Antiques in Berlin

Wir bieten einen von zwei Cassina Maralunga Sessel Sets inkl. Ottoman vom italienischen Traditionshersteller Cassina zum Verkauf an. Der Entwurf stammt von Vico Magistretti und gilt ...

This Fashion ring is made of 18 karat yellow gold and sugarloaf natural pink tourmaline (19,29 carats, 14,7 mm/ 0,55 inches). This ring can be personally signed. This is a custom mad...

Elegant Cartier Must Trinity Quartz watch with a 21mm round argent (silver) case and a distinctive tri-color dial. A classic design that embodies Cartier’s timeless style. Without bo...

The most stunning pure silk Thierry Mugler ensemble. Sooo Mugleresque! The combination of extraordinary avant-garde shape: pointy asymmetric hem and fitted horglass silhouette &...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

We are offering a beautiful coffee table by Kvalitet Form Funktion from the 1960s for sale. The design of the table impresses with its extraordinary length of around 175cm, which off...

Thierry Mugler never simply designed clothes - he sculpted fantasies, built armor for the bold, and turned fashion into a force of transformation. His Fall/Winter 1988/89 Les Inferna...

Presented here is an exceptional pair of long 18K yellow gold earrings featuring six natural Black Opals sourced from Australia - a gemstone revered for its deep body tone and vivid ...

Cartier Trinity Tri Color Bangle, Bracelet 18 Karat Rose, White and Yellow Gold. Size MD, inner circumference 195 mm. Including original Cartier box ...

Fabulous extremely rare Thierry Mugler tousers, Fall/Winter 1985 Collection. They encapsulate his radical, near-futuristic vision with a kaleidoscopic nod to psychedelia and the joy ...

Large sculptural Sciolari style ceiling or wall flush mount by Leola. Black and chrome version. Germany, 1960s.

Wonderful crystal glass, brass and nickel pendant chandelier. Austria, 1960s. Measures: Diameter 27.5 in Height (body) 6 in Lamp sockets: 8x E27 (US E26).

One of ... large opaline glass and brass wall light by Florian Schulz. Germany. Lamp sockets: 2x E27 (US E26).

Introducing our stunning bohemian-style chandelier! This brand new in-house production has been meticulously crafted with great attention to detail, resulting in a neutral and airy c...

One of three absolutely classic table lamps from the early mid-century. The offer is for the black one, which is in good to very good condition. The other two lamps can be found in o...

Wir bieten zwei wunderschöne kleine WK Möbel Sideboards aus den 1960er Jahren zum Verkauf an. Die Sideboard verfügen jeweils über zwei Türen und wurden aus hochwertigem Nussbaumholz ...

Beautifully carved malachite and rose gold dome ring made in Russia, ca. 1915. The rich color in shades of green is enhanced by the expertise of the carver. A statement piece for the independant lady - colorful but elegant at the same time. The luxuriant, swirling patterns of malachite have striking light and dark green marbling that is unmistakable. The startling beauty of this stone has come to represent sensuality and beauty. With its concentric, eye-like rings of green that mimic the eye of a peacock feather, this stone has captured the imagination of many cultures for ages. The first culture to use malachite for adornment was ancient Egypt around 4,000 BC. The Egyptians used malachite as an ornamental stone in jewelry and art. The stone was imported from King Solomon's infamous copper mines on the Red Sea. Archeologists have found Egyptian tomb paintings using malachite gemstones that had been ground into paint that colored the walls. It was also ground into a fine dust and mixed with galena, a thick paste used to make kohl, on slate palettes to be painted onto eyelids as a cosmetic and talisman against evil. Vivid green malachite kohl is believed to be Cleopatra's favorite cosmetic, and she was buried with a large vase of it for use in her afterlife. Malachite also played an important role in European paintings during the Renaissance period of the 15th and 16th centuries as a pigment for paints and dyes. It is believed that many of the green colors found in Michelangelo's Sistine Chapel painting were painted with malachite-based oil paints. It was the Russian Romanov...

Wir bieten ein wunderschönes COR Conseta Dreisitzer Sofa aus schwarzem Leder zum Verkauf an. In unseren anderen Anzeigen bieten wir zudem einen passenden Z...

Rare 1988 Thierry Mugler Collectos Piece. HOT PINK Thierry Mugler Vision! This colour is out if this world!! The most dramatic hot pink silk blouse. Fabulous dramatic statement coll...

Hermès Kelly 35 in gris etain and togo leather with gold hardware. The bag is unworn comes as full set including the original receipt. Stamp D (2019)

Fabulous GUCCI 2016 Collection Pure Silk Evening Gown with breathtaking crystal embellishment. A Dream come true created by the genius Alessandro Michele <3 One of the most amazi...

This antique silver locket pendant was probably made between 1908 and 1917. The gold silver mounted locket is covered with a very fine translucent sky...

This vintage table lamp, designed by the renowned Hillebrand Lighting in the 1960s, features a brass stem and base, offering a warm and elegant contrast to the large, sleek metal sha...

Beautiful wall dressing table by Uno and Östen Kristiansson, made from oak. Cool details in the joinery and the sculpted handles on the drawers. In gr...

Tube Pendant 01 with 2 Light Tubes in Brass by Naama Hofman. Dimensions: W 106 x D 81 x H 53 cm. Materials: Brass, Acrylic tube. Light: flexible LED strip light. All our lamps can b...

A quietly powerful piece featuring a natural black opal sourced from Australia, set in solid 925 sterling silver. The opal weighs 1 carat and displays a deep, dimensional base with o...

Silver ring with natural Tourmaline Rubellite with cat's eye effect stone measurements - 0.35 х 0.51 х 0.91 in / 9 х 13 х 23 mm stone weight - 23.55 carats ring weight - 16.4 grams r...

Modernist ultra-thin table made of chrome-plated steel and veneered wood, customizable. Production time: 10-12 weeks.

A quintessential early-2000s Miu Miu silhouette, this sleek black leather skirt embodies the house’s understated sensuality and minimalist edge from the Spring/Summer 2000 collection...

Wonderful pair of Mid Century vintage matte opaline glass and brass wall lights.  Italy, 1950s. Lamp sockets: 2x

This plaster sculpture, Tanzende Mänade, is a museum reproduction created around 1930 after the antique original in the Antikensammlung of the Kunsthalle zu Kiel. Capturing the drama...

René-Jean Caillette Oak Trolley, France - 1950s

14K yellow gold ring with Boulder Koroit Opal opal origin - Australia opal measurements - 0.24 х 0.98 х 1.18 in / 6 х 25 х 30 mm stone weight - 44.43 cara...

The painting is created on a round canvas using the acrylic pouring technique. At the center, vibrant shades of green and gold flow into orange and red tones. Surrounding them are f...

Massive ice glass flush mount by Kaiser. Germany, 1960s.  

This contemporary Daffodil ring is in 18 karat yellow or rose gold with natural oval cut emerald. The ring is easy to wear, and the design catches eye's attention. The small round ge...

Antique Gold Coral stud earrings, in faceted drop-cut.

This contemporary cocktail ring is in 18 karat rose gold with natural untreated sky blue paraiba tourmaline, 5,16 carats, 13x9 mm, cushion cut. It belongs to Mesopotamian collection....

Jens Risom lounge chair U-430 for Risom Inc., USA 1950s Upholstered in new Kvadrat Fabric.

Newly upholstered Kvadrat Jens Risom settee or two seater. Oak frame

The “La Basilica” table stands out for its sturdy, clean-lined design. It has six legs and is crafted from solid walnut. It was designed by Italian designer and architect Mario Belli...

For sale is a stunning antique chandelier that has been professionally restored in Berlin. The chandelier has been meticulously re-wired and is now ready to be hung. Not a single cry...

These contemporary transformer stud earrings are made of 18 karat yellow gold with natural emeralds 0,27x0,21 inches / 7x5,5 mm each, octagon cut, and detachable 0,37x0,27 inches / 9,5x7x6 mm each, 8,9 carats in total. Because of the drops the earrings give the oil painting renaissance...

Huge bench or coffee table with nice wooden connector detais. The table has a solid 5cm thick table top and sides and is in very good condition with a wonde...

The visual language of the power of the sun is represented through these paintings. Through painting and sculpture, Gregory Robin conveys the feeling of being present in a living, b...

A vivid, almost tropical-feeling bird is captured in a moment of quiet contemplation. Its plumage is a painterly symphony of warm ochres, golden yellows, turquoise, and deep blues. T...

Antique oil painting, atmospheric seascape. 19th century. Oil on canvas. Unsigned. Dimensions without frame 80 cm x 122 cm. The painting and the frame are in an age-appropriate co...

This Cartier ring is a true masterpiece of elegance and refinement. Crafted from 18k white gold, it exudes luxury and sophistication from every angle. The smooth and simple shape of the ring is a testament to the brand's iconic design aesthetic, featuring a clean and modern look that is both timeless and contemporary. The label "Cartier" engraved on the inner band is a hallmark of the brand's impeccable quality and reputation. This ring is a stunning example of Cartier's exquisite craftsmanship, with every detail carefully considered and executed to perfection. The white gold material gives the ring a luminous and radiant quality, while the simplicity of the design allows the beauty of the metal to speak for itself. It is a perfect choice for those who appreciate understated elegance and timeless style. Dating back to 1992, this ring has been cherished for many years and is a true vintage piece. Its classic design and impeccable craftsmanship make it a timeless piece that will never go out of style. It is a versatile piece that can be worn on any occasion, whether it be a special event or everyday wear. With its elegant simplicity and enduring beauty, this Cartier 18k...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Pair of beautiful minimalist Sputnik wall or ceiling flush mounts in the style of Stilnovo. Italy, 1950s. Lamp sockets: 3

This one-of-a-kind bracelet by legendary Swiss jeweler Gilbert Albert is crafted from textured 18k yellow gold and showcases his signature blend of nature, artistry, and refinement. ...

A sculptural 18K yellow gold ring centered with a remarkable natural Australian Ink Opal, distinguished by its profound depth of tone and luminous internal structure. The round caboc...

Unique 'Pagonau' model chest of drawers. Modernist variant of the Van Beuningen model with a quadrangular case in mahogany veneer. Opening at the front with three hinged drop-front p...

Charming Art Deco ring, red gold and platinum, set with diamonds and natural pearl. The large diamond has a size of approx. 0.7 carat The pearl has a diameter of approx. 5.2 mm Dim...

Cascading Waves Natural Dark Neon Electric Opal Ring Inspired by the sun as it breaks through the dark night, this magnificent ring features fantastical blackened silver waves pains...

Price is dependent on the chosen materials and size. Also available in 270 x 105 x 74cm. Available materials: TOP FINISH: VETRO TORTORA VETRO FLOAT VETRO FUMÈ ANTRACITE VETRO PE...

Pair of beautiful vintage blown glass and brass sconces. France, 1970s Lamp sockets: 1.  

During production, the wooden parts are submitted through a specialized process whereby the wood is dipped into acid in order to soften the fibres of the wood. Softened fibres are then removed using a metal wire brush. This sophisticated process, which was popularized in France by designers such as Elizabeth Eyre de Lanux...

A chessboard made from black and natural leather with 32 nickel pieces. Designed in the 1950s by Carl Auböck. Made in Vienna.

A Piece of History Recreated – Timeless Beauty, Faithfully Reborn Every now and then, you come across a piece that leaves a lasting impression. For me, it was this chandelier a stu...