Bay Area - Mixed Media

A wood, graphite, and cork wall sculpture by Kevin Kennedy.

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

A cedar, black paint, and graphite powder abstract mixed media piece by Joe Brubaker.

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

My series Take Me Out Of The Blue emerged from a specific set of letters written by my grandfather (whom I never met) to my grandmother while he was a young man serving in the US Arm...

Part of my Message in a Bottle series, exploring the nature of self and lineage, as well as the themes of isolation, connection and love recurrent in the letters of my late father an...

A cedar, black paint, and graphite powder mixed media abstract piece by Joe Brubaker.

A mixed media painting of oil, acrylic, and gel on canvas.

An abstract wall piece made using wood and paint.

An embroidered photograph on waxed paper, unframed.

"Lacescape II" is an original wall-hanging sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with an expert assemblage of sculpted plywood and reclai...

"Myth of Sisyphus II (Abstract thought returns to prop of flesh)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece has a bold contrast between black chains and a pastel background. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...

"Myth of Sisyphus XIII (Comedy perpetuated by nature)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "M...

"Myth of Sisyphus V (Under the fatal lighting of that destiny)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This wor...

"Myth of Sisyphus IV Cloudy Sky (It is not despair that urges him to death, but love...)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is pa...

"Myth of Sisyphus X (A Man Defines Himself by his make-believe)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece contrasts boldly between white forms and chains in the foreground and dark blue background. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...

"Myth of Sisyphus I (I think at this point of all those who absolutely insist that Don Juan be punished)" is an original contemporary painting by Georgia...

A wall sculpture made using cedar, black paint, and graphite powder,

A chalk and graphite drawing of a bird.

A mixed media painting on canvas.

An encaustic painting on panel.

Artist: Daniel Joshua Goldstein – American (1950 -) Title: Still Life - Irises in Vase Year: Circa 1983 Medium: Mixed media with collage Image...

Artist: Daniel Joshua Goldstein – American (1950 -) Title: Still Life - Willows in Vase Year: Circa 1983 Medium: Mixed media with collage Imag...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic an...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic an...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic an...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic an...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic an...

Artist: Juan Manuel De La Rosa (Mexican, born 1945) Title: Homenaje a Pasado Year: 1979 Medium: Mixed media and collage, with embossing Paper: Hand made Image size: 11.75 x 13....

Dos Cuba Libres Never been here before? The busy rhythm, around every corner another bay, and resting will not come soon but still an elegant chaos

Tree Swift A red fired fog rose up, above the winter sea. I can believe in forever.

Sunday Sailing Sails like sentinels, the waves, blue in the afternoon moving on the slackening wind, tacking for home a stripped away memory.

You Looking at me? Everywhere you look you are seen, and looking backwards only turns your world around. We have stumbled into the matrix of vision.

Osoyoos Distances are vertical then far below, the blue lake. through a dusty ribbon road on a day of majesty. This pieces is one of an open-ended series.

Frog Carrying A Hot Potato The way to move in a hurry is a dance with time, our champion still has a lot to learn. Frogs aren't all we paint.

Philanthropic Device is a choice to be made, to give or better to be open to receive, lingering at the point of conveyance. A relationship between here and there and ribbons arrayed ...

I Burnt My hand On a Hot Cake Morning Light through the aging blinds of indecision, together, moving, catching up to the sounds of the opening day.

Lightsome Wither the Fog with sunlight over a winter's ground. I am warm besides you, running before the storm.

Over the pass We have arrived, not at our destination, nowhere,over the pass. From now on we can see ahead all the way to the next hills. to the next pass.

I like to stretch the boundaries of watercolor by using other media to create textures in my paintings. This watercolor and ink painting comes with a white mat ready for framing. :: ...

"Edges"  is a mixed media print on wood cradle by San Anselmo, CA based artist Katherine Warinner. This piece depicts layers of vertical print columns in tones of blues, beige, gray,...

A mixed media piece on Larroque watercolor paper. Framed.

A framed piece of mixed media on Larroque watercolor paper.

A mixed media framed piece on Larroque watercolor paper.

A mixed media piece using porcelain, wood, oil, and milk paint.

"Align" is a hard cover book collage on wood panel by San Carlos, CA based artist, Kerith Lisi. This piece features an array of rectangular book cover pieces in various tones of green, blue-green, orange and denim. Each color block has a unique texture with three pieces...

'Bread no. 4' The image of a slice of bread with a blue background painted, painted in 2023. It comes in a pristine museum quality pale ash wood frame with all archival materials. Artwork dimension is 12 x 12 inches. / framed 12 3/4 x 12 3/4 inches. A wonderful original work of art by Kim Frohsin, who is often associated with the Bay Area Figurative movement. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

"Colorblocks" is a colorful contemporary abstract hardcover book collage on wood panel by San Carlos, CA based artist, Kerith Lisi. This vibrant piece features an array of rectangula...

Through a meditative practice, Tan glues various materials such as Tapioca Pearls, seen here, on wood panels in intricate patterns directly inspired by traditional Filipino...

Through a meditative practice, Tan glues these various materials on wood panels in intricate patterns directly inspired by traditional Filipino tr...

Born in Bangalore, India in 1974, Uma Rani Iyli’s studio practice has been based in the SanFrancisco Bay Area since 1996. She received her foundation art education at the College of ...

This artwork titled "Window, The Afternoon" 1986 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 76/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

'Bread no. 3' The image of a slice of bread with a green background, painted in 2023. It comes in a pristine museum quality pale ash wood frame with all archival materials. Artwork d...

This artwork titled "Kennett's Window High Tide (Variation #2)" 1988 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 57/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

This artwork titled "Kennett's Window High Tide (Variation #1)" 1988 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 5/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

Mind and Mirror I is an oil and mixed media painting on canvas, 35 x 35" canvas size, signed ‘FRESSINIER’ lower left and framed in a contemporary, white frame. Francois Fressinier i...