Missouri

Katrina Revenaugh Lollipops & Rainbows Archival Pigment Ink, Acrylic and Spray Paint on Canvas Year: 2020 Size: 53.25x37.25in Signed: On Verso COA provided Ref.: 924802-1952 *on st...

Melanie Sherman Tea Bowl "Tu Me Connais VII" (Yunomi, Blue Vintage Flowers, Gold Luster Lip, Blue Bottom) Year: 2021 Edition: Unique Porcelain, Chi...

Louise Nevelson (American, 1899-1988) Untitled, 1980 Original five screen serigraph collage Signed and numbered in pencil by the artist. 147 of an edition of 150. See details in...

Denita Benyshek Arkansas River, Sunset Archival Pigment Print Year: 2023 Visible Size: 7.5 x 10.25 inches Framed: 16.25 x 19 x 2 inches Signed: On Label COA provided *Framed and mat...

Randy Hudson Sunday Morning Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minima...

Kelly Ludwig Yellow Gold Archival Pigment Print Year: 2024 Visible Size: 10.6 x 13.5 inches Framed: 17.75 x 20.75 x 1.25 x inches Signed: On Label COA provided *Black gallery frame...

Michael Mardikes Benton on the Couch (Thomas Hart Benton Plate #28) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Size: 19x13.5 in Paper Size: 22x17 in Edition: 10 (9 Mon...

Gary Hodson Farmaceuticke Muzeum 2024 Archival Pigment Print Visible Size: 9.5 x 17 inches Framed Size: 17 x 21 x 1 inches Edition: 25 Signed, titled and dated on label COA provided ...

Aster da Fonseca Tree Branches Acrylic on Wood 2019 6.25 x 7.3125 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #wood ...

Kelly Ludwig Photographer (Lou Jane) Archival Pigment Print Year: 2024 Visible Size: 10.6 x 13.5 inches Framed: 17.75 x 20.75 x 1.25 x inches Signed: On Label COA provided *Black g...

Jacia Phillips Bedazzled at Little Theater High Gloss Metal Print with Float Mount Hanger Year: 2024 Size: 16 x 20 x 1 inches Signed: On Label COA provided *Printed on metal with an...

Laura Lloyd Yellow Flowers Archival Pigment Print Year: 2024 Visible Size: 17 x 11 inches Framed: 21.4 x 15.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard p...

Laura Lloyd Ginko Leaves Archival Pigment Print Year: 2024 Visible Size: 17 x 11 inches Framed: 21.4 x 15.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard ple...

Josef Albers Formulation: Articulation, Portfolio II, Folder 23, 1972 silkscreen Edition of 1000, unnumbered, unsigned Framed Dimensions: 17 3/4 x 25 1.2 inches (19.1 x 38.7 cm) ...

Emily Evans Sloan Sparring Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Titel: Without Title (New York) Medium: Photograph Year: 1974/2014 Publisher: Griffelkunst Hamburg size: 7.4 × 10.7 on 11.5 × 15.4 inches After a photographer training at the photo ...

Sleek 1970s Hollywood Regency fully upholstered chaise lounge or sofa for Berhardt Flair in the style of Karl Springer or Steve Chase in original tan silk blend upholstery. Great 70s styling with upholstered flared legs, Ogee around base and angled back and sides to the sofa. In fine original condition, some minor marks on feet and to the backs, one lighter spot on the seat. Foam is in perfect condition on this very comfortable chaise, having to back cushions and two pillows. Usable in present condition, if perfection is sought, plan to recover. Retains Bernhardt Flair Division...

Ann Rothman Female Acrobat on Horseback (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2021...

Friedrich Geiler Geometric Composition in Blue (Konkrete Kunst, Constructivsm, Geometric Abstract, Op-Art) Giclee on heavy cotton paper 2021 Size: 18.89 x 24.01 inches (48 x 61 cm) E...

Giclee on handmade cotton paper Year: 2016 Size: 19.68 x 24.01 inches (50 x 61cm) Edition: 75, not individually numbered Signed by hand COA provided Paul Indrek Kostabi (also known...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Materials : Print on water color stock Date : 2016 Dimensions : 19"x13" Signed and numbered by the artist Edition: 30 COA provided

Classic Dorothy Thorpe twisted Lucite candlestick with nickel plated candle holders. Set does show very few internal age cracks, common with lucite of this age. Excludes candles.

Glamourous Hollywood Regency 10 piece barware wine glassware set with gold fleck by Dorothy Thorpe. The ten wine glasses are in fine vintage condition, no chips. Some have more gold...

Andy Warhol Drawings 1942-1987 - Museum Moyland Castle Offset Lithograph 1998 33 x 23.62 inches (84 x 60 cm) Unsigned as issued COA provided *Condition: Minute creasing along the ed...

Nick Vedros DC III Runway Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provid...

David Pugh Pink City II Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age res...

*This color lithograph was done as a lithographic reproduction of Rockwell's original painting that was used for the cover of a 1942 Saturday Evening Post. After Norman Rockwell...

Ann Rothman Green Ballerina (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2022 Porcelain, ...

Hannah Reeves (American, b. 1981) Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of...

Lord Fauntleroy Foggy Evening Walk (Enchanted, Twilight, Mystic) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 19 x 10 inches Edition: 7 Signed, titled and date...

Lee Heinemann Feeling Utopia Folio Reprography Year: circa 2012 Size: 11x8in Edition: unknown (pres. very small, if editioned at all) Unsigned as issued Folio with ten (10) loose reprography sheets including texts by Oscar Wilde, Chris Kraus and Lauren Berlant Ref.: 924802-1706 Tags: Missy Elliot, Grace Jones, Patti Labelle...

Jill Opelka Abstract IV Oil on Canvas Year: 2023 Size: 20x20in Framed: 21x21x1.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Pink *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings...

Introducing The Shag Rug collection. Anne and Maggie grew up with a 1970s Flokati rug their Mom shlepped home from Greece during her world travels. They've been wanting to recreate t...

Albrecht Fuchs Drew Straker at Work Giclee on heavy Baryta Rag 2018 24.01 x 18.5 inches (61 x 47 cm) Edition: 20 - BAT (respectively "Archive") Signed, da...

1960s Mid-Century Modern take on a classic form by Bert England for Johnson Furniture Co. This round three legged side or occasional table has a burled wood top with edge band border...

Lord Fauntleroy Ahmedabad 151209-09 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

Russell Shoemaker Hovering Oil on Panel Year: 2010 Size: 24x18x1in Signed and dated by hand on verso COA provided Ref.: 924802-1702 Tags: Abstract, Vibrant, Drips, Neon, Gestural, C...

Jill Opelka Turtles Oil on Canvas Year: 2023 Size: 40x30in Framed: 41x30x1.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Turtles, Teal, Blue, Brown, Deep, Vibrant *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

Title : Lizard Materials : Stamp,xerox transfer,ink Date : 2015 Dimensions : 8×9 COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which she has cal...

Richard Seewald Boatyard on Corfu Lithograph 1974 Size: 32.28 x 22.04 inches (82 × 56 cm) Signed in stone COA provided *will shipped rolled in a double boxed tube, unless other arrangements are made before placing the order. Richard Seewald (1889–1976) was born in Arnswalde, Germany and began studying architecture in Munich in 1909 at his father's request. However, he quickly turned to painting as a self-taught artist. Early drawings published in Die Jugend led to illustration work for other magazines. His first oil painting was created in 1913 on the island of Rab. That same year, he joined the Münchener Neue Secession and later the Deutscher Künstlerbund. Seewald became a sought-after illustrator for authors such as Daniel Defoe and Heinrich von Kleist. His own illustrated books and frequent travels around the Mediterranean influenced his evolving artistic style. In 1924, he was appointed professor at the Cologne Art School. After converting to Catholicism in 1929, he completed commissions for church murals. Disillusioned by the political climate, Seewald relocated permanently to Switzerland in 1931. The Nazis labeled his work "degenerate" in 1937, and many of his pieces were confiscated or destroyed. After WWII, Seewald cautiously re-entered the German art scene, eventually accepting a professorship in Munich in 1954. Following personal losses, he destroyed a significant portion of his work. His sketchbooks were donated to the Germanic National Museum, and his remaining estate was entrusted to a foundation in Ascona, where he is buried. Richard Seewald, German artist, illustrator, modern art, Munich Secession, degenerate art, art professor, Mediterranean influence, Catholic convert, Nazi art...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Lord Fauntleroy Set of Hands 2015 3 x Archival Pigment Prints on Matte Paper Size: 24 x 24 inches (60.96 x 60.96cm) (each) Edition: 9 Signed, titled and dated on label COA provided ...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Moth IV (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 4.5x6x0.5in Signed by hand COA provided Ref.: 924802-1329 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

David Bolton Title : Peacock Bourbon Bottle Materials : Wood-fired porcelain Date : 2018 Dimensions : 7 x 5.25 x 2.75 inches David Bolton: "Jim Lawton,...

Joan Miró Litografia Original IX (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, M...

Warren Rosser Passing Over Year: 2014 Lithograph Edition: 38 Paper: Arches Cover, White Paper Size: 22 x 17.5 inches Image Size: 19 x 13.5 inches (irregular) Signed and numbered by h...

Marcie Stone Mobe Pearl Sculpture Beadwork Year: 1995 Size: 12 x 8 x 1 inches Comes with display case Comes with original papers COA provided Ref.: 924...

Clifford Isaac Addams (May 25, 1876 – November 7, 1942) was an American painter and etcher, and a protégé of James McNeill Whistler.

Michael Mardikes Overall with Paintings (Thomas Hart Benton Plate #24) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Size: 8.5x12 in Paper Size: 14x11 in Edition: 1 Monog...

Title : Holding Tank Materials : stoneware Date : 2015 Dimensions : 6 x 5 x 4 Description : sculpture The formal languages and frequencies that we find in the natural existence of t...

Katrina Revenaugh Day Dream No. 7 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2020 Size: 12×12in Signed: On Verso COA provided Ref.: 924802-1939 *on Birch Pa...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery,...

Lord Fauntleroy ILL 1408-08-152 Pigment Print Year: 2014 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with stand...

Get Greek with this beautiful set of 8 highball glasses and convenient carrier. The glasses are printed 22-karat gold, each square with a different Greek image. Sure to add some sult...

Trifari Sleek gilt metal lucite pendant necklace c 1970 The minimalist necklace is designed with a circular pendant The severe pendant is designed with vertical gilt metal ...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...

Ella Fort The Lonesome Road (La course seule) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches F...

Vintage 1970s NOS (New Old Stock) set of 6 Ski - Winter theme barware rocks glasses by Toscany. Printed in Red and White Ink, with a retro skier and words like Alpine, Christie, Schu...

Eames for Herman Miller Coffee Table ("CTW"). Iconic Mid-Century Modern designer coffee table bearing "Eames Herman Miller" label. Excellent figuring in the birch wood grain. Bentwoo...