Continental US - Art

"Unfolding #3" is an original piece by Yoonmi Nam made from pressure printed monotypes featuring layers of unfolded package outlines, creating dimension and abstraction. This piece m...

large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet by Frank Schott 48 x 74 inches (122 x 188cm...

In this botanical cyanotype painting in watercolor, gouache, India ink and cyanotype on Arches platine paper, meticulously detailed geraniums, ferns and a hummingbird are depicted in...

Man with Yellow Bird Jovan Obican French/Yugoslavian (1918–1986) Oil on Board, signed l.l. Size: 29.5 x 23.5 in. (74.93 x 59.69 cm) Frame Size: 32 x 25.5 inches

Andy Warhol Interview Magazine (hand signed by John Travolta), 1985 Offset lithograph (hand signed by John Travolta) Signed in brown marker by John Travolta, the subject Frame includ...

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Hunt Slonem "Double Bunny" Black Outline Pair on a Peach Background A rabbit couple gestured in black on a light orange and pink background in a vintage frame Unframed: 10 x 8 inche...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Artist: Jack Graves III (American, 1988-) Title: "John James Audubon Flamingo Icon II" Series: Icon *Signed by Graves lower right. It is also signed, ...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

St. Peter's Square, Rome, Italy, 1958 by Leonard Freed is a black and white documentary photograph of two figures (priests) on a snowy afternoon dressed in black in contrast to the f...

This piece depicts famous British model Kate Moss from a Fall 2013 ad campaign with Stuart Weitzman during the Milan Fashion Week while featuring Kate Moss swaggering to Nancy Sinatr...

This is an original vintage oil painting on board by Massachusetts Artist Richard Kerber depicting a nautical scene, with a large sailing ship in a choppy ocean. This is a classic ...

Walk through Retiro is an Impressionism painting by the young Cuban artist Cristian Velazquez who lives in Spain. El Retiro Park is a green oasis in the heart of the city. In it ...

Robert Kushner Pears, 1985 Acrylic & Collage on Paper; Framed with Holly Solomon Gallery Label & Reader's Digest Art Collection Label Signed and titled by the artist on the front Thi...

Misty Pond in San Antonio Texas Original Oil on Canvas Flowers by a pond by Texas artist Aurora "Ora" V. Hererra (American, 1928-2008). The painting de...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove paper, with margins, in excellent condition. Published by Associated American Artists. Archivally matted to museum standards, unframed. Image size 9 7/16 x 11 7/8 inches; sheet size 10 3/4 x 13 5/16 inches. Impressions of this work are held in the following museum collections: Figge Art Museum, Georgetown University Art Collection, Indianapolis Museum of Art, Library of Congress, Metropolitan Museum of Art, and the Nelson-Atkins Museum of Art. ABOUT THE ARTIST “Benton’s idiom was essentially political and rhetorical, the painterly equivalent of the country stump speeches that were a Benton family tradition. The artist vividly recalled accompanying his father, Maecenas E. Benton — a four-term U.S. congressman, on campaigns through rural Missouri. Young Tom Benton grew up with an instinct for constituencies that led him to assess art on the basis of its audience appeal. His own art, after the experiments with abstraction, was high-spirited entertainment designed to catch and hold an audience with a political message neatly bracketed between humor and local color.” —Elizabeth Broun “Thomas Hart Benton: A Politician in Art,” Smithsonian Studies in American Art, Spring 1987. Born in 1889 in Neosho, Missouri, Thomas Hart Benton spent much of his childhood and adolescence in Washington, D.C., where his father, Maecenas Eason Benton, served as a Democratic member of Congress from 1897 to 1905. Hoping to prepare Benton for a political career, his father sent him to Western Military Academy. After nearly two years at the academy, Benton persuaded his mother to support him in attending the Art Institute of Chicago for two years, followed by two additional years at the Académie Julian in Paris. In 1912, Benton returned to America and moved to New York to pursue his artistic career. One of his first jobs involved painting sets for silent films, which were being produced in Fort Lee, New Jersey. Benton credits this experience with equipping him with the skills necessary to create his large-scale murals. When World War I broke out, Benton joined the Navy. Stationed in Norfolk, Virginia, he was assigned to create drawings of camouflaged ships arriving at Norfolk Naval Station. These renderings were used to identify vessels that might be lost in battle. Benton later remarked that being a "camofleur" profoundly impacted his career: "When I came out of the Navy after the First World War," he said, "I made up my mind that I wasn’t going to be just a studio painter, a pattern maker in the fashion then dominating the art world—as it still does. I began to think of returning to the painting of subjects, subjects with meanings, which people, in general, might be interested in." While developing his Regionalist vision, Benton also taught art, first at a city-supported school and later at The Art Students League from 1926 to 1935. One of his students was a young Jackson Pollock, who regarded Benton as both a mentor and father figure. In 1930, Benton was commissioned to paint a mural for the New School for Social Research. The "America Today" mural, now permanently exhibited at the Metropolitan Museum of Art, led to many more commissions as Benton’s work gained wide recognition. The Regionalist Movement became popular during the Great Depression of the 1930s. Painters such as Benton, Grant Wood, and John Steuart Curry rejected modernist European influences, choosing instead to depict realistic images of small-town and rural life—comforting representations of the American heartland during a period of upheaval. Time Magazine referred to Benton as "the most virile of U.S. painters of the U.S. Scene," featuring his self-portrait on the cover of a 1934 issue that included a story titled "The Birth of Regionalism." In 1935, Benton left New York and returned to Missouri, where he taught at the Kansas City Art Institute. His outspoken criticism of modern art, art critics, and political views alienated him from many influential figures in both political and art circles. Nonetheless, Benton remained true to his beliefs, continuing to create murals, paintings, and prints that captured enduring images of American life. The dramatic and engaging characteristics of Benton’s artwork drawn the attention of Hollywood producers, leading him to create illustrations and posters for films, including his famous lithographs for the film adaptation of John Steinbeck’s "The Grapes of Wrath," produced by Twentieth Century Fox. During the 1930s, The Limited Editions Club of New York asked Benton to illustrate special editions of three of Mark Twain’s books...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Antonio Piatti (Italian, 1875-1962), "Rose e Spine" [Roses and Thorns], Oil on Canvas, 1901, signed lower right, under glass in giltwood frame. Image: 29.5" H x 39.25" W. Frame: 44" ...

A marvelous oil depicting a beach scene with figures. One of France's most renowned artists, this piece is an excellent display of Hambourg's genre style beach scenes. Being influenced from his travels in Europe, the vibrancy of these locations come to life. With the movement of the ever-changing ocean, the captivating light and texture encompasses this depiction with both whimsey and dramatics. This painting is signed lower left and comes displayed framed. This painting is signed lower left and it comes housed in a giltwood gold frame with linen liner and with hanging wire on verso ready to be displayed. Art measures 9 x 14 inches Frame measures 19 x 24 inches André Hambourg was born in Paris on May 5, 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the École nationale supérieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old at the time. Because of the early recognition of his talent, Hambourg became active in the important Paris salons in the first stages of his developing career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. André Hamburg was demobilized in Casablanca in 1940, but then civilian by the regiment of engineers in 1943, then called by Raoul Salan and assigned to the 2nd Bureau where he became editor, draftsman, reporter of the newspaper "Combattant 1943" then "Combattant 1944 He was named in December 1944 war correspondent accredited to the US HQ (SHAPE), his military experience (being in the first to have reached the nest He wrote two books in 1947: "Berchtesgaden party" and "D'Alger à Berchtesgaden". In an interview he wrote an account of his experience in "La kermesse aux étoiles" in 1953 and 1954, of which he was the organizer, of cheap sales of works by renowned artists in front of the Kermesse public for 3 days and 3 nights. He wrote in the newspaper "Cols bleus" of the Navy souvenirs ("4 July 1943", whose oil on paper will be offered by President Mitterrand to President Reagan) or travel. The entire work of the artist will be the subject of numerous books, publications, articles, interviews of José Arthur, Michel Law, Jacques Chancel and Micheline Sandrel. In 1970 five hundred of his works formed a prestigious retrospective at the Maison de Culture in Bourges. Other notable shows include Drawings of Venice...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print "The Courtesan Kashiwagi and...

Artist: Salvador Dali Medium: Heliogravure Title: Down the Rabbit Hole Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: 16 ...

Italian 17th Century oil on canvas Baroque painting, attributed to Salvator Rosa (1615-1673), a coastal landscape scene with fishermen, circa 1650. The painting depicts a rocky coast...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Artist: Jon Kuhn (1949 - Present) Title: 'Wings of Heat' Year: 2023 Origin: Kernersville, North Carolina Medium: 12 sided Glass Dodecagon on rotating stainless steel base. Dimension...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image of the story ‘The boy who left home to learn fear’. Hockney chose this story for its obscu...

This artwork titled "Tweet" c.1990, is an acrylic painting on paper by noted American artist Glen Chesnut. It is. signed and titled at the lower right corner by the artist. The artwo...

A contemporary figurative painting of two men with a surfboard standing on a shoreline by Mark Beard/Bruce Sargeant. Signed Oil on canvas mounted to Masonite 84 x 48 inches $10,0...

A hyper-realistic glass sculptor, Dylan's playful creations deceive the eye with their lifelike appearance. Whether mimicking water balloons or plastic bags filled with water housing...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure a...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

This is an Charles Fazzino 3D artwork “Wedding Nite New York” Signed and numbered. In good condition measures 48x41

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...

Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old. Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨ Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I. The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period. As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dre...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Medium: original lithograph. Printed in 1956 for the art revue Derriere le Miroir (issue number 87-88-89) and published in Paris by Maeght. Size: 15 x 21 3/4 inches (380 x 555 mm). T...

A masterful oil painting depicting a view of a riverside wooded park in a beautiful sunny day at the early fall season. A figure seated on a blue bench with a bridge behind, a couple...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

Rippling, limited edition lithograph, Japanese, black, white, red, signed,number

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró, 1972. Published by Sala Ga...

This artwork, titled "Clown sur Fond Bleu" from the suite "Clowns" 1985, is an original color lithograph on Arches watermarked paper by renown French artist Bernard Buffet, 1928-1999...

Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...

A colorful burst of spring set in the hills of an Italian town. Oil on canvas board measures 12 x 16; frame dimensions are 16 3/4 x 20 3/4 x 1 1/2. Housed in a decorative silver-colo...

Pegge Hopper "Kailua Noon I" Serigraph signed and numbered. In good condition measures 40x33

A joyous colorful floral still life painting depicting a bunch of freshly picked flowers placed effortlessly. The piece is done in a highly impressionistic manner and is a wonderful display of Reilly's more impromptu style, with bold colors of joyful yellow, deep rouge, and softer colors of light blue, hints of brown, and pops of pink. White ostrich daisies along with blue bluebells, orange, yellow and mamey flowers on a background of bright green grass and dark bushes in the background. This still life in nature, in the garden from nature. This bouquet reminds us of sunny summer days filled with the scent of flowers and nature. This piece is titled and has artist's estate stamp on the back, it comes housed in a contemporary gold leaf plain air wood frame with hanging wire on verso ready to be displayed. Art measures 30 x 24 inches Frame measures 37 x 31 inches John Reilly is a critically acclaimed and award-winning New Jersey artist, born in Brooklyn, NY in 1942. He received his early art training at the School of Art and Design, formally known as ‘The School of Industrial Art’ in Manhattan, where he studied advertising art. By the age of twenty-three, he operated a mid-town-based sales promotion agency, eventually expanding the business to service large companies such as Bacardi Rum, Johnson and Johnson, Nabisco, and KLM...

"...Blue has no dimensions, it is beyond dimensions, whereas the other colours are not.... All colours arouse specific associative ideas, psychologically material or tangible, while ...

FRANCES H. GEARHART APRIL c. 1928-30 Color block print, signed and titled in pencil. Image 9" x 5". sheet 11 1/8 x 7 1/8. Very good impression. The usual tack holes at the right she...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Overall 21 X 27 image is 17.25 X 23.5 This is a mixed media print on canvas by beloved comedian and artist Jonathan Winters. This one depicts old biplane airplanes and parachutes ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Black and white photograph by Bruce of Los Angeles of a nude male model, Jim Manning, reclining on a flat surface, gazing towards the camera with a confident yet relaxed expression. ...