Continental US

DETAILS • signed CINER • gold tone rhinestones • vintage designer brooch MEASUREMENTS  •  CONDITION • very good vintage condition with minimal signs of wear Sku A73 ❤️❤️ VIN...

Antique Mahogany Inlaid Sleigh Bedframe for Daybed. *Does not include the mattress or bolt pillows.

Luxurious and unique style earrings from Renate! 4.8 mm- 5.5 mm fine Ethiopian Crystal Opal and Orange Garnet beads make a perfect combination of flash! Total length: ca 2 inches!...

An adjustable walnut and brown leather lounge chair or chaise longue designed by Vladimir Kagan and produced by Kagan-Dreyfuss, Inc, USA, 1950s. In vintage condition, with visible w...

Roberto Cavalli SS12 look book Obviously makes a great pregnancy dress aso Alessandra Ambrosio Beige tan color Beaded with stones Huge front/side slit Very voluminous Greek goddess ...

"Bluebird" is a charming and striking woodcarving relief sculpture created by American artist Dana Younger. Made from walnut, resin, and acrylic, this piece depicts a Bluebird perche...

Materials: Walnut Wood, Original Mirror ________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we ta...

An exceptional Georgian or Regency style double pedestal extension dining table By Old Colony Furniture Co. USA, Circa 1960s Gorgeous figural mahogany top, with carved mahogany pe...

A rectangular burl wood box, in the Modern design style, circa mid-20th century, Europe. Crafted in a rich burl with a smooth, polished finish. The box works well on a vanity, dresse...

A confident study in gold engineering from Tiffany & Co.'s early 1990s workshop. Fluted, marquise-shaped links are woven into a basket-like lattice, building up into a substantia...

Eames 670 Rosewood Lounge Chair and Ottoman. Rosewood has been refinished! Leather has been cleaned and waxed! This is an earlier model with down-filled cushions and round gromets...

Artist: Scott Kahn (American, b. 1946) Title: Lunar Eclipse Medium: Archival pigment print (giclée) Hahnemühle fine art paper Edition: Signed in pencil and marked 31/200 Year: 2021 S...

DETAILS • signed EDOUARD RAMBAUD PARIS • gold plated over brass • vintage designer necklace MEASUREMENTS  •  CONDITION • good vintage with visible gold loss / signs of wear ...

DETAILS: Hallmark: CHANEL Made in France Gold Plated The necklace is in good condition showing minimal wear Measurements approx.: chain 16" long Comes with box IMPORTANT INFORMATION...

Artist: Alexander Shandor Title: October Medium: Oil on Canvas Year: 2023 Style: Impressionism Dimensions: 23.5" x 31.5" x 1" inch (60 x 80 x 2cm) Presentation: Unframed, Gallery Wr...

Condition: Newly Rewired, New Shades Dimensions: 18"H x 5.50"W x 5.50"D Shade: 7.25"H x 10"W x 10"D This pair of Neoclassical Revival table lamps from the 1960s features elegant ur...

Rare Mid‑Century Modern Brutalist torch‑cut mixed‑metal sunburst cocktail table in the style of Paul Evans, Silas Seandel, Curtis Jere, Tom Greene, Adrian Pearsall, and Daniel Gluck....

A green fabric, wood and yellow rubber sofa likely designed and produced in France, c. 1950s. In very good vintage condition, with light wear consistent with age and use. Light surf...

This 4.5″ Megalodon tooth puts the scale of the largest predatory shark ever to swim the oceans directly in your hands. Its large, triangular blade still carries fine serrations alon...

This is a regency campaign style leather and brass bar cabinet. It is completely framed in brass nailheads and has campaign brass hardware. The doors are bi-fold. The top opens to a ...

This contemporary four-door sideboard combines architectural proportions with a richly tactile exploration of natural materials. The substantial frame is crafted in oak with a ceruse...

Vintage ceramic or pottery set of owl figurines feature traditional rounded bodies, decorated with abstract graphic elements and floral motifs. The cohesive palette of pale coral pin...

John Galliano Vintage Runway FW06 Tan brown cotton and silk chiffon Has many interesting details to it Size F40 Excellent condition, no flaws Measurements in inches laying flat: leng...

Pair of BAKER George III Mahogany Pembroke Drop-Side Tables – Item L69350 This elegant pair of BAKER Pembroke tables from the Stately Homes Collection showcases the refined proporti...

A brass, wood and white fabric floor lamp, model Lilla Kamelen, designed by Josef Frank and produced by Svenskt Tenn, Sweden, c. 1970s. In vintage condition, with visible wear consi...

A stunning Meiji Period (1868-1912) large antique Japanese embroidery/ tapestry featuring a pair of finely detailed birds - likely white peacocks in a floral garden landscape. White ...

Ohara Koson, 'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with ...

Exotic carved resin Asian theme jeweled versatile evening bag designed by Maya c 1990s The unique frosted resin evening bag is designed with a Geisha style woman on the front exter...

Vintage cast stone decorative bowl in the form of a large scallop shell. The deeply molded ribbed form and naturally weathered surface give the piece the appearance of aged architect...

Square Majolica mermaid plate with shells on the corners, the mermaid sit on a flying fish, the border is decorated with shrimps, circa 1880.

💡 Marshall Studios Martz Model M-83 Table Lamp (1950s/60s) — A true piece of midcentury design history, this table lamp is attributed to Gordon and Jane Martz for Marshall Studios. ...

Condition: Expertly Refinished With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage desig...

These earrings are just beautiful. The stones are Mint Green Sapphires and are 2.54 Carats each totaling 5.08 Carats. They are oval cut stones and measure 9.5 x 8 mm and they are s...

DETAILS • signed JOMAZ • silver tone with faux pearl and rhinestones • vintage designer brooch MEASUREMENTS  •  CONDITION • very good vintage condition with minimal signs of w...

Modern Nancy Corzine Lucern Designer Cocktail Table.

A floral-printed fabric and dark-stained beech lounge chair produced by Fritz Hansen, Denmark, c. 1940s. In good vintage condition, with visible wear consistent with age and use. Mi...

DETAILS: Hallmark: CHANEL Made in France 1993 collection The bracelet is in good condition showing minimal wear Comes with box IMPORTANT INFORMATION: This item is a pre-owned vintag...

Vintage Tiffany Sterling Silver 1837 Bangle Bracelet. 2.5" Diameter interior. The Tiffany & Co. 1837 Sterling Silver Cuff Bracelet stamped with the 1997 copyright date is a highl...

These earrings are just beautiful. The stones are Yellow Sapphires and are 2.70 Carats each totaling 5.40 Carats. The are oval cut stones and measures 10 x 8 mm and they are surrou...

A wood and white fabric sofa designed and produced in France, c. 1930s. In good vintage condition, with visible wear consistent with age and use. Light surface scratches to the wood...

DETAILS • signed VENDOME • gold tone with rhinestones • vintage designer earrings MEASUREMENTS  •  CONDITION • very good vintage condition with minimal signs of wear Sku A73...

A pair of Chippendale style scrolled wingback chairs. Sculptural wings meet outward rolled arms that frame square seats. Upholstered in a blue and off-...

Vintage Hollywood Regency Mottled Bronze Ceramic Panthers Pedestal Glass Top Coffee Table. Circa 1970s Features a sculptural pedestal formed by two ceramic panthers and two pyramids...

This substantial contemporary sideboard is defined by its low, elongated profile and strongly articulated geometric façade, executed in oak and accented with natural selenite inlays....

A green velvet and birch sofa attributed to Axel Bäck and produced by Seffle Möbelfabrik, Sweden, c. 1920s. In good vintage condition, with visible wear consistent with age and use....

Artist: Alexander Shandor Title: Castle in contre Medium: Oil on Cardboard Year: 2019 Style: Impressionism Dimensions: 10" x 15.5" x 0.2" inch ( 25 x 40 x 1cm) Presentation: Unframe...

Beautiful Mid century Danish modern beautiful cognac brown leather 3 seat sofa Oak legs. Style of Børge Mogensen. Very nice Cognac Brown leather is soft and shows little signs of use...

This spectacular 1930's bracelet, in a wonderful geometric Art deco design, which boasts emerald green and silver set in rhinestones, in silver toned metal hardware, is the perfect a...

A vintage English drop-leaf table has been recently updated with new paint of ebonized effect and pasted decoupage moths. These illustrations glow with a gilded luster against the s...

Joan Mitchell - Abstract Expressionist Lithograph (Deluxe Hand Signed edition of 30), 1972 The work is hand signed by Joan Mitchell on the separate, accompanying colophon page, affix...

A Wonderful Vintage Modern Lorin Marsh Custom Serpentine Mirrored Credenza Sideboard. This wonderful Lorin Marsh custom made credenza features a serpentine front silhouette of venet...

Evil Eye Necklace By Jen Proudman Jewelry 14k yellow gold with natural diamonds - 0.07CTW. The evil eye pendant measures 10mm in diameter. The Adjustable, fine chain can be worn ...

Henry Chalfant (b.1940) Lee, 1978. Unique photographic pentaptych (five sections) mounted to black matboard. Complete image measurement: 3.5 x 17 inches. Signed by artist and titled in gold ink on matboard verso. "Lee" was produced in an edition of 20 in 1978 in a conventional format on a single sheet of photographic paper. The piece offered here is a unique experimental version created that same year, comprised of 5 image sections. Original, period custom frame with 1970's frame stamp on verso (no area code). Henry Chalfant (born January 2, 1940) is an American photographer and videographer most notable for his work on graffiti, breakdance, and hip hop culture. One of Chalfant's prints is held in the collection of the Metropolitan Museum of Art in New York City. Education and career Chalfant is a graduate of Stanford University, where he majored in classical Greek. Starting out as a sculptor in New York City in the 1970s, Chalfant turned to photography and film to do an in-depth study of hip-hop culture and graffiti art. One of the foremost authorities on New York subway art, and other aspects of urban youth culture, his photographs record hundreds of ephemeral, original art works that have long since vanished.[1] His photographs have appeared in exhibitions of graffiti art from its early appearances in New York/New Wave at P.S.1 Contemporary Art Center to retrospectives such as Art in the Streets at the Museum of Contemporary Art, Los Angeles and City as Canvas: Graffiti Art From the Martin Wong Collection at the Museum of the City of New York, in addition to galleries and museums in the United States, Europe, and Asia. In 1983, Chalfant co-produced the PBS documentary Style Wars, the seminal documentary about graffiti and hip hop culture.[2] Among Chalfant's other films are Flyin' Cut Sleeves, a documentary about Bronx street gang leaders in the 1970s and Visit Palestine: Ten Days on the West Bank, based on his visit to the occupied territories in 2000. His 2006 documentary From Mambo to Hip Hop: A South Bronx Tale chronicles two generations who grew up on the same blocks of the Bronx, NY, using rhythm as their form of rebellion—for the older generation of the 1950s it was the rhythms of Cuba; for their children of the 1970s it was the rhythms of rap.[3] The film was featured in the Latino Public Broadcasting series Voces in 2006-2007, and won an Alma Award for Best Documentary. He has co-authored an account of New York graffiti art...

These earrings are just gorgeous! What a unique and exotic design. They are handmade post earrings and have a top flower that measures 11.5 mm round and a drop leaf that measures 2...

This fantastic 19thc original red painted trendle or children's rope bed is in fine condition with all the original hardware and iron casters for moving around or cleaning underneath...

Robert Padilla (b.1947) Eze, France Landscape, 1985. Oil on linen canvas, 8.75 x 10 inches. Signed and dated lower left. Unframed. Robert Padilla was born in 1947 in Paris, France, and was shuttled in and out of foster homes and orphanages, which played a factor in him turning his paintbrush on those who had been discarded – out-of-sight-out-of-mind. Searching for a place to call home, Padilla enlisted in the French military in his early 20’s before coming to the United States in 1976. With a job already lined up when he arrived, Padilla worked at a ritzy hair salon located on Madison Avenue and 72nd Street in New York City and was doing well for himself. While roaming and exploring the streets of New York City and becoming entrenched in his surroundings, Padilla discovered another creative outlet. “I started painting, drawing and developing my technique,” he said. “It took me about a year to create a painting that meant something, and it was a turning point. He also saw creating art as his “calling,” once he discovered “Thompson Park, the underground capital of homelessness in New York,” he said. Padilla found in their faces that human emotion, the same cloak of despair that he at times felt. He also saw creating art as his “calling,” once he discovered “Thompson Park, the underground capital of homelessness in New York,” he said. Padilla found in their faces that human emotion, the same cloak of despair that he at times felt. As an artist, he was validating their existence. They posed for him as models and he expressed seeing a tenderness in their eyes that he connected with. Their faces have been positioned just so on the walls of Detour Gallery in great anticipation of the opening of their show, for all to see and for them to be admired, acknowledged and invited in as part of the human family. “His work is about real people,” said artist, Julia Rivera...

Found in the region of Dordogne, France, this early twentieth century artisan-made walnut monastery table or dining table features a sturdy trestle base constructed using mortise and...

John Chamberlain - Galeon, 1979 Lithograph on wove paper Signed, dated, titled and numbered PP 3/6 One of only six Printers Proofs. This was part of a series of proofs created by Joh...

A green mohair and wood stool likely designed and produced in Italy, c. 1930s. In vintage condition, with visible wear consistent with age and use. Age-appropriate patina to wood. R...

Toshi Yoshida, 'Five-Storied Pagoda,' also titled 'Pagoda in Kyoto' (Gojū no tō / 五重の塔), color woodblock print, 1942, edition not stated. Signed 'Toshi Yoshida' in pencil; signed 遠志 (Tōshi) and sealed in the image, lower right; titled 'Five-Storied Pagoda', and dated in Japanese in the left margin, and bearing the characters 自刻 (jikoku, “self-carved”), confirming that Yoshida himself carved the blocks. A superb, atmospheric, impression, with skilled bokashi (gradations) and finely nuanced colors, on cream wove Japanese paper; the full sheet, in excellent condition, (apparently never mounted or framed). Self-carved and self-printed by the artist. Archivally sleeved, unmatted. Image size 9 1/2 x 6 3/4 inches (241 x 171 mm); sheet size approximately 10 1/2 x 7 7/8 inches (267 x 200 mm). Catalog References: The design is catalogued in the developing Toshi Yoshida Catalogue as Pagoda in Kyoto / 五重の塔, 1942, color woodblock. It is also documented by Art Platform Japan from the Fukuoka Art Museum's own collection data as 'Five-Storied Pagoda', 1942. Literature: Thomas Tabery and Kevin Schumacher-Shoji, eds., Farben Japans: Holzschnitte aus der Sammlung der Bayerischen Staatsbibliothek, Kerber Verlag, 2025, no. 146. Exhibited: Farben Japans – Holzschnitte aus der Sammlung der Bayerischen Staatsbibliothek, Bayerische Staatsbibliothek, Munich, March 27–July 6, 2025, no. 146. The Bavarian State Library's 2025 annual exhibition and the first exhibition in the institution's history devoted specifically to its Japanese color woodblock collection. More than 130 works spanning the 18th through 20th centuries were presented. Collections: Allen Memorial Art Museum, Oberlin College; Art Gallery of Greater Victoria, British Columbia; Bavarian State Library (Bayerische Staatsbibliothek), Munich; British Museum, Fukuoka Art Museum, Japan; Smithsonian National Museum of Asian Art. ABOUT THIS WORK Created in 1942, Pagoda in Kyoto (Gojū no tō / 五重の塔) is an early work by Toshi Yoshida, still closely connected to the shin-hanga aesthetic associated with his father, Hiroshi Yoshida, yet already demonstrating Toshi's exceptional command of the woodblock medium. A five-storied pagoda rises behind a screen of weeping willows beside a quiet pond, its architectural mass softened by the atmospheric light of evening. The composition is constructed through overlapping silhouettes and unusually delicate gradations of blue, violet, green, and rose, giving the scene a dreamlike stillness. This impression is distinguished by the exceptional subtlety of its printing. The sky passes almost imperceptibly from warm pink through lavender and violet, allowing the pagoda to dissolve into the surrounding atmosphere. The willow is built from several closely related greens and blue-greens, while the water is printed with restrained tonal modulation. These effects depend upon sophisticated bokashi and careful hand application of pigment and are markedly more nuanced than those seen in later impressions of the design. ABOUT THE ARTIST Yoshida Toshi (1911–1995) began training at the age of fourteen under his father, Yoshida Hiroshi, a leading artist of the twentieth-century Japanese printmaking revival known as shin-hanga (“new prints”), which continued the traditional collaborative system of Japanese woodblock printing. From 1932 to 1935, Toshi studied at the Taiheiyo-Gakai (Pacific Painting Association), which his father had helped establish. Before the Pacific War, Toshi traveled extensively with his father in Asia, Europe, Egypt, and the United States. He later continued his international travels, particularly in Mexico, the United States, Canada, and Africa. His early prints remained strongly influenced by Hiroshi's work and the highly refined techniques practiced in the Yoshida studio. Following his father's death in 1950, Toshi assumed responsibility for the studio while increasingly pursuing an independent artistic direction. Beginning in the early 1950s, he undertook a highly personal exploration of abstraction, creating and printing his own works in the sōsaku-hanga (“creative print”) manner, in which the artist assumes direct responsibility for the design, carving, and printing. During this exceptionally productive period, Toshi produced a large body of nonobjective woodcuts characterized by complex geometric structures, richly layered color, and experimentation with the expressive possibilities of the woodblock medium. His abstract work placed him among the more adventurous Japanese printmakers of the postwar period. The British Museum holds a substantial group of these works, including Misty Dance (1957), Frontier (1962), Mystery (1964), Isotope (1968), and Where (1972). In the early 1960s, Toshi also returned to representational subjects, eventually concentrating on large-scale scenes of African wildlife in its natural habitat. In 1984 he published the first of a series of illustrated children's books devoted to African animals (Dōbutsu Ehon Shirīzu), which he continued into the early 1990s. In 1966, with artist Yuki Rei...