Fairfield County - Art

artist : Adja Yunkers (1900-1983) title : Composition # 64, 1972 marks : signed l.r., also titled , dated and signed on verso Provenance: Parker Gallery (label on stretcher) note :...

Being nearsighted from a young age, Audrey Stone is drawn to seeing things up close; her work entails detail in the making and her desire for visual intimacy. How craft and art are d...

Artist Statement Intermundium: space between worlds 2021 In the summer of 2019, I traveled to Ireland for an extended painting trip, renting a cottage for a month on the rugged Sh...

Domaine III C Print On Fuji Paper Collection: Dutch Masters One size: 44.5 x 27 Edition of 6 + 2 Artist Proofs, 6 left DUTCH MASTERPIECE These Self-portraits remind us of historic ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

Rebirth C-print on Fuji Paper Collection: THE REBIRTH OF THE DUTCH FLOWER One size: 62.2 x 56.7 Edition of 8 + 2 Artist Proofs THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isabelle va...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark Museum, the Metropolitan Museum and the Rubin Museum repeatedly studying their structure and content. Pat Lay has used computer data and computer parts...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Title: Johnny Frigo, Lurlean Hunter and Johnny Griffin Estate-stamped, gelatin-print silver Left to Right: Johnny Frigo, Lurlean Hunter and Johnny Griffin on the corner of Michigan ...

Available Sizes: 32" x 32" Edition of 15 40" x 40" Edition of 10 48" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, manki...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Archival Pigment Print Ruins of 19th century neighborhood adjacent to downtown. Now fully renovated All available sizes & editions for each size of this photograph: 30" x 40” -...

Title: Tennessee State Museum Year: 1993 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 20 inches Inscription: Hand signed by Peter Max in ink and unnumbered,...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba s...

Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark M...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Kathleen Vance explores environmental issues such as water conservation and protection through positive stewardship of the land. She looks to convey an appreciation of nature and tra...

Bavarian-born and raised Eva Mueller, made New York her home in 1990. Her previous studies and experience in graphic design and visual fine art, evolved into her career in photogr...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Sylvia Schwartz In her structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist’s own fingerprints. Leaving the human trace evident through the repetition of shapes and textures in both the natural and man-made elements, provides a measure of stability, a reference point. These manmade and natural forms merge, revealing our inexplicable dependence on nature. Through this melding of two entities, new life is breathed into the art object. Paper as a primary medium allows Schwartz to sculpt, draw and paint simultaneously. The flow of the pulp (a natural phenomenon in itself) meshes with the molded forms creating a structure that seems to rest on the edge between painting and sculpture. The duality between light and heavy, interior and exterior, planned and accidental, order and chaos, leading ultimately to a sense of life. Red...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

An entrancing work about the artists childhood trip to Entally, India! A master abstractionist having spent years in Mexico with famous artists such as Rufino Tamayo - this artist had a way of presenting feelings through color and revertive brushwork. Here his childhood memory is colored in yellow - a color which speaks of his warm and rich experience which remained etched in a vivid way in his mind even in later years. He had a technique of sponging over and over dabs of paint and thru sponging could create rhythmic dots that pulsate and make his canvases glow and feel alive. He did a series of work called "To Celebrate a Childhood" and this one has a curious draw to it. It is complimented by a high quality silvered leaf frame that allows the yellow to function and glow. It measures 27 x 35 inches inside the frame and is signed with the artists cache on the back along with the estates inventory #. This work as one can see from our in-situ photo - enlivens a room and brings a positivity and welcoming aspect to a room. Would be great too with wood tones or just about any interior as yellow is a color to punctuate with yet there is a lot of detail within this canvas that draws a viewer in to take a closer look! Its provenance is estate of the artist to Messums Gallery in London. To Celebrate A Childhood-Entally, 1985 another of Michael Forster...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Archival Pigment Print West side of Park near Belvedere All available sizes & editions for each size of this photograph: 40" x 50” - Edition of 5 + 2 Artist Proofs 50" X 60"- E...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces th...

"FLOWER EVOLUTION The most highly coveted of ornamental plants, the delicate, and graceful orchid represents love, feminity, beauty and strength. The orchids have a magical quality. ...

Tom Pfannerstill recreates trash he finds - he then hand paints on wood - painted on carved basswood. These are carved wood sculptures and hand painted. There is no collage - it is ...

Tom Pfannerstill recreates trash he finds - he then hand paints on wood - painted on carved basswood. These are carved wood sculptures and hand painted. There is no collage - it is ...

Pigment print on Hahnemϋhle photo rag paper Available Sizes: 23" x 23" $2,500.00 31" x 31" $3,000.00 39" x 39" $3,500.00 60" x 60" $6,000.00 Born in 1978, Payidar Şeyma Alışır ...

Pigment print on Hahnemϋhle photo rag paper Available Sizes: 23" x 23" $2,500.00 31" x 31" $3,000.00 39" x 39" $3,500.00 60" x 60" $6,000.00 Born in 1978, Payidar Şeyma Alışır ...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

Pigment print on Hahnemϋhle photo rag paper Available Sizes: 23" x 23" $2,500.00 31" x 31" $3,000.00 39" x 39" $3,500.00 60" x 60" $6,000.00 Born in 1978, Payidar Şeyma Alışır ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Series: FEMME FATALE All available sizes & editions for each size of this photograph: 30" X 37.5"- Edition of 10 48" X 60"- Edition of 7 48" X 60" - Edition of 3; Lightbox In a ...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Toni Simon is a multimedia artist and writer living in Brooklyn. Her work encompasses the ways in which the future will appear, the shape of things to come, accessed through trance s...

Katherine Jackson lives and works in Brooklyn. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Series: Hydrid Souls Archival Pigment Print Edition of 2 + 2 AP Available Size: 47.24" x 40.94" 55.11" x 47.63" 62.99" x 62.99" Born in Istanbul in 1978, Ali Alışır started his g...

Artist: Alexander Calder (1898-1976) Title: Sky Swirl, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 26 x 20 inch...

Archival Pigment Print Approaching Dust Storm, Floyd County, Texas, 2013 Dust storms form when wind whips up loose soil. They aren’t unusual in West Texas, and typically the wall o...

Archival Pigment Print Art Gallery at the Dorsey Mansion, Union County, New Mexico, 2014 The art gallery was the last room built at the Dorsey Mansion, specifically to house painti...

Archival Pigment Print Former Masonic Lodge, Mobile AL All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Ed...

Archival Pigment Print near Lake Baikal, Russia All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition o...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

Pigment print on Hahnemϋhle photo rag paper Available Sizes: 23" x 23" $2,500.00 31" x 31" $3,000.00 39" x 39" $3,500.00 60" x 60" $6,000.00 Born in 1978, Payidar Şeyma Alışır ...

Archival Pigment Print Camden AL All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist ...

Archival Pigment Print Art Deco Theater in Havana All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Using symmetry as a basis, Drakopoulos derives structure by combining elements from the natural world and science. Modifying these elements digitally, Drakopoulos distills into a pattern or shape, and then layers them with a different structure and repeats the process of layering paint in resin. She tries to find the most subtle and interesting way to connect the different layers that will reveal an underlying structure or system. Slowly as the work evolves, these inner-connections and details begin to form and define the energy and invisible forces that govern the movement of matter, from the microcosmic level of molecules and light particles, to the macrocosmic of planets and galaxies. Drakopoulos views the cosmos as a primordial, all encompassing field within which the illusion of matter is created and dissolved. In this field, particles come together to create complex structures and matter evolves into its maximum state of order. This moment is temporary, a state of transition. The form will subsequently dissolve and the process will begin again. The central images that appear in her work describe this moment of emergence. They are not a representation of actual cosmic phenomena but rather an invented image of an inner mindscape. When attention is directed to the infinite vast field, which contains all of existence in potential, the holographic matrix of the universe is revealed, of which our consciousness is an interwoven part. Angie Drakopoulos is an artist who lives and works in New York City. Her work has been exhibited in various galleries including: ODETTA, McKenzie Fine Art, Southampton Art Center, Paris Koh Fine Arts, Smack Mellon, New York Hall of Science, Feature, G-module, Holland Tunnel...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Series: Hydrid Souls Archival Pigment Print Edition of 2 + 2 AP Available Size: 47.24" x 40.94" 55.11" x 47.63" 62.99" x 62.99" Born in Istanbul in 1978, Ali Alışır started his g...