Continental Europe - Sterling Silver

Photo frame in 925/1000 sterling silver gold plated with painted fired enamels resembling lapis lazuli stone. Shape taken from the panels of the North Door of the Baptistery of the F...

This refined French Empire period coffee pot, or ewer, dates from the early years of the 19th-century and is crafted in solid silver. The elegant silhouette, balanced proportions and...

Art Nouveau Belt Buckle by Gustav Gaudernack (1865–1914), 830 Silver, Executed by David Andersen, Norway, ca. 1895–1900. Belt Buckle of rectangular form in pierced and cast 830 silv...

This amazing set of 51 cutlery pieces in 800 silver plated is an authentic expression of the Italian silverware tradition. Made in Italy in the 1960s. Each piece is marked with the "...

An exceptional 19th-century English flatware service by Carrington & Co, 130 Regent Street, London — one of the most prestigious silversmiths and jewellers of the Victorian and Edwar...

Cutlery set 101 pcs. Calegaro empire style silver 800, Italy, 90s This set is for 12 people and also has cutlery for the fish. Very beautiful and elegant it has its antioxidant cases...

800 silver cutlery, 84 pieces, Italy, 1960s Gifted to my grandparents for their wedding, set for 12. The gross weight is 5.4 kg. The net weight (blades ...

Silver Flatware, England 1920s A set of 12 knives and 12 forks with real mother of pearl handles. Original wooden box. Knife 20 cm. Fork 16 cm Exce...

Rare Gustavian silver cup by Johan Stras from Stockholm, Sweden dated 1792. Johan Stras Johan Stras was an active master silversmith during the years 1777-1796. This cup was made 17...

Dutch silver decorative box with scene of the Two 17th-century Dutch Flagships, 1926 A silver biscuit tin or decorative box featuring Old Dutch scenes. This oval Dutch silver box fe...

4-Piece tea and coffee service plus tray, Empire style, 800 silver, Italy, 1980. The service has a total weight of 2,212 kg (coffee pot 439 g and measures 26 x 22 x 11 cm, teapot 38...

Playful true-to-life silver armadillo that serves as a lighter other than being a decorative artwork in its own right. Expertly made by the Florentine...

Playful true to life silver frog that serves as a lighter other than being a decorative piece of artwork. Expertly handmade by the Florentine silversmiths, the Lisi Brothers, its rea...

36-piece 800 silver cutlery set, made in Italy, 1980s Consisting of 12 forks (70 g each), 12 spoons (78 g each), and 12 knives (121 g each, including steel blades). The cutlery is i...

Rectangular shaped photo frame in gold-plated 925/1000 sterling silver with translucent fired enamel on guilloché with borders in the French Empire Louis XVI style. External dimensio...

A beautiful set of 12 sterling silver teaspoons, accompanied by a tea strainer and sugar tongs. The inside of the spoons is gilded (vermeille). The silverwork is done in an incredibl...

This is a sterling silver champagne bottle holder playfully modeled after a penguin. Its true-to-life quality is remarkable and makes it a very...

A refined and elegant set of six Danish caviar spoons by ELA Denmark, crafted in sterling silver and adorned with delicate guilloché enamel in soft pastel shades. Each spoon features...

A beautiful silver salt cup with enameled interior. With it a small salt spoon, originally belonging to the cup. It is Sterling silver, made by George Jensen. The salt cup is in good...

Silver pastry forks, teaspoons and a sugar scoop by Christoph Widmann, Germany Model "The original Rose of Hildesheim " which was created by Chris...

A stylish duo of Christofle Art Deco style salt and pepper shakers, with fluted crystal barrels and silver sterling screw-on lids. Dating from around th...

Impressive Antique Georgian Italian Sterling Silver soup tureen Style & period Rococo, Georgian, Antique, Italian, Venice Design: Italian The fine hand crafted hammered body stand on four scrolled acanthus leaf legs The cover surmounted by a sculptural solid silver pomegranate...

Table clock in 925/1000 sterling silver gold plated with translucent fire enamel on guilloché and fine hand engravings. The clock has a base of cm. 4 x 10 and is rectangular cm. 8 x...

A Dutch silver box with "De Nachtwacht" Rembrandt by H. Hinne, 1924. A silver box in relief with a scene on the lid of the painting by Rembrandt "...

Niello Silver wax seal stamp and rectangular niello and crystal scent bottle Niello Silver wax seal stamp and rectangular scent bottle with til...

Large Sterling silver sugar caster, beautiful model with beautiful decorations in Regency style. The spreader has hallmarks of the city of Chester, dated 1905. The maker's mark is al...

A rare art deco straw holder designed by Gio Ponti for Bar Pasticceria Alemagna at Piazza Duomo in Milano. The shape is simple and sleek and elegant. ...

Cigarette case for handbag in 925/1000 sterling silver with black fired enamel. Opening with spring button.. Measure cm. 6.3 x 9.7 x 1.5. Weight gr.210. Created in the Art Deco style...

Rectangular table photo frame in 925/1000 sterling Silver gold plated with translucent two-tone striped enamels fired on guilloche and hand-engraved ornaments. Late Empire Napoleon ...

Playful true-to-life silver rhinoceros that serves as a lighter other than being a decorative artwork in its own right. Expertly handcrafted by the F...

Austrian Tortoise shell Silver box Austrian Tortoise shell Silver box in the shape of an envelope with a flap. The flap is with a spring. The box is marked with the Austrian Silve...

Rectangular travel photo frame with a hinged booklet, for 4 photos in gold-plated 925/1000 sterling silver with translucent fired enamel on guilloché in Art Nouveau Style. Closed dim...

Butterfly-shaped photo frame in 925/1000 sterling silver gold plated with translucent polychrome fired enamels on hand engraving that imitates the veins of the wings. External dimens...

A very rare and beautiful 1960s cocktail set with modernist jug and six aperitivo cups designed by Lino Sabattini for Christofle. Each piece is stamped Christofle Gallia ITALY on the...

English silver fish server set by John James Whiting, 1856. English silver fish servers in leather box. The original leather box with satin and ...

Pocket photo frame in 925/1000 sterling silver, gold plated with two-tone translucent fired enamels on guilloché, with hand-engraved edge. Napoleon III Empire style. Hinged octagona...

This stunning antique silver cigarette case, crafted in the elegant Art Deco style, dates from the 1920s-1930s. Made of solid 835s fine ...

A beautiful and exclusive Italian design object from the 1950s, created by the renowned designer and silversmith Alessandro Magrino. Entirely laminated in 1000-grade silver, it depic...

This magnificent piece will enhance the look of any room it is placed in, thanks to its exquisite craftsmanship and the detailed decorations that run throughout its external surface....

Rectangular table box with rounded corners in sterling silver 925/1000 gold plated with a beautiful hand-engraved and fire-enamelled frame and in the center a beautiful hand painted miniature by the painter Beatrice Mellana reproducing the painting by Jean Auguste Dominique Ingres "Odalisque with slave". Dimensions cm. 9.5 x 12.3 x 3.3. Weight gr. 671. Designed by Giorgio Salimbeni in 1979 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

Octagonal notched photo frame in 925/1000 sterling silver gold plated with fine fire-enamelled baroque style engraving. External dimensions cm. 14.2 x 17.8, internal oval cm. 8 x 12....

19th Century Russian silver spoon, Moscow 1867 A Russian silver spoon with an engraved spoon tray on the outside on a long handle. Russian silver hall...

Georg Jensen silver Denmark Cypres cutlery set for 8 persons in sterling silver designed by Tias Eckhoff in 1952. The set includes: 8 dining knives, length 22.3 cm 8 dining fork...

A vintage pendant necklace designed by Bjørn Sigurd Østern for David-Andersen, Norway. This piece, titled “Bjørn’s Lykkeskip” (Ship of Good Fortune...

Fountain pen in 925/1000 sterling silver with translucent fired enamel on guilloche. With 14 carats gold nib and ink cartridge. Diameter mm. 10.5 Total length cm. 14. Weight gr. 45. ...

Impressive sterling silver chess board medieval style chess set. The chess board, made by ARVAL ARGENTI VALENZA, was made in white marble and sodalite is supported by a STERLING SILVER frame made with the casting method and finished with a chisel, subsequently burnished and reproducing the bricks of a wall of a fortress. This "frame" is supported at the four horses two tone...

27-piece 800 silver cutlery set. The serving spoon is not perfect. The teaspoons are hallmarked, and the rest of the cutlery is 800 silver plus hallmark. The knives are made of steel...

Direct from France: Direct from a private chateau near Paris, a stunning 184pc. gold plated sterling silver (vermeil) flatware set by internationally known French silversmiths "Societe Parisienne d'Orfevrerie" complete with original 6-drawer storage cabinet and 16 magnificent serving pieces, superb condition - circa 1911 and no monograms. The annals of 19th century French silverware bear witness to numerous illustrious workshops, yet few achieved the remarkable synthesis of technical mastery, artistic innovation, and aristocratic prestige as the Société Parisienne d'Orfèvrerie. Founded by Odiot during the flourishing years of the Second Empire, this distinguished Parisian firm carved its legacy through exceptional creations in gold-plated 950 sterling silver, known as vermeil, particularly in the realm of flatware. While maintaining its distinct identity, the firm's close association with the legendary Odiot dynasty - through shared master craftsmen, parallel design philosophies, and overlapping aristocratic patronage - positioned it among the foremost creators of luxury tableware in nineteenth-century Europe. The Early Years: The emergence of Société Parisienne d'Orfèvrerie coincided with a period of remarkable innovation in French decorative arts during the mid-nineteenth century. Though lacking the multi-generational heritage of the Odiot dynasty, which traced its origins to 1690, SPO rapidly ascended to prominence by adopting and adapting the exacting standards that had made Odiot synonymous with excellence in European silverware. This connection manifested most significantly through the migration of skilled artisans between workshops, as numerous master silversmiths who had trained in Odiot's ateliers brought their expertise to SPO's benches. These craftsmen carried with them not only technical knowledge but also the aesthetic sensibilities that defined French high silverwork during this golden age. What set Société Parisienne d'Orfèvrerie apart was its particular specialization in vermeil, the art of gold-plating sterling silver. While Odiot certainly produced vermeil pieces among its vast output, SPO made this technique a defining characteristic of its production, particularly in flatware. The process demanded extraordinary precision, involving the plating of 950 sterling silver - an alloy of exceptional purity containing 95% fine silver - with a substantial layer of 24-karat gold. This marriage of precious metals created tableware that combined the structural integrity and luminous quality of silver with the sumptuous warmth of gold, resulting in pieces that glowed with rich, deep radiance. The technical challenges of this process were considerable, requiring perfect preparation of the silver surface and meticulous control of the gilding bath to ensure even, durable coverage that would withstand generations of use. Master Craftsman in Vermeil: The foundation of SPO's flatware excellence lay in its uncompromising approach to materials and technique. In an era when many manufacturers had begun adopting the 925-sterling standard for economic reasons, SPO remained steadfast in its use of 950 silver, a purer alloy that offered superior workability and a distinctive luminous quality. This higher silver content not only enhanced the metal's natural brilliance but also provided greater resistance to the stresses of daily use, ensuring that pieces maintained their structural integrity over decades of service. The gold plating process itself represented a triumph of French electrochemical innovation, with SPO's craftsmen perfecting a technique that deposited a substantially thicker and more durable layer of gold than conventional gilding methods. Each component in an SPO flatware service represented countless hours of skilled labor, beginning with the careful forging of blanks that would be transformed through a series of specialized processes. Master chasers employed repoussé techniques to create intricate decorative motifs on handles, working from the reverse side to produce low-relief designs of floral arrangements, mythological scenes, or geometric patterns. Engravers then refined these elements, adding delicate details that brought the designs to life with astonishing realism. The functional elements of each piece received equal attention, with blades and bowls carefully balanced for optimal weight distribution and ergonomic comfort. A single place setting might require weeks of work from multiple specialists, each contributing their expertise to create a harmonious whole. The most elaborate commissions incorporated personalized elements that transformed functional tableware into bespoke works of art. Aristocratic clients frequently requested custom monograms or family crests, often executed in exquisite detail with additional embellishments of enamel or precious stones. These personalized touches not only demonstrated the owner's status but also served as a testament to SPO's ability to accommodate the most discerning tastes. The firm's workshops maintained extensive pattern books containing hundreds of design variations, allowing for nearly infinite customization while maintaining the cohesive aesthetic that defined SPO's output. A Favorite of European Royalty: Like its esteemed counterpart Odiot, Société Parisienne d'Orfèvrerie enjoyed considerable favor among European royalty and aristocracy, particularly during the reign of Napoleon III. The Second Empire court's appetite for lavish tableware created ideal conditions for SPO's ascent, with the firm's vermeil flatware becoming a particular favorite for state banquets and diplomatic gifts. The inherent qualities of vermeil - its resistance to tarnishing in humid conditions and its opulent visual appeal - made it especially desirable among the international elite who frequented Paris during this period of unprecedented luxury. Among SPO's most illustrious commissions was a comprehensive twelve-place vermeil service created for Empress Eugénie, wife of Napoleon III. This magnificent ensemble exemplified the rococo revival style favored by the imperial court, with each piece featuring elaborate rocaille scrollwork intertwined with naturalistic vine motifs. The service's attention to detail extended to its specialized pieces, including fish servers with delicately pierced blades and sauce ladles with perfectly balanced handles. Another significant patron, Tsar Alexander II of Russia, commissioned a vermeil flatware service featuring Cyrillic monograms and subtle references to traditional Russian decorative arts, demonstrating SPO's ability to adapt its designs to diverse cultural preferences. The firm's clientele extended beyond imperial courts to include the rising financial and industrial elites of the period. American magnates touring Europe, British aristocrats refreshing their country estates, and the newly wealthy bourgeoisie of Paris all sought SPO's creations as tangible symbols of their refined taste and social standing. This broad appeal stemmed from SPO's unique position at the intersection of traditional craftsmanship and innovative production techniques, allowing it to meet the exacting standards of old-world aristocracy while satisfying the practical demands of modern entertaining. Awards and Accolades: The excellence of Société Parisienne d'Orfèvrerie's creations received formal recognition at the great international exhibitions that served as showcases for industrial and artistic achievement throughout the nineteenth century. The 1855 Paris Exposition Universelle marked a watershed moment for the firm, where its exhibition of vermeil flatware earned a gold medal and lavish praise from the international jury. Contemporary accounts particularly noted the flawless execution of the gilding and the ergonomic perfection of each piece, with one critic remarking that the flatware seemed to "anticipate the hand's movements before being lifted." Subsequent appearances at the 1862 London International Exhibition and the 1867 Paris World's Fair further cemented SPO's reputation as a leader in luxury flatware...

This English 1950s heavy sterling silver bracelet has 17 large three-dimensional charms and opens or closes with a heart shaped padlock on a little safety chain. Some of the charms have moving or opening parts. The windmill really turns, the lid of the beer mug opens, the ship opens up, the leaves on the orange are separate from the orange, the bellow bellows, the treasury chest opens, the corn has loose leaves and the scissors 'cut'. Three of them are European solid silver pendants: the acorn (Italy 925) the long pendant (sword Dutch 835, used from 1906-1953) the German beer mug...

Rectangular with rounded corners table box for cigarettes in 925/1000 sterling silver gold plated with translucent enamels on a radial guilloché an...

New complete cutlery set 101 pieces in solid silver "Seashell" CELLINI by Ricci Argenteria Alessandria - Italy. The service is composed as follows: N ° 36 Table...

Direct from Paris: Direct from a private mansion in Paris, a magnificent 299 pc. (service for 24) antique French sterling silver flatwa...

Direct from Paris:  A magnificent antique French Louis XVI sterling silver flatware set by two of France’s premier silversmiths “Odiot” and “Puiforcat”, a service for 24 with extra dinner knives and dinner forks plus Mother-of-Pearl handled dessert and cheese knives by Gustave Keller – circa late 1800s.   The House of Odiot represents one of the most significant chapters in the history of French decorative arts, embodying the pinnacle of silversmithing excellence from the Ancien Régime through the Second Empire. For nearly two centuries, this illustrious firm set the standard for luxury silverware, creating pieces that were as much works of art as they were functional tableware. The Odiot workshop became synonymous with the highest levels of craftsmanship, attracting royal patrons across Europe and establishing design conventions that would influence generations of silversmiths.  The Early Years:  The Odiot dynasty began modestly in 1690 when Jean-Baptiste Gaspard Odiot established a small silversmith workshop in Paris. However, it was under his grandson, Jean-Baptiste Claude Odiot (1763-1850), that the firm achieved its legendary status. The younger Odiot came of age during one of the most dynamic periods in French decorative arts, training under master goldsmiths during the final years of Louis XVI's reign and establishing his own workshop just as the Empire style was emerging under Napoleon.  Odiot's workshop became renowned for its technical innovations in silver production. While most contemporary silversmiths used the standard 925 sterling silver (92.5% pure silver), Odiot consistently worked with a richer 950-grade alloy (95% pure silver). This formulation, while more challenging to work with due to silver's natural softness, produced items with superior luminosity and resonance. The remaining 5% of alloy typically included trace amounts of platinum or palladium, which enhanced durability without compromising the metal's radiant white sheen. Metallurgical analysis of surviving pieces reveals this unique composition contributed significantly to both the visual appeal and longevity of Odiot's works.  Unparalleled Craftmanship:  The firm maintained an almost monastic devotion to traditional techniques even as industrialization transformed manufacturing. A typical Odiot flatware...

Tureen in sterling silver in Baroque style. The dish measures 31cm in diameter and was left smooth with the brim raised. On the plate, scrolls and shells typical of the Italian Bar...

Set of twelve sterling silver place card holders stirrup-shaped French work circa 1970 Silver boar's head hallmark on each piece Silvermith's hallmark on each stirrup Length: 2.6 cm ...

Direct from Paris: A stunning 182-piece antique sterling silver flatware set by two of France’s premier silversmiths “Puiforcat”, currently owned b...

Important Italian sugar bowl in 800 solid silver made in Florence. The Empire style is characterized by the Classic leaves, embossed and finely chis...

Elegant table bell in solid 925 sterling silver. The bell is smooth and features some circular lines that make the object balanced and increase the sound of the bell. The wooden h...

We present you a silver basket with an insert of cobalt glass, which is designed for fruits or flowers. Silver weight: 408.700 g. Silver hallmark: 0.830. This item is hallmarked with a Swedish silver hallmark circa 1928...

Georg Jensen Blossom sugar bowl in hammered sterling silver. Model 2D. Dated 1925-1932. Measures: 11.5 x 10.2 cm. In excellent condition. Minimal age-related wear. Stamped. Our...