John Dolan

House, West Cork, Ireland, 1996

1996

We are excited to announce the grand opening of “Indian Summer” at La Plage in Sag Harbor. This exhibition will include Fine Art + Photography from the Robin Rice Gallery including R...

Color, Sky, Beach, Blue, palm tree, nature, tropical, weather, cloudy, sun, bright sun, warm, vacation, photograph, photography, vibrant colors, outdoors, still life Listing is for ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. The opening reception will be held on Wednesday September 27th from 6pm to 8pm at 325 West 11...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. The opening reception will be held on Wednesday September 27th from 6pm to 8pm at 325 West 11...

John Dolan’s photographs revel in the extraordinary that lies beneath everyday, fleeting occurrences. And in this eloquent collection of twenty images shot in ravishing color and bla...

Massimo Listri Castelo di Rivoli I, Piemonte 2007 C-print 180 x 225 cm / 71 x 88.5 inches edition of 5 of 5 "What makes his work unique is how he h...

Torino II,2005 Chromogenic print 39 1/2 × 47 1/2 in (100 x 120 cm) framing options available Italian, b. 1954, Florence, Italy, based in Florence, Italy Massimo Listri travels ...

Palazzo Madama II, Torino, 2007 Chromogenic print 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 The photographer is based in F...

Palazzo Madama II, Torino, 2007 Chromogenic print 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 The photographer is based in F...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...

Meyerowitz first drew acclaim for his remarkable ability to capture subtlequalities of light with the 1978 publication of Cape Light, which went on to become a color photography classic, selling more than 130,000 copies. This evocative new collection of images and commentary invites readers to experience the essence of Tuscany; sunlight gilding fields of ripe wheat, darkness lowering under threatening summer skies, and townspeople riding their bicycles through the dappled streets. For those who appreciate the beauty of the Italian landscape and for lovers of photography everywhere,Tuscany is a personal and loving portrait of a truly unforgettable place.Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of today's renowned color photographers studied with him. Inspired by seeing Robert Frank at work, Meyerowitz quit his job as an art director at an advertising agency and took to the streets of New York City with a 35mm camera and black-and-white film, alongside Garry Winogrand, Tony Ray...