Missouri - Art

Hans Juergen Diehl "The Golden Egg", 1972 Etching Edition: e.a.3 Size: 33 ½ x 25 ½, Signed in pencil, Ketterer Hans-Jürgen Diehl (born May 22, 1940 in Hana...

Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...

Title: The End of the Rainbow Medium: Mixed Media Year: 2018 Signed Size: 19 x 13.25 x 8 inches Tom Binger finds it interesting that during a time in which the internet is quickly b...

Materials : Print on water color stock Date : 2016 Dimensions : 19"x13" Signed and numbered by the artist Edition: 20 COA provided

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy of Arts & Design of Tsinghua University. •Executive Vice Director of the Art Museum in the Academy of Arts & Design, Tsinghua University •Member of the International Academy of Ceramics (IAC) of UNESCO. •Secretary-General of the Ceramic Art Council of China Artists Association (CAA). •Deputy Director of Ceramic Art Institute，China National Academy of Painting. •Member of China Oil Painting Society (COPS). •Art Director of China Ceramic Art Net •Executive Editor of Chinese Ceramist magazine. •Director of “Shangyu Celadon” Contemporary International Ceramic Art Center. In 1998, the organizers of the Taipei International Art Fair held the joint exhibition of Bai Ming’s and Picasso’s ceramic works named “Vallauris in France & Jingdezhen in China”. •In 2000, he was honored with the gold prize of The Invitational Exhibition of China Young Ceramic Artists. •In 2004, he was awarded for Contribution to Promotion of the Contemporary Ceramic Art of China in the Great Hall of the People. •Also in 2004, the book Jingdezhen Traditional Ceramic-Making Techniques which written by Bai Ming received the National Book Award. In 2010, at the invitation of IAC, Chinese Cultural Center in Paris and Confucius Institute of Poitiers University, he held the “Oriental Ceramic Story—Bai Ming Ceramic...

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy of Arts & Design of Tsinghua University. •Executive Vice Director of the Art Museum in the Academy of Arts & Design, Tsinghua University •Member of the International Academy of Ceramics (IAC) of UNESCO. •Secretary-General of the Ceramic Art Council of China Artists Association (CAA). •Deputy Director of Ceramic Art Institute，China National Academy of Painting. •Member of China Oil Painting Society (COPS). •Art Director of China Ceramic Art Net •Executive Editor of Chinese Ceramist magazine. •Director of “Shangyu Celadon” Contemporary International Ceramic Art Center. In 1998, the organizers of the Taipei International Art Fair held the joint exhibition of Bai Ming’s and Picasso’s ceramic works named “Vallauris in France & Jingdezhen in China”. •In 2000, he was honored with the gold prize of The Invitational Exhibition of China Young Ceramic Artists. •In 2004, he was awarded for Contribution to Promotion of the Contemporary Ceramic Art of China in the Great Hall of the People. •Also in 2004, the book Jingdezhen Traditional Ceramic-Making Techniques which written by Bai Ming received the National Book Award. In 2010, at the invitation of IAC, Chinese Cultural Center in Paris and Confucius Institute of Poitiers University, he held the “Oriental Ceramic Story—Bai Ming Ceramic...

“Construction Drawing I”, 1973 Dimensions : 19″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist...

Nancy Charak Title: Bonitas Canciones 8726 Materials: Bonitas Canciones 8613 Date: 2017 Dimensions: 11"x30" Nancy Charak makes paintings and drawings in her studio in Tucson, where ...

Nancy Charak Title: Geologies Series 9039 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Nancy Charak Title: Geologies Series 9045 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Nancy Charak Title: Geologies Series 9040 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Nancy Charak Title: Geologies Series 9050 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 30"x22" Nancy Charak makes paintings and drawings in her studio in Tuc...

Daniel Poensgen Title: In Memory of Santa Croce Medium: 2-Part Photograph on Agfa Paper Year: 1986-1987 Digned, dated and inscribed Size: 7.6 × 5.1 on 8.2 ...

Wolff Buchholz Title: Manhattan in the evening Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan - Parking Lot Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Madison Ave Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan - Parking Lot Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Jaycie Womack Say Yes to New Adventures Year: 2018 Pigment Print Visible Size: 16 x 13 inches Framed: 28.5 x 20.75 inches Signed, titled and dated by hand COA provided *Gold sprayed...

Eli Harris Title: Covers and Pages Year: 2018 Medium: Digital Print Size: 17 x 11 inches COA provided

Wolff Buchholz Title: New York - World Trade Center Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 16.2 × 10.8 inches

GIFC Title: Wage Freedom Year: 2017 Medium: Gouache on Paper Size: 11 x 8.5 inches Signed and dated by the artist COA provided

Burak Ata Title: Same Shit Year: 2017 Medium: Watercolor on Paper Size: 25 x 25 cm Signed, dated and inscribed by the artist Burak Ata was born in Istanbul in 1989. He graduated fro...

Anna Schuster Title: Draft Design Medium: Gouache Year: 1992 Signed by hand, dated and inscribed Edition: Unique Size: 22.6 × 23.4 on 23.8 × 33.5 inches COA provided

“Construction Drawing II”, 1973 Dimensions : 18.75″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual ar...

“Construction Drawing I”, 1973 Dimensions : 19″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist...

Michael Eastman Barcelona Interior, c.1990-2008 Color photograph Framed Dimensions: 30 1/2 x 24 inches

This is an original oil on velvet painting created c. 1942. Syd Cockell was an accomplished American illustrator during World War II.

Title : Lady Picks a Flower Materials : Stamp,xerox transfer,ink,pencil,pastel Date : 2016 Dimensions : 8.5×11″ Signed COA provided Art school took Olivia Gibb away from Oklahoma an...

Title : Portrait as Plant Materials : Stamp,xerox transfer,pencil,ink Date : 2015 Dimensions : 16.5×23.5 COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas...

Title : Miss with Pink Shoe and Red Glove Materials : Stamp,xerox transfer,ink,pastel,pencil Date : 2016 Dimensions : 8.5×11″ COA provided Art school took ...

Title : Confusion Materials : Stamp,xerox transfer,pencil,ink Date : 2015 Dimensions : 8×9″ COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which ...

Title : Hey Cowboy Materials : Stamp,xerox transfer,ink Date : 2015 Dimensions : 16.5×23.5 COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which s...

A Mokulito (wood lithograph) creation hand printed by international artist Jeffrey Sippel. The paper size is 25” X 19” and the image size is11 ¼” X...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: In mint condition Size: 8.6 × 11.5 on 12.5 × 15.4 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Materials : Multimedia Date : 2016 Dimensions : 8″ x 6″ Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a dialog about these issu...

Studying the history of ceramics I have been captivated by the relationship between East and West, and how they continue to influence each other, especially through the ceramic arts....

"Vase with Owl, Koi and Deer" Hand Built & Painted Vase Materials: Porcelain, Glaze, China Paint, Gold Luster, Gold Leaf, Flocking Fired: Electric Kiln, Cone 6 Signed (bottom) COA pr...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Fred Conway “Two Golfers and a Caddy” c. 1965 Pen, Ink & Watercolor on Paper 13 x 17 inches Signed A member of the faculty of the Washington University Art School from 1929 to 1970, Frederick Conway...

Making quintessentially contemporary work which references historical tropes and characters, Sam Melendez is a master of the narrative. Men in togas, a mythical bull and a 50s American...

John Gould (British, 1804-1881) Nasiterna Bruijni c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

This is a vintage museum exhibition poster from the Max Beckmann Retrospective at the Saint Louis Art Museum, 1984. Max Beckmann was...

Acrylic with ceramic and glass tiles on clear panel. Mounted on natural wood box frame 2 inch depth. Wired and ready to hang. :: Mixed Media :: Abstract :: This piece comes with ...

Vibrant colors in this 12 x 12 printed on-the-water boating image. It looks really nice matted and framed in a 20 x 20 frame. Location is Bodega Bay, C...

"Contrivance" is colorful abstract grid of loose rectangle plots inspired by man-made, redundancies in suburban architecture and life. :: Painting :: Abstract :: This piece comes w...

Dressed to the nines! This wonderful portrait of Ken treats the doll with the same sensitivity as a human subject - and in doing so, sheds light on the interior lives of the doll. As...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...

Norman Carton Norman Carton (Russian American, 1908–1980), a vibrant force in Abstract Expressionism, was known for his dynamic use of color and expressive, gestural brushwork. Born...