Dallas - Art

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

This sculpture is cast and manipulated stone, fiberglass, iron, and casters. Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one anoth...

Bronze & Steel Table

Bronze & Steel Table

Born in 1933, Otis Huband declared his intention to be an artist at age 6. He earned his BFA and MFA at Richmond Professional Institute of the College of William & Mary, now Virginia...

from the Padoli Monotypes III

KAWS's cartoonish style—including his best-known characters with X-ed out eyes—has its roots in his early career as a street artist, when he began replacing advertisements with his o...

Working in his open-air studio, Miles Cleveland Goodwin is deeply in touch with the rural landscape. Goodwin’s ruminative portrayals, full of earthy metaphor and soulful intuition, e...

From the private collection of a Texas art connoisseur, this rare set comprises all four framed limited European edition lithographs from Salvador Dalí’s 1978 Retrospective Suite. Ea...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

A brooding and atmospheric 1960s abstract oil painting on board titled "Biblical Fire" by celebrated Mexican artist Leonardo Nierman, renowned for his lyrical explorations of light, ...

"Interspersed Field Realization, Big Bend, Texas," by artist Jim Woodson is oil on canvas. The unframed dimensions are 24 x 48 inches. The artist signed and titled the painting on ve...

Ott was part of a generation of painters at the end of the 19th century for whom drawing was the greatest mode of expression. This watercolor was painted at Loguivy in Bretagne where...

Daniel Arsham Eroded Brillo Box - Blue, Edition of 500 Brand new, unopened box Daniel Arsham employs elements of architecture, performance, and scul...

This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute ...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute to Courage statue of Sam Houston in...

Master copper craftsman’s award winning hand-tooled sculpture. Michoacán, Mexico

Offered here is a compelling later impression of one of Rembrandt’s most intimate biblical subjects, Christ Between His Parents, Returning from the Temple. Executed originally in 1654, the composition captures the youthful Christ walking between Mary and Joseph following the episode in Jerusalem, rendered with remarkable psychological nuance and economy of line. This impression was printed in the early nineteenth century from Rembrandt’s original copperplate and is accompanied by a historical letter attesting to its authenticity and dating. The letter states in part: “In my opinion and to the best of my knowledge, the etching presented to me by Antonio’s Collection and entitled Rembrandt E van RIJM is an authentic Rembrandt etching made from the plates owned by the Museum of Amsterdam. It is probably an etching third state and would date approximately 1820.” The reference to plates held by the Rijksmuseum situates this impression within the long tradition of posthumous printings drawn from Rembrandt’s original matrices—objects that have been preserved, studied, and occasionally re-inked for carefully supervised editions. With its rich burr, velvety shadows, and expressive linear handling, this impression remains faithful to the master’s conception while offering collectors the opportunity to acquire an authentic Rembrandt etching from a later, historically significant printing. Like many of Rembrandt’s etched works, Christ Between His Parents, Returning from the Temple exists in several states, meaning the copperplate was altered over time as the artist reworked details, added lines, or strengthened passages of shadow. First State (1654) The earliest impressions are prized for their freshness and painterly light effects, with delicate burr and subtle modeling in the figures’ garments and faces. These are rare and typically reside in museum collections. Subsequent States Later states reflect adjustments to shading, contours, and background architecture—often deepening contrasts or clarifying forms as Rembrandt refined the narrative focus of the scene. Third State (circa 1820) By the early nineteenth century, impressions were occasionally pulled from the preserved original plates, producing prints that retain the fully developed image while often showing slightly firmer lines and less burr than seventeenth-century impressions. Such examples are historically important, documenting the continued reverence for Rembrandt’s graphic work and the custodial role of European institutions in safeguarding his plates. The accompanying letter provides valuable documentary support, linking this impression to early twentieth-century scholarship and reinforcing its status as an authentic pull from Rembrandt’s plate...

This is a collection of hand woven textile sculptures by fiber artist Barbara Coburn created in the 1970s and designed to be suspended from the ceiling....

This artist's butterfly work is in the current Veranda Magazine with Jan Showers. "Butterfly" original oil on canvas painting by Steve McElroy, 2024. B...

Théodore Rousseau (French, 1812-1867) Personnages sur un sentier escarpé au coucher de soleil, 1845-50 Oil on paper laid on canvas Canvas: 12 x 9.75 inches (30.5 x 24.8 cm) Frame: 18...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

"My work is about respecting the beauty that remains and the poetry that is found." - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the mediu...

"The Blind Woman" by artist Miles Cleveland Goodwin is oil on canvas, and measures 72 5/8 x 44 5/8 inches. Including the artist-made frame, the overall dim...

Louis Icart (French, 1888-1950) Coursing II, 1929 Etching with handcoloring on paper Image: 15 x 24-7/8 inches (38.1 x 63.2 cm) (image) Ed. V/160 Framed Dimensions 27 X 39.5 Inches ...

Several months after releasing the KAWS Share Figure in February, the artist released his long anticipated KAWS Take Figure. The figure, which features a blue BFF holding a brown Com...

Jacobo and Maria Angeles. Snail #19. Oaxaca, Mexico. Weight: 0.6 lbs., height: 4.5 in., length:8 in. width: 3 in. With certificate of Authenticity.

Ben Frost Happy Happy Joy Joy, 2016 6-color screen print on Mohawk Superfine UltraWhite, 160 lb cover 18 x 15 in., 40.6 x 50.8 cm Edition of 5, Signed and numbered by Ben Frost

This work was featured at ComplexCon 2019 - November 2nd and 3rd in Long Beach, CA.

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Bronze & Steel Table

In her work, Allison Gildersleeve addresses the theme of memory, exploring the phenomenon of past and present becoming collapsed or entwined by the emotional experience. Gildersl...

“I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

Gene Davis Large Scale Lithograph on Archival paper Signed and numbered in pencil. Titled Yankee Doodle and executed in 1972. Original frame with plexiglass. Printed by Fine Creati...

Flamenco Moon - (Luna Flamenca). Technique: Bronze Sculpture. Jalisco, Mexico.

Alphonse Mucha (1860-1939) Four lithographs on wove paper For serious collectors and museum collections. A full set of Mucha’s iconic period lithographs representing The Times Of Th...

Short Statements on Painting by Jim Woodson (in no particular order): Remember less, Explore More Learn then forget, then look and discover Move Thought into Thinking A verb is more...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute to Courage statue of Sam Houston in...

Louis Ernest Barrias (French 1841-1905) Nature Revealing Herself La Nature se dévoilant devant la Science Gilt, and silver patinated bronze with blue glass scarab Signed on base “E...

Pierre-Eugene Montezin (French, 1874 - 1946) "Cavaliers Au Bois" Oil on Panel. Signed lower right. Waterhouse & Dodd label verso. Sight Size: 12.75 x 16 in. Overall Framed Size: 21...

Willem de Kooning (Dutch, 1904 - 1997) Abstract Oil on Newspaper painting (NY Times, Friday Jan. 26, 1973). Pencil signed lower right. Provenance: - Private Collector, East Hampton...

Dramatic abstract oil painting on board by renowned Mexican artist Leonardo Nierman, titled Prophesy. The composition rises with intense vertical energy, evoking a sense of cosmic tu...

Open unknown edition Unsigned Several months after releasing the KAWS Share Figure in February, the artist released his long anticipated KAWS Take Figure. The figure, which features...

Berlin (K.P.M.) Porcelain Plaque of a Woman Late 19th century. Circa 1896 A very fine and detailed oil painting on porcelain by the Königliche Porzellan-Manufaktur (KPM) depicting a...

Henri Matisse (French 1869-1954) Pencil Drawing Of A Working Horse Catalogued as Number Z 548 in the Artist Archives Pencil on paper, c. 1900, signed with initials 'HM' lower right....

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

Gustav Klimt (Austrian, 1862-1918) Frauenkopf nach rechts, 1916 Pencil on paper Dimensions: 22.5 x 14.75 Inches (57.2 x 37.5 cm) (sheet) Stamped lower right: GUSTAV / KLIMT / NACHLAS...

Constant Troyon (French 1810-1865) Shepherdess After The Storm. A large and powerful plein air Barbizon painting by The master Constant Troyon representing a Shepherdess giving at yo...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

1960s Brutalist sculpture by Texas artist Dr. Sam Jagoda. This beautiful abstract work has a plant-like form that also has bird and insect qualities. Perfect for indoors or outdoors....

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

"A Hillside Picnic" By Greg Harris is a perfect example of his most sought after paintings. Measuring 24x30 in., this painting has three woman in white and pink walking in fields of ...

"Ex Nihilo Fragment 3" by Frederick Hart is a figurative bronze with the edition of 56/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorph...

This sculpture is edition 2/20

signed "EJB." at lower right 21 3/4 x 17 inches including frame