Missouri

Wall Hanging Ceramic Tile, 2D Sculpture, Hangs by French Cleat, The Magician “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic d...

Title : Confusion Materials : Stamp,xerox transfer,pencil,ink Date : 2015 Dimensions : 8×9″ COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which ...

Encaustic and dried flowers on board. Beautiful gold float frame Art Dimensions: 36 W x 48 H inches and Framed Dimensions: 37 W x 49 H inches. John O'Hara (b. 1963) is a contempo...

Porcelain, Overglaze Paint, Vessel, Functional, Mythos Flask, Sam Chung, 2025 Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Professor of Art at Arizona State Un...

Lithograph - 4-fold (doublefold) 1973 12 x 9 inches (folded) 12 x 18 inches (unfolded) Edition: 300 Signed, dated and numbered by hand COA provided Tags: #RobertWhitman #AmericanArt...

Daniel Brennan Male Portrait with Still Life (Mid-Century, Modern, Portrait, Colorful, Vibrant) Oil on Canvas Year: 1960s Size unframed: 32 x 36 inches (81.28 x 91.44 cm) Size framed...

Heather Hollis Sunset Palms Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) C...

Strut into a chic home in Milan draped in gorgeous art and furnishings and you'd soon notice this beautiful Italian Lucite and Brass Bar Cart ready to serve afternoon cocktails in high style. Mamma mia! The look is chic. Sexy. Gucci. A sense of sophisticated and upscale elegance. Room candy. Apart from the looks, unique to this bar cart is its construction in incredibly high quality materials. Professional grade thick and heavy lucite tubes frame tempered glass top and bottom shelves. The lucite quality is akin to any Charles Hollis Jones bar cart...

Habsburg Dynasty, early to mid-19th Century oil on board, Royal / Monarchy Portrait painting of Ferdinand I, Austria (1793-1875) in original handmade frame. A seated Ferdinand is wearing his ceremonial white fur robe, adored with gold embroidered trim. Hanging around his neck are the gold Collar and Badges of a Knight of the Spanish Order or "Distinguished Order of the Golden Fleece" , plus the Order of Saint Stephen of Hungary. Also displaying embodied ancient symbols of rank, family, and authority. Such as the green and pink sash, his Austrian Imperial order of Leopold medal, Military Order of Christ medal among others. See his full list of honours below. Paper label on frame translates to: Modeler and Gilder, Master Cabinetmaker VIENNA Vº2, Hicschengasse No. 14. Also, appears to have an Austrian Stamp, possibly for export and the numbers 99 or 66, along with No. 1445 and Ferdinand I, and the years he ruled 1838-1848 in pencil. No signature found. (Art) Board size is 28.25" h x 23.63" w Attributed to Leopold Kupelwieser (17 October 1796, Markt Piesting – 17 November 1862, Vienna) was an Austrian painter, often associated with the Nazarene movement, who also painted Ferdinand I portrait in 1847. Ferdinand I (German: Ferdinand I. 19 April 1793 – 29 June 1875) was Emperor of Austria from March 1835 until his abdication in December 1848. He was also King of Hungary, Croatia, and Bohemia (as Ferdinand V), King of Lombardy–Venetia and holder of other lesser titles (see grand title of the Emperor of Austria). Due to his passive but well-intentioned character, he gained the sobriquet The Benign (German: Der Gütige) or The Benevolent (Czech: Ferdinand Dobrotivý, Polish: Ferdynand Dobrotliwy) Ferdinand succeeded his father Francis I upon his death on 2 March 1835. He was incapable of ruling the empire because of severe epilepsy, so his father, before he died, made a will promulgating that Ferdinand should consult his uncle Archduke Louis on all aspects of internal policy and urged him to be influenced by Prince Metternich, Austria's Foreign Minister.[3] Following the Revolutions of 1848, Ferdinand abdicated on 2 December 1848. He was succeeded by his nephew, Franz Joseph. Following his abdication, he lived in Hradčany Palace, Prague, until his death in 1875. Ferdinand married Maria Anna of Savoy, the sixth child of Victor Emmanuel I of Sardinia. They had no children. EARLY LIFE: Ferdinand was the eldest son of Francis II, Holy Roman Emperor and Maria Theresa of Naples and Sicily. Possibly as a result of his parents' genetic closeness (they were double first cousins), Ferdinand had hydrocephalus, neurological problems including epilepsy, and a speech impediment. He was educated by Baron Josef Kalasanz von Erberg, and his wife Countess Josephine von Attems Although Ferdinand has been depicted as feeble-minded and incapable of ruling, he kept a coherent and legible diary and has even been said to have had a sharp wit. However, suffering as many as twenty seizures per day severely restricted his ability to rule with any effectiveness. Though he was not declared incapacitated, a Regent's Council (Archduke Louis, Count Kolowrat, and Prince Metternich) steered the government. When Ferdinand married Princess Maria Anna of Savoy, the court physician considered it unlikely that he would be able to consummate the marriage.[6] When he tried to consummate the marriage, he had five seizures. He is also remembered for his command to his cook: when told he could not have apricot dumplings (Marillenknödel) because apricots were out of season, he said "I am the Emperor, and I want dumplings!" (German: Ich bin der Kaiser und ich will Knödel!) Ferdinand was the last King of Bohemia to be crowned as such. Due to his sympathy with Bohemia (where he spent the rest of his life in Prague Castle) he was given the Czech nickname "Ferdinand V, the Good" (Ferdinand Dobrotivý). In Austria, Ferdinand was similarly nicknamed "Ferdinand der Gütige" (Ferdinand the Benign), but also ridiculed as "Gütinand der Fertige" (Goodinand the Finished). Ferdinand was also the last ruler to be crowned with the Iron Crown of Lombardy in his capacity as King of Lombardy-Venetia. He is interred in tomb number 62 in the Imperial Crypt in Vienna. The Habsburg era (c. 1273–1918) was a dominant period in European history defined by a powerful German noble dynasty that ruled Austria, the Holy Roman Empire, Spain, and other territories for centuries. Known for strategic marriage diplomacy and Catholic patronage, the dynasty, featuring key figures like Charles V and Maria Theresa, shaped European politics and culture until the empire collapsed after World War I. Honours Austrian Empire Knight of the Golden Fleece, 1793 Grand Cross of the Royal Hungarian Order of St. Stephen, 1830 Grand Cross of the Imperial Order of Leopold Knight of the Iron Crown, 1st Class France: French Empire: Grand Eagle of the Legion of Honour Kingdom of France: Knight of the Holy Spirit, 1816 Kingdom of Bavaria: Knight of St. Hubert, 1824 Duchy of Parma: Senator Grand Cross of the Constantinian Order of St. George, with Collar, 1826 Grand Duchy of Hesse: Grand Cross of the Ludwig Order, 11 April 1830 Hesse Electorate of Hesse: Grand Cross of the Golden Lion, 26 December 1830 Baden: Grand Cross of the House Order of Fidelity, 1830 Grand Cross of the Zähringer Lion, 1830 Kingdom of Saxony: Knight of the Rue Crown, 1830 Two Sicilies: Knight of St. Januarius, 1830 Grand Cross of St. Ferdinand and Merit Württemberg: Knight of the Golden Eagle, 1830 Kingdom of Sardinia: Knight of the Annunciation, 12 January 1831 Kingdom of Prussia: Knight of the Black Eagle, 24 January 1831 Denmark: Knight of the Elephant, 1 February 1831 Empire of Brazil: Grand Cross of the Southern Cross Kingdom of Portugal: Grand Cross of the Royal Military Order of Our Lord Jesus Christ Grand Cross of the Tower and Sword Russian Empire: Knight of St. Andrew, 28 February 1835 Saxe-Weimar-Eisenach: Grand Cross of the White Falcon, 2 April 1835 Sweden Sweden-Norway: Knight of the Seraphim, 14 April 1835 Saxe-Coburg and Gotha Duchy of Saxe-Altenburg Saxe-Meiningen Ernestine duchies: Grand Cross of the Saxe-Ernestine House Order, May 1835 Ascanian duchies: Grand Cross of Albert the Bear, 18 March 1837 Kingdom of Hanover: Knight of St. George, 1847 Grand Cross of the Royal Guelphic Order, 1847 Spain: Grand Cross of the Order of Charles III, 23 April 1849 Tuscany Grand Duchy of Tuscany: Grand Cross of St. Joseph Keywords : Royal Oil Portrait , Military Oil Portrait

Andre Baudin Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Printer: Mourlot, Paris COA provid...

Nick Cave Soundsuit #6 Year: 2010 Archival Pigment Print on Premium Rag Size: 17 x 12 in. Edition: 200 Signed by hand on label COA provided Ref.: 924802-2069 Tags: #NickCave #Missou...

Bernard Rancillac Suite No. 8 - Rencontres (Narrative Figuration, Pop Art, French Contemporary) 1964 Color Lithograph Size: 12.68 × 19.21 inches (32.2 x 48.8 cm) Edition: 1,500 Publi...

Heather Hollis Sleeping Beauties Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2019 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached ver...

Signed verso Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with doz...

A magnificent, monumental 14.5-inch mid-century modern Italian art glass vase designed by the legendary painter and designer Dino Martens for the prestigious Murano furnace Aureliano...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Michael Schoenholtz Einkreisen #5 Circa 2000s Mixed Media Size: 24.5 x 17.2 inches (62.23 × 43.69 cm) Signed and dated by hand COA provided Michael Schoenholtz (born April 8, 1937...

With colleagues like Aalto, Mathsson, Jacobsen and Kjaerholm, Yngve Ekström was part of the post-war modern movement that made the concept “Scandina­vian Modern” world-famous. This is a very nice pair of white lacquered circle chairs designed by Ekstrom for Swedese, circa 1960. Fully restored and reupholstered in zebra hide, the timeless design would fit any modern design interior. Measure: 26in W x 24in D x 28in H x 17in SH. The Art of One of A Kind Furniture - Forsyth travels the world in search of breathtaking designs from auction houses, antique shops, and private collections. An amazing transformation begins when a collected piece arrives at the Forsyth studio. Old world furniture...

Joseph Broghammer Wee One 10 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-190...

Maurice Esteve Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: Mour...

Heather Hollis Hanging Around Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso)...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.29 x 25.59 inches (49 x 69 cm) Edition: Unique Monogrammed and dated by hand COA...

Uncommon C. Jere brass sailboats regatta racing wall sculpture "Yanks vs Aussies" circa 1980s. The America’s Cup competition American vs Australia was...

The naturalness and softness of a sheepskin rug can quickly elevate a room's beauty. On the floor, thrown over chairs and couches, this versatile design piece is a favorite of the Fo...

Bruno Bruni Prego, s'accomodi Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: Böer, Hamburg, Germany COA provided Ref.: 924802-134 Bruno Bruni senior (born 22 November 1935, in Gradara, Italy) is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers. Born in Gradara, in the Province of Pesaro and Urbino on the Adriatic Coast in 1935, the son of a railway attendant, Bruni started painting as a young boy. He was initially a pupil of Giuliano Vanghi; from 1953 to 1959 he attended the Art Institute in Pesaro. He then moved to London, where he became interested in pop art. In 1960, after an exhibit of his work at London's John Whibley Gallery, and after meeting a girl from Hamburg, he moved there to live with her and enrolled at the Hochschule für bildende Künste Hamburg. He has lived in the city ever since and visits his hometown regularly. In the 1970s, Bruno Bruni made a name for himself as a draftsman, lithographer, painter and sculptor in the international art world. In 1977, he won the International Senefeld Competition for Lithography. He is influenced primarily by German expressionists like Otto Dix, George Grosz etc. and the Italian old masters . In particular, he is noted as one of the few lithographic artists "who paint all work directly onto the stone". He is especially known for his erotic female forms. He has said, "I cannot paint an abstract picture. If I had gone along with the trends I'd have disappeared long ago". He resides in a converted swimming pool, more than a century old, which serves as apartment, workplace and gallery. He sells his art through his wife's gallery in Hanover and is reputedly one of Germany's top earning artists. He is also a keen cook of Italian cuisine, and is a boxing fan and a close friend of former boxing champion Dariusz Michalczewski, for whom he used to cook for before matches. He has also cooked for Gerhard Schröder and has published a cooking book...

Shepard Fairey Obey Deco Floral Pattern (Blue) Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 275 Signed by Shepard Fairey,...

Aster da Fonseca Stormy Weather I Acrylic on Wood 2019 10.5 x 9.25 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #wood ...

Avraham Inlender Untitled Composition (Geometric Abstraction, Fractal) Color silkscreen Year: 1981 Signed, dated, numbered or inscribed Edition: 29 Size: 16.6 × 16.8 on 23.4 × 23.4 i...

Kerry Smith The Dead Boys - Young, Loud And Snotty Mixed Media on Crescent board Year: 2021 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1627 *Black frame with a mi...

Minimalist 1970s oak frame square end table or side table with faux black slate top, and unique bridle joint connections. I believe it is from the partnership between Pierre Mazairac...

Geneviève Claisse Title: Black and Green Circle (Cercle noir/vert) Medium: Giclee on hand made cotton paper Year: 2015 Signed and numbered by hand Edition: 40 Size: 20.1 × 20.1 on 31...

Fantastic tall heavy brass curio display cabinet for the table or wall by Edward Alden with open ring finial, in the style of Tommi Parzinger. Has nice wa...

A minimally designed side lamp made using solid ash wood that displays the natural flow of wood with its natural grain as it has been finished in clear lacquer. Our Vrksa Collection...

Shepard Fairey Sadistic Dog Walker Screenprint on thick cream Speckletone paper Year: 2021 Size: 36 x 24 inches (91.4 × 61.0 cm) each Edition: 450 Signed by Francisco Reyes Jr. &...

Eduard Diem Geometric Composition #3 (3D-construction, Op Art, Lyonel Feininger) 3D-Construction Year: 2020 Signed and numbered by hand Edition: 25 Size: 23.0 × 20.8 on 23.8 × 18.5 ...

James Rizzi New Technology Color lithograph Year: 2002 Titled and dated in the print Publisher: John Szoke Editions, New York Size: 2.0 × 3.0 on 4.6 × 5.7 ...

Encaustic and powdered pigment on board. Beautiful maple float frame. Art Dimensions: 48 H x 60 W inches and Framed Dimensions: 49 H x 61 W inches. John O'Hara (b. 1963) is a co...

This is an original oil on velvet painting created c. 1942. Syd Cockell was an accomplished American illustrator during World War II.

A unique, one-of-a-kind 1963 studio-cast bronze sculpture depicting a kneeling or reaching female figure by celebrated Pennsylvania sculptor and PAFA faculty member Pritchett Allen H...

Galanos Luxurious gray flannel coat dress c 1970 The soft plush flannel wool dress is designed with subtle vertical ribbed detail across the bodice Accented with a series of small...

"Ice Branch", Contemporary, Mixed Media, Wall Sculpture, Framed, Fiber Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art...

Peter Paul "Was Boullee befuerchtet hat" From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Color Lithograph on Arches Edition: 75 Size: 25.59 x 19.88 ...

Title: Homage to Mirandi, Hamada Cups Materials : Oil on Canvas Date : 1960's Dimensions : 32 x 47 in. In the late 1960's, Daniel Brennan had a day job...

A 1960s Danish Modern Jens Quistgaard Salt & peppermill made of teak, in the style of a chess piece. Stamped Dansk Designs Ltd Denmark JHQ. Nice o...

Albrecht Fuchs Drew Straker Portrait (Sprayer, Graffiti, Mural, Street Art) Giclée on archival paper 2018 Size: 12.01 × 15.35 inches (30,5 x 39 cm) Signed and dated in pencil on ver...

Pair of Villeroy & Boch vases / urns 'Bijou' designed by Paloma Picasso in the late 1970s Bone china, bulbous form with red. green and blue colored jewel stones and gold stripe deco...

Signed recto John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the Unive...

Vintage Napoléon IIII style or Hollywood Regency round tufted upholstered ottoman. This Italian made cream painted & gold gilt, faux wood rope tassel ottoman...

Piero Lissoni is an Italian architect and designer well known for his wide and low contemporary furniture designs. We love this set! It's the perfect deep lounge for napping, reading...

Heather Hollis Grand Prismatic Springs inside Yellowstone National Park Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition:...

Pair of Jansen style slipper chairs with tall backs and modernized Louis X1V style legs, Ebony frames with gilt highlights. Bronze silk upholstery.

Shepard Fairey Obey Deco Floral Pattern (Red) Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 275 Signed by Shepard Fairey, ...

Shepard Fairey Just a Minor Threat Screen print on thick cream Speckletone paper Year: 2023 Size: 18 x 24 inches (45.72 x 60.96 cm) Edition: 550 Signed by Shepard Fairey and Glen E. ...

Signed verso Ashlee received her BFA with a Minor in Art History from University of Missouri-Columbia in 2012 and has been exhibiting and selling her artwork for the past twelve year...

Meyer studied art at University of Central Missouri, Indiana State University and received her degree in painting and drawing from Columbia College. She has had the privilege of havi...

Encaustic on board. Beautiful gold float frame Art Dimensions: 48 W x 48 H inches and Framed Dimensions: 49 W x 49 H inches. John O'Hara (b. 1963) is a contemporary artist renown...

Signed recto John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the Unive...

Signed verso Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with doz...

A breathtaking and highly monumental studio craft lidded art glass-smooth turned wood vessel, masterfully hand-crafted by the acclaimed Pennsylvania studio woodturner Kim Blatt. Capt...

Shepard Fairey Mandala Ornament 1 Cream Screen print on thick cream Speckletone paper Year: 2010 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 300 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. Shepard Fairey has returned repeatedly to the mandala as a central visual and conceptual motif within his practice, with the form emerging prominently in 2010 through the Mandala Ornament prints. These works built upon earlier lotus and ornamental compositions from the late 2000s that already explored radial symmetry, balance, and meditative geometry, though not yet explicitly titled as mandalas. Drawing from Buddhist and Hindu visual traditions while integrating Western graphic design and propaganda aesthetics, Fairey’s mandalas function as symbols of interconnectedness and contemplation—counterweights to social and political turbulence. Rendered in disciplined two-tone compositions of black ink on cream paper, the mandalas emphasize structure, repetition, and symbolism over decoration. Introduced during a period of global uncertainty, these works established an enduring framework in Fairey’s oeuvre, merging sacred geometry, activist intent, and rigorous design into images that invite sustained reflection. Shepard Fairey mandala, Mandala Ornament series, 2010 mandala prints, sacred geometry art...