Brussels - Art

Artwork sold in perfect condition During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, North America and Asia. From everywhe...

Bambini per la strada, New York décembre 1955 - Black and White Photography Artwork sold in perfect condition During the 15 year period in which Fabrizio La Torre dedicated himself t...

Artwork sold in perfect condition During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, Nort...

Step by Step - Coffret Prestige # 1 - Portfolio of 6 photos, 21st Century, Minimalist Black and White Photography Artwork sold in perfect condition Portfolio Step by Step, 6 photos. Steps, a ladder, almost all from the bottom to the top, to show you are climbing. Or ? It's up to everyone to decide, to think about which metaphor they prefer. But it's still a personal matter. For some it will be happy, easy or joyful, while for others, Jörg says in a text written in 1982, the image will refer to a painful memory, a painful sensation, an ordeal. Because this image is "us", it is only us but it is all of us. 6 baryta prints 24 cm x 30 cm mounted under a white open-frame 2mm thick in 40 cm x 50 cm format with the artist's stamp on the back. From left to right and top to bottom: Munich 1979, Munich 1982, Munich 1979, Liège 1982, Donaustauf 1973, Anagni 1977. This constitutes a very exceptional offer. German photographer Jörg Krichbaum...

Artwork sold in perfect condition Zoological Park Portfolio, 8 photos Still not a single human being in this portfolio, only representatives of the animal kingdom, confined, sad, em...

Artwork sold in perfect condition Coffret Collector including 6 Fine Art Prints During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, North America and Asia. From everywhere he brought back photos that tell of the human, universal and soul-filled condition, to which he was so sensitive. Here is First Look at Canada, where Fabrizio La Torre stayed in November and December 1955, on a 6-month trip to North America which also took him to Canada and California. In Montreal, he could not resist the urge to travel aboard the "Canadian", the most modern and luxurious version of the Canadian Pacific train, inaugurated a few months earlier, on April 24, 1955. And even if the official story of this company claims that as from this inauguration the train was pulled by modern diesel locomotives, the heavy steam engines are still used, to the delight of the photographer who knows how to play with their big white plumes. In stations, on platforms, steam is everywhere; while the temperature is around - 30°C, steam is welcome to thaw the axles, often blocked by ice. 1 - "The Rex Hotel", Toronto, November 1955. A cold, grey day with snow not far away, silhouettes of men in...

Artwork sold in perfect condition During the 15 year period in which Fabrizio La Torre dedicated himself to photography, he travelled in Italy, Europe, North America and Asia. From w...

Artwork sold in perfect condition During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, North America and Asia. From everywhe...

Panoramic cityscape made from 15 pictures Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Jean-Pierre De Neef came to photography like a new convert ...

Linear Moss (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, th...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. Mathematically, the concept of ambient space will change within a two or three dimensional space, one being true an...

Yves Brayer (1907 - 1990) La cabane du peintre, 1967 Huile sur toile Signée en bas à gauche Titrée et datée au dos 65 x 81 cm Yves Brayer trouva sa vocation dès l’enfance, dessinan...

Wissant (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, base...

Ce dessin à l'encre et à l'aquarelle gouachée est une œuvre de l'artiste Marine Oussedik. Le dessin a les dimensions suivantes : 27 x 93 cm ; encadré dans un beau cadre en bois doré ...

Reflective Vibration (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist cons...

Saltaire (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstract...

Jules Moigniez (1835-1894) Cheval Bronze à patine brune H. : 16,2 cm; L. : 22 cm; P. : 7,4 cm Signé en creux «J. Moigniez» sur la terrasse Épreuve de fonte ancienne Après avoir été ...

Montauk (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstracti...

Linear Orange (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, ...

Au début des années 1840, le courant romantique se manifeste explicitement dans l’art de Mêne, alors que ses sculptures s’inspirent de la prédation, de la violence de la nature et du...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

Josechu Lalanda (1939 - 2015) La charge du buffle Bronze à patine brune sur socle en bois H. : 22,5 cm ; L. : 38 cm ; P. : 18 Signé "J. Lalanda" et daté "1996" Titré "La carga del bu...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Cette sculpture est signée de l'artiste François Vandenberghe et numérotée "1/8". Le cachet de fondeur est celui de la fonderie Lauragaise. Il s'agît d'un véritable portrait. Au delà...

Linear Moss (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, th...

Cette figurine en bronze représente un cheval harnaché pour un attelage. L'oeuvre n'est pas sans rappeler les chevaux de certains sculpteurs français de la fin du 19e et du début du ...

Linear Fervor (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct,...

La Pré de Nuit (Abstract painting) Beeswax, resin and pigment on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The b...

Obsidian Blue (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers...

Chartreuse Over Cerelean (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper ...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

Beeswax, resin and pigment on canvas mounted on panels. This work is from a series of formal trifold compositions of quiet horizontal abstraction is based in the Venetian tradition ...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Ce très joli bronze est signé "René Paris" et porte le cachet de fondeur Thiébaut Frères (Fumière et Cie Successeurs. Il fut offert à François Sales en 1914, à l’occasion du concours...

Le Cheval attaqué par un loup n° 2 est une réduction du premier modèle, qui fut exposé au Salon en 1840. Cette sculpture s’inscrit dans la production romantique de Pierre-Jules Mêne....

Ce portrait de labrador est une oeuvre de l'artiste contemporain Hadrien David. Il s'agît de l'épreuve "4/8", fondue par Chapon. Hadrien David s’est formé très jeune à la sculpture auprès de son père, le maître José Maria David...

Ce modèle d’une grande rareté figure dans le catalogue de la vente Fratin de 1850, répertorié au n° 65. Christophe Fratin a réalisé plusieurs sculptures de lions dans des attitudes d...

Antoine-Louis Barye (1795 - 1875) Basset assis Bronze à patine brune nuancée H. : 12 cm; L. : 26 cm; P. : 10 cm Signé «BARYE» sur la terrasse, pas de cachet de fondeur Épreuve ...

Cette sculpture de Valem, d'une grande délicatesse, fait écho à un voyage en Mongolie. On imagine ce petit cheval robuste sur les hauts plateaux ou dans de vastes plaines, se reposan...

Les Lipizzan de Nicole Koleková que nous présentons a été réalisé par cuisson au four à bois. Chaque exemplaire possède une couleur et un rendu unique qui dépend de l’argile et parfo...

Ce bronze d’une grande rareté pourrait être le modèle de Gazelle mâle ou Gazelle mâle d’Afrique mentionné dans les catalogues des ventes Fratin de 1849 (n°65), 1850 (n°116) et 1852 (...

The highly expressive wooden skeleton was carved and polychromed in the early 20th century in Burma, today's Myanmar. Unlike many sculptures from that region, his one is not directly...

Cette oeuvre représente un cheval de sport au travail. Le placement du cheval évoque à la fois son élégance et sa force. Il s'agît de l'épreuve "2/8", fondu par Avangini. Valem accor...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 40 x 32 cm (15.7 x 12.6 in) matted to 61 x 51.x 0.1 cm (24 x 20.1 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional he...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Vassil réalisa ce modèle de Guépard en 2006. Notre épreuve est signée "Vassil" et numérotée "7/8". Il s'agît d'une fonte de la maison Chapon. Dans son catalogue raisonné, l'artiste...

Ce bronze du sculpteur Guy Le Corroller se présente dans une belle patine brun acajou, richement nuancée. Le modelage du Rhinocéros est expressif et garde l'empreinte de la main du s...

Cette œuvre originale est un dessin de l'artiste Paul Marcueÿz et a été réalisé à l'aquarelle gouachée, avec quelques détails à l'encre. Les dimensions du dessin sont 18,5 x 30 cm et...

Although the 18th century, the period of the Enlightenment in France, spawned thinkers who criticized the privileges of the clergy and the truthfulness of certain dogmas, the Roman Catholic faith was very much present in everyday life. Since king Louis XIV had issued the Edict of Fontainebleau in 1685, Protestantism was banned from the country. This Madonna with child illustrates the daily practice of faith. Like many 18th-century Madonna statues...

The Namur painter and engraver, Louis Decoeur (1884-1960) became a member of “L’Effort” around 1910. This artist’s association provided a free studio for painters in Brussels, on the...

Pieter Plas placed himself with this pastoral scene in the tradition of the 17th-century painters and draughtsmen such as Nicolaes Pietersz Berchem, Karel du Jardin, Marcus de Bye an...