Missouri - Art

Signed verso Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the Universi...

Signed recto John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the Unive...

Anna Archinger Marwaris, The Sentinel (Equestrian Photography, Horse, Marwari, India, Rare Breed) Archival Pigment Print on Canson® Infinity Pla...

Joseph Wolf Lithograph c.1940

Shepard Fairey Desmond Tutu Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numbered...

Signed recto John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the Unive...

Framed Size: 27 3/4 x 33 3/4 inches Signed Lower Right George Ford Morris was a painter, printmaker, sculptor and illustrator, who specialized in painting famous horses, their owner...

Figurative Porcelain Sculpture, Teapot, 15.5 x 7 x 5.5 in, Irina Zaytceva Irina Zaytceva was born in Moscow in 1957. She graduated from Moscow Art Institute ( Poljgrapfichesky) with...

Alex Tschernjawski Electro Car Go (American Post-War, Impressionist, Boston, Streetcar, Tram, Cityscape, Blue Hill, Dorchester, Mattapan Square, Fra...

A wonderful piece for a contemporary living space, this painting is the result of a years long refinement of artist Nick Schleicher's process. Combining his love of color theory, mas...

Fritz Köthe “Untitled II” Color Offset Lithograph Signed and numbered by hand Edition: 100 Size: 27.3 × 23.4 on 30.6 × 26.1 inches COA provided The painter Fritz Köthe (1916-2005) i...

Signed verso Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with doz...

Nick Vedros Dog Owner and Dog Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1980s Size: 13.2x12in Edition: 15 Signed, dated a...

Joachim Czichon Untitled Gestural Abstract Composition Medium: Gouache Year: 1984 Signed and dated by hand Edition: Unique Size: 16.4 × 11.5 inches C...

Lord Fauntleroy Untitled III Lithograph Year: 2006 Size: 15 x 42 inches (38.1 x 106.7 cm) Unique Signed and dated in pencil, verso COA provided *Can be hung either horizontally or ...

Lord Fauntleroy Cali 180722-277 Pigment Print Year: 2018 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with standard ...

Edward Henderson Fiddling Desire Year: 1997 10 Color Lithograph with hand coloring Edition: 25 Paper: Somerset, Satin White Paper Size: 32 x 26 inches Image Size: 23.5 x 18.5 inches...

Signed verso Metra Mitchell holds a BFA in Painting and minor in Art History from Western Kentucky University and an MFA in Painting from Fontbonne University. She has taught studio ...

"Hecate, " Second Cross from the Bulldog 1887 Etching 3 x 5

Contemporary Ceramic Vessel Form, Stoneware, Yoonjee Kwak, Contemplation "Clay serves as a medium for narrating the remnants of memory—formed through unpredictable, layered interact...

Contemporary Porcelain Vessel Form, Deconstructed, Sculptural, Glazed Surface Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A Ch...

Pierre Antoine Poiteau (French 1766-1854) Antoine Poiteau offers a naturalistic rendering of a hawthorne with refined color and dimensionality. This work evoke the era of the artist...

Singed verso Nick Peña is a Memphis-based artist and educator, exhibiting for the second time with Sager Reeves Gallery this February. He holds a BFA from the School of Art and Desig...

Annieo Klaas Room With a View 2023 Oil on Canvas Size: 30 x 40 inches (76.20 × 101.60 cm) Signed along the right margin Signed, titled and dated, verso COA included *On stretcher fr...

Signed verso Metra Mitchell holds a BFA in Painting and minor in Art History from Western Kentucky University and an MFA in Painting from Fontbonne University. She has taught studio ...

Michael Schoenholtz Einkreisen #5 Circa 2000s Mixed Media Size: 24.5 x 17.2 inches (62.23 × 43.69 cm) Signed and dated by hand COA provided Michael Schoenholtz (born April 8, 1937...

Luis Jimenez Study of Two Classical Greek Horse Heads and a Modern Horse Year: 1994 2 Color Lithograph Edition: 28 Paper: Rives BFK, White Paper Size: 29.5 x 41 inches Image Size: 16 x 33 inches (irregular) Signed and numbered by hand COA provided --------------- Luis Alfonso Jiménez...

Joan Ponc Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches (25.4 × 18...

Bernard Rancillac Suite No. 8 - Rencontres (Narrative Figuration, Pop Art, French Contemporary) 1964 Color Lithograph Size: 12.68 × 19.21 inches (32.2 x 48.8 cm) Edition: 1,500 Publi...

Bele Bachem Schwebeübung Lithograph on Velum Year: 1967 Size: 24.9x18.9in Signed and numbered by hand Edition: 150 + 3 Publisher: Edition Wolfgang Ketterer...

Joan Miro Terres Grand de Feu (one plate from Artigas) Medium: Original lithograph Size: 14.1875 x 19.625 in Year: 1956 Edition: 1,500 Unsigned Printed text on verso as issued Portf...

Dimensions : Image 7 7/8” x 5 7/8”, Paper 16” x 12” Printed at Alfred University Press, Alfred, NY Chop mark: Alfred University Press Signed: Pencil 15/20 Voulkos ‘98 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas...

Heather Hollis Grand Prismatic Springs inside Yellowstone National Park Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition:...

Nick Vedros Ironing out America’s Problems Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 14x13in Edition: 15 Signed, dated and numbered by hand on label...

Sorber Halle Watercolor Size: 7.0 × 9.9 on 7.6 × 10.3 inches COA provided Ref.: 924802-786

Michael Wittmann The Magus Giclée on Hahnemuehle Velvet 2020 Size: 24 x 17 inches (60.96 × 43.18 cm) Edition: 25 Signed and numbered in marker by the artist COA provided (gallery is...

Materials : Multimedia Date : 2016 Dimensions : 6″ x 2″ x 8″ Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a dialog about these...

Katrina Revenaugh Graffiti Garden No.10 (Graffiti Botanical, Mixed Media, Gold Leaf, Vibrant) Archival Pigment Ink, Gold Leaf, Acrylic and Spray Paint on Birch Panel with Gold Leaf E...

Sara Rosa Corazon Tarot Reader Archival Pigment Print on Heavy Paper 2020 19.5 x 13.25 inches Signed and dated by hand, lower right COA provided Sara Rosa Corazon, an Argentine tatt...

Shepard Fairey Sadistic Dog Walker Screenprint on thick cream Speckletone paper Year: 2021 Size: 36 x 24 inches (91.4 × 61.0 cm) each Edition: 450 Signed by Francisco Reyes Jr. &...

David Morris Something Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924...

Richard Haizmann Christus, 1961 Woodcut Year: 1987 (printed) Size: 33.66 x 24.01 inches (85.5 × 61 cm) Stamped verso by the Estate, signed "Dr. Wolfgang Wesiack" COA provided *Will ...

Shepard Fairey Scratch On The Wire Screen print on thick cream Speckletone paper Year: 2021 Size: 24 x 24 inches (60.96 × 60.96 cm) Edition: 600 Signed by Shepard Fairey and Dennis M...

Susan Kiefer Untitled Yellow 02 (Geometric, Abstract, Gestural, Vibrant) Oil on Canvas 2023 Size: 16 x 16 x 1.25 in (40.64 x 64.64 x 3.17 cm) COA provided *On stretcher frame, galle...

Kerry Smith The Doors - L.A. Woman Mixed Media on Crescent board Year: 2021 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1642 *Black frame with a mirror-gloss finis...

Eduard Diem Geometric Composition #3 (3D-construction, Op Art, Lyonel Feininger) 3D-Construction Year: 2020 Signed and numbered by hand Edition: 25 Size: 23.0 × 20.8 on 23.8 × 18.5 ...

Shepard Fairey Obey Deco Floral Pattern (Blue) Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 275 Signed by Shepard Fairey,...

David Morris Dance With Me Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be atta...

Rolf Thiele The Staff Color Etching 1974 Size: 12.25 x 11.75 on 21 x 15.5 inches (31.12 × 29.85 cm on 53.34 × 39.37 cm) Edition: 100 Signed, dated and numbered in pencil by the artis...

Lita Kenyon was born in Marinette, Wisconsin. She attended Columbia College for her BFA, and earned her MA from Northern Illinois University 1982. She’s been featured in Empty Mirror...

Wilhelm Schlote I love you (Ich liebe Dich) Giclee on Linen Year: 2015 Size: 15.4 × 12.0 inches Signed, dated and titled by hand COA provided ---------------------------------- Wilhelm Schlote (born March 4, 1946 in Lüdenscheid) is a German artist, children's book author, cartoonist and caricaturist. Schlote grew up in Essen. His first art teacher was Heinz Mack (member of the artist group ZERO), who recognized Wilhelm Schlote's talent for drawing early on. His mentor and friend Albert Schulze-Vellinghausen, who, as a literary critic for the Frankfurter Allgemeine Zeitung (FAZ), was the predecessor of Marcel Reich-Ranicki, was just as philosophically influential. After graduating from high school, Schlote studied philosophy in Bonn until 1968 and then art at the Kunsthochschule Kassel until 1972. From 1973 to 1978 he was a teacher in higher education in Kassel and Hamburg. Simultaneously with the decision to go to Paris, Schlote was offered a professorship at a German art college. In 1978, however, Schlote decided to move to France, where he lived partly in Nice, but mainly in Paris. In 1980 he exhibited for the first time in the Medical Faculty of St. Germain des Pres in Paris. Since 2011 Wilhelm Schlote lives and works in Cologne, Germany. In 1968 Schlote published the first of a total of 35 children's books. Starting in 1976 he published cartoon postcards - the so-called "Schlote-Karten" - and in the same year received the German Youth Book Prize for “I wish for a hippopotamus today”. In 1991 he was awarded by the "Académie Calvet"; the award was presented to him by Catherine Deneuve and Claude Chabrol. Schlote's cartoons and drawings have appeared in magazines such as Die Zeit, Die Welt, The New Yorker, Le Monde and Le Figaro. He creates his city posters...

Michael Mardikes Benton walking dog (Thomas Hart Benton Plate #6) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-908 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

Klaus Basset Reihenbilder Spieltafeln Offset Lithograph 1967 23.62 x 16.53 inches (60 x 42 cm) Unsigned as issued COA provided *Condition: Creasing along the edges. Folded. Otherwis...

Jill Opelka Green Koi Oil on Canvas Year: 2023 Size: 24 x 18 inches Framed: 30 x 24 x 1.5 inches Signed COA provided Tags: Koi, Pond, Lush, Green, Red, Movement, Fish *Framed in a gold wooden frame - ready to hang ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings perfect for gifts to commissioned portraits...

Darrell Wilks An Artist Who Bends Stone Color Lithograph w/chine colle Year: 2018 Size: 15 x 24 in Edition: 30 Signed, dated and numbered by hand Printer cho...

Heather Hollis The Gods Have Awakened Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 12 x 8 inches (30.48 x 20.32 cm) Edition: 15 Signed on label (to be attache...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...

Joan Miró Litografia Original IX (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, M...

Albrecht Fuchs Drew Straker Portrait (Sprayer, Graffiti, Mural, Street Art) Giclée on archival paper 2018 Size: 12.01 × 15.35 inches (30,5 x 39 cm) Signed and dated in pencil on ver...

Shuby Multiple Banana 3D (Pop Art, Warhol, Street Art) 3D-construction on cotton paper Year: 2017 Signed, numbered and dated by hand Edition: 30 Size: 18.3 × 30.4 on 23.7 × 33.9 inches COA provided (gallery issued) SHUBY IS A UK BASED STUDIO AND STREET ARTIST. Shuby uses print, collage, paint and photography to create original reinterpretations that revel in absurdity, kitsch and irony. Her cheeky visions are almost dream-like in their Technicolor intensity. She works in a wide variety of mediums including paintings, printmaking, ceramics and reworking found objects. Her influences include Josephine Baker, Busby Berkeley, Ellen Gallagher, Andy Warhol, Eduardo Paolozzi, and Martin Sharp...