Fairfield County - Art

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

This large abstract statement painting by Sofie Swann is made with acrylic paint on canvas. It features an organic abstract red shape that covers almost the entire canvas, leaving a ...

Available Sizes: 30" x 45" - Edition of 15 40" x 60" - Edition of 10 48" x 72" - Edition of 5 This photograph will be printed once payment has been received and will ship directly...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proo...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 60", Edition of 15 47" x 71", Edition of 15 55" x 80", Edition of 15 60" x 90", Edition of 10...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less ab...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $9,500.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67" ...

Series: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs Tyler Shields...

This abstract painting by Sofie Swann is made with acrylic paint on canvas. A deep black background is covered with mid- and light-toned blue and white, overlapping rectangular shape...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

"Selection matters. Selection matters even more when you’re making a choice for life. Among bald eagles, till death do us part holds true. Only in the event of a partner's passing—...

Marine outdoor Italian stainless steel with turquoise tint. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, S...

Artist: John Chamberlain (1927-2011) Title: Flashback VI Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 151/175, plus proofs Size: 28 x 20 inches Inscription: Signed ...

Series: Silhouette Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 AP Tyler Sh...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Mother Nature sure had fun with Buckley! White coat with brown spots, brown e...

Artist: Itzchak Tarkay (1935-2012) Title: Blue Mood Year: 2000 Medium: Silkscreen on wove paper Size: 13.5 x 10.75 inches Edition: 178/750, plus 100 Remarques Condition: Excellent In...

Artist: Ernesto (1960) Title: Amsterdam Year: Circa 1990 Medium: Lithograph on Arches paper Size: 46.5 x 28.75 inches Edition: 115/299, plus proofs Condition: Excellent Inscription: ...

In September 2006, Pam began her artistic journey at Silvermine School of Art where she studied still life for eight years with Kirill Doron of the Art Institute of Moscow. Pam's pr...

Artist Statements: “My paintings are the poetry of my interpretations of reality." "After my years of formal academic training, I sometimes take my work toward the more contempora...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $11,000.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67" x ...

Title: Statue of Liberty II Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Notes: Published and printed by Via Max, Inc., New York, 2000. Policy: We officially represent the Peter Max Studio (ALP, Inc., New York), and this artwork will be shipped directly from the Studio to the buyer. Per the requirements of the Peter Max family and the Studio (ALP, Inc., New York), this artwork will be dedicated by the Peter Max Studio to the buyer or a person of the buyer’s choosing (first and last name). Excerpted from the Peter Max Archives, As the new millennium dawned, Peter Max created a series of uplifting artwork expressing his hopes and bright optimism for the era ahead. As part of this series, this stunning artwork brilliantly reproduces one of Max's eight-foot-tall paintings of the Statue of Liberty that he created at the invitation of President and Mrs. Reagan on the White House lawn on July 4th, 1981. Lady Liberty is rendered in fluid, expressionistic brushwork in soft, sublime colors with punctuations of bold color and the artist's signature 'zoople' accents throughout the piece. This beautiful and patriotic artwork also features a Peter Max Statue of Liberty...

Oil on Panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an ...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Architecture, functional objects and the human gestures that occur when interacting with these structures inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces,...

All available sizes & editions for each size of this photograph: 21” x 32" Edition of 4 32” x 48" Edition of 7 44” x 66” Edition of 10 While the spaces themselves are ornate and...

Artist: Peter Max (1937) Title: Woodstock Profile Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellent Insc...

Béla Bartók, Hungarian composer and pianist, is considered to be one of the most important composers of the 20th century. Conceived in 1947 while Wein was in Rome after having been a...

This beige and white abstract work conjure a delicate simplicity created by the artist. Shapes languidly splay behind thin meandering lines and freeform fluid curves. Yet upon closer...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Poodles are most often known for their polished puffs, clean lines and rounde...

Created for the 2017 Whitney Biennial, Aurora uses a photograph of a dense, lush landscape captured at dawn. For this work, Soto developed a technique using layers of face-mounted, l...

Artist: Fran Bull (1938) Title: Three Egrets Year: 1980 Edition: 156/160, plus proofs. Medium: Silkscreen on Rives BFK White Paper Size: 20.25 x 29.75 inches Condition: Good Inscript...

"Marilyn Monroe reading Ulysses by James Joyce, New York, Long Island, 1955." All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 +...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 15" 30" x 22.5" 40" x 30" 60" x 45" 72" x 56" 84" x 63" Editions of 3 + 2 A...

Her oil on canvas images are photorealistic and gorgeous.

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 75" x 60" - $14,700.00 Framed Sizes: 39" x 47" - $9,250.00 55" x ...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin Strathmore paper Size: 23 x 18 inches Condition: Good Prov...

Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proo...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Ar...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

Artist: Peter Max (1937) Title: Umbrella Man at Sunrise Year: 2001 Edition: 303/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excellent In...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Blue is one in a three part series. “In the refi...

This abstract statement painting by Roger Mudre features a warm red and yellow palette and light layers of circular shapes arranged in a larger circle at the center of the compositio...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

"If it looks like he’s about to jump the gun, that’s because he was. Gunner was eager and in constant anticipation of some new mystery element throughout our session—it’s the border ...

Artist: Philippe Noyer (1917-1985) Title: The Monkey Year: circa 1969 Medium: Lithograph on Arches paper Edition: 66/220, plus proofs Size: 29.75 x 22 inches Condition: Good Inscript...

Artist: Peter Max (1937) Title: Sage on Mountain Year: 2002 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellent Inscr...

Oil on canvas.

Untitled Flower # 82 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Series: Places Digital C-Print on Archival Photographic Paper Available sizes: 30" x 45", Edition of 15 40" x 60", Edition of 10 48" x 72", Edition of 5 Few photographers in the wo...

Available Sizes: 30" x 45" Edition of 15 40" x 60" Edition of 10 48" x 72" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, manki...

Available Sizes: 11" x 14" $6,000.00 Edition of 25 + 5 AP 16" x 20" $8,000.00 Edition of 20 + 4 AP 20" x 24" $10,000.00 Edition of 20 + 4 AP 30" x 40" $16,500.00 Edition of...

Marilyn Monroe on the set of ‘The Misfits’, Reno, Nevada, 1960. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 + 3 Artist Proo...

American Muslim minister and human rights activist Malcolm X in Chicago, Illinois in 1961. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Ed...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...

Available Sizes: 24" x 20" $3,000.00 Edition of 15 30" x 24" $4,000.00 Edition of 20 45" x 45" $8,500.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

Mid 20th Century American Abstract Large. Comprised of Four Canvases Color Field James Daugherty (1887 - 1974) The Sun is but a Morning Star Acrylic on canvas, c. 1965. 100 x 100 inches Comprised of four canvases measuring 50x50 inches each Each canvas is signed, J. Daugherty, on verso. The upper left canvas is inscribed as titled on verso Provenance: Estate of the Artist. Exhibited: Montclair Art Museum, Montclair, NJ, "James H. Daugherty Retrospective," January 28 - March 25, 1973. BIO Among the early American modernists, James Daugherty was one of the first exponents of abstract color painting. Throughout his career, whether he was working in an abstract or a representational mode, Daugherty felt pure color to be the most effective means of creating powerful and evocative works of art. Daugherty was born in Asheville, North Carolina, near the Great Smoky Mountains. He received his formal training at the Corcoran School of Art in Washington, D.C. and at the Pennsylvania Academy of the Fine Arts in Philadelphia during the early years of the last century. Although he was in Europe from 1905 until 1907, he remained unaffected by avant-garde art until the groundbreaking Armory Show of 1913. Daugherty worked in a futurist manner until late 1914 or early 1915, when he came into contact with Arthur B...

Baretta 9mm Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns at on...