Montana

Adonna Khare is an America Artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California State University Long Beach. Her work has been collected by prestigious public and private collections throughout the world. In 2012 she won the world's largest art competition ArtPrize, competing against over 1500 artists from all around the world. She has been featured in the Los Angeles Time, NPR, The Huffington Post, Daily Mail, Juxtapoz Magazine, Mashable, My Modern Metropolis, Saatchi Gallery as well as thousands of blogs, Facebook, Pinterest and Instagram pages. She has had group and solo shows throughout the country. Long Beach Art Museum, City of Carlsbad Art Gallery, Nassau County Art Museum, Yellowstone Art Museum, Grand Rapids Art...

Tracy Stuckey received his BFA in painting from Florida State University and his MFA from the University of New Mexico. He has exhibited his work extensively throughout the United St...

Tracy Stuckey received his BFA in painting from Florida State University and his MFA from the University of New Mexico. He has exhibited his work extensively throughout the United St...

An elegant square diamond mini stud for your ear stack. We love pairing this with our Square Diamond Necklace. -14k solid gold -1.8mm diamo...

A play on one of our most popular necklaces, the mini disk necklace, made into a charm bracelet. -14k yellow gold -5 mini solid gold disks -5, 2.2mm red, pi...

My paintings operate in a fictitious world that utilizes the mythologies and realities of the modern American West. Because of its unique history, the Western United States is more t...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world. - Beau Carey

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world. - Beau Carey

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world." Albuquerque artist Beau Carey...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world." Albuquerque artist Beau Carey...

This is an edition of 10 and comes framed or unframed. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent pro...

This is an edition of 10 and comes framed or unframed. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent pro...

This is an edition of 10 and comes framed or unframed. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent pro...

This is an edition of 10 and comes framed or unframed. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent pro...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

This is an edition of 10. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” cons...

This is an edition of 10. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” cons...

This is an edition of 10. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” cons...

This is an edition of 10. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” cons...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

Beau Carey (born 1981) is an American painter and educator based in Albuquerque, NM. He embeds himself in challenging environments to experience and record ...

Beau Carey (born 1981) is an American painter and educator based in Albuquerque, NM. He embeds himself in challenging environments to experience and record a sense of place. Carey ha...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...