Fairfield County - Art

Nandi, from the Sacred collection, Acrylic Paint on Canvas, 2024 This Painting will be shipped directly from the artist's studio. Hand-Signed on Reverse I bring my sensibility as a...

Medium: Lithograph on vélin paper Year: 1948 Paper Size: 16.54 x 11.81 inches Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the album, Carnet de dessins de...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

The Academy of Music in Philadelphia first opened in 1857 and it is the oldest extant opera house in America. The “Grande Olde Lady of Locust Street” has hosted notable performers wi...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

"RESPLENDENCE OF ANTIPODES In the scope of civilization, the subterranean realm remains largely unchanged. Isolated in darkness for hundreds of millions of years, the sunless underwo...

Robert Cook’s sculpture Rushing serves as an energetic reflection on the fast-paced nature of life—where so many of us are constantly in motion, hurrying from one place to another. H...

Medium: Lithograph on vélin paper Year: 1972 Paper Size: 20.5 X 26.4 inches Catalogue raisonné reference: Cramer, illustration 155 Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Pablo Picasso, La Chute D'Icare, Décoration du Foyer des Délégués Palais de l'UNESCO à Paris, Suite d'études préparatoires en noir et en couleurs réalisées du 6 décembre 1957 au 29 janvier 1958, 1972. Published by Albert Skira, Éditeur, Genève; printed by Roto-Sadag S.A. Genève, December 20, 1972. Excerpted from the folio (translated from French), This album contains the series of preparatory tests in black and VII color studies, reproduced, made by Pablo Picasso for the decoration of the home of the delegates at the Palais de l'UNESCO in Paris, was completed to print on December 20, 1972 on the presses of Imprimeries Roto-Sadag S.A. and Atar S.A. in Genève. The edition of this album is as follows: CXXV examples numbered from I to CXXV, XXV examples, out of commerce, numbered H.C. I to XXV, reserved for the artist and the publisher. Each of these albums contains an etching by Pablo Picasso, signed and numbered...

The Paths series was born out of a trip I took one summer to LA. The trip itself was more of an escape from my life in New York. At the time I was at a crossroads. Having just gone t...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, The Circus by Toulouse-Lautrec, 1...

"RESPLENDENCE OF ANTIPODES In the scope of civilization, the subterranean realm remains largely unchanged. Isolated in darkness for hundreds of millions of years, the sunless underwo...

"RESPLENDENCE OF ANTIPODES In the scope of civilization, the subterranean realm remains largely unchanged. Isolated in darkness for hundreds of millions of years, the sunless underwo...

Unrelenting winds and formidable waves contour this volcanic silvery-white landscape into luminous, lunar-like surfaces. Sharp cliffs, caves and valleys, occupants on alien terrain—I...

This photograph belongs to the series "Conversations." Evoking Dutch still-life as inspiration, these beautiful, contemporary tabletops contemplate technology's implications upon hum...

Christos J. Palios (b. 1979) is a fine-artist and first-generation Greek-American whose perspectives were shaped by two disparate cultures. The artist's practice is born from a wells...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Series: The Americana Collection Archival Pigment Print Unframed Sizes: 20" x 40" - $5,800.00 30" x 60" - $7,000.00 40" x 80" - $9,500.00 Framed Sizes: 27" x 47" - $6,800.00 37" x ...

Water is essential and soft, mesmerizing in its grandeur, formidable in its tumultuousness. Skálabrekkufoss lies on pristine verdant land and thunders down 140' into a narrow, rugge...

Rising up from verdant skirts of moss are volcanic cliff sides lining Iceland's coast, lined with sinuous paths of loose gravel meandering downward. Series: Ísland Archival Pigment ...

This abstract coastal landscape painting by Kelly Rossetti is made with oil paint on paper. It features a cool blue palette with contrasting pink and orange tones across an abstracte...

Available Sizes: 8 x 10 in $600.00 Open Edition 11 x 14 in $1,000.00 Edition of 50 16 x 20 in $3,000.00 Edition of 50 20 x 24 in $4,000.00 Edition of 50 30 x 40 in $6,000.00 Ed...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From t...

27-color silkscreen

Untitled Flower # 10 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

This work is unframed and is sold as a set with 3 other "Palm Details" listed.

Medium: Archival Pigment Canson Platine Print Series: Isolation Games Available Sizes: 21" x 30” Edition Size: 10, Artist Proof 2 30" x 45” Edition Size: 8, Artist Proof 2 40" x 58”...

Christos J. Palios (b. 1979) is a fine-artist and first-generation Greek-American whose perspectives were shaped by two disparate cultures. The artist's practice is born from a wells...

I was raised as a first-generation Greek-American, a son of immigrants. These two distinct and fascinating cultures forged my personal perspectives. Socioeconomics, cultural diversit...

American actors Paul Newman and Lee Marvin wearing cowboy hats Tucson, Arizona for a publicity still for Stuart Rosenberg’s 1972 comedy western film ‘Pocket Money’. From what Terry O...

This photograph belongs to the series "Conversations." Evoking Dutch still-life as inspiration, these beautiful, contemporary tabletops contemplate technology's implications upon hum...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Collection: Earth Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. The physicality...

This painting is from my minimalist series. I use a maximum of 4 colors and distill the landscape to its purist form. I paint on canvas, then mount on a cradle board using acid free ...

Untitled Flower # 150 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

This photograph belongs to the series "Conversations." Evoking Dutch still-life as inspiration, these beautiful, contemporary tabletops contemplate technology's implications upon hum...

This photograph belongs to the series "Conversations." Evoking Dutch still-life as inspiration, these beautiful, contemporary tabletops contemplate technology's implications upon hum...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a dark palette, with dark charcoal black tones contrasted by yellow and red accents throughout, and large brush strokes. The painting itself is 16" x 54" and measures 17" x 56" x 2" framed. The paper is mounted on board, framed in a black frame under glass. It is not signed by the artist, but has been authenticated by his estate, and is stamped with the estate seal on the back of the painting, and on the back of the frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Collection: Beyond the Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...

This photograph belongs to the series, "Absolute Powers / ex nihilo." These photographs dive deeper into the taboo and controversial topic of money by showcasing an array of intrigui...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 10.24 x 7.87 inches Inscription: Signed in th...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Table, Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condit...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Landscape with Flowering Tree) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Good P...

All available unframed sizes and editions: 23" x 30” Edition Size: 10, Artist Proofs 2 - $2,200 30" x 40” Edition Size: 8, Artist Proofs 2 - $3,250 40" x 53” Edition Size: 8, Art...

Untitled Flower # 11 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

This small glazed porcelain sculptural vessel by Jon Puzzuoli features a light green palette with a sandy beige accent applied in a wave pattern over the surface of the piece. The in...

Direct to plate photogravure and aquatint. Edition of 40.

This abstracted painting offers glimpses of a woman's body in a burst of vibrant colors, but only if you can see her. Shades of red -- from bright hues to deep red-browns -- dominate...

I was raised as a first-generation Greek-American, a son of immigrants. These two distinct and fascinating cultures forged my personal perspectives. Socioeconomics, cultural diversit...

This contemporary seascape painting by S.C. Aldo is made with acrylic paint on Arches paper. It depicts a lightly abstracted coastal sce...

Albert Wein had a retrospective and he was called a classical modernist by art critics. He is primarily regarded as one of America's great sculptors but he loved doing drawings, wat...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure aveugle guidé par une Fillette dans la Nuit (after Bloch 225) Year: 1992 Medium: Reproduced from the original edition using t...

27-color silkscreen

Away We Go is a thickly textured oil and acrylic painting of three paper airplanes soaring like birds. It is by artist, Jason Wright. Jason Wright was born in the United States (19...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Archival Pigment Print Classic Havana All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist...

Archival Pigment Print Lower Manhattan, Seaport renovations.. All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"-...

This photograph belongs to the series, "Absolute Powers / ex nihilo." These photographs dive deeper into the taboo and controversial topic of money by showcasing an array of intrigui...

Available Sizes: 32" x 32" Edition of 15 40" x 40" Edition of 10 48" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, manki...

This photograph belongs to the series, "Absolute Powers / ex nihilo." These photographs dive deeper into the taboo and controversial topic of money by showcasing an array of intrigui...