Indiana - Mixed Media

David Spiller (1942-2018) I'll See You In My Dreams (2014) Acrylic and pencil on stitched canvas panels Size: 34 x 35 in (86.4 x 88.9 cm) Frame size: 34.25 x 37.25 in (87 x 94.62 cm...

Commission Work 24x24inches Contemporary Art, Textile Wool, cotton and plastic About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...

Commission Work To be shipped first week of August 2021 Contemporary Art, Textile Wool, cotton and plastic About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...

Opposing thoughts coming in and out of my head 2020 silk, mohair, wool 24x24in Contemporary Art, Textile Art, Minimalist About the artist I began using threads due to the memory of...

Observing multiculturalism: After crossing the Mediterranean Sea, a mother breathes in relief while looking at her hungry children. 2019 Contemporary Art, Textile Low grade cotton, pvc, wool About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...

Spacing out on my own two feet 2020 Contemporary Art, Textile Wool, cotton and plastic About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...

Postponing the death of a corroded fence with a thick coat of enamel 2020 Contemporary Art, Textile Plastic on t-shirt About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...

My good deeds don't need an audience 2020 Contemporary Art, Textile Wool, cotton and plastic About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...

From the Series Layer upon layer - I think you should see at least some blood in your plate when you eat steak, no? 2019 Contemporary Art, Textile Wool, raw Mexican wool, cotton and twine About the artist I began using threads due to the memory of an early age image; I was 3 or 4.  In 1978, the year I was born, my father made 3 pieces of art on pressed wood boards. They were painted in black and on their surfaces many nails were hammered strategically.  These nails were used as support to pull copper threads that formed abstract figures, figures from which I was able to easily imagine more figurative images as they were so familiar.  These 3 pieces entered my psyche, I believe. My life has been one of constant change and adaptation, both unsettling and exciting conditions by which one can still grow and thrive, but that can make it difficult to anticipate outcome and overall direction.  Consequently I am intrigued by all that can be controlled.  My fiber-based work has, in itself, characteristics derived by this reality such as fragility, tension, elasticity and equilibrium, and only through a precision-based controlled execution, my work comes to life and tells a story that has a clear beginning and an end in sight. Marco Querin...

From the Series Observing Multiculturalism, 2019 (2 pieces) - The fundamental motive behind your presence here seems to be accumulating more power and He finally decided to open up to me and loads of anger just poured out Contemporary Textile...

From the series Observing Multiculturalism - My family was persecuted for our religious beliefs and even here and now we are considered a threat, 2019 Contemporary Textile...

From the series Observing Multiculturalism - I used to be an architect in my homeland, but here all they say I'm good for is manual labor, 2019 Contemporary Textile Artwork Minimalis...