Missouri

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Our beautiful wool and jute checkerboard rugs are expertly handwoven in Jaipur, India. The checkerboard pattern and neutral off black & natural coloring are chic and sophisticated wi...

JB Nearsy Variance of a Path 2017 Acrylic on Canvas Size: 33x25in Signed by hand COA provided Ref.: 924802-1777 -------------- Tags: surrealism, hard edge, colorful art, contempora...

This listing is for the unframed photograph. Edition of 10. Signed. Location, Los Angeles, CA David William Baum is a fashion, still life, and fine...

Klaus Bendixen Untitled Geometric Abstraction Color Silkscreen Year: 1965 Signed and numbered by hand Edition: 100 Size: 10.4 × 8.2 inches COA provided Ref.: 924802-784 Klaus Bendi...

Kerry Smith Radiohead - Amnesiac Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1641 *Black frame with a mirror-gloss finish ...

Kerry Smith Pearl Jam - No Code Mixed media on Crescent board Year: 2017 Size: 21x22in Framed Signed, dated by hand COA provided Ref.: 92-0470 *Black frame with a mirror-gloss finis...

Lita Kenyon was born in Marinette, Wisconsin. She attended Columbia College for her BFA, and earned her MA from Northern Illinois University 1982. She’s been featured in Empty Mirror...

3D Hand Constructed Metallic Paper Sculpture, Framed, Wall Mounted, Plexi Cover Michael Velliquette constructs stunningly intricate works made from colored paper. His choice to work...

Contemporary Abstract Ceramic Sculpture, Porcelain with Glaze and Mixed Media “My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures ...

Contemporary Porcelain Sculpture, Pair of Vase Forms, Contemporary Design, Lee Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A C...

Nice 1930s tall Skyscraper Art Deco silver stripe & frosted glass cocktail shaker set with 6 matching glasses. The drink glasses have...

Irina Zaytceva was born in Moscow in 1957. She graduated from Moscow Art Institute ( Poljgrapfichesky) with an MFA in book illustration. Having illustrated a number of children boo...

Faith Bayless Title: Ma + Pa Medium: Woodcut on Monotype Date: 2018 Dimensions: 6"x4"x0.25" COA provided

Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and pat...

Paul Kostabi High five on East 5 Giclee print on handmade paper Year: 2013 Size: 24.02x17.32in Signed by hand Edition: 75 COA provided Ref.: 924802-1187 Paul Indrek Kostabi (also known as Ena; born October 1, 1962 in Whittier, California) is an American artist, musician, music producer and audio engineer. He is the brother of artist Mark Kostabi. Kostabi was a founding member of the bands Youth Gone Mad, White Zombie, and Psychotica. Kostabi currently performs with Tony Esposito in the group Kostabeats and with Walter Schreifels band Dead Heavens. Kostabi became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael Lavine...

Jill Opelka Abstract IV Oil on Canvas Year: 2023 Size: 20x20in Framed: 21x21x1.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Pink *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings...

This listing is for the unframed photograph. Edition of 10. Signed. Location, Los Angeles, CA David William Baum is a fashion, still life, and fin...

Ted Hinrichs Energy Acrylic on Canvas Year: 2023 Size: 24x18in Framed: 19x25x1.25in Signed by hand COA provided Ref.: 924802-1787 *Framed in brown Wood Tags: Abstract, Acrylic, Gest...

Ted Hinrichs Casual Acrylic on Canvas Year: 2023 Size: 29.25x35.5in Framed: 31.5x27.5x1.5in Signed by hand COA provided Ref.: 924802-1790 *Framed in black Wood Tags: Abstract, Acryl...

Bele Bachem Schwebeübung Lithograph on Velum Year: 1967 Size: 24.9x18.9in Signed and numbered by hand Edition: 150 + 3 Publisher: Edition Wolfgang Ketterer...

Jill Opelka Abstract II Oil on Canvas Year: 2023 Size: 12x12in Framed: 13x13x1.5in Signed COA provided Ref.: 924802-2049 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Yellow *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

Jill Opelka Abstract III Oil on Canvas Year: 2023 Size: 20x20in Framed: 21x21x1.5in Signed by hand COA provided Ref.: 924802-2050 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Pink *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Jack Hayhow Title: Munger Moss Motel Photographic Print on fine Paper Year: 2020 Size: 12x18 inches Description: Available in multiple sizes - please inquiry within Edition: 25 Sign...

Elegant vintage Lucite and glass side tables in the style of Dorothy Thorpe, circa 1950s. Well constructed, having chrome plated hardware. Lucite is in nice original condition, no br...

David Morris Chicken Lickin' Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref...

A chandelier made in solid ashwood using wood bending techniques. A single light is placed in a wooden cocoon which releases light with linear gaps creating a distinct lighting ambia...

Peter Paul "Peter Paul" (III) From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Phototype (Lichtdruck) Edition: 80 Size: 25.59 x 19.88 in. Publisher: ...

Nick Vedros Dog Owner and Dog Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1980s Size: 13.2x12in Edition: 15 Signed, dated a...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: E.A. (...

JB Nearsy Inwards 2020 Mixed Media on canvas Size: 42x37in Signed by hand COA provided Ref.: 924802-1756 -------------- Tags: post graffiti, street art, expressionism, galaxy, nebu...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Nick Vedros Chicken and Egg Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 12x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Michael Mardikes Color Test (Thomas Hart Benton Plate #3) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 9x12 in Paper Size: 11x14 in...

Heather Hollis The Name, Is Crush Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) COA provided (issued by representing gallery) *Framing options available. Please inquire. **Other sizes available. Please inquire. This digital creation celebrates the serene majesty of marine life through the intricate patterns and vivid colors of a sea turtle I affectionately named Crush. Every detail — from the textured shell to the gentle movement of the water — reflects the quiet beauty and vulnerability of our oceans. The work serves as a tranquil yet powerful reminder of the precious ecosystems that exist beneath the surface, urging us to appreciate and protect them. Displayed in a home or gallery, this piece brings a calming, contemplative energy and a deep sense of connection to the rarely seen world of underwater wonder. Heather J. Hollis is a self-taught fine art photographer whose work captures the quiet poetry of nature. Rooted in resilience and empathy, her imagery transforms fleeting moments—like delicate fungi blooming on a Missouri tree—into meditations on beauty, endurance, and light. Now exploring both land and sea through her lens, Heather continues to reveal the extraordinary within the everyday. Heather Hollis, fine art photography, sea turtle art...

Heather Hollis Mountains Majesty Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2020 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached ver...

Heather Hollis Sleeping Beauties Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2019 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached ver...

Heather Hollis Duck It! Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2018 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) COA p...

Heather Hollis Rushing Falls in Yellowstone Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be a...

Heather Hollis Grand Prismatic Springs inside Yellowstone National Park Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition:...

Heather Hollis Golden Days Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) CO...

Heather Hollis Framed Terrain Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso)...

Heather Hollis Winter Wish Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) CO...

Joseph Broghammer Wee One 12 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-190...

Joseph Broghammer Wee One 13 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-190...

Joseph Broghammer Wee One 9 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-1903...

Joseph Broghammer Point To Where It Hurts (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 66x72in Signed by hand COA provided Ref.: 924802-1898 *o...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Avraham Inlender Untitled Composition (Geometric Abstraction, Fractal) Color silkscreen Year: 1981 Signed, dated, numbered or inscribed Edition: 29 Size: 16.6 × 16.8 on 23.4 × 23.4 i...

JB Nearsy Holy Bandana 2021 Mixed Media on paper Size: 6x6in Signed by hand COA provided Ref.: 924802-1765 -------------- Tags: abstract, post graffiti, expressionism, contemporary...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

The Console V1 is a part of the Vrksa Series of works. The Console has a free-form design; the wood bends and curves with natural flows to create the design. The handcrafted details...

Heather Hollis Willow In The Wind Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached ve...

Joel Sager (1980) was born in Saint Joseph, Missouri, the son of a minister and a stay-at-home mother who fostered from an early age his love of drawing and painting. It was under th...

Heather Hollis Freedom for All Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso...

The Forsyth search for the coolest checkerboard rug is over. Our beautiful wool and jute checkerboard rugs are expertly handwoven in Jaipur, India. Th...

David Pugh Swimming Lessons Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform /...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Vase" Year: 2021 Porcelain, Glaze, China...

The naturalness and softness of a sheepskin rug can quickly elevate a room's beauty. On the floor, thrown over chairs and couches, this versatile design piece is a favorite of the Fo...