Missouri - Art

Limited Edition: 5 of 25 Signed, dated and numbered in ink on label affixed verso COA provided In Sherman's photographs she is experimenting with groupings of different objects wit...

This work was made on a limited edition Looney Tunes game board (serial number 004571). The artist captured 2 characters (Monopoly and Daffy Duck). In this painting the characters interact with each other as if they were competing. The title means that we must not only roll the dice in our lives, but we must prepare, execute our actions, take risks...

Unknown Indian Visual Artist Title: Fable Animal Gouache Edition: Unique Size: 10.5 × 14.4 inches

Abstract landscape oil painting focused on the idea of a storm or omen of something to come. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity ...

Title: "Spirit Away" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 10 x 8 in. Signed, dated and inscribed on label COA provided Multiple Sizes Available (please inquire within) Framing Available (please inquire within) Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice. One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries. Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar. It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further. Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level. Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...

Title: Itsukushima Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 10 x 8 in. Signed, dated and inscribed on label COA provided Multiple Sizes Available (please inquire within) Framing Available (please inquire within) Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice. One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries. Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar. It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further. Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level. Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...

Title: "Fushimi Inari-taisha" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 8 x 10 in. Signed, dated and inscribed on la...

Artist : Susan Kiefer Title : Cross Currents Materials : oil on canvas Date : February 2020 Dimensions : 30" x 40" x 1.5" Description : Intersecting oval forms in turquoise and rust...

Artist : Susan Kiefer Title : Sage Materials : oil on canvas Date : March 2020 Dimensions : 18" x 24" x 1.5" Description : Tangents from three intersecting circles in shades of cadm...

In 1899, when Artus Van Briggle stepped off the train in Colorado Springs he must have felt worlds away from the studios of Paris and the landscapes of Italy where his extraordinary ...

Title : Astaphos Materials : 310 gsm Premium Paper Date : 2020 Dimensions: 40 x 30 inch Edition of 50 Agent X is an emerging artist who creates experimental multimedia collages ...

Title : Lefkarina Materials : 310 gsm Premium Paper Date : 2020 Dimensions: 40 x 30 inch Edition of 50 Agent X is an emerging artist who creates experimental multimedia collage...

Title : Antalia Materials : 310 gsm Premium Paper Date : 2020 Dimensions: 40 x 30 inch Edition of 50 Agent X is an emerging artist who creates experimental multimedia collages an...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Gottfried Honegger (1917-2016, Swiss) Title: Concrete Geometric Abstract Composition with Orange Medium: 3D-construction Year: 2015 Signed by hand and inscribed Size: 20.9 × 21.1 on ...

Fujio Akai August Year: 1990 Signed, numbered and dated by hand Edition: 100 Size: 12.5 × 9.6 on 23.2 × 16.4 inches Looking at the work of Fujio Akai over a period of many years, o...

Christine Gerhard The Wall Design C-Print on Aluminum Substrate Year: 1999 Signed, numbered, dated and titled by hand Edition: 5 Size: 32.0 × 25.7 inches COA provided

MOA-NA-HON-GA. GREAT WALKER. AN IOWAY CHIEF., from History of the Indian Tribes of North America Artist:Charles Bird King Publisher:McKenney and Hall hand-colored engraving on paper ...

Reiner Schwarz (Partial) Portfolio "Portrait #11 - Reiner Schwarz"" with Karin Szekessy 3 x Color Lithographs (Folio issued with 4 lithos, of which one is missing) 3 x Phototypes (Li...

Peter Paul "Peter Paul" (II) From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Phototype (Lichtdruck) Edition: 80 Size: 25.59 x 19.88 in. Publisher: D...

Peter Paul "Architecture Parlante" From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Color Lithograph on Arches Edition: 80 Size: 25.59 x 19.88 in. Pu...

Hans Juergen Diehl Demonstration Year: 1972 Medium: Color Etching Edition: 25 Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl was...

Hans Juergen Diehl 2. Ebene Year: 1971 Medium: Color Etching Edition: Proof (P) Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl w...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “My King...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “SRI” Materials : Chalk pastel and pencil on Arches Paper Date : 2018 Dimensions : 19 x 21 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. It’s apparent that Broghammer’s work has resonated with so many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. “Animals” is for the animal lovers, students, teachers, collectors, writers, the young or old, and art historians alike. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

Gwuf Shuffle Shuffle Squeak Taka Whir Zoom Photographed in a hutong neighborhood, Beijing, China Archival Pigment Print Year: 2010 Size: 8" x 60" Signed by the artist

Hot Night in Shanghai Photographed from a fourth floor flat, Shanghai, China Archival Pigment Print Year: 2010 Size: 8" x 84" Signed by the artist

Wolfgang Oppermann “Handzeichnung”, 1975 Colored lithograph Edition: 61 / 222 Signed in Pencil Size: 19.5 x 15.5 inches Wolfgang Oppermann (born September 19, 1937 in Hamburg , † March 11, 2001 ibid) was a German painter , graphic artist and sculptor of pop art and conceptual art . He was married to the artist Anna Oppermann...

Hans Juergen Diehl "Protest:" 1972 Etching Edition: 19/25, Size: 33 ½ x 25 ½, Signed in pencil, Ketterer #5 Hans-Jürgen Diehl (born May 22, 1940 in Hanau ) is a German painter of th...

Hans Juergen Diehl "The Golden Egg", 1972 Etching Edition: e.a.3 Size: 33 ½ x 25 ½, Signed in pencil, Ketterer Hans-Jürgen Diehl (born May 22, 1940 in Hana...

Title: The End of the Rainbow Medium: Mixed Media Year: 2018 Signed Size: 19 x 13.25 x 8 inches Tom Binger finds it interesting that during a time in which the internet is quickly b...

Materials : Print on water color stock Date : 2016 Dimensions : 19"x13" Signed and numbered by the artist Edition: 20 COA provided

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy...

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy of Arts & Design of Tsinghua University. •Executive Vice Director of the Art Museum in the Academy of Arts & Design, Tsinghua University •Member of the International Academy of Ceramics (IAC) of UNESCO. •Secretary-General of the Ceramic Art Council of China Artists Association (CAA). •Deputy Director of Ceramic Art Institute，China National Academy of Painting. •Member of China Oil Painting Society (COPS). •Art Director of China Ceramic Art Net •Executive Editor of Chinese Ceramist magazine. •Director of “Shangyu Celadon” Contemporary International Ceramic Art Center. In 1998, the organizers of the Taipei International Art Fair held the joint exhibition of Bai Ming’s and Picasso’s ceramic works named “Vallauris in France & Jingdezhen in China”. •In 2000, he was honored with the gold prize of The Invitational Exhibition of China Young Ceramic Artists. •In 2004, he was awarded for Contribution to Promotion of the Contemporary Ceramic Art of China in the Great Hall of the People. •Also in 2004, the book Jingdezhen Traditional Ceramic-Making Techniques which written by Bai Ming received the National Book Award. In 2010, at the invitation of IAC, Chinese Cultural Center in Paris and Confucius Institute of Poitiers University, he held the “Oriental Ceramic Story—Bai Ming Ceramic...

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy of Arts & Design of Tsinghua University. •Executive Vice Director of the Art Museum in the Academy of Arts & Design, Tsinghua University •Member of the International Academy of Ceramics (IAC) of UNESCO. •Secretary-General of the Ceramic Art Council of China Artists Association (CAA). •Deputy Director of Ceramic Art Institute，China National Academy of Painting. •Member of China Oil Painting Society (COPS). •Art Director of China Ceramic Art Net •Executive Editor of Chinese Ceramist magazine. •Director of “Shangyu Celadon” Contemporary International Ceramic Art Center. In 1998, the organizers of the Taipei International Art Fair held the joint exhibition of Bai Ming’s and Picasso’s ceramic works named “Vallauris in France & Jingdezhen in China”. •In 2000, he was honored with the gold prize of The Invitational Exhibition of China Young Ceramic Artists. •In 2004, he was awarded for Contribution to Promotion of the Contemporary Ceramic Art of China in the Great Hall of the People. •Also in 2004, the book Jingdezhen Traditional Ceramic-Making Techniques which written by Bai Ming received the National Book Award. In 2010, at the invitation of IAC, Chinese Cultural Center in Paris and Confucius Institute of Poitiers University, he held the “Oriental Ceramic Story—Bai Ming Ceramic...

Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculptor and photogr...

“Construction Drawing II”, 1973 Dimensions : 18.75″ x 23.5″ Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual ar...

Nancy Charak Title: Bonitas Canciones 8726 Materials: Bonitas Canciones 8613 Date: 2017 Dimensions: 11"x30" Nancy Charak makes paintings and drawings in her studio in Tucson, where ...

Nancy Charak Title: Bonitas Canciones 8616 Materials: Drawing on 90# Stonehenge Date: 2017 Dimensions: 11"x30" Nancy Charak makes paintings and drawings in her studio in Tucson, whe...

Nancy Charak Title: Geologies Series 9039 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Nancy Charak Title: Title: Bonitas Canciones 8529 Materials: Drawing on 90# Stonehenge Date: 2017 Dimensions: 11"x30" Nancy Charak makes paintings and drawings in her studio in Tucs...

Nancy Charak Title: Geologies Series 9045 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Nancy Charak Title: Geologies Series 9040 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Nancy Charak Title: Geologies Series 9050 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 30"x22" Nancy Charak makes paintings and drawings in her studio in Tuc...

Kaitlyn Carlile (née Jordan) Title: Anthropomorphic Swing with lustful Fox Year: 2016 Medium: Digital Print Edition: 3 Size: 13.75 x 13.25 inches Signed, dated and inscribed

Wabaunsee County, KS (2014) Print on Coated Fiber Paper Edition 12 of 25 Image Size: 24 1/2" x h 16 1/4" As an observer of the world, Aaron Henry has found a humbling awe across l...

Wolff Buchholz Title: Manhattan - Parking Lot Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan - Flower Shop Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Madison Ave Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan - 20s Architecture Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan in the evening Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan - Parking Lot Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Jaycie Womack Say Yes to New Adventures Year: 2018 Pigment Print Visible Size: 16 x 13 inches Framed: 28.5 x 20.75 inches Signed, titled and dated by hand COA provided *Gold sprayed...