Manhattan - Art

48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are available upon request. Other available size...

Christo Wrapped Paris Review (Deluxe hand signed edition), 1982 Lithograph and offset lithograph Hand signed and numbered 244/250 by Christo on the front in graphite pencil (there is...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural figure of a Red Tulip on a golden background with thick use of paint. It is housed in ...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

Born and raised on the Central Coast of California, Dylan was brought up raising horses, surfing and skating throughout his youth. The pursuit to tell stories came naturally when he began pointing his camera towards what and who he loved most. Now known for his work in the Outdoor and Editorial realms Dylan travels the globe shooting with Top Athletes and brands. Dylan now resides in Ventura...

Lyman Kipp 1960s Constructivist/Minimalist Sculpture, 1968 Painted Wood Signed twice: signed and dated 1968 in black marker on the underside also bears artist's official name and dat...

Crispin van de Passe The Younger (c. 1594-1670) Untitled (French Noblemen on Horseback), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in p...

The painting is an expressive, abstract work by Purvis Young with a strong emphasis on dynamic brushwork and a limited color palette dominated by deep reds, off-whites, and subtle ac...

David Hockney, Bridget Riley, Joe Tilson, Howard Hodgkin, Peter Blake + 99 artists Visual Aid for Band Aid - designed, and HAND SIGNED and annotated by 104 renowned artists, with off...

Linda Stein, Long Journey 45 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Long Journey 45 is from Linda Stein's Profiles series--drawings, collages and paintings of facial pr...

Larry Zox Lexington, 1973 Acrylic on canvas 61 x 49 inches Provenance: Andre Emmerich Gallery, New York Janie C. Lee Gallery, Houston, Texas Private Collection, Greenwood Village, Colorado Exhibited: New York, Andre Emmerich Gallery, Larry Zox: New Paintings, March 10 - 28, 1973. Houston, Texas, Janie C. Lee Gallery, Larry Zox, February - April, 1974. A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities." What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art. Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels...

Alexander Calder rare Maeght sculpted holiday card, 1968 Hand made sculpted paper collage on paper with embossing Embossed artist's monogram 10 × 7 × 6 1/2 inches This rare, fold-ou...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints and diamond dust in these works. Shaoul’s “My Heart Collection” is a vibrant ...

Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.

Keith Haring Galerie Paul Maenz, Cologne, Germany 1984: Super rare, tri-fold poster booklet published to announce Haring’s 1984 solo exhibition at Paul Maenz Gallery in Cologne (Hari...

With vibrant layers of oil paint, sweeping brushstrokes, and thrown paint, Shaoul captures a love story on her painter’s palette through dynamic abstract expression. The artist reima...

A Fine depiction of a Sailing Ship in the Hudson River. For this wonderful depiction, Nemethy uses a Fine technique which depicts the figures on the boat in a miniature way. With joyful colors, this piece is bright and peaceful. This painting is signed by the artist lower left and it comes comes housed in a beautiful simple wood frame and ready to be displayed with hanging wire on verso. This painting measures 8 x 14 inches Framed measures 13 x 19 inches PROVENANCE: Lilac Gallery...

Re-creating astronaut Alan Shepard’s famed golfing on the moon picture, Connery as James Bond plays golf on a deserted film set in Pinewood Studios in London during the filming of ‘D...

A wonderful Impressionist summer pastoral scene of a colorful quaint home and barn in a green pastoral landscape. Willet has portrayed this piece in a most intimate, yet energetic wa...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

Sister Mary Corita Kent Sister Corita hand signed poster, 1985 Offset Lithograph Signed in pencil by the artist on the lower right 24 x 18 inches Unframed This offset lithograph post...

Tula Telfair paints monumental landscapes and epic-scale vistas that are simultaneously awe-inspiring and intimate. She combines stillness with motion, solitude with universality and...

Ed Ruscha Some Los Angeles Apartments, 1970 Softback monograph with stiff wraps Second Edition Limited Edition of 3000 (the first edition in 1968 was 700) 7 × 5 1/2 inches Accompanie...

ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...

This painting captures a full moon over New York City. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity sign...

A charming depiction of Snow in New York City by Washington Square Park on a cold snowy evening with city lights and buildings captured in the distanc...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light yellow bunny on a yellow background with thick use of paint ...

Hunt Slonem Oil Painting "Blue Diamond Dust Helena" White and Blue Bunny A single rabbit gestured in white on a blue background in a vintage frame Unframed: 10 x 8 inches Framed: 14...

A stunning composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of Bunnies against a metallic silver gold & bronze background. Slonem tra...

Damien Hirst Skull album art: Damien Hirst for The Hours, 2009. Features 2 picture sleeves, plus front and back album covers, and record labels all illustrated and designed by Damien...

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. Roy Lichtenstein grounded his profoundly inventive caree...

This 22 x 31.5 inches black and white chalk painting on canvas represents a Greek landscape. Olive and cypress trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties, he visited Kythera, the Greek island of his father's birth. Since then, the island has become the primary reference of his creativity. Using black and white to represent this landscape gives the mighty hundred-year-old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

KAWS TIME OFF Blue: A highly decorative KAWS Companion featuring KAWS’ much popularized BFF Companion in a resting position. This brightly colored, highly collectible KAWS Companion ...

A stunning depiction by Jacques Bouyssou of a lively French summer scene, featuring figures and a light house at the beach in Trouville, France set against the banks of the Marne. Se...

Howard Kanovitz The Ground Above Us, 1980 Color lithograph on wove paper with deckled edges by renowned photo realist pioneer Signed and numbered from the limited edition of 175 in ...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

ABOUT THIS PIECE: Untitled (Balloons) is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interestin...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Doris K. Mooney Hanna (American, 1931-2022) Untitled, 1960 Acrylic on canvas 49 x 36 in. Signed lower right: Doris K. Mooney Doris Mooney Hanna grew up in Phi...

Takashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Photographer Ludwig Favre was born in Senlis, France in 1976. Favre ...

Jean-Michel Basquiat Skateboard Deck: Rare Limited edition skate deck licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar in 2018, featuring the much iconic e...

Andrei Petrov is an American artist of Russian origins. He is best known for his abstract oil paintings where calibrated stratifications of intense shades of colors are scraped to ex...

Ethereal and minimal, Susan English’s paintings play with light and space. She employs transparent pigments and layering to manipulate light and illuminate her color fields. Soft var...

A pop piece depicting Marilyn Monroe juxtaposed with Andy Warhols iconic Campbells Soup. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is abl...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on an Egyptian Blue background with thick use of paint...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a black background with thick white paint and then ...

Orange, Green, Yellow, Turquoise, black - mixed media on canvas. Several pieces of this series hung together or as a single piece of art make for a very powerful statement. Drawn t...

Verve 29/30 Author: Picasso, Michael Leris Year: 1956 Publisher: Harcourt Brace & Company, New York Title: Verve 29/30. Suite de 180 Dessins de Picasso...

Greg Chann Agis, 2025 acrylic and ink 16 x 13 x 2.5 in. (cha037)

This black and white photograph by Bob Mizer is offered by CLAMP in New York City. 1964 Dated and numbered, verso Vintage silver print 4.5 x 3.5 inches (11.4 x 8.9 cm), image 5 x...

Amy Sillman is an influential contemporary American painter and printmaker whose practice conflates the abstract and the figurative. Born in 1955 in Detro...

Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...

Jean-Michel Basquiat Bearbrick 1000% Vinyl Figure (Basquiat Crown): A well-sized (27 inch), sleek & elegant Bearbrick Basquiat statue piece, trademarked & licensed by the Es...

This is a hand painted oil and mixed media artwork on canvas by internet sensation mad charcoal professionally framed He is represented by Krause Gallery...

MANE-KATZ RABBIS, c. 1935 Oil on canvas 18 H. x 14 W. 1/2 in. (45.5 x 35.8 cm.) Signed PROVENANCE Dominion Gallery, Montreal Christies, New York, November 04, 1982. Lot 177: $11,000 Private Collection, New Jersey, 1982-2021 Estate of the above, 2021. Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had been influenced by stories of Jewish mysticism, which was reflected in his paintings. He had a peripatetic life between Russia, France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

A very whimsical depiction of a woman stepping out in Paris. This piece captures the essence of fashion and Haute Couture. Done in a very modern and impressionistic style, the colors...

Lithograph with offset lettering Hand signed in graphite by Larry Rivers and inscribed to Al (Abram) Lerner - the Hirshhorn Museum's very first director (more about both Rivers and Lerner below) Also bears artists printed name, copyright and date (1981) A rare proof, aside from the regular edition of 400 Unframed This marvelous hand signed print was published on the occasion of a major 1981 Larry Rivers exhibition at the Hirshhorn. Forty-three works by Rivers, including paintings, sculptures, and mixed-media compositions selected from the Hirshhorn’s permanent collection, were displayed in this exhibition, among them I Like Ingres, Too; Molly and Breakfast; and the massive piece The Russian Revolution. Larry Rivers Biography (courtesy Guggenheim Museum): b. 1923, Bronx, New York; d. 2002, New York Born in August 17, 1923, and raised in the Bronx, Larry Rivers was a painter, sculptor, printmaker, poet, and musician at the crossroads of Abstract Expressionism and Pop art, who bucked prevailing trends in favor of a more singular style. The son of Ukrainian Jewish immigrants, he was known as Yitzroch Loiza (Irving) Grossberg until age 17, when a nightclub emcee announced his band as “Larry Rivers and the Mud Cats.” He adopted the name that same year. Following a brief stint in the U.S. Army, Rivers spent a year at the Juilliard School of Music studying musical theory and composition. He then pursued his only formal artistic training at Hans Hofmann’s painting school in New York from 1947 to 1948. Countering the vogue for abstraction at the time, Hofmann’s approach emphasized drawing as the foundation of all art making and presented the old masters as rich resources for creative exchange. In 1951, Rivers received a BA in art education from New York University. Proceeding from the conviction that figuration was not antithetical to modernism, Rivers completed his first major work, The Burial, in 1951, signaling the major concerns that he would return to throughout his life. With this painterly restaging of Gustave Courbet’s masterpiece A Burial at Ornans (Un enterrement à Ornans, 1849–50), Rivers began a sustained engagement with canonical paintings, imaginatively connecting contemporary art with art history. In works such as Washington Crossing the Delaware (1953), Rivers similarly mined the past for inspiration; a few years later, he began to take up more contemporary images, as in Dutch Masters and Cigars (1964), which was partly copied from a cigar box that itself depicted Rembrandt’s 1662 painting The Syndics of the Clothmakers’ Guild (De Staalmeesters). Subsequently, Rivers made several works that combine sculpture and painting, including I Like Olympia in Blackface (1970), which reverses the roles of Édouard Manet’s Olympia and her African servant. Later that decade, Rivers began appropriating his own work from the 1950s and 1960s with the series Golden Oldies (1978–79). In an interview with his close friend the poet Frank O’Hara, Rivers illuminated the premises of his approach, saying, “I think of a picture of a smorgasbord of the recognizable.”¹ Two of his largest projects adopted broad historical themes. The History of the Russian Revolution from Marx to Mayakovsky (1965), an enormous mixed-media assemblage, incorporated painted portraits, architectural cutouts, stenciled lettering, and found objects. The monumental History of Matzah: The Story of the Jews (1984–85) also used text and three-dimensional relief elements, this time to narrate Jewish history from Moses to Theodore Herzl, the founder of Zionism. Rivers’s first major survey was organized by the Rose Art Museum, Brandeis University, Waltham, Massachusetts, in 1965; it traveled to the Pasadena Art Museum; Jewish Museum, New York; Detroit Institute of Arts; and Minneapolis Institute of Arts. A retrospective of his paintings and drawings opened at the Butler Institute of American Art, Youngstown, Ohio, in 1990, and toured the United States for a further two years, with stops in the Norton Gallery of Art, West Palm Beach, Florida; Fort Wayne Museum of Art, Indiana; Scottsdale Center for the Arts, Arizona; and J. B. Speed Art Museum, Louisville, Kentucky. In 1997, the Philharmonic Center for the Arts, Naples, Florida, staged a retrospective of the works Rivers made between 1980 and 1997. His most comprehensive retrospective to date was at the Corcoran Gallery of Art in Washington, D.C., in 2002. Rivers continued painting up until three months before his death in Southampton, New York, on August 14, 2002. More about Al (Abram) Lerner – the Hirshhorn’s first director First director of the Hirshhorn Museum and Sculpture Garden, 1974-1984. Lerner was the son of Lower East Side Manhattan immigrants, Hyman Lerner, a garment presser, and Sarah Becker...

Gay Faulkenberry, Pecos Vista, Landscape Impressionist Oil Painting, Unframed: 13.25 x 10.25, Framed Dimensions: 20.50 x 17.50, 1989 Colors: Green, Blue, white Gay Faulkenberry has...

Ky Anderson All the Parts of a Sun and Flower, 2025 oil on canvas 32 x 30 in. (and502) Of her recent work, Ky Anderson states, "After taking a couple of months off from painting, I ...