Fairfield County - Art

Series: Hydrid Souls Archival Pigment Print Edition of 2 + 2 AP Available Size: 47.24" x 40.94" 55.11" x 47.63" 62.99" x 62.99" Born in Istanbul in 1978, Ali Alışır started his g...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

Represented by George Billis Gallery. Paul Pitsker’s watercolor paintings combine the tradition of still life with narrative elements exploring themes of confinement, thwarted yearning and looming disaster, subjects that are now too familiar to all of us whose lives have been upended by the coronavirus pandemic. His interest is in "delicate subjects," a term meant not just literally as it applies to insect...

WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an accurate drawin...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 11 x 15 inches Inscription: Signed in ink Notes: Published, printed,...

SHEPHERD’S PASS Series: “In [this] series I wanted to move into expressing more of a post-impressionist mode by deconstructing with lyricism, while not fracturing in hard edges; so a...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

Artist: John Matos (1961) Title: Storm from the X-Men Suite Year: 2000 Edition: 162/250, plus proofs Medium: Silkscreen on archival two-ply museum board Size: 24 x 18 inches Conditio...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Artist: Romare Bearden (1911-1988) Title: Bopping at the Birdland (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: ...

Using symmetry as a basis, Drakopoulos derives structure by combining elements from the natural world and science. Modifying these elements digitally, Drakopoulos distills into a pattern or shape, and then layers them with a different structure and repeats the process of layering paint in resin. She tries to find the most subtle and interesting way to connect the different layers that will reveal an underlying structure or system. Slowly as the work evolves, these inner-connections and details begin to form and define the energy and invisible forces that govern the movement of matter, from the microcosmic level of molecules and light particles, to the macrocosmic of planets and galaxies. Drakopoulos views the cosmos as a primordial, all encompassing field within which the illusion of matter is created and dissolved. In this field, particles come together to create complex structures and matter evolves into its maximum state of order. This moment is temporary, a state of transition. The form will subsequently dissolve and the process will begin again. The central images that appear in her work describe this moment of emergence. They are not a representation of actual cosmic phenomena but rather an invented image of an inner mindscape. When attention is directed to the infinite vast field, which contains all of existence in potential, the holographic matrix of the universe is revealed, of which our consciousness is an interwoven part. Angie Drakopoulos is an artist who lives and works in New York City. Her work has been exhibited in various galleries including: ODETTA, McKenzie Fine Art, Southampton Art Center, Paris Koh Fine Arts, Smack Mellon, New York Hall of Science, Feature, G-module, Holland Tunnel...

Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark M...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces th...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

Available Sizes: 24" x 20" $3,000.00 Edition of 15 30" x 24" $4,000.00 Edition of 20 45" x 45" $8,500.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Bavarian-born and raised Eva Mueller, made New York her home in 1990. Her previous studies and experience in graphic design and visual fine art, evolved into her career in photogr...

Artist: Peter Max (1937) Title: Tropical Flowers Year: 1979 Edition: A.P./45, plus proofs Medium: Silkcreen on Arches paper Size: 23 x 30 inches Condition: Excellent Inscription: Sig...

Kathleen Vance explores environmental issues such as water conservation and protection through positive stewardship of the land. She looks to convey an appreciation of nature and tra...

Available Sizes: 21" x 21" $5,000.00 Edition of 15 25" x 25" $6,000.00 Edition of 20 45" x 45" $10,000.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm pape...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

The paintings in Cutting Space command their position in space. These geometric paintings are masses of color in acrylic and oil paint, with wood dowels on shaped canvas. They appear...

Artist: Peter Max (1937) Title: Baloo Baba Year: 1972 Edition: 300, plus proofs Medium: Silkscreen on wove paper Size: 16 x 18 inches Condition: Excellent Inscription: Signed by the ...

Katherine Jackson lives and works in Brooklyn. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

S&W .357 Magnum Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns a...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Sylvia Schwartz In her structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist’s own fingerprints. Leaving the human trace evident through the repetition of shapes and textures in both the natural and man-made elements, provides a measure of stability, a reference point. These manmade and natural forms merge, revealing our inexplicable dependence on nature. Through this melding of two entities, new life is breathed into the art object. Paper as a primary medium allows Schwartz to sculpt, draw and paint simultaneously. The flow of the pulp (a natural phenomenon in itself) meshes with the molded forms creating a structure that seems to rest on the edge between painting and sculpture. The duality between light and heavy, interior and exterior, planned and accidental, order and chaos, leading ultimately to a sense of life. Red...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Artist: Robert Indiana (1928-2018) Title: Anne (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 77/150, plus proofs Size: 24 x 20 inches Condition: Good Inscri...

Deb Covell's practice is concerned with bringing a form into being by exploring the material and conceptual potential of paint. She uses an extremely reduct...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016. Using domestic...

Title: Single Eye Snowy Owl Collaboration with Steven C. Rockefeller Jr. Medium: Digital C-Print on Archival Photographic Paper Available sizes: 50" x 40", Edition of 5 60" x 48", Ed...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

Available Sizes: 24" x 24" $3,000.00 Edition of 15 30" x 30" $4,000.00 Edition of 20 45" x 45" $8,500.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

Available Sizes: 32" x 32" Edition of 15 40" x 40" Edition of 10 48" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, manki...

summer and winter wool

Lester Rapaport Robin’s Passing, painted in 2015 is composed of an atmospheric sprayed background and a central paint dripped spirit figure. Rapaport has been playing with dripped ...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...

Lovelace’s Tribute 2018 sung by Christina Tsers This installation is in honor of Ada Lovelace, generally recognized as the first computer programmer. Lovelace was the daughter of ...

Available Sizes: 21" x 21" $5,000.00 Edition of 15 25" x 25" $6,000.00 Edition of 20 45" x 45" $10,000.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Estate o...

David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of d...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 21" Edition of 7 32” x 32" Edition of 7 44” x 44” Edition of 10 59” x 59” Edition of 5 The ...