Missouri - Art

Contemporary, Mixed Media, Ceramic, Sculpture, Functional Mug, Utilitarian Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Arti...

Tree and Dove Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print Edition of 3 6.25 x 4.75 inches 13 x 11.5 inches with frame Signed Lower Right Titled Lower Left Born 1890, Died 1986...

"Medium Yellow Hive", Contemporary, Ceramic, Sculpture, Design, Stoneware, Glaze

Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Fine Arts in 1983 from the ...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

This piece was initially created by digitally printing the flower image on polyester film using magenta. Then, a variety of drawing materials were applied for intuitive, gestural ma...

Patrick Bergsma (b. 1965) is a Dutch sculptor and ceramicist currently working in Heerhugowaard, Netherlands, known for constructing verdant growth emerging from antique pottery. The...

Nude figure of man in loose, organic style. Charcoal and acrylic on archival quality 157 lb bristol paper. :: Drawing :: Contemporary :: This piece comes with an official certificate...

Katherine Bello Profusion Mixed media on canvas 2023 Size: 24x24x1.5in Signed, dated and titled by hand COA provided Ref.: 924802-1878 *on stretcher frame - ready to hang ** additio...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: 30 Si...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: E.A. (...

Large abstract painting inspired by the creek a visited a lot in my youth, and the coppery bedrock that made up the bottom. :: Painting :: Abstract :: This piece comes with an offici...

Katrina Revenaugh Nightcap Archival Pigment Ink, Acrylic, Oil Pastel and Spray Paint on Birch Panel Year: 2021 Size: 24×12in Signed: On Verso COA provided Ref.: 924802-1956 *on Birc...

Katrina Revenaugh Morning Glory Diptych Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges. Year: 2022 Size: 24×24in (each) ...

Katrina Revenaugh Get Happy No. 2 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2018 Size: 24×20in Signed: On Verso COA provided Ref.: 924802-1950 *on Birch Pan...

Katrina Revenaugh Double Time No. 2 Archival Pigment Ink, Acrylic, Oil Pastel, Tissue and Spray Paint on Birch Panel Year: 2021 Size: 30×24in Signed: On Verso COA provided Ref.: 9248...

Kensuke Yamada (b. 1979) was born in Kamakura, Kanagawa, Japan. He received his MFA from the University of Montana in 2009 and has a BA from The Evergreen State College, in Olympia,...

Joseph Broghammer Wee One 14 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-190...

Joseph Broghammer Wee One 12 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-190...

Joseph Broghammer The Traveling Deity (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 21x17in Signed by hand COA provided Ref.: 924802-1896 *Frame...

Joseph Broghammer The Long Stay (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 21x17in Signed by hand COA provided Ref.: 924802-1895 *on stretch...

Joseph Broghammer The Devil’s Tooth (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 40x40in Signed by hand COA provided Ref.: 924802-1894 *on stre...

Joseph Broghammer My Problems Hump (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2022 Size: 40x30in Signed by hand COA provided Ref.: 924802-1891 *on stret...

Joseph Broghammer Yoni (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 40x30in Signed by hand COA provided Ref.: 924802-1890 *on stretcher frame -...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

David Pugh Under Bethesda Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age r...

David Pugh Swimming Lessons Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform /...

David Pugh Skin and Flower Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age ...

David Pugh View from Empire State Building II Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quali...

Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

Kelly Ludwig began designing professionally since graduating from the University of Kansas with a B.F.A. in Visual Communications. Before joining DEG Digital as Associate Creative Di...

JB Nearsy Ranges 2019 Mixed Media on paper Size: 50x43in Signed by hand COA provided Ref.: 924802-1779 -------------- Tags: abstract, spray paint, post graffiti, street art, mixed ...

JB Nearsy Illusory 2019 Mixed Media on paper Size: 13.25x10.25in Signed by hand COA provided Ref.: 924802-1772 -------------- Tags: abstract art, post graffiti, street art, neoexpr...

JB Nearsy Iceberg 2019 Mixed Media and collage on paper Size: 12.75x10in Framed: 18.25x15.25x1.75in Signed by hand COA provided Ref.: 924802-1768 *Framed and matted with black wood ...

JB Nearsy Growth 2019 Mixed Media and collage on paper Size: 13x10.15in Framed: 18.25x15.25x1.75in Signed by hand COA provided Ref.: 924802-1767 *Framed and matted with black wood f...

JB Nearsy Motor 2021 Mixed Media on paper Size: 17x14in Signed by hand COA provided Ref.: 924802-1766 -------------- Tags: abstract, post graffiti, expressionism, contemporary art,...

JB Nearsy Seltzer 2021 Mixed Media on paper Size: 6x6in Signed by hand COA provided Ref.: 924802-1764 -------------- Tags: abstract, post graffiti, expressionism, contemporary art,...

JB Nearsy Loose Split v.1 2020 Spray paint on paper Size: 24x18in Framed: 25.5x19.5x2.75in Signed by hand COA provided Ref.: 924802-1763 * Framed in black wood frame with plexiglass...

JB Nearsy Untitled Study 2020 Spray paint on paper Size: 24x18in Signed by hand COA provided Ref.: 924802-1760 -------------- Tags: post graffiti, street art, expressionism, galax...

JB Nearsy Untitled Study 2020 Spray paint on paper Size: 24x18in Signed by hand COA provided Ref.: 924802-1761 -------------- Tags: post graffiti, street art, expressionism, galax...

JB Nearsy Loose Split 2020 Spray paint on paper Size: 24x18in Signed by hand COA provided Ref.: 924802-1759 -------------- Tags: post graffiti, street art, expressionism, galaxy, ...

JB Nearsy Yama 2022 Mixed Media on canvas Size: 36x36in Signed by hand COA provided Ref.: 924802-1758 -------------- Tags: post graffiti, street art, expressionism, galaxy, nebula,...

JB Nearsy Inwards 2020 Mixed Media on canvas Size: 42x37in Signed by hand COA provided Ref.: 924802-1756 -------------- Tags: post graffiti, street art, expressionism, galaxy, nebu...

JB Nearsy It's a Long Way Up 2019 Mixed Media on paper Size: 42x37in Signed by hand COA provided Ref.: 924802-1754 -------------- Tags: mixed media art, semi representational, contemporary art...

Melanie Sherman Cup with Interior I (Hand-Painted, Gold Luster, Kaneko, Christa Assad, Dan Anderson) Porcelaneous Stoneware, Underglaze, Glaze, Porcelain Paint, Hand-made Vintage Dec...

This 36" x 36" x 2" acrylic on panel, 'Folding Procession 1,' by artist Bryan Boone, is the first in a limited series where the design unfolds across three...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Heather Lamanno Block Art Space Mixed Media Collage Year: circa 2012 Image Size: 5x18in Overall Size: 9x20in Signed and titled by hand COA provided Ref.: 924802-1707 Tags: Mixed Med...

Lee Heinemann Grandmother Acrylic on Canvas Year: 2007 Size: 16in diameter, 0.5in deep Signed and dated by hand on verso COA provided Ref.: 924802-1704 Tags: Portrait, Vibrant, Drip...

Louise Marler Crossed Roses Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-16700 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Louise Marler Tire Plaid Caterpillar Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1698 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Louise Marler Aviation Garden Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1701 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Aster Da Fonseca Lilies II Collage on Wood Panel Year: 2023 Size: 6x6in Signed and inscribed by hand COA provided Ref.: 924802-1691 Tags: collage, wo...

Brittany Noriega Femme on Blue Laser transfer print on handmade paper Year: 2021 Size: 8.5x6in Signed by hand COA provided Ref.: 924802-1654 Tags: fi...

Brittany Noriega Embrace on Blue Laser transfer print on handmade paper Year: 2022 Size: 8.5x6in Signed by hand COA provided Ref.: 924802-1652 Tags: ...

Susan Kiefer Canray and BoisSec Pastel on paper Year: 2004 Size: 19x25in COA provided Ref.: 924802-1664 Framed pastel portrait of beloved Creole musicians Canray Fontenot and BoisSe...

Kerry Smith Ray Charles in Person Mixed Media on Crescent board Year: 2016 Size: 21x20in Signed, dated by hand COA provided Ref.: 91-0191 *Black frame with a mirror-gloss finish ava...