Antiques in Berlin

Rare square textured white (not clear) murano glass flush mount by J.T. Kalmar. Austria, 1960s. Lamp sockets: Four x E27 (US E26)

Wir bieten einen von insgesamt zwei wunderschönen Vintage Zweisitzer vom französischen Premium Hersteller Roche Bobois zum Verkauf an. Die Sofas stammen aus den 1980er Jahren, wurden...

The 'TRON' Dress or 'Spiderweb-Dress' Iconic Thierry Mugler Couture, FW 2001 "Les Fauves" Collcetion. Birth of this Design was the FW 90/91 "Anatomique Computer" Collection. Extrem...

One of... large geometric crystal (topas) glass, brass and iron wall light sconce. Germany, 1960s. Lamp sockets: 1x E27 (US E26)

Modern contemporary customizable night stand, handcrafted wood, manufactured by GMD Berlin, Germany, 2019. Delivery time: 6-7 weeks.

Pocket watch: limited IWC pocket watch, rarity in the 18K solid gold version, 'Scarabaeus-Fuchs-Savonnette', Schaffhausen, around 1982 with original box Absolute rarity and rare col...

This impressive Neo-Renaissance bookcase, crafted around 1870, is executed in solid oak and distinguished by its exceptionally rich figurative carvings. The tall, architectural form ...

Thierry Mugler Black Dress SS 1994 Spring Summer Collection. Extremely rare collectors piece. Elegant, fabulous and timeless. The perfect little black dress with the iconic Thierry ...

The Hans Wegner CH22 lounge chair is a design created by Danish designer Hans J. Wegner for Carl Hansen & Søn. It is a low armchair with a solid wood construction, featuring characte...

A rare famous piece from the iconic Alexander McQueen 2010 Collection, his final runway presentation was widely acclaimed as his finest collec...

Holy Grail Collectors Piece. Breathtaking Thierry Mugler Dress, Spring Summer Collection 1986. Worn by the gorgeous Iman on the Runway and also for the Cam...

This is an abstract work on canvas, created in mixed media using paper, modeling paste, acrylic, and spray paint. The composition is built on an expressive combination of rich gold, ...

Customized dresser with eight drawers, designed and manufactured by GMD Berlin. These high-quality, handmade furniture in a classic modern timeless d...

Very decorative, 17th century, old master painting, oil on canvas, King Alexander Magnus, the great. Illustration of two children, putti, with wreaths of flowers on a board (or maus...

Alla Victorovna Kraschina-Shadov (*1958), Small Box, 1999. Oil on canvas, 59 cm x 59 cm (image size), 63 cm x 63 cm (frame), monogrammed and dated 1999 on the lower right, also signe...

Pair of beautiful minimalist glass and chrome wall lights. Germany, 1960s/1970s

This painting has heavily textured acrylics in multicolored on wood. The artist created the piece using multiple techniques like palet knife, brush and pencil. The series is call...

Extremely rare and attractive bubble hanging lamp. Made of plastic with a pearlescent shimmer. With silver rim on the side and chrome cover on the socket. Produces a lot of atmosph...

Mid-century wooden desk with one drawer made of veneered wood. Italy c. 1960

Behold the stunning Noble 14k Gold Cocktail Ring, a true masterpiece of fine jewelry. This piece exudes elegance and sophistication with its immaculate craftsmanship and exquisite de...

Early 18th Century French Louis XIV / Régence Marquetry Armoire or Wardrobe The rectangular Louis XIV Régence armoire or wardrobe with rounded corners standing on a short base with bracket feet and curved apron with gilt-bronze Apollo head mount; the two doors can be opened by a Pasquil lock to reveal the inside with four removable shelves. The doors decorated with gilt-bronze framed rectangular cartouches displaying elaborate trellis pattern marquetry and gilt-bronze paterea mounts at the corners; the inner sides of the doors each with a large marqueted rhomb motif; the sides of the armoire with quatre-foil mirrored marquetry. Rich gilt-bronze banding, the upper corners and the bracket feet at the front with Louis XIV style gilt- bronze foliage appliques. Although this exceptional Louis XIV / Régence armoire or wardrobe does not bear a stamp (stamping furniture only became commonplace after 1745), its shape, its quality of manufacture and its luxurious yet well-balanced use of Louis XIV/Régence gilt-bronze mounts on an elaborate geometrical marquetry all lead to the workshop of the important cabinet maker Etienne Doirat (1675-1732). Étienne Doirat came from a family of cabinet makers that had been established in Paris from the beginning of the 1600s. Doirat only began to stamp his furniture at the end of his career, and accordingly only few pieces bear his stamp and can serve as comparison pieces for newly discovered pieces of furniture. He constructed various furniture forms, including commodes, armoires, corner cupboards, and tables, often veneered with simple marquetry in exotic woods. Although he did not do the casting, chasing and gilding, Doirat tried to keep exclusive control over the models for his bronze furniture mounts...

These elegant stud earrings crafted from 14-karat yellow gold impress with their classic simplicity and the natural luster of fine jade cabochons. The oval-cut green jade stones are...

Timeless elegance – the Ebel 1911 ladies’ watch combines luxurious materials with clean lines and subtle sophistication. The case is crafted fro...

Wonderful rare vintage ice and clear glass geometric bubble glass flush mounts. Germany, 1960s. Lamp sockets: 1x E27 (US E26).

A sculptural lounge chair crafted from solid oak, featuring a sturdy square frame with visible pegged joinery. The curved seat rail and upright posts support a back made of wide natu...

This ring is in 18 karat yellow gold with 15x15x8 mm vivid green grown quartz. It was published in Harper's Bazaar and Vogue UA. This piece can be personally signed for the same pric...

Each item made by Felix Muhrhofer is carefully hand-crafted and a unique, one-of-a-kind product. Felix Muhrhofer has studied Industrial/Interior design in Vienna and Barcelona. He is...

This Nature Morte Style Peacock ring is in 18 karat yellow gold with natural oval cut blue sapphire, and round emerald. The ring is easy to wear, an...

Museum worthy piece of Fashion History The iconic Thierry Mugler Stingray Dress SS 1989 Collection. Famously worn at the legendary Les Atlantes Runwayshow by Dianne Brill. A Signature Piece for this amazing Collection. Tight sexy white dress...

Sharp, seductive, and unapologetically commanding - this Thierry Mugler masterpiece from the Hiver Buick Collection FW 1989/90 is a dream of architectural tailoring and kinetic drama...

This Plum Blossom Sculptural pendant necklace is in 18 karat yellow gold with 5 round diamonds. This collection was featured in Vogue UA review. We use top natural diamonds VS, F-G, ...

This contemporary Peacock ring is in 18 karat yellow gold with natural oval cut blue sapphire, 2,55 carats, 0,35x0,3 inches / 9x7,8 mm, and diamond. The ring is easy to wear, and the...

This elegant chandelier has been meticulously and lovingly restored in our Berlin workshop. All the electrical components have been replaced to meet modern standards, while preservi...

Pair of armchairs in polished walnut. The slightly arched back legs extend seamlessly into the open back frame, crafted from solid walnut. The front legs connect elegantly to the bel...

This contemporary Mesopotamian engagement ring is crafted from 18 karat yellow gold and features a stunning 7.28 carat natural, unheated, untreated cushion-cut orange-pink Padparadsc...

A chessboard made from black and natural leather with 32 nickel pieces. Designed in the 1950s by Carl Auböck. Made in Vienna.

This bold sterling silver ring highlights the vivid beauty of a natural Mexican opal, celebrated for its fiery brilliance and captivating play-of-color. Originating from Mexico, the ...

Set of four large and beautiful hand blown glass ceiling or wall flush mounts. Germany, 1960s. Lap sockets: E27 (US E26).  

1920's Turin School design movement Set of Table and two Stools. The measurements given apply to the table. The stools measure 39 cm in diameter and 42cm in height.

Set of four wonderful sculptural round bubble hand blown glass and chrome "belt" flush mounts. Germany, 1960s. Lamp sockets: E27 (US E26).

Stunning archival Alexander McQueen dress : GOD SAVE THE QUEEN from the Collection Girl Who Lived In A Tree, FW2008 Pure Silk Corset Dress, Wearable Art. The dress, crafted from lux...

Wir bieten zwei wunderschöne kleine WK Möbel Sideboards aus den 1960er Jahren zum Verkauf an. Die Sideboard verfügen jeweils über zwei Türen und wurden aus hochwertigem Nussbaumholz ...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Pouf Charaktere Hilma by Lyk Carpet Dimensions: Ø 53 x H 48 cm. Materials: 100% tibetan highland-wool, new pure hand-combed and hand-spun wool, natural ve...

Beautiful Berthold Muller Mosaic table with rare gold elements, wood and brass legs and very nice patinated brass frame. No chips!

Amazing blown bubble glass and chrome flush mount. Germany, 1970s. Lamp sockets: 9.

This exquisite 18k cluster ring is a true work of art, beautifully crafted with intricate detailing. At its heart lies a captivating arrangement of 12 brilliant-cut sapphires, each w...

Very beautiful desk designed by Nanna Ditzel for Søren Willadsen Møbelfabrik, made in Denmark in 1955. The desk is in very good condition and is ready for usage.  

Stunning Thierry Mugler Spring Summer 1987 Ensemble: A Masterclass in Architectural Seduction Thierry Mugler was never one to simply design clothing - he sculpted, he dramatized, he ...

Handcrafted Crystal Chandelier made of Solid Brass with Chrome Silver Finish – Twelve Light Ceiling Fixture with Hand Tied Crystals – Diameter 62 cm Height 95 cm Total Height 120 cm ...

This beautiful Mid-Century French Armchair in Bamboo Style with Animal Print Fabric was made in the 1970s. A unique piece which is a great eye-catcher for your antique, modern, space...

Customizable tubular steel stool with fabric / leather upholstery.

Beautiful 18-arm geometric clear glass and brass Sputnik chandelier. Germany, 1960s/1970s Measures: Diameter: 26 Inch Height min. (body): 16 Inch.  

Unique Restored Wrought Iron Chandelier – A Blend of Elegance and Tradition Experience the beauty of classic lighting with this exceptional wrought iron chandelier, combining eleg...

This striking dining table embodies the rustic charm and sophisticated design of mid-century Mexican equipales furniture. Crafted around 1970, its substantial round top is likely mad...

Wir bieten ein wunderschönes kleines Wandregal vom dänischen Traditionshersteller Cado aus den 1960er Jahren zum Verkauf an. Das Regalsystem wurde von Poul Cadovius entworfen und erl...

Antique Chandelier: Lovingly Restored in Berlin, Exuding Elegance Step into a realm of timeless beauty with this chandelier, meticulously restored in Berlin with unwavering care and expertise. Balancing vintage charm and contemporary practicality, its electrical wiring has been thoughtfully adapted to work seamlessly in the US. This masterpiece has undergone an extensive re-wiring process and is now poised to grace your space with its resplendent glow. Specifications: - Overall Height: 90 cm - Height without Chain: 72 cm - Diameter: 40 cm - Weight (Approx.): 7 kg - Number of Lights: 3 - Bulb Socket Type: E14 Every aspect of this restoration has been meticulously executed. The chandelier's cabling has been entirely renewed, ensuring both safety and optimal performance. Each crystal has been masterfully hand-knotted, imbuing the chandelier with an air of timeless luxury. The chandelier's dimensions – an overall height of 90 cm, 72 cm without the chain, and a diameter of 40 cm – create a captivating presence, making it a centerpiece that elevates any space. With 3 E14 light bulb sockets, the chandelier casts a warm and inviting glow, creating an ambiance of enchantment. The restoration process encompasses the incorporation of new electrical components, cables, and sockets, ensuring contemporary functionality while retaining classic allure. Versatility is inherent in the chandelier's design, with a variable total length that enables you to customize its suspension to seamlessly fit your space. For shipping, the chandelier is carefully packed in a bespoke wooden box, ensuring secure transportation to destinations worldwide. Its universal wiring design ensures effortless integration with international electrical systems, including those in the US, making it ready for immediate connection. Before dispatch, the chandelier undergoes a meticulous cleaning process. Any missing crystals are thoughtfully replaced, ensuring that you receive a complete and radiant piece, ready to enhance your space. Confidently purchase from our specialized chandelier store, with years of experience and an unwavering passion for these remarkable fixtures. Own a piece of history and craftsmanship, and illuminate your surroundings with the timeless elegance of this meticulously restored antique chandelier.

Pair of beautiful clear bubble glass, brass and metal flush mounts in the Art Dèco style. Germany, 1960s.. Sockets: One E27 (US 1x E26).  

Pair of 51W florence Knoll lounge chairs by Knoll Associates, USA 1950s The chairs have a vintage upholstery. We are offering also reupholstery in our in house workshop.

18 karat rose gold Mesopotamian Egyptian revival pendant necklace is encrusted with octagon cut 3.64 carats Indicolite tourmaline, 10,5x7 mm. You can order this piece in white, rose...