Missouri

Louisiana Bayou Landscape, Oil on Panel — 34 × 34 in — Jill Hackney, 2026 "A native of New Orleans, Jill Hackney studied painting at The Cleveland Institute of Art and Louisiana Sta...

Lord Fauntleroy Ahmedabad Street Market - FRAMED SET OF 6 Pigment Prints Year: 2015 Visible Size: 9.25 x 9.25 inches (each) Framed: 10.6 x 10.6 inches (each) Signed: On Label Edition...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

Rf Art Self Isolation Giclee on Hahnemuehle Velvet 2021 Size: 24.01 x 17.32 inches (61 x 44 cm) Edition: BAT from a limited edtion of 25 Signed and numbered by the artist *Framing O...

Oil & acrylic on canvas

Rare Danish Modern Wenge Wood Ice Bucket designed by the Jens Harald Quistgaard for Dansk Designs, Denmark in the 1960's. From his 'Rare Woods’ Limited Edition collection. Scandinavi...

Nick Vedros Dunce Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 14x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provide...

Ben Allen King Mickey with Basquiat Crown #5 3D-construction Year: 2021 Signed, numbered and titled by hand Edition: 50 Size: 21.5 × 21.5 on 23.8 × 23.9...

Paul Wunderlich From Portfolio "Twilight" with Karin Szekessy Year: 1971 Medium: Color Lithograph Edition: 125 Size: 33 x 25 in. Publisher: A.A.A., New ...

The Forms; our sculptural series aims to explore the possibilities that wood can reach and the working techniques used by the Studio to produce their works. Form No. 7 exceeds conv...

Signed in Pencil Lower Right "Marc Chagall" Numbered Lower Left 77/275 Image Size: approx. 11 3/4 x 9 1/4 inches Framed Size: approx. 24 x 21 inches

Nancy Charak Title: Bonitas Canciones 8726 Materials: Drawing on 90# Stonehenge Date: 2017 Dimensions: 11"x30" Nancy Charak makes paintings and drawings in her studio in Tucson, whe...

Introducing The Shag Rug collection. Anne and Maggie grew up with a 1970s Flokati rug their Mom shlepped home from Greece during her world travels. They've been wanting to recreate t...

Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

Nick Vedros Dancing Dog Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x12in Edition: 10 Signed, dated and numbered by hand ...

Joan Miró La Mélodie Acide - 5 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Ben Allen Minnie Montana (Gold) (Pop Art, Street Art, Disney) 3D-construction Year: 2021 Signed, numbered and titled by hand Edition: 50 Size: 21.5 × 12.9 on 23.8 × 15.2 inches COA provided *Could include free custom-cut matte Born in 1979 in the UK, Ben Allen is a contemporary artist known for his fresh and exciting take on Pop Art. Armed with a range of complex collage techniques, Ben creates eclectic artworks that bring together the best bits of pop culture. Ben uses a bold colour palette to create Collages dripping with both paint and energy, drawing upon some of the most ubiquitous images in the modern world, from Disney characters to dollar signs. Ben Allen’s Career The standout style of Ben’s artwork has earned him spots in galleries in the UK, across the pond and even further afield. He has exhibited in countless galleries and festivals, in locations ranging from his hometown Brighton to more exotic locales like Miami, Hong Kong, Sydney and Seoul. He was also shortlisted for our Rise Art Prize in the Street Art category back in 2018. Clients and Collections Ben Allen’s wide appeal has made him a popular choice for commercial clients and private collectors alike. He has worked with big name brands including Levis and Converse, and has featured in publications including GQ Magazine and The Observer. Ben’s Pop Art Collages also grace the walls of celebrities like Richard Branson, Sophie Ellis Bextor and Jade Jagger...

Incredible late 19th or early 20th century rustic steer long horn chair and ottoman. This chair is in great condition, has spring seat and is very stur...

Joan Miro Terres Grand de Feu (one plate from Artigas) Medium: Original lithograph Size: 14.1875 x 19.625 in Year: 1956 Edition: 1,500 Unsigned Printed text on verso as issued Portf...

Joan Miró La Mélodie Acide - 9 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Arne Jacobsen coffee table with Brazilian rosewood top and aluminum base. Beautiful figuring in the rosewood. Very good condition with very few signs of use.

French gilt matte metal "tree of life" clip-on button earrings designed by Antigona Paris The elegant button style clip-on earrings are each designed with a tree with lush foliage T...

Ella Fort Flower Field (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches Framed: 16.25x20 inches COA provided *Framing Options Available - Please Inquire **edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Meant for those beach houses from Miami up to the Hamptons and on to Nantucket, or Malibu and up to Mercer Island, this ivory white Fossil stone coffee table adds elegance, light, air and a natural stone texture to any interior but beams especially well in those waterfront homes with blue and white nautical...

Soft and luxurious, the Forsyth Circle Ottoman is designed to be a versatile piece in a room adding an element of natural texture. The perfect coffee table, ottoman, or extra seating...

Karl Korab Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924...

Ted Hinrichs Spirit of Nature Acrylic on Canvas Year: 2021 Size: 30x40in Framed: 32x42x2.5in Signed by hand COA provided Ref.: 24802-1714 *Framed in black Wood Tags: Abstract, Acryl...

Nick Vedros Gnome Journey Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x17in Edition: 12 Signed, dated and numbered by han...

Contemporary Geometric Abstract Oil Painting on Canvas Mounted on Wood Panel Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington Uni...

JEAN XAVIER DUHART Paris Crystal link gilt metal bracelet ca 1980 The avant-garde bracelet is designed with triangular crystal links encased in gilt metal. The wide crystal links a...

Susan Kiefer Yin Yang Woodcut on paper Year: 1990 Size: 33x23x0.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1661 Framed artist proof woodcut print of male and...

Ceramic, Wall Hanging Tile, French Cleat, Stoneware, 2D Sculpture, Taming, Tarot “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our bas...

Contemporary Figurative Ceramic Sculpture, Stoneware, Underglaze Paint, Welcome Raised and trained in both Ukraine and Poland, Janina Myronova builds highly stylized figurative form...

Figurative Ceramic Sculpture, Stoneware with Underglaze, 5.5 × 4.5 in — Janina Myronova Raised and trained in both Ukraine and Poland, Janina Myronova builds highly stylized figurat...

HENRI DE TOULOUSE-LAUTREC Etude de femme 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Wilhelm Schlote White Tulips 3D-construction on Hahnemühle Velvet 2016 Edition: 50 Signed and numbered by hand Size: 8.3×5.7 on 15.7×12in COA provided Ref.: 924802-1922 *Framing options available. Please inquire. Tags: Wilhelm Schlote, German artist, Children's book author, Cartoonist, Caricaturist, Heinz Mack, ZERO artist group, Albert Schulze-Vellinghausen, Literary critic, Frankfurter Allgemeine Zeitung, Marcel Reich-Ranicki, Philosophy studies, Kunsthochschule Kassel, Teacher in higher education, Paris residency, Nice, Cologne, Germany, Children's books, Cartoon postcards, German Youth Book Prize, Académie Calvet, Catherine Deneuve, Claude Chabrol, Magazine publications, Die Zeit, Die Welt, The New Yorker, Le Monde, Le Figaro, Stick figure art ------------------------ Wilhelm Schlote (born March 4, 1946 in Lüdenscheid) is a German artist, children's book author, cartoonist and caricaturist. Schlote grew up in Essen. His first art teacher was Heinz Mack (member of the artist group ZERO), who recognized Wilhelm Schlote's talent for drawing early on. His mentor and friend Albert Schulze-Vellinghausen, who, as a literary critic for the Frankfurter Allgemeine Zeitung (FAZ), was the predecessor of Marcel Reich-Ranicki, was just as philosophically influential. After graduating from high school, Schlote studied philosophy in Bonn until 1968 and then art at the Kunsthochschule Kassel until 1972. From 1973 to 1978 he was a teacher in higher education in Kassel and Hamburg. Simultaneously with the decision to go to Paris, Schlote was offered a professorship at a German art college. In 1978, however, Schlote decided to move to France, where he lived partly in Nice, but mainly in Paris. In 1980 he exhibited for the first time in the Medical Faculty...

Edward Wormley three seat on tapered walnut legs is from his Dunbar for Modern collection, one of his early fully modern furniture collections. This sofa, was reupholstered by the original owners, in the late 90s to fit their new southwest decor...

Anna Archinger Marwaris, The Sentinel (Equestrian Photography, Horse, Marwari, India, Rare Breed) Archival Pigment Print on Canson® Infinity Pla...

Artist : Susan Kiefer Title : Progression Materials : oil on canvas Date : March 2020 Dimensions : 24" x 18" Though born and raised in Kansas City, ar...

Alfred Manessier Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Signed in the Stone Annotated verso Publisher: Mourlot, Paris Printer: M...

CHANEL Incredible poured glass agate pendent necklace c 1980 The amazing runway design is comprised of faux glass rubies. glass color sapphires, & emeral...

Martha Wahlert Hand-signed and titled in pencil

Vintage 1970s set of 4 Tennis theme barware rocks glasses. Printed in white, green and brown Ink, with 3 sets of crossed rackets, words like Love All, Nice Shot !, Thirty Love, Deuc...

Aster da Fonseca A Summer Morning Acrylic on Tape on Paper Year: 2022 Size: 12x9 Signed by hand COA provided Ref.: 924802-1373 collage acrylic paint tape nature landscape bird tree ...

Janet Davidson-Hues Signed, Sealed and Delivered Year: 2011 Medium: Lithograph Edition: 20 Paper: Rives BFK, White Paper Size: 13.125″ x 42″ Image Size: 6.625″ x 36″ Signed lower rig...

Jerry Berneche (American, 1932 - 2016) was a painter and draftsman whose work featured extraordinarily precise mark-making and vibrant color. Born in Greentown, Indiana, he studied a...

Ted Hinrichs Beach Pool Acrylic on Canvas Year: 2023 Size: 36x24x1.5in Signed by hand COA provided Ref.: 24802-1718 *on Stretcher Frame ready to hang Tag...

Paul Brach Corona I Year: 1995 4 Color Lithograph Edition: 20 Paper: Rives BFK, White Paper Size: 29.75 x 29.5 inches Image Size: Same Signed and numbered by hand COA provided -----...

Ernest Tino Trova American, 1927-2009 Study/Falling Man (Table Man), 1979/84 Signed Trova, dated 84 and numbered 3/8 Chrome plated bronze and stainless steel, Height 81 inches (205.7...

Paul Brach Corona II Year: 1995 4 Color Lithograph Edition: 20 Paper: Rives BFK, White Paper Size: 29.75 x 29.5 inches Image Size: Same Signed and numbered by hand COA provided ----...

Lucite ribbon chandelier with brass frame. Sculptural interlocking ribbons of Lucite hang from a brass frame, circa 1970s. The fixture would be a statement piece in an entryway or st...

EMERSON WOELFFER Abstract Form No. 2 1979 Terra cotta on wooden plinth 3.5 x 5.5 x 8.5 inches

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Rolf Steinhausen Gestural Abstraction (monochromatic, black and white) Lithograph Signed and numbered by hand Edition: 100 Size: 11.9 × 10.9 on 23.0 × 16.4 inches COA provided

Shepard Fairey Overloading the Grid (David Byrne) Screen print on thick Cream Speckletone Paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numbered by hand Original illustration based on photograph by Bobby Grossman...

Shepard Fairey Good To See You Screen print on 80# Cream Speckletone Paper Year: 2022 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 250 Signed by Shepard Fairey and Henry Rollins,...

Abraham Rattner (after) Title: Unknown Year: Unknown Lithograph Size: 26.25x20 inches Esther Gentle, Reproduction, 1952 Signed in the stone Annotated verso COA provided Ref.: 924802-...

David Pugh Disco Concrete Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age r...