Brussels - Art

Wainscott (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, ba...

The Griffin Marco. Patinated bronze. Marble base. Signed and titled. Charles Valton was a French sculptor known for his works created in the animalier style, a 19th-century movement ...

Perso nell'immensità, 1955. Men and hats, in the streets of New York. Work sold in perfect condition, print on baryta paper 310 grs pigment inks of museum quality, limited edition of 5 copies The artwork is mounted on dibond and fixed in American floating box...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

The 39-year-old gentleman had himself portrayed as an aristocrat in an idyllic landscape. At the time, parks and forests were environments associated with the lands and pastimes of t...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Portrait study of the grand daughter of the artist. Oil on panel. Signed. Unframed. This work will be recorded in the catalogue raisonné of the...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Janus. Pair of bronze sculptures. Edition by Artcurial. Numbered 27/250 and 28/250. He was born Henri Étienne-Martin 4 February 1913 in Loriol, Drôme, France. He attended the Ecole des Beaux Arts de Lyon from 1929 to 1933, where he met Marcel Michaud. Martin moved to Paris in 1934, working at the studio of Charles Malfray at the Académie Ranson where he came into contact with such painters as Roger Bissière, Jean Le Moal, Jean Bertholle, Alfred Manessier, Zelman, Véra Pagava...

This is # 1/7 Fine Art Print Limited Edition 42cm x 60 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently b...

Artwork sold in perfect condition, print on baryta paper 310 grs pigment inks of museum quality, limited edition of 5 copies New-York, January 1956. "United States" Docked at the wharf reserved for its company, the liner United States loads and unloads its passengers who use this means of transport to cross the Atlantic or reach South America. Born not yet knowing the competition of the plane, the liners, (United States, Queen Elizabeth, France), showcases prestigious in their country, fight to seduce a wealthy clientele. During the 15 year period in which Fabrizio La Torre...

Portrait of a man. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Portfolio Garden 1, 6 photos From Germany to Portugal, from Portugal to Italy, the artist continues his research on light and its games, this time taking nature and trees as the the...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex-...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Tornando con le spese, November 1955 Coming home with the groceries. once again, Fabrizio La Torre captures a little moment in life that says a lot a...

Contemporary oil on cardboard painting with floral still life by Polish artist Magdalena Spasowicz. It is mostly in muted colours, this style of painting resembles impressionism. M...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1956, the negative was digitized during the artist's lifetime and the technical parameters (fram...

Artwork # 2 on 5 sold in perfect condition Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Artwork printed on fine art papers later (2014) from black & white ne...

Artwork # 2 on 5 sold in perfect condition Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Artwork printed later on fine art papers later (2014) from black & wh...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Diptych. The dimensions of each element are 84 x 60 cm (33.1 x 23.6 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaust...

Dunewood (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstrac...

Blue On Blue (Abstract Painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper...

Edouard Delabrièrre (1829 - 1912) Lion marchant Bronze à patine verte H. : 14 cm ; L. : 20,2 cm ; P. : 8 cm Signé « E. DELABRIERRE » sur la terrasse Épreuve de fonte ancienne É...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe. During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia. During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaustic (beeswax and resin) to contemporary cold wax and oil stick techniques....

Diptych. The dimensions of each element are 84 x 60 cm (33.1 x 23.6 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaust...

Cette oeuvre représente une tête de cheval arabe. Il s'agît de l'épreuve "4/8", fondu par Avangini. Née en 1975, Valem découvre la sculpture en tant que modèle durant ses études. D...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

Artwork # 1 on 5 sold in limited edition in perfect condition « La sorella maggiore », In a Méo village, Thaïland This is a Minimalist framing & presentation of the artwork : The F...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Hunting played an essential role in the lives of princes and nobles for centuries. It was no different in the 17th century. Paintings depicting hunting scenes were hung, for example, in the hunting lodges of elites. It should be noted that the upper bourgeoisie also began to show interest in painted hunting scenes during the 17th century. In the Southern Netherlands there were a number of skilled animal painters who produced hunting scenes, including Frans Snijders, Paul De Vos, Jan Roos, Pieter Boel and Jan Fyt. Snijders knew how to render the anatomy of the animals masterfully. Also, he managed to make his animals look intelligent. He let them express a variety of feelings. His colleague, Paul De Vos, seems to have been less familiar with animal anatomy. His animals lack a kind of individuality and psychological expression. The panel shows a boar hunt with dogs. It was a prevalent theme, portrayed by Rubens, Snijders, De Vos and others. Buyers were especially interested in the showdown between animal species. The mental and physical strength appealed to their imagination. The painter of this little work has no solid knowledge of dog breeds. Due to a lack of insight into dogs' bone and muscle structure, he makes them look rather stiff. Mainly the heads have something naïve about them. It cannot be ruled out that the artist of this painting is Jan van Kessel...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Prosper Lecourtier (1851 - 1925) Griffon Bronze à patine brune H. : 16,5 cm; L. : 20,5 cm; P. (terrasse) : 7,2 cm Signé «LECOURTIER» sur la terrasse Épreuve de fonte ancienne C...

Henri Trodoux (1815 - 1885) Chien Epagneul Bronze à patine brune / mordorée H. : 15 cm ; L. : 22,5 cm ; P. : 9,2 cm Signé "TRODOUX" Épreuve de fonte ancienne, 19e siècle Trodoux est...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP Artwork printed on baryta paper 310 grs museum quality pigment inks, limited edition of 7 copies in total Brussels Art Edition is the custodian of the archives of the great Italian photographer Fabrizio La Torre...

Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP Artwork sold in perfect condition (Edition 3/5) On a square in the city center, the photographer saw three diffe...

Artwork # 1 on 5 sold in limited edition in perfect condition « La sorella maggiore », In a Méo village, Thaïland This photo was made in 1959, printed later, the negative was digit...

Artwork sold in perfect condition During the 15 year period in which Fabrizio La Torre dedicated himself to photography, he travelled in Italy, Europe, North America and Asia. From ...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork # 7 on 12 sold in perfect condition from a limited edition - Composition from an assembly of...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Portrait of Eugène de Zereso de Cejada. Oil on mahogany panel. Eugène de Zereso de Cejada was a Belgian politician and Baron.

Ce modèle rare représente une race bien connue de taureaux écossais. Peut-être Isidore Bonheur s’est-il inspiré des dessins rapportés par sa soeur, Rosa, à l’issue de son voyage en É...

Léon Charles Canniccioni (1879 - 1957) Vue de la baie d'Ajaccio 1936 (?) Huile sur toile Signé et daté en bas à droite 68 x 87 cm Cette vue de la baie d'Ajaccio en Corse, est une hu...

Anonyme, entourage de Christophe Fratin "Le cochon gentilhomme" Bronze à patine brune H. : 13 cm ; L. : 5,5 cm ; P. : 5 cm Au XIXe siècle, la caricature connaît un essor considérabl...

Pierre Jules Mêne (1810 - 1879) Jockey à cheval n°2 Bronze à patine brune H. : 24 cm ; L. : 27,2 cm ; P. : 9 cm Signé "P.J. MÊNE" Épreuve de fonte ancienne Ce modèle de Mêne date d'...

Antoine-Louis Barye (1795 - 1875) Basset debout (tête tournée à droite, second modèle) Bronze à patine brune nuancée H. : 15,5 cm; L. : 23,5 cm; P. (terrasse) : 9,6 cm Signé en c...

Antoine-Louis Barye (1795 - 1875) Basset assis Bronze à patine brune nuancée H. : 12 cm; L. : 26 cm; P. : 10 cm Signé «BARYE» sur la terrasse, pas de cachet de fondeur Épreuve ...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Henri Emilien Rousseau (1875-1933) Chevaux de goumiers c. 1930 Signé en bas à gauche "Henri Rousseau" Huile sur panneau 14 x 22 cm Henri Rousseau est né au Caire, en 1875. Sa famill...

Maximilien Fiot (1886-1953) Le héron (échassier) Bronze à patine brune H. : 46 cm ; L. : 33 cm ; P. : 14 cm Signé "M. Fiot" Inscription "cire perdue" Marque de fondeur "Susse Fres Ed...

Jean Vassileff, dit « Vassil » est né en 1949 à Drancy. Artiste autodidacte, Vassil s’est intéressé très tôt à la peinture et à la sculpture. Il pratique tout d’abord la taille direc...

The impressive life-size statue of St. Anthony (Lisbon, 1195 – Padua, 1231) used to be probably in a church or monastery of the mendicant order of the Franciscans. You can immediately recognize a Franciscan monk by his brown habit, brown hooded cloak...

Josechu Lalanda (1939 - 2015) Ours Bronze à patine brune sur un socle en bois H. : 15,8 cm ; L. : 21,5 cm ; P. : 10,6 cm Signé "J. Lalanda", daté "1990" Numéroté "25 / 250" Josechu ...