizing the intrinsic value and physical properties of each. Each surface becomes fully charged with content, primed for multiple interpretations. Dan Corbin has been included in notable exhibitions at galleries and institutions including the Museum of Northern California Art...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Artist: Ruben Poblano – Mexican (20th century ) Title: Astronomo Year: 1968 Medium: Mixed Media on canvas Canvas size: 31.5 x 47.5 inches. Framed size: ...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of 'Four Figures from the Bay...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Artist Comments
This artwork is from Yelena's "Street View" series, depicting a quiet autumn scene in Prague. Yelena says the city is her favorite place to paint. This piece ...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

Paula Valenzuela Liminal Space, 2024 Mixed media on canvas 30 x 40 inches Paula Valenzuela's signature style consists of the creation of complex layers of paint which are covered an...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

This artwork titled "Woman in Love" 2008 is a mixed media on paper (Acrylic painting on lithograph) It is hand signed in acrylic paint at the upper right corner by the artist. The ar...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

Artist: Paul Van Hoeydonck – Belgian (1925 - ) Title: Planete Year: 1961 Medium: Mixed media Size: 48 x 48 inches. Signature: Signed, dated, titled on the reverse Condition: Good This mid century work by Paul Van Hoeydonck is a direct and strong composition, like so many of Van Hoeydonck’s Planete works. It measures 48” x 48” and is a mixed media composition. It is a composition on masonite or a similar material. There is flat black and gloss black paint. Perhaps the gloss is lacquer. The surface is highly textured. The black areas have small finish nails, lying flat, attached to the surface. The other areas have sand or some other particulate in the paint. It is signed, titled and dated on the reverse. The date looks like “1961” but it could be “1969.” Please see pictures. Stylistically, this work looks very much like his work from 1961-1962. The piece is in good condition. There is a faint scratch in the upper left and some very small chips on the edges. Please see pictures. There also might be very, very light surface dirt throughout. Please refer to the artist's website as well as Whitford Gallery for extensive biographies of the artist. Public collections include Galleria Comunale d’Arte Moderna, Rome Israel Museum, Jerusalem Koninklijk Museum voor Schone Kunsten, Antwerp Museum of Modern Art, New York Stedelijk Museum, Ostende Van Abbemuseum, Eindhoven The Solomon R. Guggenheim Museum, New York PAUL VAN HOEYDONCK BIOGRAPHY 1925 Born in Antwerp, Belgium 1945-51 Graduated in History of Art and Archaeology in Antwerp, Belgium. 1952 First solo-exhibition, figurative paintings, Gallery Buyle, Antwerp, Belgium. (OMS) Figurative paintings, Gallery Unicum, Bruges, Belgium.(OMS) Figurative paintings, Au Cheval de Verre, Brussels, Belgium.(OMS) 1953 One-man show figurative paintings, Gallery Unicum, Bruges, Belgium. "Open Air Party", Driekoningen Castle, Beernem, Belgium.(GE) "Salon Quadriennal de Belgique" Liège, Belgium.(GE) 1954 Creates Coloured Geometrical Abstract paintings Gilbert Swimberge and Paul Van Hoeydonck, Galerie Théâtre du Poche, Brussels, Belgium.(GE) "Zomersalon Salon d'été" Gallery Unicum, Bruges, Belgium.(GE) "Salon quadriennal des Beaux-Arts" Ghent, Belgium.(GE) 1955 Gallery Dutilleul, Brussels, Belgium.(OMS) 1956 Co-founder of art group “FORMES” "Lauréats du prix Jeune Peinture Belge", Palais du Beaux-Arts, Brussels, Belgium.(GE) Diamond among the works 'distinguished by the jury' "La peintres du groupe Formes" Cercle Jean Jaurès, Salle de l'Académie de musique, Morlanwelz.(GE) "Défense du petit format", Gallery Saint-LaurentBrussels, Belgium.(GE) Gallery Saint Laurent, Brussels, Belgium.(OMS) 1957 Created first monochrome collages. "Salon national du meuble social moderne" Museum voor Sierkunst, Ghent, Belgium.(GE) "Lauréats du Prix Jeune Peinture" Société Royale des Beaux-Arts, Verviers, Belgium.(GE) Gallery le rouge et le noir, Charleroi, Belgium.(GE) "Groupes" Gallery Accent, Antwerp, Belgium.(GE) "Défense du petit format" Gallery Saint Laurent, Brussels, Belgium.(GE) "Summer Exhibition" Gallery Accent, Antwerp, Belgium.(GE) "Paul Van Hoeydonck" Gallery Saint Laurent, Brussels, Belgium.(OMS) "Peintres belges inspirés par l'Espagne" Gallery Giroux, Brussels, Belgium.(GE) 1958 Creates first monochrome light works with the introduction of small plexiglass structures. "Paul Van Hoeydonck" Gallery Accent, Antwerp, Belgium.(OMS) "Oeuvres graphiques" Gallery Saint-Laurent, Brussels Exhibition G58 with Georges Van Tongerloo at Castle Middelheim Museum, Antwerp Belgium.(GE) Co-founder of the G58 Hessenhuis group in Antwerp. Opening Exhibition G58, Hessenhuis, Antwerp, Belgium.(GE) Participation at the World Exhibition Brussels, Belgium.(GE) "Groupe Art Abstrait" Gallery Hella Neblung, Düsseldorf, Germany.(GE) 1959 Begins showing in exhibitions concerned with monochrome painting and “Zerogroup” "Vision in Motion/Motion in Vision" first international exhibition in G58, Antwerp, Belgium.(GE) "Lauréats du Prix Jeune Peinture Belge1958" Palais des Beaux-Arts, Brussels, Belgium.(GE) "Oeuvres d'art acquises par l'Etat en 1958", Palais des Beaux-Arts, Brussels, Belgium.(GE) 1960 3th group exhibition G58 Hessenhuis, Antwerp, Belgium.(GE) 1961 Introduction of the “Boites A Monocles” as a reaction to the criticism concerning the light works G58 Hessenhuis, Antwerp, Belgium.(OMS) First important one-man show, Brussels, Palace of Fine Arts Iris Clert Gallery, Paris, France.(OMS° Museum of Modern Art, New York, purchases a light work First trip to New York,USA, private show introduced by Harry Torczyner 1962 Robert Elkon Gallery, New York, USA Created first Spacescapes and White Planets (Planetscapes) “Zero 3” exhibition in Dusseldorf, Germany.(OMS) 1963 Exhibits his first environment “Space Control Station” at the Forum exhibition Ghent, Belgium Participates in the Tokyo Biennale, Japan.(GE) "Contemporary painting in Belgium" St-Louis, Denver, L.A., San Francisco, USA (GE) 1964 Creation of a new race “The Mutants” Participation Documenta III, Kassel, Germany.(GE) The Hague, Vienna, Berlin, Otterlo, Bern and Brussels Pierre Restany “baptises” him “archaeologist of the future” Gallery Iris Clert, Paris, France.(OMS) Participated Floating Biennale Iris Clert, Canale Grande, Venice, Italy.(GE) Article in Times Magazine. Participated Iris Clert in Berlin, Germany.(GE) "Nieuw Realisme-Pop Art " City Museum Den Hague, Netherlands.(GE) 1965 Joins the Waddell Gallery, New York, where he presents several one-man shows Svensk-Franska Gallery, Stockholm, Sweden.(OMS) Gallery Theelen, Essen, Germany.(OMS) Gallery Waddell Gallery, New York, USA.(OMS) "Pop-Art/Nouveau Réalisme" PSK/Palais des Beaux-Arts, Brussels, Belgium. (GE) Biënnale Middelheim, Antwerp, Belgium. (GE) "Flemish Art" Gallery Arditti, Paris, France.(GE) "Belgian Drawings since Permeke", Lima, Peru.(GE) "45 years Belgian Art" Rio de Janeiro, Brasil.(GE) "Collection Graindorge" Copenhague, Denmark.(GE) "Sculptures from al directions" Worldhouse Gallery, New York, USA.(GE) "White on White" Lincoln, USA.(GE) "Pop, pop, whence pop" Heckster Museum, Huntington, New York, USA.(GE) "Nouvelles Recherches Flamandes" Palais des Beaux-Arts, Charleroi, Belgium.(GE) "Flemish Art, Svensk Handelsbanken, Stockholm, Sweden.(GE) "Art for collectors" Rhode Island, USA.(GE) 1966 joins the Gallery Bonnier, Lausanne, Geneva and Stockholm Gallery Kirkhaar, Amsterdam, Netherlands.(OMS) Gallery der Spiegel, Köln, Germany.(OMS) Gallery Cogéime, Brussels, Belgium.(OMS) Stadtisches Museum Schloss Moirsbach, Leverkusen, Germany.(GE) "Weis auf Weis" Kunsthalle Bern, Suisse.(GE) "Premio Marzotto" Valdagno, Italy (GE) "L'Espace dans l'Art" Museum of Modern Art, Brussels, Belgium.(GE) Triënale of the Suthern Netherlands, Belgium/Netherlands. 1967 Produces CYBS (Cybernetics) Starts using elements from sawn-up car fenders Waddell Gallery, New York, USA.(OMS) Palais des Beaux Arts, Brussels, Belgium.(OMS) Gallery Foncke, Ghent, Belgium.(OMS) "45 years of Belgium Contemporary Art" National Art Gallery, Budapest, Hungary.(GE) "45 years of Belgium Contemporary Art" Salles d'état Dalles, Buckarest, Romania.(GE) "New Flemish School" City Gallery, Zürich, Suisse. (GE) "Actual Belgium Drawings" Madrid, Sevilla, Barcelona, Spain. (GE) "Collection Stuyvesant" Palais des Beaux-Arts, Brussels, Belgium. (GE) "Superlund" curator Pierre RestanyKunsthall Lund, Sweden. (GE) "Hommage to Bosch, De Moriaan, 's Hertogenbosch, Netherlands.(GE) "Science Fiction", kunsthalle, Bern, Suisse.(GE) 1968 First contact with NASA Gallery Kirkhaar, Amsterdam, Netherlands.(OMS) Gallery Bonhier, Lausanne, Suisse.(OMS) Belgium Haus, Köln, Germany.(OMS) International Monetary Fund, Washington, USA.(OMS) One-man show Gallery Müller, Stuttgart, Germany. "Contrasts 1947-1967, Royal Museum of Fine Arts, Antwerp, Belgium.(GE) "Science Fiction" Musée des Arts Decoratifs, Paris, France.(GE) "Science Fiction" Kunstverein, Düsseldorf,Germany.(GE) "40 ans d'Art Vivant" Hommage à Robert Giron, Palais des Beaux-Arts, Brussels Belgium. (GE) "L'eglise ouverte à l'Art Contemporain" La Biënnale, Centre Notre-Dame, Argenteuil, France.(GE) "Triënale" Hallen Brugge, Belgium.(GE) "The obsessive image 1960-1968", Institute of Contemporary Arts, London, UK.(GE) "Im Reiche des Phantastischen" Kunstverein, Recklinghausen, Germany.(GE) "Destruction Art" at Finch College, New York, USA "Art Vivant" at Vence, France. "Three blind mice" Abbe Museum, Eindhoven, Netherlands. "Three blind mice" Saint-Peter Monnastry, Ghent Lignano Biënale in Italy, Proclaimed as the official laureate. "Contact 68 Kelkheim" Pfarzencentrum Kelkheim, Germany. "Belgium Art" Archeological Museum Teheran, Iran. 1969 Contemporary Art Museum Chicago, USA.(OMS) Contemporary Art Museum Houston, USA.(OMS) Kunstverein Freiburg, Germany.(OMS) Gallery Withofs, Brussels, Belgium.(OMS) Gallery Waddell, New York, USA.(OMS) "Painting and sculpture today" Museum of Art Indianapolis, USA.(GE) "Belgium Art" Museum Bagdad, Iraq.(GE) "Belgium Art" Museum Beirout, Libannon.(GE) "Exposition Internationale de gravure" Museum of Modern Art, Ljubjana, Yugoslavia.(GE) "10 Belgische Maler" Gallery 66 Hofheim, Germany.(GE) "Space Art" Technical High School, Eindhoven, Netherlands.(GE) Gallery Foncke Ghent, Belgium.(OMS) "Apollo Mission of the Moon" National Gallery of Art, Washington, USA.(OMS) "The Jaques Kaplan collection" Finch College Museum New York, USA.(GE) 1970 The Apollo 15 Crew officially placed the statue “Fallen Astronaut” on the moon.(OMS) Creation of the first Astro's Palacio National de Bellas Artes Mexico City, Mexico.(OMS) One-man show Gallery Foncke Bruges and Ghent, Belgium. "Belgian Art 1960-1970" Kunstverein Köln, Germany.(GE) Gallery Bonnier, Genève, Suisse.(OMS) Gallery Engelberts Genève, Suisse.(OMS) "Jeu de blancs" Gallery Withofs, Brussels, Belgium.(GE) Gallery Rive Gauche, Brussels, Belgium.(OMS) "Jewels by Belgian Artists" Belgian Pavillon Osaka, Japan.(GE) "Itirénaires 'blancs' " Musée d'Art Moderne St-Ett-ienne, France.(GE) "Zeitgenossen" Kunsthalle Recklinghausen, Germany. "Second annual internal moonwalk festival" Cape Kennedy, USA. 1971 Gallery Waddell, New York, USA.(OMS) "Die Puppe" Aspekte zum Bild der Frau, Berlin/Leverkusen/Frankfurt, Germany.(GE) "Travelling Exhibition" Playboy Art...

Born in San Francisco and raised in Marin County, Bruce Lauritzen’s art reflects his Northern California roots. He attended the California College of the Arts (CCAC) on scholarship a...

This artwork "Two Men with an Antelope" c.2000, is an original acrylic paint mixed media on paper by noted Swiss artist Francois Burland b.1958. The subject size (Sheet size) is 19.25 x 25.25 inches, framed size is 30.25 x 26.25 inches. Custom framed in a black frame, with white matting. It is in excellent condition. About the artist: François Burland (1958) was born in Lausanne (Switzerland). He began drawing in self-taught fashion at the end of his adolescence. He undertook a first trip to Egypt's Sinai Peninsula at the age of twenty. A few years later, he encountered the Tuaregs in the Sahara Desert. Enthused by their nomadic lifestyle, he began returning to the region regularly over some thirty years. During his long stays with the Tuaregs, he shared their daily life, including their dromedaries and witchcraft, but also their 4x4s, mobiles and kalachnikovs. This creator has produced an abundant and varied oeuvre. Depending on each series and on his inspiration of the day, he avails himself of a number of techniques and materials. For his drawings, he prefers to use wrapping paper as a support: he applies pastels, colored pencil and white chalk to very large surfaces. His creations bring to mind shamanic art...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

Claudia Martínez Lanz Equilibrio 15 (Equilibrium 15), 2020, (1/1) Monotype (etching, ink and pigments on paper) Unframed dimensions: 15 x 18 inch...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

'G.R.A.S' no. 4' a series of 4 panels framed together into a single painting. The artist created the work using latex and acrylic on an original Collagraph print mounted to wood. Pro...

This artwork titled "For Wally" 1974 is a collage on paper by New York artist Gerald Johnson, 1944-2000. It is hand signed, titled and dated in pencil by the artist. The artwork size is 24.5 x 18.15 inches, sheet size is 27.35 x 21 inches. It is in good condition, the paper is originally wavy as it show on the pictures. About the artist: Gerald Johnson [b.1944-2009] played a dynamic role in the Brooklyn art scene from the late 1960’s through the late 1980’s. After graduating from Pittsburgh State, he established a studio on Green Street and became right-hand to Steve Poleskie at the famed Chiron Press in 1967. There he formed creative relationships with the artists he was in charge of bringing to life; Andy Warhol, Roy Lichtenstein, Thomas Wesselman...

Glowing warmth like candle light in this organic, clean, minimal and meditative sculptural wall relief that is ceramic on painted wood panel. 30 x 30 x 3 inches. A beautiful and tact...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

This artwork "Two Ryders on an Antelope" c.2000, is an original acrylic paint mixed media on paper by noted Swiss artist Francois Burland b.1958. The subject size (Sheet size) is 19.25 x 25.25 inches, framed size is 30.25 x 26.25 inches. Custom framed in a black frame, with white matting. It is in excellent condition. About the artist: François Burland (1958) was born in Lausanne (Switzerland). He began drawing in self-taught fashion at the end of his adolescence. He undertook a first trip to Egypt's Sinai Peninsula at the age of twenty. A few years later, he encountered the Tuaregs in the Sahara Desert. Enthused by their nomadic lifestyle, he began returning to the region regularly over some thirty years. During his long stays with the Tuaregs, he shared their daily life, including their dromedaries and witchcraft, but also their 4x4s, mobiles and kalachnikovs. This creator has produced an abundant and varied oeuvre. Depending on each series and on his inspiration of the day, he avails himself of a number of techniques and materials. For his drawings, he prefers to use wrapping paper as a support: he applies pastels, colored pencil and white chalk to very large surfaces. His creations bring to mind shamanic art...

Artist Comments
Abstracted flower blossom on a rich purple and red background. The flower's purple tinged petals flow across the composition creating a lively feeling. Collag...

René Romero Schuler is an American painter and sculptor who creates powerful images that speak to the complexities of the human condition and the spirit that connects all human being...

This artwork titled "Creation #34" c.1990 is mixed media, light acrylic paint and pastel on museum board paper by noted American artist Robert Inman, 1927-2016. It is signed at the lower right corner by the artist. The artwork size is 26.5 x 20.5 inches, framed size is 33.15 x 27.15 inches. Custom framed in a mahogany frame, with off white matting, and blue filet. It is in excellent condition. About the artist: Robert Inman 1927-2016. Studied at the Chouinard Art Institute The first job started in1959 at Bob Clampett...

Artist Comments
Abstracted flower blossoms on a rich fuchsia, purple and blue background. Quick, gestural brushstrokes create a lively feeling and collaged book pages add int...

This artwork titled "Canyon Series 54" c.1980 in a monotype, mixed media with embossing on Arches paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. The image is 36 x 26 inches, sheet size is 41.5 x 29.5 inches. It is in excellent condition, has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

This collage on wooden panel was made by cutting up and reassembling hand-printed botanical cyanotypes (blueprints or sunprints) of leaves from my own garden. While cyanotypes are tr...

This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...

Robert Mars’ graphic compositions and rich colors provide an ideal medium in which to explore his fascination with the Golden Age of American popular culture and the icons of the 195...

Maryn Hunzeker, American, 1907 - 1972 Title - The Refinery. Possible mixed media on board (Paper, Collage, Oil, Ink) Not dated - We believe this to be circa 1950's - Signed lower right Another stunning vintage mid century abstract painting...

Paula Valenzuela Bajo tierra (Underground), 2024 Mixed media on canvas 40 x 30 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars. Extern...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...