Montana

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

This is an oil painting on canvas and is monochromatic black. Reed's primary focus has been the rich vein of Northern European art from the mid-17th through 18th centuries, a period of enlightenment and profound interest in science, nature, and the animal world. Animals were assigned human traits (peacock:vanity; dog:fidelity), and nature itself was considered a symbol of God's providence - a commonly held belief within the stratified, gentry dominated social order of the time. Reed (b. 1958, New York, NY) lives and works in Boston, MA. She is a recipient of the Boston Museum of Fine Arts Maud Morgan...

Add this speckled ruby and diamond eternity band to your stack. It's a perfect pop of color and great as an alternative wedding band. -...

This painting is oil on 7 canvas panels, each 7 feet high and is 30 feet wide TOTAL and is monochromatic black, after Desportes, Brascassat, Weenix, Hondecoeter, Oudry, Landseer, Snyders, van Huysum, Bellini, and van Es. The title references Psalm 23...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing the essence of the seemingly mundane scenes around town: an old salon, a decaying house with a fence made of skis, a vintage trailer park. His work is influenced by the work of American regionalists Edward Hopper and Grant Wood, Japanese printmaking, and German Expressionism. Travis Walker is the founder and director of Teton Artlab, a nonprofit arts organization that provides studio space for artists. He was born in 1976 in Tokyo, Japan, and earned his BFA in Painting and Printmaking in 2000 from Virginia Commonwealth University. Recent group exhibitions include the 2012 Western Visions Show and Sale and the 2013 and 2012 Takin' It to the Streets Art Fair, among many others. Solo exhibitions include "American Dreams" in 2012 at Cowboy Coffee...

Jane Reichle (b.  1998, Bryan, TX) is an hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. ...

Illustrating wildlife and the wilderness of the High Desert of New Mexico, Kat Kinnick works to inspire a culture of connectedness to nature. She's inspired by the magic and inexplic...

Objects found in historical institutions are reexamined and reinterpreted. Landscape paintings once used to romanticize and to politicize notions of manifest destiny, are now recreat...

Suzanne Kiggins is a self-taught artist who works primarily with acrylic and gouache on paper, wood panel, and canvas. She takes inspiration from every...

Reed borrows visual fragments from predominantly seventeenth- and eighteenth-century Northern European art, citing the artists of these works like a dutiful scholar. She copies and r...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Jenny Day (b.1981) is a painter and sculptor who lives in Santa Fe, New Mexico. She earned an MFA in Painting from the University of Arizona, a BFA in Painting from the University of...

Formalism collides with a punk rock, folk art sensibility in his pop culture mash-ups that explore the liminal space between the natural and built environment. The animal kingdom act...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new thought, an old memory...

Reed borrows visual fragments from predominantly seventeenth- and eighteenth-century Northern European art, citing the artists of these works like a dutiful scholar. She copies and r...

We fell in love with lapis years ago; the deep blue hues are otherworldly. We love this necklace as a layering piece but it makes a statement all on its own. -14k Yellow Gold -52, ...

Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear...

"In my paintings I take on the role of poet-painter, creating sentimental and idealized landscapes that are devoid of any figures or formal devices traditionally used to tell a story...

Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art...

Platinum and 18 Karat Yellow Gold Diamond Pendant Necklace Featuring A 2.01 Carat Round Brilliant Cut Diamond GIA Graded (Report #1142093120) As Fancy Light Yellow Color and SI1 Clar...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

This bird painting by Michael Dickter features many different types of birds. A crane or heron flies as a purple silhouette, while a small bird is fully render with a pink stripe beh...

Fine and unusual Swedish 18th century Rococo armchair in Its original colour. Ca 1770 Sweden.

Nerhbass’ paintings focus on style as a sublime element of tension within beauty. Thematically they evoke modern dilemmas of what it means to see and be seen in a manner that is simu...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

Nerhbass’ paintings focus on style as a sublime element of tension within beauty. Thematically they evoke modern dilemmas of what it means to see and be seen in a manner that is simu...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Metallic knit, thread, polyurethane foam, steel

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Robin has worked with clay since the age of eleven. Her sculptures have ranged in size from life sized sculptures to the diminutive porcelain pieces. She has been a resident artist a...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern la...

This piece is composed of 12 framed pieces, which creates the total size of 90 x 88 inches. Reed's primary focus has been the rich vein of Northern European art from the mid-17th t...

Fine 18th century Swedish Rococo commode in It's original colour. ca 1770 Sweden.

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Jeff Nachtigall is a Canadian Postwar & Contemporary artist who was born in 1970. Numerous key galleries and museums such as Mayberry Fine Art, Winnipe...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new thought, an old memory...

"Nature is my muse. Animals are losing their habitat and they are, at the very least, confronted by or threatened by all of our discards. Though the birds in my paintings are not vic...

Wall mounted sculpture made of polyurethane foam, epoxy clay, glass beads, thread, adhesive, wood and aluminium.

In 1968 Waddell joined the University of Montana art faculty, teaching sculpture and design. For eight years he lived in Arlee MT, teaching at the Universi...

My work explores the nature of relationships through the animal forms and environment, as well as folkloric references. The animals are the metaphor for our own needs; the need to co...

"Nature is my muse. Animals are losing their habitat and they are, at the very least, confronted by or threatened by all of our discards. Though the birds in my paintings are not vic...

This is a float framed original painting on panel. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the m...

This is an unframed original painting on paper. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the myst...

Oil on linen

In 1968 Waddell joined the University of Montana art faculty, teaching sculpture and design. For eight years he lived in Arlee MT, teaching at the Universi...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling...

Molly Schulps grew up in Los Angeles, CA with parents who encouraged her to explore and practice art. Her father, John Schulps was a successful production...

Bayard Hollins' work explores the link between abstraction and figurative representation. Although the lines back to classical realism can be traced, Hollins' approach is absolutely ...

Todd Horton lives and paints full time on Samish Island, Washington. His work involves landscape and wildlife with elements of chance that play between realism and abstraction. His ...

Tremaine’s oil paintings merge the personal and universal. In her Crosscurrents series, swans and seabirds move through layered abstract fields, suggesting emotional depth and natura...

"My work is about Place. There has always existed within me an urgency to define myself through place that stems from an upbringing full of uprooting and re homing. In the absence o...

18 Karat White and Yellow Gold Halo Pendant Featuring A 0.37 Carat GIA Graded Fancy Vivid Yellowish Orange Oval Diamond with SI2 Clarity (Report #2196274866) Surrounded By 14 Round Orange Diamonds of SI Clarity Totaling 0.12 Carats, and 18 Round Diamonds of SI Clarity and G/H Color Totaling 0.17 Carats. 14 Karat Two Tone 20 Inch Chain...

Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna. Denny works in a variety ...