Missouri - Art

Lord Fauntleroy Wisc 1709-02-06 Pigment Print Year: 2017 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 9 COA provided *Natural wood frame with st...

Bryan Atkinson Bullock Family Chapel Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard...

Ben Allen Mickey Montana (Pink) (Pop Art, Street Art, Disney) 3D-construction Year: 2021 Signed, numbered and titled by hand Edition: 50 Size: 21.5 × 12.9 on...

Jill Opelka Turtles Oil on Canvas Year: 2023 Size: 40x30in Framed: 41x30x1.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Turtles, Teal, Blue, Brown, Deep, Vibrant *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...

John Stobart "St. Louis, A View Through the Arches of the Eads Bridge" 1979 Color Lithograph 32.5 x 37.5 inches framed Signed in Pencil and Numbered 221/75...

Emily Evans Sloan Sparring Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

(after) Diego Rivera "Chapel, Agriculture School, Chapingo" (Forces Under the Earth) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Approx. 18.5 x 13.5 with Matting Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

Rising to prominence in the late 1970s and early 1980s, American artist Julian Schnabel is known for a multidisciplinary practice that spans painting, sculpture and film. During his ...

ASHLEE SELBURG Pan Ink and pencil on paper 40 x 30 inches

David Pugh Feeling Blue (Genuine, Expressions, Color, Emotion) Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 confo...

Robert Brawley White Blouse Year: 1991 Lithograph Edition: 45 Paper: Arches Cover, White Paper Size: 34 x 25 inches Image Size: 28.5 x 21 inches Signed and numbered by hand COA provi...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery,...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Melanie Sherman "Ornament Red, Turquoise & Gold Pattern (Medium)" Year: 2021 Porcelain, Glaze, ChinaPaint, Gold Luster, Flocking, Wire, Ribbon for hangin...

Paul Brach Corona I Year: 1995 4 Color Lithograph Edition: 20 Paper: Rives BFK, White Paper Size: 29.75 x 29.5 inches Image Size: Same Signed and numbered by hand COA provided -----...

Composición, (in Green/Blue) Color etching year: 1980 signed by hand, dated and inscribed Edtion: H.C. Size: 12.3 × 24.8 on 33.3 × 27.3 inches COA provided Joan Hernández Pijuan’s l...

Mixed media Year: 2009 Signed and dated by hand Size: 23.0 × 16.4 on 28.3 × 20.3 inches COA provided Solo exhibitions (selection) (K)=catalogue (B)=artist book 1992 GO -TO, WMF-Haus/Leipzigerstrasse, Berlin 1995 ÖL,ÖL,ÖL, Croxhapox, Gent, Belgium 1995 COOKIE PARK, Wiens Laden, Berlin (B) 1997 QUIT, Museumsakademie, Berlin (B) 1998 HEAVEN HAS HOLES, Boekie Woekie, Amsterdam, Netherlands 1998 QUALITY STREET, Eine Vitrine, Stiftung Bauhaus Dessau (B) 1999 HEAVEN HAS HOLES, Galerie Barbara Wien, Berlin 1999 0,0 TOTAL, Museum Folkwang, Essen (B) 2000 0,0 TOTAL, Galerie Barbara Wien, Berlin 2001 DOSENZIMMER/BERNSTEINZIMMER (room of cans / room of amber), mit Friederike Feldmann, Galerie Station, Mousonturm, Frankfurt a. M. 2002 MOTORGIRLS, Kunstbank, Berlin 2003 MOTORGIRLS, Galerie Thomas...

Albrecht Fuchs Drew Straker at Work Giclee on heavy Baryta Rag 2018 24.01 x 18.5 inches (61 x 47 cm) Edition: 20 - BAT (respectively "Archive") Signed, da...

Joan Miró Litografia Original IX (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, M...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Jeffrey Tamblyn Giddy Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 10x8 inches Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802-...

F. CLEVEROT Captain 1898 Oil on panel 18 x 14 inches Framed: 28 x 24 inches Hand signed lower right recto

Bele Bachem Kindesgeburt Lithograph on Velum Year: 1968 Size: 27.65x21.1in Signed, dated and inscribed by hand Dry Stamp lower left Edition: 100 Publisher:...

Joan Miró Litografia Original VII (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, ...

Randy Hudson Sunday Morning Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minima...

Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A Chicago native, he received his MFA in Ceramics from the New York State College o...

Eduard Diem Geometric Composition #4 (3D-construction, Op Art, Lyonel Feininger) 3D-Construction Year: 2020 Signed and numbered by hand Edition: 25 Size: ...

Karl W. Wierspecker Opening Nr. 21 (Abstract, Modern, Minimalism, Square, Albers) Folding Object on Paper 1969 11.8 x 11.8 inches (30 x 30 cm) Edition: 200 Signed, numbered and dated...

Erin Eggerman ASB Railroad Bridge Lift Mechanism Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted ...

Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts & Crafts as well as the Archie B...

Luis Jimenez Study of a Classical Horse and a Modern Horse Year: 1994 4 Color Lithograph Edition: 40 Paper: Rives BFK, White Paper Size: 41.75 x 29.5 inches Image Size: 37 x 22.75 inches Signed and numbered by hand COA provided --------------- Luis Alfonso Jiménez...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Connie Kendall Charlie Parker Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mini...

Zarah Leander (after) GABRIELA Woman with a past - Queen of the Night Clubs - Toast of Cafe Society! Offset Lithograph 1950 22.04 x 27.55 inches (56 x 70 cm) Unsigned as issued COA p...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Katrina Revenaugh Dive Right In Archival Pigment Ink, Acrylic and Spray Paint on Canvas Year: 2020 Size: 53.25x31.75in Signed: On Verso COA provided Ref.: 924802-1942 *on stretcher...

“My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring...

Susan Kiefer Earthly Pleasures Oil on canvas Year: 2023 Size: 30x24x1.35in Signed and inscribed by hand COA provided Ref.: 924802-1674 A lush composition of rounded geometric shapes...

G. Martin Three Pheasants in Corn Field 2000 Oil on canvas 32 x 42 inches Signed lower right recto

Gary Hodson Sunday Morning Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Kerry Smith Circle Jerks - Group Sex Mixed Media on Crescent board Year: 2021 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1612 *Black fram...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Sara Rosa Corazon Female Portrait Archival Pigment Print on Heavy Paper 2020 16.5 x 11.5 inches Signed and dated by hand, lower right COA provided Sara Rosa Corazon, an Argentine ta...

Bruno Bruni Ritorno Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: Böer, Hamb...

Edition of 15

Angie Jennings Manuel, Barber Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mini...

Jeffrey Tamblyn Foothills Medium: Digital Photography Year: 2021 Size: 16x24 in Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802-944 Abstract render...

Jose Maria Sicilia Fleur Rouge IV Color Etching with Chine Colle Year: 1988 Size: 30.25 x 23.3 inches Edition: 25 Signed, dated, numbered and titled by hand Publisher: Crown Point Pr...

Lord Fauntleroy Interior Still 22-528 2022 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 18 x 10 inches (45.72 x 25.4cm) Edition: 17 Si...

Vicki Stewart Tyrion Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal black...

Ron Anderson R.A. Long Building Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mi...

Mark Friesen Kansas City, Kansas Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a m...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Bryan Atkinson James Street Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minima...

Unknown Artist Untitled Color Photograph on Kodak Paper Year: Unknown 11.81 x 7.82 inches (30 x 20 cm) Edition: 800 Signed by hand, verso Tags: #ColorPhotograph #KodakPaper #ArtPhot...

Kerry Smith R.E.M. - Murmur Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1633 *Black frame with a mirror-gloss finish avail...

Jeffrey Tamblyn Carts Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x20 inches Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802...