Brussels - Art

Artwork # 1 on 5 sold in limited edition in perfect condition This is a Minimalist framing & presentation of the artwork : The Fine Art print on Baryta paper is mounted on a 2mm dib...

Artwork # 1 on 5 sold in limited edition in perfect condition This is a Minimalist framing & presentation of the artwork : The Fine Art print on Baryta paper is mounted on a 2mm dib...

Diptych. The dimensions of each element are 84 x 60 cm (33.1 x 23.6 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaust...

View of Bou°_Sada. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. J...

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck w...

Artwork # 2 on 5 sold in perfect condition Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Artwork printed on fine art papers later (2014) from black & white ne...

Henri Emilien Rousseau (1875-1933) Chevaux de goumiers c. 1930 Signé en bas à gauche "Henri Rousseau" Huile sur panneau 14 x 22 cm Henri Rousseau est né au Caire, en 1875. Sa famill...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1956, the negative was digitized during the artist's lifetime and the technical parameters (fram...

Pierre Jules Mêne (1810 - 1879) Jockey à cheval n°2 Bronze à patine brune H. : 24 cm ; L. : 27,2 cm ; P. : 9 cm Signé "P.J. MÊNE" Épreuve de fonte ancienne Ce modèle de Mêne date d'...

Artwork sold in perfect condition Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Porta Portese, Rome Sunday Flea Market. Fabrizio La Torre...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex-...

Artwork sold in perfect condition - Off-Print # 1 (Saint Tropez 1978) from the portfolio Lines (Coffret Prestige # 2) This image was captured on film (1978) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. The sun, the sea, the waves, the spray, the bodies lying on the sand. Krichbaum's photos are like the antithesis of "postcard". No bather, no walker, not even a seagull, and yet everything is there. In his desire to leave the viewer free to imagine everything from his photos, the artist did not give titles to his photos, just an indication of date and place. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Raf Peeters is a Belgian artist represented by Boycott Gallery.

Anonyme, entourage de Christophe Fratin "Le cochon gentilhomme" Bronze à patine brune H. : 13 cm ; L. : 5,5 cm ; P. : 5 cm Au XIXe siècle, la caricature connaît un essor considérabl...

Pour cette sculpture, Charles Valton s’est inspiré d’un bas-relief assyrien, conservé au British Museum à Londres. L’œuvre en question date du VIIe siècle avant J.-C. et représente A...

Philip Verhoeven Mesdames et Messieurs (circus, 1920s, 1930s, performance) Acrylic and Marker on Canvas Year: 2024 Size: 15.75 x 15.75 inches Signed and titled by hand COA provided ...

Portrait of Eugène de Zereso de Cejada. Oil on mahogany panel. Eugène de Zereso de Cejada was a Belgian politician and Baron.

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Yves Louis Castel, sculpteur français Lionne et son lionceau Bronzes à patine brune Lionne – H. : 9,2 cm ; L. : 18,7 cm ; P. : 12 cm Lionceau – H. : 3,4 cm ; L. : 5,2 cm Signé « Y. L...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Ce très joli bronze est signé "René Paris" et porte le cachet de fondeur Thiébaut Frères (Fumière et Cie Successeurs. Il fut offert à François Sales en 1914, à l’occasion du concours...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

Armand Guillaumin (1841 - 1927) Paysage de la Creuse Pastel sur papier - passe-partout crème et cadre doré Signé en bas à gauche 45 x 58 cm (avec le cadre : 66,5 x 79,5 cm) Ce pays...

Prosper Lecourtier (1851 - 1925) Griffon Bronze à patine brune H. : 16,5 cm; L. : 20,5 cm; P. (terrasse) : 7,2 cm Signé «LECOURTIER» sur la terrasse Épreuve de fonte ancienne C...

Cette oeuvre représente une tête de cheval arabe. Il s'agît de l'épreuve "4/8", fondu par Avangini. Née en 1975, Valem découvre la sculpture en tant que modèle durant ses études. D...

Jean Vassileff, dit « Vassil » est né en 1949 à Drancy. Artiste autodidacte, Vassil s’est intéressé très tôt à la peinture et à la sculpture. Il pratique tout d’abord la taille direc...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP Artwork printed on baryta paper 310 grs museum quality pigment inks, limited edition of 7 copies in total Brussels Art Edition is the custodian of the archives of the great Italian photographer Fabrizio La Torre...

Tornando con le spese, November 1955 Coming home with the groceries. once again, Fabrizio La Torre captures a little moment in life that says a lot a...

Dunewood (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstrac...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 12 shots made in April 2014 Praça do Comércio ("Place du Commerce" in French) is a famous square in the Baixa district of Lisbon. Our gallery has its own production department and you can receive a small format demonstrative copy of this artwork on request, send a message & we will send it to you free of charge. Jean-Pierre De Neef came to photography like a new convert to religion, convinced that it would lend meaning to his life. His path took him first to a photographic laboratory, having once been a Cibachrome expert, regularly visited by French art photographers who made their way to Brussels to consult him. Well-versed in modern high performance techniques, nowadays Jean-Pierre De Neef produces art photos for several internationally known photographers whose works can be found in galleries and fairs the world over. Twelve years ago Jean-Pierre De Neef’s encounter with François Bayle, art critic and curator of the works of various photographers for Brussels Art Edition, enabled him to pursue his passion in new fields. He was at the side of the Italian photographer Fabrizio La Torre (Rome 1921, Brussels 2014) in the last few years of his life, who entrusted him with detailed instructions for digitising his archives and explained to him the results he was seeking. Jean-Pierre De Neef with his refined technical skills, and François Bayle with his creativity made up a team which was perfectly equipped to stage a number of well-received exhibitions of the work of Fabrizo La Torre - Museum of Ixelles (Brussels 2011), Principality of Monaco, an excellent Retrospective,(2014) and Bangkok (2019), which involved the presentation of the photos taken in Thailand between 1956 to 1961. Similar restoration work was performed on the photographic archives of the German photographer Jörg Krichbaum (d. 2002 in Brussels) and the remarkable photos of Rome...

The impressive life-size statue of St. Anthony (Lisbon, 1195 – Padua, 1231) used to be probably in a church or monastery of the mendicant order of the Franciscans. You can immediately recognize a Franciscan monk by his brown habit, brown hooded cloak...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Léon Charles Canniccioni (1879 - 1957) Vue de la baie d'Ajaccio 1936 (?) Huile sur toile Signé et daté en bas à droite 68 x 87 cm Cette vue de la baie d'Ajaccio en Corse, est une hu...

Antoine-Louis Barye (1795 - 1875) Basset assis Bronze à patine brune nuancée H. : 12 cm; L. : 26 cm; P. : 10 cm Signé «BARYE» sur la terrasse, pas de cachet de fondeur Épreuve ...

Antoine-Louis Barye (1795 - 1875) Basset debout (tête tournée à droite, second modèle) Bronze à patine brune nuancée H. : 15,5 cm; L. : 23,5 cm; P. (terrasse) : 9,6 cm Signé en c...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Indigo On Grey (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper...

Farmer's Wife - W 45 D 46 H 152 cm - glazed stoneware - 2025 Shepherd's Daughter W 31 D 27 H 86 cm - glazedstoneware - 2025 Created specifically for the exhibition Timeless Remnan...

Ce dessin à l'encre et à l'aquarelle gouachée est une œuvre de l'artiste Marine Oussedik. Le dessin a les dimensions suivantes : 27 x 93 cm ; encadré dans un beau cadre en bois doré ...

Cette œuvre originale est un dessin de l'artiste Paul Marcueÿz et a été réalisé à l'aquarelle gouachée, avec quelques détails à l'encre. Les dimensions du dessin sont 18,5 x 30 cm et...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Willem Muys was a Dutch, 18th-century painter of history pieces, portraits and cabinet pieces. Above all, he appears to have been active as a painter of ‘wallpaper’. Until the mid-18th century, ‘wallpaper’ was not painted on paper but on coarsely woven linen. Wealthy citizens had their mansions or country estates adorned with ‘wallpaper’ with landscapes, exotic birds or chinoiseries. Willem Muys mainly painted ‘wallpaper’, which means that few of his works have been preserved. They are hardly represented in public collections. The works of his sons, Nicolaas en Robbert, both painters, are a little less rare. The painting with Rebecca and Eliezer...

Artwork sold in perfect condition Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Jesus being the first to dare to play on his disciple's first name, ("You are ...

Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Artwork sold in perfect condition Very close to the Pantheon, a marble work by Bernini (1667) to support a small...

Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe. During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia. During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...

The Griffin Marco. Patinated bronze. Marble base. Signed and titled. Charles Valton was a French sculptor known for his works created in the animalier style, a 19th-century movement ...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

The 39-year-old gentleman had himself portrayed as an aristocrat in an idyllic landscape. At the time, parks and forests were environments associated with the lands and pastimes of t...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Exclusive piece made for the exhibition at Rish Lab, Brussels. Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recogniz...

"Ego 097" is an exceptional unique artwork by the spanish artist, Chidy Wayne, part of the acclaimed "Ego" series. While the series explores identity and self-reflection across diver...

Pierre Jules Mêne (1810 - 1879) fut l'un des sculpteurs français les plus importants du XIXe siècle, au même titre que d'autres animaliers célèbres tels qu'Antoine Louis Barye (1795 ...