Missouri - Art

Diane Arbus Girl in a Shiny Dress, NYC, 1967 Gelatin silver print Image Dimensions: 14.5 x 14.5 inches (36.8 x 36.8 cm) Paper Dimensions: 20 x 16 inches ...

Flamingo sculpture in Tiffany Box Blue with Hot Pink and Gold Leaf Detail meticulously created by Artist Justin King from individually cut and folded piece...

Wareham Bridge Medium Drypoint Year of Work 1877-1877 Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm. Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. Selected Collections Racine Art Museum, Ra...

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

In Houska's Night Watch, his Pop Art style and use of gray colors create a unique variety of his different iconic characters in the festive and gregarious ...

Neeka Allsup was born in the back of her parent's toy store by home birth in Austin, Texas. Being an artist was encouraged from a young age, and she spent he...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Joan Parker (20th C.) "Straw Fields" Oil on Canvas Canvas Size: 10 x 20 inches Framed Size: 21 x 31 inches Joan Parker, is a Plein Air landscape painter and a native of California....

Carl Holty (1900-1973) "Mountain Wall" 1962 Unframed: 12" x 9" Framed: 19.5" x 16.5" Signed Lower Left Known for his floating, luminous, highly-colorful forms, Carl Holty belongs to...

Neil Leifer Clay vs Jones Post Fight "Knockout", 1963 Black and white photograph 16 x 20 inches (40.6 x 50.8 cm) Edition 14/150

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...

Whether as a statement piece in an offbeat living space, or a quirky bedroom addition, this piece is sure to be a sultry, sensitive talking piece! Working with a collection of vintage Barbies to create timely, sensitive portraits that evoke the interior lives of the dolls, photographer Larry Torno...

Carlos Quintana Pingoro. the Indian Agent, 2019 Oil on canvas 41 x 29 inches (104.1 x 73.7 cm)

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

Contemporary Abstract, Oil Painting, Canvas Mounted on Board, Framed, Geometry Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington U...

Edition of 60

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Signed label and COA

Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...

Tom Friedman makes extraordinary work that explores ideas of perception, logic, and possibility. His often painstakingly rendered sculptures and works on paper inhabit the gray areas...

John Gould (British, 1804-1881) Nasiterna Bruijni c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Aaron Karp has exhibited his work extensively and has received recognition through a number of awards, grants and artist in residencies. Aaron Karp has developed a style of painting ...

Dressed to the nines! This wonderful portrait of Ken treats the doll with the same sensitivity as a human subject - and in doing so, sheds light on the interior lives of the doll. As...

Since 1977, Larry Torno has worked in the graphic design business as a designer, art director, and creative director for companies large and small, from Fortune 500 to Not-for-Profit...

Shaped aluminum with acrylic polyurethane paint and black flock

Miles Aldridge Kristen, Painting by Chantal Joffe (from Kristen series), 2010 Lambda print on photographic wove paper Framed Dimensions: 23.62 x 19.69 x ...

In rich, thickly impastoed oil and acrylic paintings, Genieve Figgis updates art historical tropes and compositions with a macabre sense of humor. At fi...

Aaron Karp has exhibited his work extensively and has received recognition through a number of awards, grants and artist in residencies. Aaron Karp has developed a style of painting ...

Hassan Hajjaj Lovers Diptyk, 2000 Giclee print with acrylic painted tire frame Framed Dimensions: 24 x 18 inches (61 x 45.7 cm) Edition 2/10

This is a vintage museum exhibition poster from the Max Beckmann Retrospective at the Saint Louis Art Museum, 1984. Max Beckmann was...

"Ice Branch", Contemporary, Mixed Media, Wall Sculpture, Framed, Fiber Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision...

Joan Parker (20th C.) "Sunflower State of Mind" Oil on Canvas 10 x 20 Framed Size: 21 x 31 inches Joan Parker, is a Plein Air landscape painter and a native of California. Her arti...

Christopher Ruess large scale painting, spatial environs, blue rising, encapsulated polymer & acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at the Memphis ...

Monogrammed Lower Right and Dated 1938 This is by the stage designer, Walter Kubbernuus, for the opera Katyusha by Franco Alfano. After Tolstoi. Monogrammed Lower Right.

Gifford Beal (1879-1956) "Bareback Act, Old Hippodome" 1950 Lithograph Signed Lower Right With original Associated American Artists label verso image: 6 3/8 x 9 5/8 in. (16.2 x 24.6 cm) sheet: 12 x 16 in. (30.4 x 40.6 cm) framed: 17 x 20 in. Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...

Justin Solomon "Wrestling Under the Sunset," sounds very romantic, 2018 Archival pigment print 26 1/2 x 40 inches (67.3 x 101.6 cm) Edition 1/5

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Contemporary Ceramic Sculpture with Brilliant Yellow Surface, Design, Mustardo Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research...

James Hoff Social Media Remorse Syndrome, 2012 Oil on canvas 18 x 12 inches (45.7 x 30.5 cm)

Renell Medrano Untitled, 2019 Archival pigment print 30 x 24 1/4 inches (76.2 x 61.6 cm) Edition 2/5

Catalina Ouyang Self Portrait with 'The Art of War' I, 2017 40 x 60 inches (101.6 x 152.4 cm)

David LaChapelle This is My House, 1997 Chromogenic print 17 x 20 1/2 inches (43.2 x 52.1 cm) Edition of 50 Editioned in verso

Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...

Ben Godward Word chosen: Embrace Chemically colored urethane foam, tinted liquid membrane 14 x 16 x 12 inches (35.6 x 40.6 x 30.5 cm)

Untitled, 1985 Chromogenic print Framed Dimensions: 22 1/2 x 22 1/2 inches (57.2 x 57.2 cm) Edition of 125

Phyllis Galembo Deer and Bull, Mexico, 2012 Fujiflex 19 x 19 inches (48.3 x 48.3 cm) Edition 2/6

Ginny Ganong Nichols Bathing Beauty (enlarged) Black and white photograph Image Dimensions: 27 1/2 x 33 1/2 inches (69.9 x 85.1 cm) Edition 4/200