Maine

Stella, Joseph (American, 1877-1946). MAN PLAYING PICCOLO. Pencil on paper, 1908. Signed and dated, lower right. 6 1/4 x 7 inches, framed to 14 x 14 inches. Identified on labels of D...

Dike, Philip Latimer ROCKY CLIFFS. Watercolor on paper, not dated. Signed. 21 3/4 x 27 7/8 inches. In very good condition. Phil Dike was an American painter and art teacher. He pain...

Really stunning large print — one of a set of three hunting trophy lithographs. After Jean-Baptiste Oudre (1686-1755), 'Etude de Nature Morte’ a hand colored 19th Century lithograph ...

Born in Brooklyn, New York in 1882, artist Guy Gaylor Clark was trained as a painter under Francis Luis Mora, George Bellows, William Merritt Chase, Frank Vincent DuMond and Robert H...

Louis XVI period round Carrara marble top accent table, round side table or bouillotte table with elaborate marquetry. Two drawers and two pull out tirelles or slides. White Carrara ...

A lovely still life of potted flowers presented in a wonderful period frame by French artist Georges Jeannin (1841-1925). an oil on canvas sigend in the upped left and measuring 36....

19th Century Franklin Paper, Brass and Cast Iron Terrestrial Globe Published by Merriam Moore & Co., Troy, New York, circa 1850s Our table globe rests on a tripod rococo style ...

Lovely Chinoiserie Monteith. Wonderful patinated surface. Gorgeous teal green interior. Monteiths were used to cool and rinse wine glasses, thus the crenelation to hold the stems. Th...

A monumental 59" x 82" with frame oil on canvas painting of a rocky mountain vista by John Terelak. Signed and dated lower left and inscribed verso. It...

Oil on artist panel by Frederick Conway. Unsigned, but this painting came directly from the collection from the Estate of Joan Conway Crancer. It me...

Pair of French carved giltwood wall sconces featuring elongated diamond-carved urn forms issuing dramatic carved foliate sprays. Each sconce is fitted with two scrolling candle arms ...

Elegant 19th century French walnut commode secrétaire, chest of drawers or dresser combining handsome storage with a cleverly concealed writing desk. The three-drawer chest features ...

Chillida, Eduardo (Spanish, 1924-2002). ISATSORATU II. Etching and embossing on heavy paper, 1998. Edition of 50, Numbered 19/50 and signed in pencil. 3 7/8 x 8 inches, 98 x 203 mm. ...

Wonderful portrait miniature in profile of young Mr. Shoemaker with a hand painted oval mat and a gilt filet. In original frame. Watercolor on paper.

Hnizdovsky, Jacques (American, born Ukraine, 1915-1985). Hnizdovsky, Jacques. NATIVE PORCUPINE. Woodcut, 1974. Edition of 250 published by Associated American Artists. Signed, title...

McBey, James (scottish, 1883-1959). BARCAROLLE. Etching and Drypoint, 1925. Carter 233. Edtion of 80. Signed in ink, lower right and numbered lower left. Printed on old laid paper w...

"Flower Sellers at the Madeleine, Paris" is a hazy view of Paris after rain. The pink of the sky reflects off the still-wet streets and the marble columns of the Church of Saint Mary...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Tubby, Isaiah Thomas American, 1875-1958) TWO LANDSCAPES. Pastels on paper, mounted to board. Each signed, one at lower left, one at lower center. Each 3 3/4 x 6 1/2 inches, framed t...

Born in 1813 in Paris, Charles Emile Jacque began his training in etching as an apprentice to a map engraver. By 1833 he was painting and debuted at the Paris Salon and contributed r...

An exquisite pair of French Louis XV style giltwood bergères armchairs or wingback chairs, circa 1880, having carved floral motifs, cabriole legs and vintage upholstery in very good...

Amano, Kunihiro (Japanese, born 1929). ENCLOSURE 12. Color Woodblock, not dated. Edition of 30. Titled, Numbered 21/30, and signed in pencil. 18 x 13 1/2 inches. In excellent condit...

The rectangular arched padded back above a padded seat and tapering front legs topped with the head of a sphinx and ending in paw feet. This elegant pair of armchairs (fauteuils) da...

Gould and H. C. Richter, John. PALUMBUS TORQUATUS. Lithograph with hand-coloring, from "The Birds of Great Britain," 1862-1873. 21 1/2 x 14 1/2 inches, 545 x 368 mm. In very good con...

Pieces of salvaged wood are charred in the Shou Sugi Ban method and sealed with oil. This provides for an exquisite sheen and texture that is ideal for both interior and exterior app...

In great condition, signed and dated 02' on the bottom. Ready to display and enjoy. Measuring 12.5" tall and 12.5" in diameter. Kari Lonning began weaving baskets soon after earnin...

Marshall, Jim. JANIS JOPLIN BACKSTAGE AT THE WINTERLAND, SAN FRANCISCO. Photograph, 1968, printed later. Gelatin Silver print on glossy paper. Unsigned. 17 7/8 x 12 1/4 inches, 455 x...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poe...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Louis XVI period round Carrera marble-top bouillotte table with elaborate ribbon marquetry. Two drawers and two pull-out tirelles or slides. White Carrera marble top is surrounded by...

Manufactured by the Marbro Lamp Company in Los Angeles circa 1960, this exceptional pair of large-scale Hollywood Regency Chinoiserie table lamps represents the pinnacle of mid-centu...

An elegant pair of antique French Louis XVI fauteuils, beautifully crafted with gracefully shaped shield backs, fluted tapered legs, and finely carved neoclassical details. The muted...

Exquisite 19th Century silk and chenille on silk embroidery depicting a young gentlewoman of the Georgian period.. lack reverse painted mat highlighted with gold leaf.. Vibrant color...

Mielatz, Charles. CATHERINE MARKET. Etching, before 1903. Edition size not known. Unsigned. 9 7/8 x 7 inches (plate), 12 x 10 inches (sheet). Printed on very thin tissue. In excellen...

Adolph Gottlieb (1903-1974). NIGHT GLOW. Etching and aquatint in colors, 1971. Edition of 65. Signed and dated in pencil, numbered 17/65 in pencil. Published and printed by 2RC Edizi...

Oil on canvas, signed lower right and inscribed and signed on the reverse. Dimensions listed include the frame. Brereton was born in Derby in 1954. He received his basic art training at the Derby Joseph Wright Art School although he is a self-taught artist. He works mainly in oils and specializes in marine subjects, his favourite subjects being deep water sailing ships of the 19th century. His work has been influenced by artists such as Montague Dawson and Thomas Somerscales...

A striking example of mid-century modern craftsmanship, this James Evanson Studio dining table showcases exquisite African mahogany with intricate bone insets, The top is set on a base of 4 turned mahogany stained elm columns set in gilded cups on raised cube supports.. Crafted in 1987, this piece reflects Evanson's skilled artistry and dedication to high-quality materials. Its warm, rich tone and elegant detailing make it an exceptional centerpiece for dining rooms seeking both sophistication and a touch of exotic allure. Designed and crafted by James Evanson Studio in 1987, renowned for blending fine craftsmanship with innovative design Made from stunning African mahogany, celebrated for its durability and deep, warm hue Decorated with intricately inlaid bone accents, adding a refined and textured contrast to the wood This has a generous dining surface perfect for intimate dinners or larger gatherings Well-restored condition with patina that enhances its vintage charm Sturdy construction and expert joinery indicative of Evanson’s craftsmanship James Evanson Studio was celebrated for its bespoke furniture pieces that seamlessly combined functional design with artistic expression. The 1980s saw Evanson experimenting with exotic woods and natural materials, and this dining table exemplifies his mastery—combining African mahogany’s richness with decorative bone inlays that evoke a sense of craftsmanship and global inspiration. Condition: Excellent restored condition with minor signs of age and wear, which add to the piece’s authenticity and character. The table top is quartered in opposing veneers of African Mahogany. The edge is decorated with a silver leafed half round band . Two pairs of turned urn shaped supports rest in gilded turned cups set into raised gilt panel on cube bases. The top has a center ring of bone pins...

Dine, Jim (American, born 1935). PLIERS from Winter Tools, 1973 and PLIERS from Ten Handcolored Winter Tools II (1989) 1. PLIERS from Ten Winter Tools: Lithograph, 1973. Krens 108. S...

Abbott, Berenice GUS HILL'S MINSTRELS Vintage Gelatin Silver print, 1936. Stamped verso "Federal Art Project/"Changing New York"/Photographs by Berenice Abbott" and also stamped and ...

Beautiful antique very early caned tall backed Italian chair. Bought in the South of France. Caning has a small hole on the back but in great s...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Grabach, John R. (American 1886-1981) THE FERRY. Oil on panel, not dated. Signed within the image, lower right, and also on the back of the panel. 5 1/2 x 8 3/4 inches, 140 x 122 mm....

This is a gorgeous mirror with genuine and bright gold leaf finish, which has hints of Italian red bole clay ground behind the gold leaf. The mirror plate is clean and clear. Can be ...

Stunning carving on this elegant chest of drawers, dresser or commode with three spacious dovetailed drawers, all in beautiful pine wood. Intricate, almost churchlike, carving on the...

Barnet, Will (American, 1911-2012). PAEAN.Szoke 166 Color screenprint, 1978. An Artitst's Prrof aside fron the Edition of 300, titled, inscribed "Artists Proof" and signed, all in pe...

Stunning French carved gilt wood chandelier centered by a finely sculpted eagle with outstretched wings, perched above a foliate branch supporting three lights. Richly detailed with ...

Oil on canvas depicting a vibrant vase of fresh cut flowers, signed and dated in the lower right. The dimensions listed include the frame. John C. Traynor's painting style is remini...

Meyer Lazar, French, 1923 -1995 Oil on canvas, Sunset in Wooded Landscape, 1952 Signed and dated Meyer Lazar 52 in the lower left. Sight size 17" x 14" Including the frame 22.75" x ...

Spanish black side table or console table with hand made wrought-iron stretchers having a sturdy rectangular top sitting above an exquisite base made of splayed carved and turned leg...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Oil on canvas with faint signature lower left. Measuring 20.5" x 24" including frame. Provenance: Milwaukee Art Museum, Gift of Mr. & Mrs. R.V. Krikorian also, Christie's label verso, May 29, 2001 sale, lot 107 Alexander Nasmyth...

This elegant French farm dining table from Provence, France features two built in leaves, gracefully curved legs and a beautifully carved, sca...

This exceptional mid-century modern table lamp perfectly pairs the tailored geometry of post-war European design with the luxurious, highly tactile execution of the French Hollywood ...

Born in Paris, France in 1871, Georges Rouault’s early apprenticeship under a stained glass maker had a strong influence on his mature painting style. Rouault attended Ecole des Art...

Oil on academy board, one signed W. Sheridan. W. Sheridan was an English artist active in the 19th century. Each painting measures 22" x 29.5" including the frame. The pair togethe...

Pair of landscape drawings, one showing a country outing with mountains and ruins in the background, the other showing characters in an imaginary setting of ruins. Ink and wash on pa...

Classic French Louis XV 19th century console table or side table crafted in beautifully figured fruitwood, featuring a single drawer with shaped panels, original brass hardware, peg ...

A beautifully sculpted pair of French vases by listed artist Auguste Moreau (1834-1917), each depicting a figure fishing, and each individually signed. The boy figure is casting a ne...

Knoll midcentury handkerchief chairs designed by the husband and wife team of Massimo and Lella Vignelli, whose design captured the lightness and organic ease of a handkerchief drift...