Dallas

18th century English William and Mary walnut chest on bun feet. You're exploring a piece steeped in 18th-century elegance—English William and Mary walnut chests are known for their g...

Known primarily as a potter associated with the 1970s California Funk movement, Danish-American artist Erik Grønborg (b. 1931), also did extensive work in wood and cast metal. While ...

Crafted in France circa 1950 and built of walnut, the oval table sits on four cabriole legs decorated with brass mounts at the shoulders, ending with bronze sabots. The side table fe...

30844 New Swedish Ingegerd Silow Inspired Kilim Rug with Scandinavian Modern Style 09'03 x 11'11. With its simplicity, geometric design and soft colors, this hand-woven wool Swedish ...

19th Century Framed Oil Painting on Canvas is a striking composition ~ capturing a windy day along the part of land just off the coast that is not directly adjacent to the sea yet st...

Located in central Italy, Florence has been an important European city ever since the Medici family rose to prominence in the 15th century. The city became a huge production center for all types of commercial goods, including hand-carved wooden furniture and accessories. This fabulous black and gold wall...

Decorate a wall with this elegant antique Aubusson tapestry panel. Crafted in France circa 1780, the textile artwork depicts a romantic pastoral scene of a seated shepherdess accompa...

A fabulous pair of vintage Cartier Paris diamond huggie-hoop earrings. They showcase approximately 5 carats of sparkling diamonds set in shimmering 18 karat yellow gold. Each earring’s design features four rows of scintillating round-brilliant diamonds of finest Cartier quality (F to G color and VVS to VS clarity). Earrings’ profile silhouette is gently curving and hugs the ear perfectly. By slightly elevating middle two diamond rows and slightly angling the outer rows, Cartier masterfully endowed the earrings with wonderful volume similar to that of bombe-style jewelry designs. This high-craftsmanship also creates maximum diamond exposure where glittering brilliants are on view equally from the front and from the wearer’s profile. These earrings epitomize sophisticated glamour and classic elegance for which Cartier is celebrated. They are certain to delight those who wear them. Earrings are 1 inch (2.5cm) in length and have posts for pierced ears. They also come with their original Cartier box. Summary: - Elegant huggie-hoop style earrings from iconic Cartier bursting...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

An outstanding Edward Wormley for Dunbar Janus Model 6329 Angle sofa newly upholstered in a Raf Simons teal velvet with leather trim. Conceived in 1957, The Janus sofa was introdu...

This 19th Century Louis Philippe mirror features a luxurious gold gilt finish with a beautiful floral pattern on the frame, adding a touch of elegance and sophistication to any space...

A beautiful pair of incredibly well made "Scimitar" Lounge Chairs designed by Preben Fabricius and Jørgen Kastholm for Bo-Ex. These are from the Maharam family collection.

54040 New Modern Turkish Kars Rug, 08'07 x 10'02. This hand knotted modern Turkish Kars rug is a commanding expression of Anatolia’s tribal design heritage, where rugs functioned as ...

This elegant antique salon table was crafted in France circa 1780 in the grand Louis XIV style. The rectangular surface is fitted with a luxurious Brèche d’Ardèche marble top, admire...

Decorate a living room or study with this elegant antique landscape painting. Crafted in France circa 1850, the oil on canvas composition depicts a serene riverside scene with figure...

 Make a striking focal point in your home with this fascinating “all-in-one” antique blanket chest, bench, table, and display cabinet! Crafted in the French Pyrenees...

Pair 19th Century Neoclassical Cast Iron Garden Urns are ideal for exterior or interior use. Each is a heavy casting that features a splendid neoclassical design inspired by ancient...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

79062 Anna Johanna Angstrom Vintage Swedish Rollakan Rug, 05'05 x 07'08. This handwoven wool vintage Scandinavian Swedish rollakan rug, titled “Aniara”, is a stunning creation by the...

21943 Vintage Azilal Moroccan Rug, 03'04 x 05'06. The Sacred Threshold: A Vintage Azilal Moroccan Masterpiece of Tribal Elegance. This hand knotted wool vintage Azilal Moroccan rug i...

Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his prof...

Rich in romance, artistry, and 19th century Renaissance Revival spirit, this hand carved walnut panel depicts a young couple in an Italianate garden, surrounded by foliage, classical...

Elevate your garden or interior with this elegant handcrafted Anduze-style bowl planter by La Madeleine. Made in southern France, the planter showcases the iconic wide-rimmed silhoue...

52621 Vintage Turkish Kilim Area Rug, 05'09 x 09'11. Soft as the whispers of Anatolian winds and woven with the quiet elegance of tradition, this vintage Turkish kilim rug embodies t...

73946 Vintage Earth-Tone Turkish Oushak Rug, 07'00 x 12'00. Bathed in the warm embrace of the earth’s palette, this hand-knotted wool vintage Turkish Oushak rug unfolds with a timele...

53638 Vintage Turkish Kilim Rug Pillow Cover, 01'05 x 01'06. This exquisite handwoven wool vintage Turkish kilim rug pillow cover is a treasure trove of cultural richness and artisan...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

53230, distressed vintage Turkish Sivas rug with Rustic Craftsman style. Striking the perfect balance of rustic sensibility and understated elegance, this hand knotted wool vintage T...

Decorate a study, library, office, or paneled hallway with this impressive antique French carved walnut wall plaque. Crafted in France circa 1870, the sculptural panel depicts the hi...

A romantic tangle of hand-cut metal blooms creates a soft yet structured composition, where delicate petals and graceful vines intertwine in quiet harmony. The Lacey Floral Fireplace...

More than a console and mirror, this remarkable French creation is a complete work of cabinetmaking, carving, stonework, and glassmaking. Its design belongs to the imaginative reviva...

This exceptional 1910s antique Persian Heriz area rug, measuring 8’1″ × 11’3″, embodies the bold artistry and enduring craftsmanship of Northwest Persia. Woven in the early 20th cent...

Vintage Spanish Colonial Dining Table with Wrought Iron in Solid Stripped Oak honors the traditional craftsmanship and methods that have been handed down from generation to generation. The band-sawn legs are in a lyre form, with splayed feet for added stability, and are also slightly canted outwards from their sturdy mount on the underside of the thick, solid oak plank table...

Presenting a unique set of early 20c hand painted medium sized ceiling or wall panels by Nena Claiborne. Art Nouveau/Deco Era hand-painted ceiling or w...

PRESENTING an EXTREMELY UNIQUE and RARE 19C British Tunbridgeware Hair Pin/Bobbin or Slide. This slide is unlike any of it’s kind we have seen before, it is a VERY RARE survivor. From circa 1860 – 80 and made in Tunbridge Wells, England. Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut. The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood. Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward. This would have belonged to a VERY ELEGANT LADY in the mid to late 19th Century. Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion. There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells. The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900. Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people. Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death. In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge. Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes. At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture. The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927. Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies. ‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens. Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface. Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs. Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.

Decorate a study or dining room with this elegant French oil on canvas landscape, set in its original carved giltwood frame. Painted circa 1870 and signed “Corot” in red at the lower...

Decorate a kitchen wall or a breakfast room with this large antique majolica plate. Sculpted in France circa 1880 in the manner of Longchamp, the colorful porcelain platter is decora...

A large model 5305 angled sofa on bleached mahogany frame with leather capped legs. Designed by Edward Wormley for Dunbar.

This elegant pair of antique French faience vases was crafted in Lille circa 1850 and reflects the romantic revival of northern France’s celebrated ceramic tradition. Each vessel features a softly waisted baluster form with a gently flared rim and rounded shoulder, raised on a green-glazed circular foot. At 11 inches high, their proportions are more consistent with decorative vases than cachepots, giving them a graceful vertical presence ideal for display. The bodies are richly hand-painted with continuous pastoral and maritime scenes, including fishermen along the shoreline, figures gathered near rustic architecture, and sailing vessels moving across tranquil waters. The landscapes are rendered in soft, atmospheric tones with delicate perspective and careful brushwork, framed by scattered floral bouquets and a warm yellow band beneath the rim adorned with stylized roses and leafy garlands. The painterly treatment and romantic subject matter are characteristic of mid-19th century French revival faience. The glossy tin-glazed surface exhibits fine, even craquelure throughout, consistent with 19th century production. The undersides bear a laurel wreath mark reading “Lille 1767...

Miles Cleveland Goodwin says, "I don’t like to do things I don’t know." Not unlike the spirit of Southern literature and Delta blues music, there is an autobiographical nature to his...

79413 Vintage Tibetan Rug, 09'09 x 13'07. This hand knotted vintage Tibetan rug is a refined expression of Himalayan weaving tradition, where textiles were created not only for warmt...

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Double Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital...

–Ceramiques impressionistes & Gres Art Nouveau. Olivier Fanica et Gerard Boue. 2005 Massin Editeur.- Théodore Lefront (1835-1893) was a leading maker of decorative ceramic piece...

Exquisite pair of modern pale pink opalescent Murano glass lamps. The glass on these absolutely glistens. Fabulous!!

Large Murano glass & chrome chandelier or flush-mount light, Mid Century Modern style, attributed to Carlo Nason, for Mazzega Italy 1970s. This vintage modern chandelier is made ...

Measuring 74 ½ inches long, this palatial gilt bronze mirrored surtout de table would make a wonderful centerpiece for a dining room table. Its towering jardiniere rises over 14 inch...

Pair of architectural teak side or end tables with original glass tops by Henning Nørgaard for Komfort. Minimalist geometric solid teak base displays excellent craftsmanship, with bo...

The 19th c. Italian Embossed Leather 5 Panel Screen is a luxurious and elegant room divider that adds a touch of sophistication to any space. Made of high-quality leather with intric...

A finely executed Acoma polychrome storage jar in traditional olla form, dating to circa 1900 and created as a period reproduction in the classic Pueblo style. The rounded body and g...

Our down pillows are made with vintage tweed, providing a luxuriously textured accent to your space. Measured 22" by 22", each cushion is the perfect finishing touch to both classic ...

The Gold Murano Glass Chandelier is a luxurious and elegant lighting fixture for any home. With its 8 curved arms, this chandelier provides a soft and warm lighting ambiance. The int...

A Tommi Parzinger tall walnut bar cabinet with expressive grain and carved doors. Beautifully detailed with brass hardware and keys. Fully restored and refinished.

Dating to circa 1700, this hand-carved stone relief plaque was once an architectural element at a chateau in Nice, France. The robust, nine-and-a-half-inch-thick stone, which is crea...

Bring authentic garden character to an interior or exterior setting with this distinctive antique cast stone planter, crafted in France circa 1880. Rectangular in form, the trough is...

From the estate of a retired architect. Early production four door crendenza in a beautiful book matched walnut with stainless designed by Florence Knoll, 1960 for Knoll Associates.

A beautifully crafted, hand-forged stool with suede cushion. Contemporary designed by John Baldasare. These are priced and sold separately.

18th century Italian painted and parcel gilt corbel or architectural element. Stunning 18th century corbel or architectural element with original gilding a...

Crafted in China circa 1990 and oval in shape, the pair of vintage porcelain foot baths are dressed with two side handles. The piece features an intricate architectural scene, includ...

The sinuous form of this Italian bleached walnut credenza exudes elegance, forming an almost full crossbow shape. Hand-carved in the 1800s, the credenza has three compartments, with ...

A beautiful French limestone mantel from the 1720s. Crafted in the iconic Louis XVI style with ornate carvings, it's sure to make a statement in any space. Experience the strength an...