Missouri

"Sitting Beaver" / "Skinny Beaver" chair designed by Frank Gehry for the Experimental Edges series in 1979. Although designed in 1979, the furniture from this series was not produced...

Contemporary Earthenware Sculpture with Gold Luster, Paint, Ceramic, Glaze Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses por...

Christopher Ross Massive huge scale artisan silver matte metal lion belt buckle c 1984 The dramatic enormous size belt buckle is designed with a stylized lio...

Joerg Reme Untitled III from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed ...

Robert Adler Untitled - Troc Burlesque Theater #2 Gelatin silver print Image Dimensions: 8.5 x 12.75 inches (21.6 x 32.4 cm) Paper Dimensions: 16 x 20 inches (40.6 x 50.8 cm)

John James Audubon (American, 1785–1851) Not signed John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and...

Heather Hollis Victory (Industrial Art, Symbolism, Resilience, Unity) Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 11.2 x 14 inches (28.44 x 35.56) Edition: 1...

In Deck series. Encaustic and Nina Chanel Abney Peanuts Skate Deck float-mounted on board. Art Dimensions: 30 x 30 H inches and Framed Dimensions: 31 W x 31 H inches. About the De...

Joan Miró Litografia Original II Color Lithograph Year: 1975 Size: 12.5 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.35 Publisher: Maeght Editeur, Pari...

Shepard Fairey Decay Reset Screen Print on 80# Cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 450 Signed, dated and numbered by hand COA provid...

Early Charles Eames for Herman Miller red Aniline stained DCM with early glides, no label. Shock mounts are still solid, there is wear and loss to fi...

Kerry Smith Patti Smith - Horses Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1646 *Black frame with a mirror-gloss finish ...

The sculpture is part of a limited series of sculptural works by Raka Studio which encapsulates the Studio’s working styles created using Ash wood. The sculptures can...

Nice 1980s decorative pyramid designed by Maitland-Smith with tessellated faux tortoise shell with brass Inlay.

Charline von Heyl Hawk Moths, 2016 Lithograph with pochoi 47 1/4 x 31 1/2 inches (120 x 80 cm) Edition 8/30

With quick, gestural brushstrokes, Matthew Chambers paints representational images inspired by pop culture, movies, and art history, as well as abstract works comprising layered stri...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

A wonderful pair of beaux arts cast iron diminutive andirons , chenets or fire dogs, painted black and modeled as recumbent lions standing on an integral plinth base. In the style of...

Ian Fleming Title: Symbol 2 - Eternal Woman Medium: Etching and Aquatint on paper Year: 1977 Size: 19 x 22 inches (48.26 x 55.88 cm) Edition: 50 Signed, numbered, dated and inscribed by hand COA provided Framed in a simple silver metal frame Ref.: Peacock Archive, 1988. Aberdeen Archives, Gallery & Museum, Scotland Ref.: 924802-861 ----------------------- Ian Fleming (1906, Glasgow - 1994, Aberdeen, Scotland) Fleming was born in Glasgow and studied at the Glasgow School of Art. He began printmaking at art school, and Glasgow Art Gallery bought two of his prints while he was still a student. In 1928, Fleming made his first engraving while working with Charles Murray, and he soon became a highly-skilled engraver. While lecturing at the Art School from 1931, Fleming met William Wilson, the Edinburgh-based printmaker and stained glass artist. They became friends, and their work was mutually influential. He also taught Robert Colquhoun...

Canvas Size: approx 26.5 x 18 Framed Size: approx 30 x 22 inches Born into a poor family in Durham, England, John George Brown (1831-1913) earned a reputation as one of 19th-century...

Joan Miro Lithographier Originale Original Color Lithograph Year: 1961 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 125-126 Publisher: Maeght Editeur, Paris 1961 Additional text...

With gorgeous patinaed oak, custom cushions handcrafted from cashmere throws by Saved NY, and a finishing touch of beautiful Loro Piana leather, this one-of-...

1940s Massive crystal gilt metal art deco flower spray brooch The elegant bouquet of flowers are designed with glass paste settings in a myriad of colors The crystal embellishments...

Edition of 75

Large Jean Picart Le Doux "Horizon Marin" tapestry handwoven at Atelier Pinton in Aubusson France. Signed. Limited edition. Virtually no signs of wear. ...

The Collis Centre Table is designed using the ancient Japanese technique of wood bending. At Raka Studio we create designs using this technique which are ...

Joerg Reme Untitled I (Jörg Remé, Jörg Krichbaum) from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) ...

Albrecht Fuchs Drew Straker at Work Giclee on heavy Baryta Rag 2018 24.01 x 18.5 inches (61 x 47 cm) Edition: 20 - BAT (respectively "Archive") Signed, da...

Pigment & acrylic on rice paper

"Eden Desk" designed by Magnussen and Claussen for Eden, Holland. Three drawers, three roll top file cabinets accessed on the desk surface. Two...

Luis Jimenez Study of a Classical Horse and a Modern Horse Year: 1994 4 Color Lithograph Edition: 40 Paper: Rives BFK, White Paper Size: 41.75 x 29.5 inches Image Size: 37 x 22.75 inches Signed and numbered by hand COA provided --------------- Luis Alfonso Jiménez...

Oscar de la Renta Large cobalt blue glass factice fragrance display bottle The large replica fragrance bottle is labeled Oscar de la Renta Pour Lui...

Hand Made, Light Weight, Fiber Sculpture, Woven, Crocheted, Felted, Colorful Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, invol...

Artist and jewelry designer Jean Mahie signed and numbered bronze head titled" Veneration", circa 1987 from her collection I series of sculptures. Signed and numbered 3/8. An example...

Gucci Italy large light weight cotton maritime schooner ship scarf - shawl 44 x 60 inches The large scale light weight cotton rectangular scarf is illustrated with a vintage style s...

Heather Hollis The Gods Have Awakened Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 12 x 8 inches (30.48 x 20.32 cm) Edition: 15 Signed on label (to be attache...

Claudia Keller Untitled Landscape II Color Silkscreen Year: 1985 Signed, dated, numbered or inscribed Edition: 180 Size: 19.5 × 18.5 on 27.3 × 23.4 in...

Shepard Fairey Ozzy Back to the Beginning Screen print on True White Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated...

Glamourous Hollywood Regency 11 piece barware martini glassware set with gold fleck by Dorothy Thorpe. The eleven martinis are in fine vintage condi...

Set of 8 vintage Ceraglass, 10 years of Dow-Jones Industrial Average 1958-68 rocks glasses. Printed in black and white with 22k ticker tape, with highlight...

The sculpture demonstrates the flow of wood; the emerging and the reduction of wood while retaining an organic form. The Forms are directed towards exploring the crafting technique...

Lord Fauntleroy Chewbacca - Affenpinscher (Puppy, Dog, Portrait, Staged, Iconic, Funny, Whimsical, Heartwarming) 2023 Archival Pigment Print on Hahnem...

Fresco on Linen, Frammento del Muro CCII by Marcia Myers circa 2000 Marcia Myers was an American painter best known for her large-scale Color Field abstractions. Emulating the tradi...

A large and heavy Mid-Century Modern hand-blown Murano art glass vase designed by Alfredo Barbini (1912-2007), circa 1950s. Tall triangular form with thick twisted ribbed glass of co...

Exotic sterling silver articulated enamel tiger choker necklace 21st c The artisan choker necklace is designed with a sleek feline figure with tiny gazing garnet eyes The panther i...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Wendy Gill Crystal encrusted repurposed artisan belt buckle c 1980s The unique artisan belt buckle is comprised with a myriad of vintage costume jewelry findings The center of the buckle is adorned with a 1940s art deco stylized cocktail brooch that has been incorporated into the design . The costume jewelry findings are encrusted onto a brass metal buckle The collection of vintage jewelry findings...

Fornasetti Mod Italian avant-garde graphic design silk necktie c 1990s The unique Italian silk necktie is designed with a Fornasetti's iconic women's faces; juxtaposed with a partia...

Beautiful 1960s brass and blown glass six arm chandelier by Paavo Tynell for Glashütte Limburg featuring Tynell's organic floral themed details. As if sunning from the glow of the blown glass lights, detailed floral and leaf accents seem to grow and prosper. A delicate organic, high art and sophisticated vibe with a sense of old money...

Yves Saint Laurent Dark blue wool men's - unisex vest adorned with YSL brass metal buttons c 1970s The classic dark blue wool vest is designed with a pair of slit pockets on the low...

James Rizzi New Technology Color lithograph Year: 2002 Titled and dated in the print Publisher: John Szoke Editions, New York Size: 2.0 × 3.0 on 4.6 × 5.7 ...

Late 60s or early 1970s Mid-Century Modern organic hand-carved standing abstract nude female form sculpture. Tall sculpture at 27.63" of a nude female with long following hair, arms ...

Whimsical large animal sculpture (dog? kangaroo? giraffe? or trippy made up animal? whatever it is, it's cool!) signed by artist Knud Albert, Denmark, 1960...

Farm Wives at Play- Illinois State Fair, Springfield, 1972, 1972, printed 1975 Chromogenic print 11 x 14 inches (27.9 x 35.6 cm) Edition 5

Large set of 6 Hollywood Regency style indoor outdoor dining chairs fully restored from top to bottom with white cast aluminum frames and iconic pink and white awning stripe upholste...

Mexican sterling thespian mask cuff links and tie bar c 1960 The unique set is designed with comedy and tragedy theatrical masks The thespian mask tie bar is slightly different in design then the cuff links mask design The back of the sterling tie bar...

Beth Erze Title: Untitled Year: 2017 Medium: Crayon, Wax Crayon, Pencil on Paper Size: 7.5 x 6.25 inches Signed by the artist COA provided

Surrealistic scarlet red leather brass claw belt designed by Georges Mailian Paris The spectacular avant-garde belt is adorned with a huge brass ...

Heather Hollis Hanging Around Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso)...

A beautiful antique metal campaign chaise lounge from France. The chaise can be positioned into three different positions - as a chair, a traditional chaise, and a flat daybed. We custom made three cushions from our gorgeous ivory cowhide. Each cushion is generously stuffed with down feathers and a little synthetic to hold the shape. The cushions are attached with leather straps. We adore this one of a kind piece. Perfect for a sunny bedroom! Dimensions as a chaise with back...