Connecticut - Art

This large abstracted seascape painting by S. Cora Aldo features a cool, light blue palette with warm sand tones in the foreground of the composition. The painting captures an abstra...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Good Inscription: Sig...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Polymer gravure etching, 2016, signed in pencil, dated, titled, edition of 100, published by Emin International, London, on Somerset wove paper (unframed) sheet: 45 by 53cm.; 17¾ by ...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...

Laura Moriarty's Ex Uno Plures 8 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting laye...

Artist: Fairfield Porter (1907-1975) Title: Street Scene (L.18) Year: 1969 Medium: Lithograph on Arches paper Edition: 69/100, plus proofs Size: 22.25 x 30 inches Condition: Excellen...

Robert Indiana New Glory Banner 1997 Silkscreen on heavy woven paper Unsigned as issued Size: 10.4 × 16.8 on 16.6 × 21.7 inches Gallery COA provided Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal...

Very High quality French or Flemish still life of fruit. Framed in its original 19th-century hand-made counted corner frame the painting is a wond...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Knight is most famous and collected for his riverbank views lined with flowers done during his extensive years in France. his father was Daniel Ridgeway Knight...

Artist: Peter Max (1937) Title: Cosmic Flyer in Space Year: 2003 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Ins...

19th century Scottish Highland Sheep in a landscape. A Scottish 19th century Highland landscape painting featuring Highland sheep by Vincent Collier offers more than just aesthetic ...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 13 x 17 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Degas, Ten Ballet Sketches,...

Well painted American Impressionist landscape signed Everet. The artist was a Chinese/American painter who lived and worked in Hackensack, New Jersey. I met the artist on many occasions in the late 1990s when I lived in New York and he was a very talented and pleasant chap. I asked him to paint different commissions for a client who wanted a certain color or subject and he was always able to amaze me with what he could produce. I have many paintings by him in my own collection. This is an oil on canvas. The piece was in a private collection towards the late 1990s and has been recently re-framed and revarnished. The artist worked for an Art Gallery called Art...

Artist: Lowell Nesbitt (1933-1993) Title: Nude Series (Male Nude in Desert with Cacti) Year: 1989 Medium: Colored pencil on Arches paper Size: 50.25 x 35.5 inches Inscription: Signed...

Gustave Jaquet Jacquet was born on 25th May 1846 in Paris. He was a pupil of Bouguereau and for his debut at the Paris Salon in 1865, he exhibited 'The Reverie' which was very much i...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 41.3 inches, with bifold, as issued Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Very Interesting and unique late 20th-century Cuban Abstract scene. Signed top left and inscribed on the reverse the piece has a great impact and presents. Influenced by Picasso with the Bull...

This abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it reflec...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

A fresh and intriguing composition that keeps you looking at it. The composition is composed of summer greens, whites, blues and lavenders and also conveys figures and movement. Ho...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a warm, contrasting palette an...

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Pop Flower 48 is a predominately golden yell...

Portrait of an English Back and White bagger in a landscape. Very Pretty English Bagger in an extensive landscape painted circa 1970. The painting is an amazing display of an artis...

This abstracted figure painting by Juniper Briggs is made with mixed media on cold pressed paper with deckle edges. It features a warm, contrasting palette and captures an abstracted...

This horizontal original abstract watercolor painting by Nealy Hauschildt features a deep, warm palette, with three large pink and violet organic planes of washy color layered over o...

Gifford Beal is a very noted American artist represented in American museums and within the Impressionist and Post Impressionist era. Elegant and abstracted this has jewel tones and...

Artist: Alice Neel (1900-1984) Title: The Family Year: 1982 Medium: Lithograph on Arches paper Edition: 57/175, plus proofs Size: 31.25 x 27 inches Condition: Excellent Inscription: ...

In this contemporary oil painting on canvas, a Michigan lake landscape with pine trees sets the backdrop for a still life arrangement of pink, white and orange flowers on a table wit...

Gerald Coulson was an English painter in the mid to latter part of the 20th century. Gerald Coulson has been painting professionally for over 47 years ...

The drama of the sky in New York State's Hudson Valley is captured in this contemporary landscape painting in oil on panel by David Konigsberg. In this painting, ivory and gray cloud...

A original Lithograph in black and yellow with embossing on wove paper. Signed and numbered in pencil by the artist. Edition 30/60. Sheet size 58 x 82cm. Published with the blindstam...

In this contemporary, lush garden landscape oil painting on panel, a large, colorful patterned quilt in red, black, pink, white, blue and yellow hangs on a clothesline in front of tr...

Typing… Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24 x 24 in. 36 x 36 in. Refined Sugar Collection. Since this print will be shipped directly ...

Thomas Spencer was a leading sporting and equestrian artist of the period of John Wootton and James Seymour; his art shows a considerable to debt to tha...

A contemporary bright orange encaustic (pigmented beeswax) painting on birch panel with coral pink along the edge. Signed, dated and titled on verso. Joanne Mattera is the foremost ...

Well painted late 19th century watercolor of the Duc De Chartres and Louis Philippe with their horses out Fox hunting. The piece is a fine quality watercolor, well framed in an Eng...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

In this geometric abstract monotype on paper, colored shapes complement a background that transitions from pale yellow to sky blue. A pointed star shape in dark navy contrasts circul...

This contemporary abstract poured painting on paper, Rose Bleed (Wide Footer) by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the depth and smooth, glossy surface textures throughout the painting. The rose shade...

Artist: Chuck Krause (1949) Title: Thumbprint (Red) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the ...

This aqua resin and acrylic sculpture is an abstract female for created by Kevin Kelly. The dimensions are noted include a 3 1/2 inch high base. Kelly works out of his Brooklyn studi...

In this contemporary, hyper-detailed archival pigment print on watercolor paper, a cream and ivory moth with golden brown stripes on its wings is dramatic against a solid white backg...

A very well-painted Dutch 19th century marine scene. The small boat is full of men who are rowing hard to get to the larger vessels, possibly to either take goods on or off the large...

Artist: Peter Max (1937) Title: Flowers In Blue Vase III Year: 2000 Edition: 419/500, plus proofs Medium: Lithograph on archival paper Size: 12 x ...

Title: L' Alesienne Year: 1982 Medium: Lithograph on Arches paper Size: 29.25 x 21.75 inches Edition: 17/1000; 1000, plus proofs Condition: Good Inscription: Signed in the plate and ...

In this framed wall sculpture, digital prints and hand-colored lithography on hand-cut tissue weight kozo and gampi paper are cut to mimic botanical shapes and pinned with entomology...

Sonia Delaunay 1885–1979 Composition with Semicircles 1970 etching and aquatint in colors on Arches signed in pencil l.r. and numbered also in pencil 8/125 l.l. image: 19½ h × 15½...

A tall, fair-haired figure wrapped in a light blue towel stands on the bank of inviting, calm water. Dark green trees in a forest, and mountains in the dist...

In this contemporary still life oil painting on linen, a floral patterned pitcher on a wooden table holds brightly colored pink and red roses with long leaves in verdant shades of gr...

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas. It features a muted, earth-toned palette with contrasting warm yellow, orange, and red accents throughout. The painting is framed in a floater frame with gold face and black sides. It is 22" x 36" and measures 24" x 38" x 2" framed. This painting is not signed by the artist, but has been authenticated by his estate. It is stamped with the estate seal on the back of the painting, and on the back of the frame. Ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 7.08 inches Inscription...

Fifth Avenue Critics. 1909. Etching. Morse 128.x/xi. 6 x 8 (sheet 9 3/4 x 12 1/4). Edition 100 in this state (few proofs in earlier states, and a large unsigned edition printed for t...

Wilson US OPEN 4 Tennis Ball Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24" x 24" 36" x 36" 48" x 48" Lusztyk’s “Collectible” series is a macro ...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

A sophisticated and marvelous work for any forward interior. It both gives a sense of space, calm, playfulness and it actually pulls you in as a focal point work of art. Framing is ...

Pablo Picasso (1881-1973) Affiche Exposition de Céramiques Exhibition poster Lithograph in color on wove paper , from the unsigned and unnumbered edition of 500 published/printed by...