Missouri - Art

Nick Vedros Cara Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 14x10in Edition: 12 Signed, dated and numbered by ...

Nick Vedros Ronald Reagan Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1976 Size: 13x10in Editi...

Nick Vedros Mother Daughter Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1987 Size: 14x12in E...

Nick Vedros Homeless Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 10x13in Edition: 12 Signed, dated and numbered...

Nick Vedros Dales Bait Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 8x11in Edition: 12 Signed, dated and numbere...

Nick Vedros Hippie For Peace Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 8x12in Edition: 15 Signed, dated and n...

Nick Vedros Worship In Songs Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1980s Size: 13x9in Edition: 15 Signed, dated and numbered by ha...

Nick Vedros Art & Copy Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 13x10in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided...

Nick Vedros Working Hands Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12.5in Edition: 15 Signed, dated and numbered by hand on label Stamped COA prov...

Nick Vedros Hoopman Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1980s Size: 10x10in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided Re...

Nick Vedros Man on a Bus Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand o...

Nick Vedros Scraper and Ink Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1980s Size: 10x9in Edition: 12 Signed, dated and numbered by hand on label Stamped COA prov...

Nick Vedros Darkhorse Harley Speedster Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x15in Edition: 12 Signed, dated and numbered by hand on label Stamp...

Nick Vedros Road to Paradise Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x15in Edition: 15 Signed, dated and numbered by ha...

Nick Vedros Powerlines Storm Brewing Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 12 Signed, dated and numbered by hand on label Stamped...

Nick Vedros Kaufman Center Dawn Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA ...

Nick Vedros Boy on a Beach Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provi...

Nick Vedros TWA Hotel Lobby Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2021 Size: 7.7x12in Edition: 15 Signed, dated and numbered by ha...

Nick Vedros Carhenge Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided Re...

Nick Vedros Shuttlecocks in Snow Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 7x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA...

Nick Vedros Carhenge Horizontal Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA ...

Nick Vedros DC III Runway Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provid...

Nick Vedros Spudhenge Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8.5x9in Edition: 12 Signed, dated and numbered by hand on ...

Nick Vedros Pavlov’s Dog with Jumper Cables Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1980s Size: 9.5x12in Edition: 15 Signed, dated and numbered by hand on labe...

Nick Vedros Cheese Factory Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA prov...

Nick Vedros Smart Caveman Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provi...

Nick Vedros Prickly Couch Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 15 Signed, dated and numbered by hand...

Nick Vedros Chicken and Egg Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 12x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Nick Vedros Hair Dryer Car Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x10in Edition: 15 Signed, dated and numbered by hand...

Nick Vedros Dog on Beach Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x10in Edition: 12 Signed, dated and numbered by hand on...

Nick Vedros Road Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x17in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provided...

Nick Vedros Snow Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 10x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provide...

Nick Vedros Bed Gnomes, Honey I’m Home Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 14x12in Edition: 12 Signed, dated and numbered by hand on label Sta...

Nick Vedros Copiers All Washed Up Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 10 Signed, dated and numbered ...

Nick Vedros Hand and Diamonds Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1980s Size: 16x13in Edition: 12 Signed, dated and numbere...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 1974 Signed, numbered and dated by...

Fred Alfred Theophil Fathwinter Untitled Gestural Composition Monotype Year: 1971 Signed, numbered and dated by hand Edition: 3 Size:11.75x8in.1 on 17x12in COA provided Ref.: 924802-1196 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

Franz Graw The Night (Die Nacht) color Offset Lithograph Year: 2000s Size: 8.9×6.3in on 11.8×8.3in Signed and numbered by hand Edition: 100 COA provided Ref.: 924802-1191 His artistic creations include mainly oil paintings,sculptures,collages, linoleum prints,drawings and works in clay. From his early childhood Graw loved to paint and was fascinated by the colors of the old impressionists...

Paul Kostabi Invention Giclée print on handmade paper Year: 2013 Size: 24.02x17.32in Signed by hand Edition: 30 COA provided Ref.: 924802-1188 Paul Indrek Kostabi (also known as Ena; born October 1, 1962 in Whittier, California) is an American artist, musician, music producer and audio engineer. He is the brother of artist Mark Kostabi. Kostabi was a founding member of the bands Youth Gone Mad, White Zombie, and Psychotica. Kostabi currently performs with Tony Esposito in the group Kostabeats and with Walter Schreifels band Dead Heavens. Kostabi became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael Lavine...

Jolynn Reigeluth Bats in the Belfry Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 30x23x2.5 in Framed Size: 30x23x2.5 in Ready to hang Signed COA provided ...

Jolynn Reigeluth The Whole Truth Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 24x36x2.5 in Framed Size: 24x36x2.5 in Ready to hang Signed COA provided Ref...

Jolynn Reigeluth Friend or Foe? Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 24x18x2.5 in Framed Size: 24x18x2.5 in Ready to hang Signed COA provided Ref....

Jolynn Reigeluth Ain't She Sweet? Acrylic, India Ink and cut paper on wood panel Year: 2022 Size: 48x36x2.5 in Framed Size: 48x36x2.5 in Ready to hang Signed COA provided Ref.: 92480...

Jolynn Reigeluth State of the Union 2020 Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 30x20x2.5 in Framed Size: 30x20x2.5 in Ready to hang Signed COA prov...

Jolynn Reigeluth Mercy of the Buffoons Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 48x36x2.5 in Framed Size: 48x36x2.5 in Ready to hang Signed COA provid...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Dish" Year: 2021 Porcelain, Glaze, ChinaPaint, 24k German Gold Luster...

In this series, Emmett Merrill’s contemporary lithographs transform the culture of travel into modern mythology. Signed, titled, and dated recto Kansas City, Missouri-born artist E...

In this series, Emmett Merrill’s contemporary lithographs transform the culture of travel into modern mythology. Signed, titled, and dated recto Kansas City, Missouri-born artist E...

In this series, Emmett Merrill’s contemporary lithographs transform the culture of travel into modern mythology. Signed, titled, and dated recto Kansas City, Missouri-born artist E...

Zoe Hawk’s surreal serigraphs of forested idylls that mask deeper emotional undercurrents, the exhibition invites viewers into worlds where narrative, memory, and movement quietly in...

Zoe Hawk’s surreal serigraphs of forested idylls that mask deeper emotional undercurrents, the exhibition invites viewers into worlds where narrative, memory, and movement quietly in...

Zoe Hawk’s surreal serigraphs of forested idylls that mask deeper emotional undercurrents, the exhibition invites viewers into worlds where narrative, memory, and movement quietly in...

Zoe Hawk’s surreal serigraphs of forested idylls that mask deeper emotional undercurrents, the exhibition invites viewers into worlds where narrative, memory, and movement quietly in...

Elise Gagliardi Peony Arrangment II Medium : Photography Year: 2021 Size:: 36 x 24 inches (other sizes available upon request) Edition size: 25 Signed, numbered and inscribed by hand COA provided Ref.: 924802-1019 Elise Gagliardi is an experimental multi-media artist. She studies photography at the University of Colorado at Boulder. She graduated with her BFA in 2006. Her work has been exhibited nationally. It has been featured in various publications. She currently works as a curator and a mother raising her three young children. Since becoming a mother she has embraced a heritage of storytelling. In her work, she introspectively examines her relationship to the matriarchal figures in her life and contemplates her own legacy. Her work is best described through the words of Author Joseph Campbell in what he describes as “The Myth of the Eternal Return”. Every flower carries...

Wareham Bridge Medium Drypoint Year of Work 1877-1877 Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm. Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

(after) Diego Rivera "Chapel, Agriculture School, Chapingo" 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Approx. 18.5 x 13.5 with Matting Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...