Missouri - Art

JERRY BERNECHE Small Town No. 7 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 27 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 19 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 18 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 10 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 12 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 1 Watercolor on Arches 21.5 x 29.25 inches

Treading Water Intaglio etching, oil-based ink, collage 30 x 16 inches Framed: 31 x 17 inches

Pencil Study #11 2016 Graphite on paper 10 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the intimacy of th...

Figure with Serpent c. 1990s Ink and gouache on paper 29 x 22 inches

“Dundreary,”a Blue Tan Terrier 1887 Etching

The Boarhound 1887 Etching 3 x 5

Dog and Fox Cross 1887 Etching 3 x 5

Marvel of Peru Common, Mirabilis jalapa Plate 371 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Roella Prickly, Roella ciliata Plate 378 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Toad-flax Clammy, Antirrhinum viscosum Plate 368 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Brunfelsia American, Brunfelsia americana Plate 393 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Boxthorn Japanese, Lyciym japonicum Plate 361 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

—– Shining-leaved, Salvia formosa Plate 376 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Cry Me a River (a fleuve) 2017 cca. Acrylic, graphite, pen, gesso and gel medium on paper 22 x 30 inches

LARRY KANTNER Blossom 2022 Acrylic and collage 8.5 x 6.25 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 11), 1965 Charcoal on paper 28.5 x 22.5 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 10) Charcoal on paper 30 x 22 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 7) Charcoal on paper 30 x 22.5 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 2) Colored pencil, gouache, and pastel on paper 30 x 22 inches

LEONOR FINI Cats Dot and Swirl 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI Seahorse Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Peter Max (German, b. 1937) Asia on Blends Signed Lower Right 18 x 14 inches 32.5 x 28.5 inches with frame Peter Max, born Peter Max Finkelstein, is a...

Zao Wou-Ki (Chinese, French, 1921-2013) Les Poissons, 1953 Lithograph Hand-signed in pencil Lower Right Hand-numbered 16/55 in pencil Lower Left 18 x 23 1/8 inches 29 x 33 inches wit...

Joan Parker (20th C.) "Homestead" Oil on Canvas 11 x 14 inches 13 x 16 framed Joan Parker, is a Plein Air landscape painter and a native of California. Her artistic abilities were...

In Houska's Hide and Seek, you see his pop art style and use of an ombre of green colors to create a unique scene with a variety of his different iconic ...

Title: David Salle and Janet Leonard (From the portfolio 'Pas de Deux ') Artist: Alex Katz 1927 - PRESENT Year: 1993 Technique: Color screenprint Alex Katz's paintings and sculptures monumentalize common moments of everyday life. Katz was influenced by the golden age of the billboard business when hand-painted advertisements...

Tree and Dove Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print Edition of 3 6.25 x 4.75 inches 13 x 11.5 inches with frame Signed Lower Right Titled Lower Left Born 1890, Died 1986...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...

Lithograph on washi paper Exemplaire B/165 Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, i...

Lithograph on Arches paper Exemplaire B/165 Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, ...

Angelo Savelli (1911-1995) "Lotus" c. 1965 Collage and Lithograph Signed, Titled and Numbered Ed. 58/200 Framed Size: approx 26 x 21 inches Image Size: approx. 23 x 19 inches Octob...

Contemporary Porcelain Vessel Form, Deconstructed, Sculptural, Glazed Surface Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A Ch...

Neil Leifer Clay vs Jones Post Fight "Knockout", 1963 Black and white photograph 16 x 20 inches (40.6 x 50.8 cm) Edition 14/150

José Vivenes Untitled, 2006 Oil pastel on paper 20 1/2 x 15 1/2 inches (52.1 x 39.4 cm)

In Houska's Night Watch, his Pop Art style and use of gray colors create a unique variety of his different iconic characters in the festive and gregarious ...

Signed and Numbered Ed. 125 The following is excerpted from The New York Times, August 6, 2001 by Daniel Watkin: "Shedding 7 Coats, a Beauty Emerges on a Hospital Wall" By DANIEL J...

Contemporary Oil Painting on Canvas, Mounted on Panel, Framed, Geometric Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington Univers...

Miles Aldridge Kristen, Painting by Chantal Joffe (from Kristen series), 2010 Lambda print on photographic wove paper Framed Dimensions: 23.62 x 19.69 x ...

Fahamu Pecou Bag of Tricks, 2015 Lithograph 28 x 22 inches (71.1 x 55.9 cm) Edition 113/150

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Angel, 1952 Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print 6.5 x 5 inches 16 x 13.75 inches with frame Signed Lower Right Titled Lower Left Born 1890, Died 1986...

Ornaments, 1953 Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print 7 x 4.75 inches 16 x 13.75 inches with frame Signed and Dated Lower Right Titled Lower Left Born 1890, Died 1986...

John Gould (British, 1804-1881) Nasiterna Bruijni c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

Shaped aluminum with acrylic polyurethane paint and black flock

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

Four Quartets Third Quartet, 1990 Mel Bochner (American, b. 1940) Signed and Numbered Verso Lithograph in Four Panels 42 x 34.5 inches 52.25 x 44 inches with frame Mel Bochner, a po...

(after) Diego Rivera "Chapel of the Agricultural School, Chapingo" (Ceiling Detail, Workers) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Size with the Matt: 18.5 x 13.5 inches Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...

Artist Commentary: ​This work reflects a satellite image of one of the largest salt pans in the world, located in Namibia, the origin of modern humans. Keywords: Abstract, Conceptual & Allegorical, Landscape & Nature, colorful, rainbow, dark, red, orange, blue Artist Biography: Kerry Hirth was born in the Midwest and currently lives and works near Columbia, Missouri. Her work translates music to visual art. She uses her synesthetic experience of musical harmony as color to create drawings of music in vibrant linear patterns. Her work uses both color and text to capture the complexity and richness of music and explore the source of music in life experiences. She often collaborates with musicians, with some noteworthy past projects including: Live demonstration with an orchestra A curated program on the relationship between improvisational jazz and the visual arts Creating artwork for the first Mugellini Festival in Macerata, Italy Collaborating on the composition of new music Creating backgrounds for live performance Her approach to music and visual art has been shaped by her unique background. She received an MA in Philosophy with a minor in music performance. She has done archaeological illustrations of Mayan...

Jackie Case Ballerina Bunny, 2015 Pencil on paper Framed Dimensions: 10 5/8 x 8 3/4 inches (27 x 22.2 cm) JCa.004