Miami - Art

ROBERT KENNETH WHITE – "BACK TO NATURE" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A MASTERWORK OF LIGHT, FORM, AND HUMAN CONNECTION TO NATURE In "Back to Nature"...

Enrique Cattaneo (Mexico, 1946) 'Emulando a Allen Jones', 2010 silkscreen on paper Velin Arches 300 g. 15 x 15 in. (38 x 38 cm.) Edition of 40 ID: CAT-311 Unfr...

Banksy's Barely Legal is a set of six screen prints on paper named after the Barely Legal exhibition held in 2006 in a warehouse in Los Angeles. From the unsigned edition and each numbered 59/500 (there are also 17 artist's proofs). Published by Modern Multiples Fine Art Editions, Los Angeles, with Pictures on Walls and the publisher's blindstamp. Pest Control authentication certificates included. The Barely Legal Set includes the following: Grannies (22.05 x 29.92 inches) Sale Ends (22.05 x 29.92 inches) Applause (29.92 x 44.89 inches) Trolleys (22.05 x 29.92 inches) Festival (22.05 x 29.92 inches) Morons (22.05 x 29.92 inches) About the Artist: Banksy (British, born 1974) is a contemporary street artist and activist who, despite his international fame, has maintained an anonymous identity. Aimed as a form of cultural criticism, the artist often targets established social and political agendas with his witty illustrations produced with stencils and spray paint in cities such as New Orleans, New York, and Paris. “The art world is the biggest joke,” he said. “It’s a rest home of the over privileged, the pretentious, and the weak.” Although details of the artist’s life are largely unknown, it is thought that Banksy was born in Bristol, United Kingdom, c. 1974, starting his career as a graffiti artist in the city. Better Out Than In, Banksy’s month-long residency in New York during October 2013, featured a man hawking the artist’s paintings for $60 a piece outside Central Park. In 2015, Banksy opened Dismaland Bemusement Park, a temporary art exhibition that functioned as a theme park. After a 36-day run, its workers and materials were sent to the Calais migrant camp in France to build additional housing. Among the artist's most famous stunts include his shredded painting: When a painting by Banksy was sold at auction for $1.4 million in 2018, a mechanism was triggered to cause the artwork to partially destroy itself, resulting in a new piece titled Love in the Bin (2018). The ongoing question as to who Banksy is continued to reach the headlines when in 2017 Robert Del Naja...

Carlos Enrique Alvarez Untitled, 2024 Oil on canvas 47 x 47 in

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 25/50. Published by Ala...

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

Wifredo Lam (7304) Les Loas petro enfantent dans la danse, 1973 Lithograph EC 25 x 19 in

Claudio Bravo Melocotones, 1985 Pastel on paper 11 x 12 in

PETER MAX – "GEOMETRIC #2" ⚜ Lithograph on Paper ⚜ Hand signed lower right ⚜ Framed AN ICONIC GEOMETRIC STUDY BY PETER MAX "Geometric #2" (1976) captures Peter Max’s signature use o...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies. Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) Amancio Gon...

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. We see her with her charming smile. She lounges comfortably in a carpeted bo...

Bruch Hilding White (American 1933-2025) Hand signed at base. Not dated estimated to the 1980's by the artist. Painted with metallic automotive paint. Suitable for outdoors or indo...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

TECHNICAL INFORMATION Keith Haring Free South Africa, complete set of 3 1985 Lithograph Sizes vary Edition of 60 Pencil signed, dated and numbered ...

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

green landscape and trees original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soa...

Manolo Valdes Damas y Caballeros: Manolo Valdes, 2024 This pieces consists in a resin sculpture and a book case containing: one book of etchings by the artist and a study book of his...

acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Peliculas: He has d...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

A stylized horse is depicted grazing in an abstract landscape. Most likely, the location is Woodstock, New York, where the artist lived. Signed Lower Right; Framed; Note: titled and signed on verso. Ethel Magafan (August 10, 1916 – April 24, 1993) was an American painter and muralist. Magafan was born in Chicago to Greek parents who had recently immigrated to the U.S. The family soon relocated to Colorado Springs, Colorado, and Magafan's artistic training occurred at the Colorado Springs Fine Arts Center under the tutelage of Peppino Mangravite, Boardman Robinson and Frank Mechau, who hired Magafan and her twin sister, Jenne, to assist on mural projects. In 1937, aEthel won the commission to paint a mural in the U.S. post office in Auburn, Nebraska, making her the youngest recipient of such a commission. It would be the first of seven government-sponsored commissions for the artist. Murals "Andrew Jackson at the Battle of New Orleans, January 8, 1814" E. Magafan, 1943 Under President Franklin Roosevelt's New Deal, several programs were created to employ Americans during the Great Depression. The Magafan twins worked under the New Deal's Section of Painting and Sculpture, a program that hired thousands of artists to paint murals in public spaces, particularly post offices. Ethel and her twin sister, Jenne Magafan, became widely known for their murals painted during the Great Depression. Ethel received her first of seven Government commissions when she was commissioned to produce a painting for the United States post office in Auburn, Nebraska, titled Threshing.Other murals commissioned by the US Government hang in the United States Senate Chamber, the Social Security Building and the Recorder Deeds Building in Washington, D.C., and in post offices in Wynne, Arkansas, titled Cotton Pickers in 1940; in Madill, Oklahoma, titled Prairie Fire in 1941; and Englewood, Colorado, titled The Horse Corral in 1942.Her final mural, entitled Grant in the Wilderness, was installed in 1979 in the Chancellorsville Visitor Center at the Fredericksburg National Memorial Military Park in Virginia, She was a member of the National Academy of Design. Magafan died April 24, 1993, in Woodstock, New York, at the age of 76. References "Collections National Academy Museum". Retrieved 2017-03-08. "Jenne Magafan". Retrieved 2017-03-08. Marlene Park and Gerald E. Markowitz, Democratic Vistas: Post Offices and Public Art in the New Deal. Philadelphia: Temple University Press, 1984. "Browse New Deal projects by State and City". Living New Deal. Retrieved 9 January 2015. "Ethel Magafan Passes Away". New York Times. No. Obituary. April 29, 1993. Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book...

Screen print on Rives BFK paper. From the Love Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 12/100 (there were also 10 AP's, 2 PP's, 5 EP's and 7 HC's). ...

Mounted on Plexiglas. Born in the Highlands of Scotland in 1971, Allan Forsyth is a photographic artist whose practice bridges the boundaries between nature, abstraction, and modern...

Giclee on canvas. Hand signed lower left by Robert Wyland. Hand numbered 181/750 lower right. Canvas size 39.25 x 29.5 inches. Frame size: approx 43.5 x 33.5 inches. Artwork is in excellent condition. Frame has some random scratches from storage. Certificate of Authenticity included.. All reasonable offers will be considered. About the Artist: The marine wildlife artist Robert Wyland, was born in 1956 in Detroit Michigan. He attended the Center for Creative Studies in Detroit majoring in painting and sculpture. Upon graduation, Wylands' professors, Jay Holland...

Technical Information: Andy Warhol Flowers, FS II.67 1970 Screenprint 36 x 36 in. Edition of 250 Signed and stamped number on verso

The photographic work of Raphael Macek offers profound meditation on the timeless bond between humans and horses. With exceptional sensitivity, Macek captures the equine form as both...

From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...

La melodie acide. signed on the stone and numbered 384/1500 Edition of 1500 prints on Arches paper. and with the Artist´s signature on each of the plates Edited by Poligrafa in Barce...

Wifredo Lam (7306) Multiples des membres des loa, 1973 Lithograph EC 25 x 19 in

Original artwork by Spanish artist Rafael Ruz. Acrylic in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the sam...

Archival digital pigment print on Hahnemuhle paper. Hand signed and numbered by the artist. This photograph appears in Jock Sturges: Notes. Sheet size 17 x 13 inches. Image size 13...

Antoni Tapies (Spain, 1923-2012) 'Las segovias', 1996 silkscreen on paper 14.2 x 10.2 in. (36 x 26 cm.) Edition of 150 Ref: TAP1205-005-150 Hand-signed by author ____________________...

landscape of vineyar - original expressionist mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of F...

TECHNICAL INFORMATION Robert Rauschenberg Soviet American Array VI 1988 - 1990 Intaglio in 16 colors on Saunders Paper 88 1/2 x 52 in. Editi...

Oil on canvas, height 48 in, width 40 in, the painting shown on the wall may not be proportional to the room size.

47.-Factory 15. 115 x 80 cm original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production com...

A New Beginning The artwork is an explosion of contained energy, a harmonious chaos where colors and textures intertwine like forces in constant transformation. The bold brushstrok...

ELLIE RILEY – "DEEP WATER I" Acrylic on Canvas ⚜ Hand Signed, Titled and Dated on Verso ⚜ Frameless Display A LUMINOUS, HIGH-TEXTURE STUDY IN COLOR AND FORM Ellie Riley’s "Deep Wate...

Madman (Fou) from Art of Today, Masters of Abstract Art, Album I, 1953 - Édition Art d'Aujourd'hui, Boulogne Screenprint in colors, 25.2" H x 19.2” W (64 x 49 cm), signed and dated ...

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

The Physichromie is a structure designed to reveal certain circumstances and conditions related to color, changing according to the movement of the viewer and the intensity of the li...

Antoni Tapies (Spain, 1923-2012) 'Scotch', 1974 lithograph on paper 35.5 x 24.9 in. (90 x 63 cm.) Edition of 120 Unframed ID: TAP1162-032 Hand-signed by author Cat. Galfetti, nº 393 ...

. Ruz. acrylic canvas painting Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to tal...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

TECHNICAL INFORMATION Ron English Rainbow Elvis II 2012 Monoprint Hand-painted Screenprint with Watercolor Dyes 37 1/2 x 17 in. Unique Pencil signed & numbered Accompanied wi...

Justo Barboza (Argentina, 1938) 'Señal rosa', 1995 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 50 Unframed ID: BAR1437-007-050 Hand-signed by author

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla I', 2019 Engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-101

Linoleum cut printed in colors on wove paper. Duthuit-Matisse 702. Hand signed and numbered 7/25 by the artist. Image size 7.5 x 6.75 inches. Sheet size 16 x 11.75 inches. Custo...

geometric composition.original engraving abstract painting. VIRTUAL FRAMED Pijuan, Joan (Barcelona, 1931-2005). Joan Hernández Pijuan formed between Barcelona and Paris. It has the ...

Rafael Canogar (Spain, 1935) 'Fuego', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-096 Hand-signed by author ________________...

Vertical. white. ocher" original abstract mixed media painting. framed RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi Schoo...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. "ELS MESTRES DE CATAL...

R. Poch. 121 original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de la...

ROBERT KENNETH WHITE – "SOFT GAZE" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display TONAL FIGURE STUDY IN QUIET CONTEMPLATION In Soft Gaze, Robert Kenneth White present...

This piece unfolds like a slow-burning eruption—an intimate storm of texture, depth, and submerged light. Layers of crimson, rust, and obsidian press against one another, creating a ...

Hand signed, dated and numbered by the artist. Published by Hatje Cantz Verlag, Berlin. Image: 21.75 x 15.75 in. Sheet: 23.875 x 17.875 in. Frame: 32.5 x 26.5 in. Artwork is in exce...

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...

Shusaku Arakawa (Japan, 1936-2010) 'Galerie Maeght', 1977 Original poster from exhibition of 1977 lithograph on paper 23.7 x 17.8 in. (60 x 45 cm.) Unframed Ref: ARA100-201 Shusaku ...

Small head in pencil. original drawing painting. The work is signed with the atelier's seal André Derain (Chatou, June 10, 1880-Garches, September 8, 1954) was a French painter, ill...