Missouri

Miriam Haskell Russian gilt metal pendant necklace c 1970 The heavy gilt metal chain is designed with a circular medallion with intricate braided metal work The matte metal patina ...

Vintage Serge Roche or Dorothy Draper Hollywood Regency style pair of plaster lamps with wave design and shades. Wear to paint, shades in nice condition...

Opulent artisan semi precious dangle earrings by Karen Seberi The elegant handmade pierced dangle earrings are designed with a collection of amethyst, garnet and jet semi precious t...

Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A Chicago native, he received his MFA in Ceramics from the New York State College o...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.36 inches (49.5 x 69.5 cm) Edition: Unique COA provided *Condition: Sto...

The sculpture is part of a limited series of sculptural works by Raka Studio which encapsulates the Studio’s working styles created using Ash wood. The sculptures can...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

Don James Supply Lines Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted an...

PERLE FINE Untitled Graphite on paper 14 x 11 inches

Jill Opelka Blue Koi Oil on Canvas Year: 2023 Size: 18 x 24 inches Framed: 24 x 30 x 1.5 inches Signed COA provided Tags: Koi, Pond, Lush, Orange, White, Red, Movement, Fish *Framed in a gold wooden frame - ready to hang ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings perfect for gifts to commissioned portraits...

Satin black Woodard sculpture mesh dining chairs with arms, restored condition. Each chair has been sand blasted, dipped in rust inhibitor primer an...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Jennifer Bricker-Pugh Signal 3 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Pamela Cresswell Est. 1916 Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minima...

Aster da Fonseca Tree Branches Acrylic on Wood 2019 6.25 x 7.3125 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #wood ...

Paula Newton Along the Bus Route Street Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed ...

Ann Rothman Green Ballerina (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2022 Porcelain, ...

Kay Tibbs Lightning Strike Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

"Peto, " a Scotch Terrier 1887 Etching

Johnny Friedlander Automne 1977 Etching on Arches teinte’ paper Visible: 10 x 7.25 inches Framed: 16.375 x 13.5 x 1 inches Edition: 135 Signed and numbered in pencil along lower edge...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

The Oculus centre table is designed using the ancient Japanese technique of wood bending. At Raka Studio we create designs using this technique which are ...

Joan Miró La Mélodie Acide - 14 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9...

Bele Bachem Kindesgeburt (B/W) Lithograph on Velum Year: 1968 Size: 27.65x21.1in Signed, dated and inscribed by hand Dry Stamp lower left Edition: 50 Publi...

Holger Zimmermann Captain America (Comic, Graphic Novel, Superhero, Street Art, Pop-Art, Colorful) UV Print with Gloss Varnish on Hahnemühle Velvet 2023 Size: 19.5 x 15.5 on 27.5 x 1...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

Aster da Fonseca Under a Shady Tree Acrylic on Wood 2019 11.875 x 6.75 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #w...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Claus Goedicke (German) Kitchen Rag (Some Things Series) Archival Pigment Print on Hahnemühle Photo Rag Year: 2013 Size: 23.38 x 16.53 on 24.4 x 17.32 inches (59.4 x 42 on 62 x 44 cm...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Jan-Frederic Frey "Matruschka" Giclée on Hahnemühle Velvet Year: 2020 Signed by hand and inscribed Edition: 30 + 5 E.A. Size: 35.3 × 23.4 on 35.4 × 23.8 inches COA provided

"My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and patterns, reflecting the complex and ever-changing nature of...

Artist : Yoonjee Kwak Title : Bottomless Pit 1 Materials : Porcelain, gold luster, Hand-building Date : 2020 Dimensions : H9.5” W7.5” D7.5” Inch Signed, COA provided Yoonjee Kwak makes sculptural vessels to represent human beings as iconic symbols from the Korean culture. In Korea, when people talk about someone’s personality, they often use “vessel...

Vince Palacios (b.1961, Flint, Michigan) has been working in the fields of ceramics since 1992 and currently serves as Professor of the Ceramics Department at El Camino College in T...

Hans Jürgen Diehl Vorfuehrung Year: 1972 Medium: Color Etching Edition: 15 Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl was bo...

Sharon Louden Untitled Oil & Gesso on Paper Year: 1993 Size: 22.5x30.5in Framed: 28.75x35x1.5in Signed COA provided Ref.: 924802-1709 Tags: Black, White, Gestural Abstraction, Abstr...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Aster da Fonseca Stormy Weather I Acrylic on Wood 2019 10.5 x 9.25 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #wood ...

Ella Fort The Lonesome Road (La course seule) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size: 7.8 × 11.7 on 11.7 × 15.6 inche...

Aster da Fonseca Fresh Air Acrylic on Wood 2019 12 x 10 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #wood Aster da...

Aster da Fonseca Moon Approaching Acrylic on Wood 2019 11.875 x 14.75 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #w...

Scott McMahon grew up in Connecticut and now resides in Columbia, Missouri where he is an Associate Professor of Art at Columbia College. He received his MFA from Massachusetts Colle...

We love the frame of a Louis chair. The gorgeous beechwood is perfectly-aged and was ripe for something cool and Classic, so we chose a beautiful silk fab...

Listed is a single classic slat back dining chair by T.H. Robsjohn-Gibbings for Widdicomb. Shown in original finish, but includes refinishing in color shown or dark espresso, custom ...

Katrina Revenaugh Unexpected Blooms No. 7 Archival Pigment Ink, Acrylic, Spray Paint, Belgian Linen, Thrifted Chambray Year: 2023 Image Size: 12 x 9 Frame Size: 18.25 x 15 Full Size ...

Anthony Rea Observation Park Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minim...

Joel Sager (1980) was born in Saint Joseph, Missouri, the son of a minister and a stay-at-home mother who fostered from an early age his love of drawing and painting. It was under th...

The central Missouri, river-view studio of painter Gloria Gaus offers her contemplative solitude and direct access to the Midwestern landscapes featured throughout her body of work. ...

Jennifer Bricker-Pugh Tangerine Materials: Mixed Media on Panel Date : 2019 Dimensions : 12"x1.5"x12 Signed by hand COA provided Description: In my opinion, color is an artists most ...

After months of isolation during the pandemic, Craig Albright and his 11-year-old daughter started a daily tradition of an afternoon drive. When online classes came to a close each d...

Joseph Broghammer Wee One 8 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-1902...

Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Professor of Art at Arizona State University. As a second-generation Korean-American, he explores pottery that ref...

Susan Kiefer Singularity (Geometric, Abstract, Gestural, Vibrant) Oil on Canvas 2023 Size: 16 x 16 x 1.25 in (40.64 x 64.64 x 3.17 cm) Signed and inscribed verso COA provided *On s...

Roger Shimomura American Muse Year: 2017 10 Color Lithograph Edition: 36 Paper: Rives BFK, White Paper Size: 28 x 27.25 inches Image Size: 24 x 24.25 inches Signed and numbered by ha...

Seasons Tree Print on Cloth designed by Toni Hermansson for Almedahls, Sweden, 1960s. Stretched over a wood frame. Reminiscent of Alexander Girard.

Massive fuchsia sliced agate pendant necklace The avant-garde artisan necklace is adorned with a huge sliced agate tile encased is a hammered metal bezel that frames the organic ...

Amy Young Two Skulls with Blue Flowers Year: 2021 Material: Acrylic on Canvas Size: 30 x 24 x 1.5 inches Framed in a white wooden frame Signed COA provided Ref.: 924802-793 --------...