Continental US - Art

55 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper, Year: 2023 Style: Classic Art, Subject: Chickadee, Size: 12 x ...

circa 1938. Oil on canvas, 36 x 28 inches (915 x 712 mm). Signed and dated in the lower right corner on the recto with a sharp tool, and signed and titled in ink on the verso. A lar...

Vintage American impressionist still life oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 32 by 32 inches overall. Handsomely fr...

Attributed to Emmanuel Costa (French, 1833-1921) Untitled, c. Late 19th century Oil on wood panel 9 1/2 x 13 1/4 in. Framed: 14 x 18 x 1 1/4 in. Signed lower right: Costa Emmanuel B...

JUMPIN & JIVIN' is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the American artist James Denmark printed on archival Somerset...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Marble Ocean Size: 16" x 21.5" x 0.8...

Hiroshi Sato's "Evening Lawn" (2024) is an original oil on canvas artwork, measuring 28 x 32 inches. This vibrant painting captures a contemplative moment in a lush, evening landscap...

This exquisite lithograph after Fernand Leger (1881–1955), titled The King of Hearts, S.P.25., originates from the School Prints Ltd. series, published by School Prints Ltd., London,...

Dan Murphy Metal Sculpture Mid Century Modern Modernist Silver 29 Inches. In good condition

Original Maritime Oil Painting of RMS Aquitania in New York Harbor by Frederick Hoertz. Original painting of Cunard Line’s Aquitania by Frederick Hoertz (American, 1889-1978) that w...

Abstract Expressionist painting by Southern California artist Chris Hamamoto (American, 20th century). Image, 40"H x 30"W. Unframed. Chris, a native of Southern California, has en...

This poster features Ken Keeley's photorealist depiction of the iconic Manhattan landmark, Paddy's Clam House. Known for his meticulous attention to detail and ability to capture the...

Vintage postcard capturing a playful and iconic moment with Andy Warhol. Seated in a restaurant booth, Warhol wears a bright clown nose and flashes a sly, surprised expression, blend...

This rear cover lithograph from Derrière le Miroir No. 204 showcases Eduardo Chillida’s iconic abstract style, emphasizing his mastery of form, balance, and spatial exploration. Publ...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to create exuberance and energy in her images. Inspired by street art, Coulombe Bégin 's paintings range from the abstract to the surreal and employ a variety of techniques and materials. Her contemporary artworks draw inspiration from body image, the universally recognizable symbol of hearts, and the experience of humankind. She brings a sensitivity to her work that stems from her exploration of identity and the joy and happiness of existence. Coulombe-Bégin draws us into her internal world: exploring the soul and matter, conscience, and the modern universe. This original painting depicting one heart painted...

Artist Comments
Artist Terri Bell demonstrates abstract geometric figures in organized patterns. She balances distinct sections of circles and close linear work. “It organi...

This is a hand drawn original artwork on heavyweight paper by internet sensation mad charcoal He is represented by Krause Gallery NYC Ships rolled in a ...

This stunning piece of art titled "Neve in Val Ceresio" is a captivating original work by renowned Italian artist Carlo Aimetti. Aimetti was known for his captivating scenes portrayi...

Office Party by Leonard Freed is a 13" x 19" limited-edition photograph. The print Ed. 4/5 is signed verso (back of photo) by Brigitte Freed (wife of the ...

Large Purple Glass Pac-Man Ghost Sculpture by Dylan Martinez. Size: 6 x 6.25 x 6.25" Signed on the base by the artist. Each sculpture is unique. These whimsical Pac-Man Ghost scu...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue number 188) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 278 mm). There is t...

This piece, titled "Wanderer 10" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" is made of collage, charcoal, pastel, acrylic, and gra...

In this contemporary abstract painting in oil on canvas, thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are bright an...

August 1984: Topless swimmers on a rocky promontory of the Mediterranean island of Cavallo, Corsica. Slim Aarons Island Paradise 1984 C print (Printed later) Estate signature stamp...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Artist: Slonem, Hunt Title: Bayou Lafouche (Madewood) Series: Landscapes (Bayous) Date: 2026 Medium: Oil on wood Unframed Dimensions: 22" x 28" Framed Dimensions: 25.5" x 31.5...

Artist: Pablo Picasso Title: Femme au Fauteuil et Homme Accoude Medium: Etching Portfolio: Series 156 Date: 1971 Edition: 1/50 Frame Size: 19 1/8" x 16 7/8" Sheet Size: 12 7/8" x 9 7...

Flags Above the Flatiron, NYC oil/canvas 8 x 6 unframed, 13.5 x 11.5 x 1.25 framed signed LL Above the Flatiron is an oil painting on canvas panel by award winning contemporary artis...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Formulaire rouge (Red Form), originates from the 2012 publication Revue Cahiers d'Art, 2012, no. 1, Ellsworth Kelly. ...

A refined Venetian waterfront scene depicting Piazza San Marco (St. Mark’s Square) with a view across the lagoon toward the Palazzo Ducale (Doge’s Palace) and the iconic Campanile di...

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

Sku: R176 Artist: Henri Matisse Title: Nadia Au Menton Pointu Year: 1995 Signed: No Medium: Offset Lithograph Paper Size: 23.5 x 17.5 inches ( 59.69 x 44.45 cm ) Image Size: 16 x 12....

Amleto Dalla Costa, Italian (1929 - ) - Maria, Year: 1978, Medium: Poster, signed and numbered in pencil, Edition: 100/325, Size: 18 x 13.25 in. (45.72 x 33.66 cm)

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Paper Year: 2025 Style: Figurative art Title: Woman Portrait Size: 17" x 14" x ...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

“Summer in the Pasture (Farmer’s Wife with Cow)” (Sommertag auf der Weide (Bäuerin mit Kuh)) Paul Junghanns (German, 1876-1958) Oil on Canvas Signed verso 36 ¼ x 28 inches (43 ¾ x 35...

NEW DREAMS is an original limited edition lithograph by the Harlem Renaissance, social realist African-American artist ERNEST CRICHLOW (1914-2005). NEW DREAMS was printed from hand d...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self Portrait with Raised Sabre, Medium: Heliogravure, Image Size: 4.75 x 3.75 inches, Frame Size: 20.5 x 19.75 in...

Beach Path oil/canvas panel image 7.75 x 8 unframed, 13.5 x 13.5 framed Beach Path is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcas...

Friedel Dzubas Crater, 1988 Magna on paper 28 x 80 inches Provenance The artist Estate of the artist A noted figure in the New York School, Friedel Dzubas was associated with the ...

For your hockey enthusiast! A dynamic 1950s, pastel and charcoal on paper drawing of a hockey game by famed Chicago Modern artist Francis Chapin. Artwork size: 9 x 12 inches. Matted to: 14 x 18 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

GJ Rogers Surreal Octopus 1959 Oil on Canvas 36"x24.5" Signed and dated in paint lower right George Jay Rogers was born in Yonkers, New York on June...

Joann Gedney Untitled, 1955 Signed and dated lower right Oil on canvas 40 x 20 inches Joann Gedney emerged as a pioneering force in the art world during a time when women artists f...

'Monterey' by Dedrick Brandes Stuber. California Plein Air, Laguna Beach Art Association, New York Art Students League ---- Signed lower right, 'Dedrick B Stuber' for Dedrick Brande...

Linda Lillegraven's beautiful original oil landscape "Near the Old Tracks" (2023) depicts a serene moment of a western plain at dusk, the dim sunset lighting hanging heavy over vast ...

3938 French Figural park landscape oil on canvas in a gilt wood frame Image size 19.5x29.5" I

George Chemeche, Iraqi/American (1934 - ) - Composed Field III, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP, Image Size: 32.5 x 29.5 inches, S...

This striking black-and-white linocut by Bernardo Modesto presents a winged female figure seated within an oval frame, evoking both spiritual iconography and indigenous symbolism. Th...

Up for sale Original Abstract Acrylic Painting on canvas in a fantasy abstract style. A unique technique, very colorful. An unusual combination of colors, a flow from sharp to soft s...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Artist Statement Quiet Rituals presents a spotted horse painted with restraint and softened edges, offering a quiet tribute to calmness and presence. The gentle handling of paint an...

Printer’s ink from rubber stamp on vélin Strathmore 3-ply paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This artwork depicts the town of Hirschhorn, a resort town in Germany on the River Neckar near Heidelberg. It is an original color etching by Austrian/American artist Tana Kasimir Ho...

Dennis Sheehan Quiet Meadow, circa 2025 Signed lower right Oil on canvas 12 x 16 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School with f...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

A wonderful depiction of a colorful landscape with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of O...