Dallas - Art

Bronze & Steel Table

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Bronze & Steel Table

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Offered here is a compelling later impression of one of Rembrandt’s most intimate biblical subjects, Christ Between His Parents, Returning from the Temple. Executed originally in 1654, the composition captures the youthful Christ walking between Mary and Joseph following the episode in Jerusalem, rendered with remarkable psychological nuance and economy of line. This impression was printed in the early nineteenth century from Rembrandt’s original copperplate and is accompanied by a historical letter attesting to its authenticity and dating. The letter states in part: “In my opinion and to the best of my knowledge, the etching presented to me by Antonio’s Collection and entitled Rembrandt E van RIJM is an authentic Rembrandt etching made from the plates owned by the Museum of Amsterdam. It is probably an etching third state and would date approximately 1820.” The reference to plates held by the Rijksmuseum situates this impression within the long tradition of posthumous printings drawn from Rembrandt’s original matrices—objects that have been preserved, studied, and occasionally re-inked for carefully supervised editions. With its rich burr, velvety shadows, and expressive linear handling, this impression remains faithful to the master’s conception while offering collectors the opportunity to acquire an authentic Rembrandt etching from a later, historically significant printing. Like many of Rembrandt’s etched works, Christ Between His Parents, Returning from the Temple exists in several states, meaning the copperplate was altered over time as the artist reworked details, added lines, or strengthened passages of shadow. First State (1654) The earliest impressions are prized for their freshness and painterly light effects, with delicate burr and subtle modeling in the figures’ garments and faces. These are rare and typically reside in museum collections. Subsequent States Later states reflect adjustments to shading, contours, and background architecture—often deepening contrasts or clarifying forms as Rembrandt refined the narrative focus of the scene. Third State (circa 1820) By the early nineteenth century, impressions were occasionally pulled from the preserved original plates, producing prints that retain the fully developed image while often showing slightly firmer lines and less burr than seventeenth-century impressions. Such examples are historically important, documenting the continued reverence for Rembrandt’s graphic work and the custodial role of European institutions in safeguarding his plates. The accompanying letter provides valuable documentary support, linking this impression to early twentieth-century scholarship and reinforcing its status as an authentic pull from Rembrandt’s plate...

Working in his open-air studio, Miles Cleveland Goodwin is deeply in touch with the rural landscape. Goodwin’s ruminative portrayals, full of earthy metaphor and soulful intuition, e...

This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Daniel Arsham Eroded Brillo Box - Blue, Edition of 500 Brand new, unopened box Daniel Arsham employs elements of architecture, performance, and scul...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

This work was featured at ComplexCon 2019 - November 2nd and 3rd in Long Beach, CA.

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Double Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital...

KAWS's cartoonish style—including his best-known characters with X-ed out eyes—has its roots in his early career as a street artist, when he began replacing advertisements with his o...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

1960s Handwoven textile piece by world-renowned fiber artist Romeo Reyna. Pieces by Reyna of this scale took months to complete and were mostly only available by commission and are r...

Toni Franović was born in Zagreb on April 15th, 1964. He is a graduate of the Academy of Fine Arts in Zagreb, where he studied under professor Vasilije Jordan. In 1992/93 he joined t...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Born in 1933, Otis Huband declared his intention to be an artist at age 6. He earned his BFA and MFA at Richmond Professional Institute of the College of William & Mary, now Virginia...

Flying Alinga Double Jump, smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 40x30 inches Frame size: 48x37x...

From the private collection of a Texas art connoisseur, this rare set comprises all four framed limited European edition lithographs from Salvador Dalí’s 1978 Retrospective Suite. Ea...

Louis Icart (French, 1888-1950) Coursing II, 1929 Etching with handcoloring on paper Image: 15 x 24-7/8 inches (38.1 x 63.2 cm) (image) Ed. V/160 Framed Dimensions 27 X 39.5 Inches ...

This is a collection of hand woven textile sculptures by fiber artist Barbara Coburn created in the 1970s and designed to be suspended from the ceiling....

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute to Courage statue of Sam Houston in...

Théodore Rousseau (French, 1812-1867) Personnages sur un sentier escarpé au coucher de soleil, 1845-50 Oil on paper laid on canvas Canvas: 12 x 9.75 inches (30.5 x 24.8 cm) Frame: 18...

Roberto Montenegro Untitled

The paper size is 30 1/8 x 44 inches

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

"Gold Butterfly" oil on canvas original oil painting by known artist Steve McElroy. This large painting is 48 x 60 inches. Signed front and back. Search Steve McElroy's name for ...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Bronze & Steel Table

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

Artist: OG Slick Description: OG Slick 'LA Hands' 3 Foot Tall limited edition blue vinyl hand-cast resin figurine, made in Los Angeles. Edition Size: 10 Di...

This sculpture is cast and manipulated stone, fiberglass, iron, and casters. Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one anoth...

Several Generations - (Varias Generaciones). 2019. (Acrylic Painting on Canvas.) Guatemala City, Guatemala.

Willem de Kooning (Dutch, 1904 - 1997) Abstract oil on Newspaper (NY Times, Friday Jan. 26, 1973). Pencil signed lower left. Provenance: - Private Collector, East Hampton New York;...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Udy's work utilizes the broad canvas of nature and often paints the female form. Her work evokes feelings of fantasy and celebrates the beauty of nature and of the natural. Her's is ...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

After a tour of duty in the US Navy, Miles Cleveland Goodwin earned a BFA from Pacific Northwest College of Art in Portland, Oregon, in 2007, and eventually returned to coastal Missi...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blues and white pigments on vel...

Pierre-Auguste Renoir’s Apres Le Bain is a stunning 22 x 26-inch pencil and Sanguine chalk painting depicting a nude woman after her bath. This large, exquisitely detailed work showc...

Signed "HP" at lower right, and inscribed "Eric Horsbrugh-Porter / Phyllida one week old" on verso. The overall dimensions, including the frame, are 17 x 21 5/8 inches.

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Le Mousquetaire Bleu Artist: Pablo Picasso (after) Date: June 5, 1969 Medium: Lithograph on paper Edition: Numbered 139/375 (Unsigned) Condition: Excellent vintage condition, prof...

This sculpture is edition 2/20

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

"Caduceus", recognized as a universal medical symbol, in this bronze representation by James N. Muir has become an Angel of Healing bringing love and peace to the earth and all of it...

"Ex Nihilo Fragment 3" by Frederick Hart is a figurative bronze with the edition of 56/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorph...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one another (and the viewer) through their body language, relationships and dialogue. S...

Alphonse Mucha (1860-1939) Four lithographs on wove paper For serious collectors and museum collections. A full set of Mucha’s iconic period lithographs representing The Times Of Th...

"Space Balls" is a whimsical free standing sculpture, measuring 53 H x 31 W x 29 D inches. It's brilliant colours are fluorescent green and magenta pink. T...

Rufino Tamayo (1899-1991) SANDÍA #2 "Watermelon" Color lithograph, 1969, on Rives BFK paper, signed in pencil, from Mujeres, printed by Atelier Desjobert, Paris, published by Touchs...