Miami - Art

Hand signed lower right Andre Vignoles (French, 1920-2017), "Paysage de LIsle de France," oil on canvas depicting a tranquil French countryside landscape with winding trees overlo...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 32.25 x 44.25 inches. From the main edition of 275. Artwork is in excellent condition. Certificate of...

"VIII.1 Study" BY TIM NORDIN (B. 1945) Acrylic on Canvas over Panel ⚜ Signed ⚜ Frameless Display A VIBRANT STUDY OF COLOR, TRANSPARENCY & STRUCTURE A rare and original acrylic on canvas over panel, Tim Nordin’s "VIII.1 Study" (1976) is a striking example from his renowned Transparent Sumi Brush Mark series. This work is defined by layered organic strokes of deep blues, vibrant greens, and subtle earth tones, forming a rhythmic interplay of color and light. Nordin’s distinctive brushwork creates a composition that shifts dynamically depending on light and perspective, a hallmark of his innovative approach. His technique results in an immersive, pulsating visual field—where each mark remains distinct yet seamlessly integrates into the whole. This meticulous layering and structured spontaneity connect his work to Abstract Expressionism, Op Art, and Color Field painting. This highly collectible piece was exhibited in Nordin’s 1982 Palm Springs Desert Museum exhibition and remains an essential work for collectors seeking dynamic gestural abstraction and structured color play. WHY COLLECT THIS WORK? ✓ Highly Collectible – A rare hand-signed original by Tim Nordin ✓ Exhibited Work – Featured in Nordin’s 1982 Palm Springs Desert Museum exhibition ✓ Optical Depth & Color Play – A dynamic surface with layered transparency & gestural brushwork ✓ Historical Provenance – From the Collection of Mr. & Mrs. Ricardo Sanchez, acquired directly from the artist ✓ Frameless Display – Ready to Hang – Presented in its original artist-preferred format ARTWORK DETAILS: ▸ Title: VIII.1 Study ▸ Artist: Tim Nordin (b. 1945) ▸ Medium: Acrylic on Canvas over Panel ▸ Year of Creation: 1976 ▸ Signature: Hand-signed, titled, and dated on verso ▸ Provenance: Collection of Mr. & Mrs. Ricardo Sanchez, acquired directly from the artist ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Image Size: 12 x 12.125 inches — ◻︎ Panel Size: 12 x 12.125 x 1.625 inches ▸ Condition: Excellent – Vibrant colors with well-preserved surface clarity ▸ Framing: Frameless Display (Artist’s Standard Presentation) – Ready to Hang INCLUDED DOCUMENTATION: ✓ Excerpts from the 1982 Palm Springs Desert Museum Exhibition Catalog THE ARTIST: Tim Nordin is an American abstract painter best known for his exploration of transparency, repetition, and structured mark-making. His work draws inspiration from a wide range of influences, including Mark Rothko, Sam Francis, Josef Albers, Kazimir Malevich, and the Optical Art movement pioneered by Victor Vasarely and Bridget Riley. While elements of his work reflect the gestural expressiveness of Abstract Expressionism, his approach to composition and structure aligns with Color Field painters such as Morris Louis and Helen Frankenthaler. Born in 1945, Nordin traveled extensively before settling in California, where he studied fine arts at Cerritos College and later earned his MFA at Claremont Graduate School, concentrating on printmaking and experimental painting techniques. Early in his career, he experimented with plexiglass, vinyl, and alternative surfaces, seeking ways to push the boundaries of traditional painting. By the 1970s and 1980s, Nordin became known for his Transparent Sumi Brush Mark series, in which he developed a meticulous method of layering individual brushstrokes to form structured, organic compositions. These works, featuring veils of fluid color and precise gestural marks, evoke the optical depth and rhythmic movement found in Bridget Riley’s Op Art...

Porcelain sculpture with metallic finish. Printed with Jeff Koons' signature, title, date and edition number (2275/2300) on applied label to verso. Published by Museum of Contempor...

Gina Pellon Untitled Lithograph on paper Ed. IX of X

Squares is a bridge between Mondrian and the Hard-edge abstraction movement. Clearly, this is a very early work because the artist has not yet found his mature style. The flat squares of uneven proportion, are in a formal but off-axis vertical /horizontal grid structure. Perhaps it's the artists take on a "drunk Mondrian" where the squares stumble to align themselves. Each square shape is different in shape and color and with visible brushstrokes and light impasto. Look carefully at the gray squares. They all have a slightly different hue. The squares are all unique individuals and not a repetition To Goodnough this was his departure from his influencer. Squares show the influence of his teachers including Hans Hofman...

Silent captures a contemplative moment through masterful realism, showcasing the emotional depth achievable in figurative art. This original oil painting on canvas presents a woman i...

An almond-eyed brunette is depicted sitting pensively next to a window. She looks Mediterranean, perhaps Italian or Greek, and has a captivating face that one can fall in love with. ...

René Lalique was a seminal French glass designer known for his Art Nouveau and Art Deco perfume bottles, chandeliers, vases, and jewelry. Widely revered and influential in the decora...

We are presenting a rare opportunity to acquire one of Leroy Neiman's best and most compelling paintings. It is a statement piece. A combination of enticing subject matter with a mon...

TECHNICAL INFORMATION: Victor Vasarely Sinlag II 1990 Cast paper relief in colors 29 3/4 x 29 3/4 in. Edition of 120 Pencil Signed and Numbered Acc...

PAUL GORKA – UNTITLED [STUDIES IN FRAGILITY] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A COMPLEX, SYMBOLIC STILL LIFE OF MIDCENTURY AMERICAN INTROSPECTION Untit...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size 17 x 21 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition. Certif...

Sergio Hernández (Mexico, 1957) 'Alacranes Rojos', 2016 woodcut on paper Hahnemuhle 350 g. 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 ID: HER-201

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

Pink sand beach painting - inspired by the amazing Harbour Island beach in the Bahamas Dealing with depression, PTSD and anxiety, painting is a form of thera...

When creating "Marble IV", I immersed myself in an artistic challenge that sought to capture the very essence of transparency and luminosity. This work, part of a series of hyperreal...

Screen print on arches cover paper. Hand signed, dated and numbered on front by Frederick J. Brown. From the edition of 175. Artwork is in excellent condition. Certificate of au...

One-of-a-kind Pop Art Original Painting on canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Signature: Published Vogue Italy Client Halston Double Signature Signed lower right Antonio Also signed Halston Graphic remarks were written in pencil by Halston. work is elegantly m...

acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Peliculas: He has...

34.-Cup in pink 80 x 115 cm. acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Co...

CHARLES LEVIER – [LES VOILES AU REPOS] ⚜ Watercolor on paper ⚜ Hand signed lower right ⚜ Custom frame HARBORFRONT CALM WITH DOCKED SAILS Levier captures a quiet quay where fishing b...

Henry Isaacs (United States, 1951) 'Retrato de Girona', 1989 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: ISA1446-001-099 Hand-signed by author

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 25.5 x 36.5 inches. From the main edition of 275 Artwork is in excellent condition. Certificate of Au...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Victor Vasarely Untitled Acrylic on wood 27 x 15 in Ed. EA

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Unique hand painted silkscreen on canvas. Hand signed and dedicated on verso by Steve Kaufman. Canvas is stretched. Canvas size 34 x 40 x 2 inches. Artwork is in excellent condit...

Framed Cuban Artist/Caricaturist Conrado Walter Massaguer presents Hollywood star Adolphe Menjou in a satirical dual portrait. In the foreground, the subject is seen in a dapper top hat, tux, fashionable cigarette and boutonnière, and is shown as being the epitome of being stylishly debonair. To make a larger point about this subject, Massaguer paints a cast shadow of Menjou as a burning red devil who studies his alter ego from above. Keeping with the artist's sarcasm, we see the good and bad in one image. Works by Massaguer are rare and this work is in keeping with his signature style. This work was most likely done on assignment for Life Magazine, Cosmopolitan, The New Yorker or Vanity Fair. Signed upper right. Inscribe lower right. Titled on verso. Unframed, Slight bend to board; toning to board; scattered faint foxing; pin point abrasions to margins, not affecting image. 19-1/2 x 15-1/8 inches board size. Conrado Walter Massaguer y Diaz was a Cuban artist, political satirist, and magazine publisher. He is considered a student of the Art Nouveau. He was the first caricaturist in the world to broadcast his art on television.He was first caricaturist to exhibit on Fifth Avenue. He was the first caricaturist in the world to exhibit his caricatures on wood. He, and his brother Oscar, were the first magazine publishers in the world to use photolithographic printing. Self portrait of Conrado Walter Massaguer, depicted on a carrousel ride, with the devil over his left shoulder and an angel over his right. (1945) He created the magazine Social with his brother Oscar to showcase Cuban artistic talent. The duo later created the magazine Carteles, which became for a period the most popular magazine in Cuba, which was purchased by Miguel Ángel Quevedo in 1953. In his life, he met and drew caricatures of Franklin D. Roosevelt, Walt Disney, Albert Einstein, the King of Spain, and many others.[ In sum total, he was the author of more than 28 thousand caricatures and drawings.Ernest Hemingway once had to refrain himself from punching Massaguer in the face after the artist drew an unflattering caricature of him. The dictator Gerardo Machado, however, did not punch Massaguer for his own unflattering caricature - he had the artist deported. He was one of the most internationally renowned Cuban artists of his day, and his art is still regularly featured in galleries across the Western Hemisphere and Europe. Early life Massaguer was born on October 18, 1889, in Cárdenas, Cuba.[In 1892, his family moved to Havana. When the Cuban War of Independence broke out, Massaguer's family escaped the country. From 1896 to 1908, he lived in Mérida, Mexico. However, during this time, his parents enrolled him in the New York Military Academy, where he stayed during school years. In 1905, after graduating the military academy, he briefly attended the San Fernando school in Havana, where he was tutored by Ricardo de la Torriente and Leopoldo Romañach. In 1906, less than a year later, he returned to the family home in Mexico. Career as artist Early career While living in Yucatán, Mexico, Massaguer published his first caricatures in local newspapers and magazines. These included La Campana, La Arcadia, and the Diario Yucateco. In 1908, he moved back to Havana. After returning to the island in 1908, Massaguer began mingling with Havana's aristocratic circles, forming close friendships with some of the city's most powerful and influential men, as well as winning the favor of many women who were quickly charmed by him. Massaguer, largely self-taught, honed his style using the avant-garde techniques he studied from the European and American magazines that were widely available in Cuba at the time. Cover of the immensely popular Cuban magazine El Figaro, drawn by Massaguer in 1909. This cover depicts two bumbling, incompetent American tourists to the island. He started drawing for El Fígaro, and was featured prominently on the cover in 1909. After two years of refining his craft, Havana announced a poster contest aimed at attracting North American tourists to stay in the city during the winter months. Notable figures like Leopoldo Romañach, Armando Menocal, Rodríguez Morey, Jaime Valls, and others also entered the competition. The jury was particularly impressed by the modern execution and creative solution of one piece, signed by Massaguer, who was relatively unknown at the time. The jury deliberations caused a great controversy.[5] The prize was ultimately awarded to the Galician painter Mariano Miguel, who had recently married the daughter of Nicolás Rivero, the wealthy owner of the conservative newspaper Diario de la Marina. Although Massaguer received only an honorable mention, the fraud scandal caused such an uproar that his name quickly entered the public spotlight, and he became an overnight sensation. In 1910, he became co-owner of the advertising agency Mercurio, with Laureano Rodríguez Castells. At Mercurio, he led the Susini cigar campaign, and earned substantial wealth. Massaguer has been described as a restless man, in both mind and body.After earning enough money from his art to begin traveling, he was almost always doing so. He constantly traveled between New York City and Havana, Mexico and France, Europe and the Americas. In 1911, his reputation among the Havana socialites solidified when he organized his own first public caricature exhibit, and also the first Caricature Salon ever held in the Americas, hosted at Athenaeum of Havana (the Ateneo), and the Círculo de La Habana. Other exhibitors here included Maribona, Riverón, Portell Vilá, Valer, Botet, Barsó, García Cabrera, Carlos Fernández, Rafael Blanco, and Hamilton de Grau. "Messaguer Visits Broadway." Caricatures of theatrical and literary figures. Elsie Janis, Raymond Hitchcock, S. Jay Kaufman (columnist), Ibanez, author of The Four Horsemen, and Frances White In 1912, in the New York American Journal, he published his first Broadway drawings. From 1913 to 1918, he was an editor for Gráfico. Social Main article: Social (magazine) Cover of the magazine Social, July 7, 1923 In 1916, he created the magazine Social with his brother, Oscar H. Massaguer. Social's contributors included Guillén Carpentier, Chacón y Calvo, Enrique José Varona and others.Social has been described as Massaguer's great love in the magazine industry, and was the property that historians say he cared the most about. Social was an innovative magazine, being the first magazine in the world to use a modern printing process called photolithographic printing. Social set cultural trends, not only in the fashion of Cuba, but in art, politics, and Cuban identity.[11] Social catered to a certain aesthetic in Cuba - that of the sophisticated elite socialite - but Massaguer would also use this magazine to ridicule and jibe against that same class of society when he found their personalities worthy of his contempt. In Social, readers could find a variety of content, including short stories, avant-garde poetry, art reviews, philosophical essays, and serialized novels, as well as articles on interior design, haute couture, and fashion. Occasionally, the magazine also featured reports on sports such as motor racing, rowing, tennis, and horse riding.The cultural promotion efforts of both Massaguer and Emilio Roig de Leuchsenring are evident in the magazine. Notably, this period overlaps with their involvement in the Minorista Group, which was then at the forefront of the country's intellectual life.[5] Many contributors were devoted members of the group, leading some experts to consider Social as the cultural voice of the Minoristas. One of the features of Social magazine was its section called "Massa Girls," which was a play on his own name, and pronounced with a glottal 'g' in a similar fashion to the letter in Massaguer.[12] Massaguer drew women as independent and free-thinking, and never drew the woman celebrity as a caricature of herself, but as a free agent surrounded by caricatures.[11] However, Massaguer himself has been described as a womanizer in his personal life, and hesitant to fully embrace every facet of women's liberation. In 1916, he also established la Unión de Artes Gráficas and the advertising agency Kesevén Anuncios.[9] The art critic Bernardo González Barroa wrote: “Massaguer has solved the problem of working hard, living comfortably off what his art produces and not missing any artistic, sporting or social event. His broad, childish laugh, of a carefree individual who carries his luck hidden in a pocket, appears everywhere for the moment, disguising the pranks of pupils that lurk, mock and, finally, flash with satisfaction at finding the characteristic point after having analyzed a soul... Massaguer's personality is beginning to solidify now. He has been the best-known and most popular caricaturist for a long time, but his technique had not reached the security, the mastery of values that he presents in his latest works, which is very natural and explainable”[5] Carteles Main article: Carteles Cover of the magazine Carteles, November 29, 1931 In 1919, Massaguer and his brother created the magazine Carteles.[9] Carteles gained the widest circulation of any magazine in Latin America, and the most popular magazine in Cuba for a time, until that title was claimed by Revista Bohemia. Carteles remained in print until July 1960.This magazine showcased Cuban commerce, art, sports, and social life before the revolution. In 1924, Carteles took a more political turn, with articles criticizing Gerardo Machado's government. it became a prime example of the humor and graphic design employed by artists like Horacio Rodríguez Suria and Andrés García...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Original one of a kind stainless steel sculpture. Incised "Leon Ferrari 1981" on a metal plaque affixed to the lower area of the sculpture. Sculpture is in excellent condition. ...

Mitchell Funk. He was Color when Color wasn't Cool. Conceptualized and executed in 1971, when color photography was not recognized as fine art, this group of abstract, negative colo...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Jose Mijares Untitled, 1972 Serigraph Ed. 10 of 10 33 x 26 in Jose Mijares Cuban Artist: b. 1921-2004. In 1942 this Cuban artist was admitted to San Alejandro Academy of Fine Art...

Deluxe hand embellished enhanced canvas. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 325. Stretched. ...

Offset lithograph in colors. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 48. All reasonable off...

Different shades of blue, turquoise, teal, aqua, beige and white This painting does not need to be framed, the painted image continues over the sides, it is wired, signed, ready to ...

Mirdidingkingathi Juwarnda Sally Gabori began painting in 2005 at the age of 81, while living in aged care on Mornington Island. Having never previously used a paintbrush, she quickl...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Wonderland Tale - Fairy Tale - Female Illustrator - The work is meticulously rendered in an exacting technique of line to the point of wonderment. Yet, Baxter can obtain an ethereali...

The same year, the iconic science fiction movie Close Encounters of the Third Kind was released, visionary still photographer Mitchell Funk shot this SciFi-like image. It's of an un...

ROBERT KENNETH WHITE – "BEAR WATCHING" (aka "GRAND CRU CLASSÉ") ⚜ Oil on Canvas ⚜ Hand Signed Lower Right; Titled on Verso ⚜ Frameless Display A WHIMSICAL BLEND OF STRENGTH, GRACE, ...

Color etching with aquatint on Rives paper. From Songes portfolio. Hand signed and numbered by Marc Chagall. Cramer 112. Published by Éditions Gérald Cramer, Geneva. Printed by Lacou...

Antonio Ugarte paints water as a reflection of the spirit, a form of meditation. He sees water as “a primordial element” in life and the physical environment as a source of both ener...

EMILY KAM KNGWARRAY (1910 - 1996) Country: Central/Eastern Desert, NT Language: Anmatjerre Community : Utopia, Soakage Bore/ Alhalkere Merne Alhalkere Soakage, 1994 Synthetic polyme...

25.-Family in blue 200 x 150 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company L...

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 30 x 41.4 in. (76 x 105 cm.) P.A I/III (Proof of Artist) ID: HER-158-2"

Archival Pigment Print - UNFRAMED 21 x 26 inches - edition of 7 32 x 40 inches - edition of 7 44 x 55 inches - edition of 10 59 x 79.5 inches – edition of 5 Ask us for custom fra...

Daniel Mansur IN PARADISUM series 60 x 88.5 inches 150 x 225 cm Edition of 6 Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies ov...

This strobe-like dynamic composition with bright and bold colors reflects the energetic taste of the 7 Up brand. It lies somewhere between abstraction and figuration. Peaks' use of b...

Offset lithograph in colors on satin wove paper. Hand signed lower right by Takashi Murakami. Hand numbered 161/300 lower right. Published by Kaikai Kiki Co., Ltd., Tokyo. Artwor...

Original Mixed Media ocean painting Unique ocean painting with white sand beach and frothy splashing waves, inspired by The Turks And Caicos Islands Different shades of blue, ...

JAY PHILLIPS – "BEL-AIR GATE" ⚜ Enamel on Aluminum Wall Sculpture ⚜ Hand Signed and Numbered Lower Right ⚜ Roy Boyd Gallery Provenance ⚜ Acrylic Shadow Box Frame BOLD GEOMETRIC ENAM...

Six color screen print on hand torn archival art paper. Hand signed on front by Mr. Brainwash, with his thumb print and dated on verso. Hand numbered 12/50 on front. Artwork Size:...