Louisiana - Art

Intermezzo in Green, 2026, 84" H x 60" W, is a monumental contemporary abstract painting by Argentine-born artist Karina Gentinetta (featured in Architectural Digest, Elle Decor, Fre...

10th Anniversary New Orleans Jazz and Heritage Festival Poster, 1979 by John Martinez Fifth in the series by John Martinez. The grand marshal returns for the Jazz Festival's 10th anniversary; as does the "cut paper" technique first seen in the 1977 poster...

A series of prints was commissioned by the Metropolitan Museum in New York in a regular edition of 40. This impression is from an edition of 5 artist proofs. This impression is #4/5. Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Murnaghan was well known for his striking underwater photography, capturing his sub...

"Rhapsody in Red", 2025, 72" H x 60" W. Large-scale abstract painting in hues of a warm, desaturated crimson consisting of acrylic, pencils, and oil pastels on canvas by Argentine-bo...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

Alfred Sisley 1839-1899 British Le Lavoir de Billancourt Signed “Sisley” (lower left) Oil on canvas A master of the landscape, Alfred Sisley is one of the founders of the French ...

The bus is delayed and the night is cold and rainy as a lone woman raises her umbrella to brave the shadowy walk home after giving up on her ride She has just left the bus shelter a...

Interior with a red shawl conveys a quite different mood and feeling: one of calm, and suspension of time. Here the suggestion is that the woman is waiting ...

A color photograph showing a young woman in boots with a pack of Marlboro

Francis Picabia 1878-1953 French Effet de soleil (avril); Sur les bords du Loing (The Effect of Sun on the Banks of the Loing, April) Signed and dated "Picabia 1905" (lower right)...

Norman Rockwell 1894-1978 American Come and Get It! Signed "Norman Rockwell" (lower left) Oil on canvas Norman Rockwell's decades-long collaboration with the Boy Scouts of Americ...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Architectural Digest, Elle Decor, the...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Very nice early Hunt Slonem of Doves with vintage frame selected by the artist

Jean-Pierre Cassigneul b.1935 French Le bouquet dans les bras (The Bouqet in Her Arms) Signed “Cassigneul” (lower right) Oil on canvas Jean Pierre Cassigneul’s Le bouquet dans le...

Pierre Bonnard 1867-1947 French La famille (The Family) Signed "Bonnard" (lower right) Gouache, watercolor and pencil on paper Among Pierre Bonnard’s most unique artworks, this f...

A painting by iconic Louisiana painter Alexander Drysdale, in his classic style. As you probably know if you clicked on this, Drysdales grace the mantels of many of New Orleans' nice...

Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...

Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...

Walasse Ting 1929-2010 Chinese-American Beauties with Flowers Signed with artist's seal (lower right) Watercolor on rice paper Exceptionally bold and dynamic, Beauties with Flowe...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

Antoine Blanchard 1910-1988 French Le Vaudeville Signed "Antoine Blanchard" (lower right) Inscribed, signed and titled "Paris 1900 / A. Blanchard / Le Vaudeville" (en verso) Oil o...

Brandon V. Lewis says of his recent body of work… Uninterrupted Black is an extension of my ongoing commitment to honoring the fullness of Black life…its beauty, its weight, and the...

A signed and numbered lithograph by famous and highly-collectible British nautical artist John Stobart. It features the paddle-wheeler J.M White "Mistress of the Mississippi" leavin...

You don't have to be a Catholic, or a medievalist, or a Catholic medievalist (Tolkien?) to appreciate this striking image of St. George taking on the dragon. In style it falls somewhere between Cubism and Guernica, to my eye. The limited color palette, with the bold red, gives it the energy of early 20th-century Russian poster...

Exquisite, peaceful scene of a riverbank in Massachusetts. Almost makes you feel like you are there in the placid setting. Painted in oils on artist's board. Proudly presented by Guy Lyman Fine Art...

A bright, evocative scene overlooking the whitewashed homes of a Greek island (Santorini or Mykonos?) that takes me back to carefree college days knocking around Europe with no money...

A rare color lithograph by late French artist, Éliane Thiollier. Edition of 275, certificate of authentication is provided. Minor acid staining from the old mat. Éliane Thiollier s...

A stunning signed, limited-edition photo of David Bowie, shot by international celebrity photographer Markus Klinko (bio below) for British GQ in 2002. We offer this strictly limited...

Installation dimensions variable These works explore my intense and loving relationships with my mom, my yiayia (grandmother) and my Greek heritage. As apparent in the images, our n...

I actually prefer this painting to the very slightly larger one by Murillo that sold for $11,600 at auction (Hargesheimer & Günther) in 2009. Another couple of paintings sold at auct...

Comes framed and ready to hang in professional wood black floater frame. This painting was a Finalist in the Grey Cube Gallery's City Art International Art Exhibition: "Out of all ...

We originally had the name of the actual bay in Canada this fine painting depicts, but have been unable to dig it up. At any rate, it shows a number of sailboats with sails lowered, ...

A Nestor Fruge watercolor of a French Quarter scene. Born in Bayou Lafourche, Louisiana in 1916, Nestor Hippoyle Fruge spent parts of his painting career ...

Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...

This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills t...

medium: aluminum (found cans), wire Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique...

Ivan Fedorovich Choultsé Russian 1874–1939 Evening Sun Signed and dated "Iw. F. Choultsé 21" (lower left) Oil on wooden panel In Evening S...

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 3 of 5. Kristin Moore says o...

Painted on deep-profile gallery-wrapped canvas, comes ready to hang. Artist's Statement: "A new take on an earlier series of paintings I did called "Aggregate," this time with fewe...

This impression is #5 out of 40 Anne Dykmans was born in Verviers, Belgium, in 1952. She is a graduate of l’École Nationale d’Architecture et des Arts Visuels de La Cambre in Brussels, where she studied printmaking. Specialist of the Mezzotint (mezzotinto) technique, she is especially known for her prints of interior scenes, where light and dark come together in amazing chiaroscuro effects. She has presented her work in solo and group shows in Belgium and in many countries including; among others: France, Germany, Spain, Canada, Japan, China, and the USA. She was awarded in 1983 the Prix de la Jeune Gravure Belge in Antwerp. In 1986 she received the Prize of the 8th Biennale of Engraving of Fredrikstad, Norway. She won in 1988 the Gold Medal at the 2nd Triennial of Mezzotint Engraving of Sopot, Poland. Her prints are included in many private and public collections around the world. Anne Dykmans taught engraving from 1984 to 2017 at the Constantin Meunier...

George Valentine Dureau (1930 - 2014) was active/lived in Louisiana. George Dureau is known for Male nude figure, genre, portrait.

Comes framed and ready to hang in professional wood black floater frame. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loos...

An exquisite depiction of a ballet dancer in motion, rendered exquisitely in pastel by Russian/American artist Valery Kosorukov. The artist has manage...

Medium: salvaged slate on aluminum ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native an...

*Butterfly installations are site specific and are available by commission. Installations are priced per butterfly element, and the price includ...

An image from Kincaid lunar series. An edition of 10 Over the course of three decades, Ted Kincaid has systematically subverted the notion of an objective photographic record and examined the play between painting and photography. Kincaid has created multiple series...

Henri Le Sidaner 1862-1939 French La table sur la terrasse au clair de lune, Villefranche-sur-Mer (The Table on the Terrace in the Moonlight, Villefranche-sur-Mer) Signed "Le Sida...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Going Outside 48.0 x 60.0 x 1.75, 8.0 lbs Mixed Media Hand signed by artist Artist's Commentary: "'Going Outside' is a 48x60 mixed media abstract landscape painting. The colors and the composition are an emotional response to beauty and energy found in moments of reflection in the natural beauty of the landscape." About the Artist: Maggie Jones Boudreaux...

Inspired by Vincent Van Gogh's "Self-Portrait with Bandaged Ear and Pipe", 1889 Edition 1 of 7 with 2 APs "Ode to Van Gogh’s 'Self-Portrait with Bandaged Ear and Pipe’” is a self-portrait of e2 artist E.Paul Julien as the tortured artist. This piece was inspired by Julien’s own struggles with mental health issues during isolation during pandemic lockdown, as he found himself in a place where he could relate to the fragile mindset that Van Gogh experienced through most of his life. The artists say of their work... "Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality. The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look. The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models." ⎯⎯⎯⎯⎯ As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present. Kleinveld and Julien...

Henry Moret 1856–1913 French La baie de Lampaul, île d'Ouessant Signed and dated "Henry Moret 1897" (lower right) Inscribed "La baie de Lampaul Ouessant" (on stretcher) Oil on can...

Escape into a world literally made from dreams by placing this 30x24 pastel piece into any room where you may find yourself needing a distraction - such as an office or work space. ...

Pierre-Auguste Renoir 1841-1919 French Femme au corsage blanc, Jeanne Samary (Woman in a white blouse, Jeanne Samary Initialed "AR" (lower right) Pastel on paper Among Renoir's most famous works are those that capture the ladies of his inner circle in his signature style. This vibrant pastel from 1879 depicts the young Jeanne Samary, Renoir’s favorite subject and most important muse at the height of his career. Compared to his 4,000 paintings, the artist made exceptionally few pastels—only about 150 total—making this luminous work an extraordinary Renoir rarity. Samary was one of the most captivating figures of late 19th-century Paris. An iconic actress at the Comédie-Française, her fame rivaled that of the great Sarah Bernhardt. Beginning in 1876, Renoir created dozens of portraits of Samary, and she also appeared in all three of the artist’s most important paintings from this pivotal period—Bal du moulin de la Galette (1876), La balançoire (1876) and The Luncheon of the Boating Party (1880–81). Renoir’s close friend and biographer, Georges Rivière, noted that “no portrait ever gave Renoir greater satisfaction than the ones he made of Samary.” This magnificent pastel perfectly embodies this bond between Renoir and Samary. Vivid and spontaneous, the work captures an intimate moment, with Samary’s blouse delicately falling over her shoulder. Renoir typically reserved pastel for his portraits of friends and family, as it allowed him to capture their true essence with speed and ease. The year this pastel was created, 1879, was also one of the most important years of Renoir’s career. He entered the prestigious Salon of 1879, where four of his portraits were accepted, including a full-length masterpiece of Jeanne Samary. This pastel stands as a testament to this pivotal chapter for Renoir, portraying the muse who shaped his groundbreaking vision. Renoir’s portraits of Jeanne Samary are exceptionally scarce, with most already held in prestigious museum collections, including the State Hermitage Museum in St. Petersburg and the National Gallery of Art in Washington, D.C. Similar pastels of Samary have commanded millions at auction—among some of the highest prices for Renoir’s works on paper. Importantly, the artist’s pastels are getting recent museum attention, with the major 2025-2026 exhibition organized by the Musée d’Orsay and the Morgan Library, Renoir Drawings...

Marc Chagall 1887-1985 Russian Peintre à la veste rouge et le nu vert (Painter with the Red Jacket and the Green Nude) Stamped with signature "Chagall" (lower left) Pastel, India ...

This 19x14 mixed media abstract draws you into the depths, with fluid tones and layered textures that create a sense of movement and mystery. The intricate details capture the essenc...

A charming port scene by famous and super highly-listed Massachusetts painter Otis Pierce Cook. He is best known for these nautical and port scenes, s...

The rendering of the glass here is stunningly realistic - you can almost FEEL it. This painting has a Morandi-like peace about it. Comes framed and ready to hang. Proudly presented b...

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 2 of 5. Kristin Moore says o...