Manhattan - Art

Eric Blum Untitled No. 1036, 2025 ink, silk, and beeswax on panel 59 x 47 in. (blum102)

Guests at a fancy dress party held at the Romanoff Restaurant in Hollywood, Los Angeles in 1950. Slim Aarons Safari Party at Romanoff's, 1950 Chromogenic Lambda print Estate stampe...

Robert Mangold A Square with Four Squares Cut Away, 1976 Numbered on the back Rubber stamp print on custom cut Cambersand paper Stamp made by Unity Engraving Company, Inc. Printed by...

Executed in black, grey and brown, this monumental charcoal and pastel painting conveys the mythic drama and beauty of an active volcano. Rising in the shape of a wide, low cone, the...

Untitled 2021 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 8 x 6 inches (20.3 x 15.2 cm), image 17.5 x 14.5 inches (44.5 x 36.8 cm)...

Damien Hirst produced this album design exclusively for the heralded UK music group The Hours in 2009. Housed in a thick card gate-fold picture sleeve with a Bonus 12" x 12" Picture ...

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

Jasper Johns 50th Anniversary of the Whitney Museum of American Art in New York City, 1979 Original lithograph on heavy wove paper 46 × 30 inches Limited Edition of 5000 (unnumbered) Stamped with copyright mark and publisher's blindstamp Published by Stony Johns, Inc. and Gemini G.E.L. Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Unframed This stunning, impressive, large vintage lithograph...

Takashi Murakami Flowers Skate Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats Its Own...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Tim Engelland (American, 1950-2012) A little freshly ground black pepper?, 1996 Linocut 11 x 7 in. Signed and dated lower right: T. Engelland 996 Signed and numbered lower left: 102/200 Edition of 200 printed by hand on an 1892 Poco Proof Press A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

Alex Katz Purple Irises on Red 2023 Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm) unframed Signed and numbered edition of 100 Alex Kat...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts 3 gestural figures of Bunnies against a gold and silver background with colorful accents....

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Kate #4, 2002 by American photographer Leonard Freed is in the photographer's series "Kate." This is an 11" x 14" gelatin silver photograph signed verso (back of photo) by the Freed ...

Robert Indiana Decade: Autoportrait, 1969 (Sheehan, 78), 1973 Color lithograph on off white wove paper Signed and numbered 84/125 in pencil on the front Frame included: This work is...

Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Engineer often brought him to the lab. The daily experimentations happening around him, both personal and scientific, would later inform his work. While his parents wanted him to follow more straightforward career paths, he was the first in his family to eschew their expectations and pursue art and music instead. Malghan went on to receive an MFA in Photography from Savannah College of Art and Design - Hong Kong. Here he experimented in a darkroom, bleaching film, adding watercolor to glass plates, thinly cross-sectioning fruits and vegetables until they formed abstractions, beginning his exploration into the repurposing of materials. In his twenties, Malghan was diagnosed with Leukemia, the treatment of which resulted in avascular necrosis, a bone disease that eventually required numerous surgeries and three hip replacements. His experience through illness and recovery not only led him to photography, but also informs his manipulation of raw, often overlooked materials in order to reorient our understanding of beauty, pleasure, and purpose. Malghan has been exhibited across the country and has lectured in Hong Kong, India, the University of Texas, the University of Notre Dame - Maryland, and UMLAUF Sculpture & Design Museum. He most recently has been commissioned by The Walters Art Museum, and his work is in the private collections of Johns Hopkins...

Color Serigraph on Arches paper from Nana Power (1970) collection publisehed by Editions Essellier, Liechtenstein. Niki de Saint Phalle (1930-2002) was born Catherine-Marie-Agnès-Br...

Lowell Herrero (American, 1921-2015) Untitled, c. Late 20th-Early 21st Century Oil on canvas 16 x 20 in. Framed: 19 3/4 x 23 5/8 in. Signed lower right:...

Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Nick Knight vinyl record art 2007: Off-set print on vinyl record. Unsigned. Measure: 12 x 12 inches Excellent condition Published by Visionaire Fashion, 2...

An impressionistic depiction of a Saint-Cloud factory porcelain vase ca. 1695–1710 with a burst of flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural mo...

Keith Haring Crawling Baby drawing circa 1983: This rare original, early 1980s Keith Haring drawing was executed by the artist on printed material from ...

Freddy Caston, "Untitled" (Suburban Backyard), Abstract Impressionist, Landscape, Oil on Canvas, Late 20th Century, 1959, Framed by Joseph Grippi, Gold Leaf Frame, Canvas Liner, Gree...

David Morrison's freshly bloomed Magnolia and Iris drawings further his play with artifice and hyperrealism. Cream and rose-colored blossoms seem to jump boldly from their branches. ...

Bruce Sargeant (1898-1938)] Nude Male with Towel n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 81.875 x 34.25 inches This work is offered by ClampArt in New York City.

Robert Cottingham Everybody's Bookshop, Everybody's Books, 1975 Color Lithograph 23 × 18 inches Signed and numbered from the edition of 200 in pencil on the front; Bears Artist's cop...

Handcuffed, New York City, 1978 is a 14" x 11" black and white lifetime print by Leonard Freed. Signed verso (back of photo) by Leonard Freed, with Freed's copyright stamp also verso, the image appears in Leonard Freed's seminal book "Police Work," published in 1980. For several years in the 1970s Leonard Freed worked alongside the New York police...

A striking example of Fernando Botero's iconic style, "Woman with a Stole" captures the Colombian master’s signature exploration of volume, form, and sensuality. Executed in 1972, th...

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 36 x 45 3/4 in. Syril Harriet Frank was born in Brooklyn to Israel and Mina Kaplan. She ...

Bespoke 1/1 original Neon SMSPF wall sculpture Easy wall mount Signed 1/1 Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best stre...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dre...

Andy Warhol Jean-Michel Basquiat 400% Bearbrick Vinyl Figure c.2021: A unique, timeless collectible trademarked & licensed by the estates of Jean-Michel Basquiat & Andy Warhol. The ...

Kornfeld 56. 50 published with the book Expressionismus Die Kunstwende, 1918, in addition to 54 earlier impressions. Signed and titled in pencil in bottom margin under image.

Hunt Slonem "Harold" Green Bunny A single rabbit gestured in black on a dark green background in a vintage frame Unframed: 6 x 4 inches Framed: 8.5 x 6.5 inches *Painting is framed ...

Keith Haring Gay Pride New York 1986: Keith Haring illustrated folding-invitation for Gay/Lesbian Pride Day at New York's Palladium nightclub, 1986. Executed during Haring’s lifetim...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

A wonderful composition of one of Slonem's newest series, Daisy's. This piece depicts 3 gestural figures of big bold Daisy's on a golden background with thick use of paint. Inspired ...

Takashi Murakami Skulls Skateboard Deck 2015: A vibrant, unique piece of Takashi Murakami skulls wall-art - this highly collectible limited ed...

Hunt Slonem "Lawn" Light Green Bunny A single rabbit gestured in black on a light green background in a vintage frame Unframed: 6 x 4 inches Framed: 9 x 7 inches *Painting is framed...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a colorful striped background with thick use of pai...

This original pen and ink drawing on paper, titled “Woman and Window,” is a rare and captivating example of Erté’s (Romain de Tirtoff’s) early work, showcasing his signature elegance...

Bruce Sargeant (1898-1938)] Two Sailors n.d. Signed in red, u.r. Double-sided painting on panel 30 x 24 inches

"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens

1987 Vinyl Record Art by Keith Haring: Off-Set Lithograph on vinyl record jacket; engraved gold foil. 12 x 12 inches. Printed Haring signature on the mid lower left. Very good over...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

A depiction of a young nude woman seated laid back and posing. A romantic air is felt throughout this piece with a dreamy atmosphere and lush colors. She has dark brown hair, wears d...

Originally from North London, Cotton received his art education at the prestigious Central St. Martins School of Art in Holborn, London. Being a teenager in North London during the g...

An exquisite oil painting by renown artist Antoine Blanchards depicting the French street scene Les Grands Boulevards et La Porte Saint Denis. Th...

Poolside Pairs 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Former fashion model Helen Dzo Dzo Kaptur (in white...

A whimsical oil painting depicting a Parisian Cafe scene in Paris, France by Luigi Cagliani. As an Italian Impressionist artist Cagliani most of his works were produced in the first ...

Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed & numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Signed a...

Jasper Johns Sun on Six, 2000 Color linoleum cut on Gampi Torinoko paper Pencil signed, dated and numbered 4/26 on the front Published by Z Press, Calais, Vermont Frame included: ele...

Title: Bird - Red Medium: Oil on canvas Size: 20 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Gary Hume Michael 2002 Screenprint 60 1/8 x 30 inches; 153 x 76 cm Edition of 80 Signed, titled, dated, and numbered in graphite (lower recto) Frame available upon request Gary Hume...

Picasso made prints throughout his career, creating around 2,400 works until his death in 1973. Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimension...

A whimsical oil painting depicting a Street Scene in Venice of people going about their day by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produ...

Joan Miró vinyl album art, 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for th...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...

Artist: Slonem, Hunt Title: Monkey See Date: 2010 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editi...