Paul Charlot

Whimsically rendered forest scene, original lithograph

mid 20th century

This lithograph is part of my private collection. It is limited in edition artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impress...

This colorful lithograph is part of my private collection. It is a limited edition , 1 print available, signed and numbered 25/150. It is in very good condition.

This lithograph is part of my private collection. It is limited in edition ,artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impres...

This lithograph is part of my private collection since 1970's. It is pencil signed by the artist and numbered 198/220. Guilde del la Gravure .

This black and white Carborundum is part of my private collection. It is in very good condition , signed by the artist and numbered. Guilde de la Gravure

This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...

Mark di Suvero Untitled, 2014 Acrylic hand painting on digital print. Unique trial proof. Hand signed and annotated Hand signed and annotated Trial Proof by di Suvero 17 1/2 × 16 in...

Michael Heizer III-8 (two unique works), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray ac...

“I’ll find me a place by the river now and give up all my story lines.” – Van Morrison All of these paintings originated in the past year, but I suspect they truly began in 1955 after I returned from the army to complete my college education at Fresno State. Having discovered the heroic-scaled canvases of the abstract impressionists while away, I changed my major to art. Soon, after enrolling into a painting class taught by Darwin Musselman, I felt I’d be advancing from the old school to the new wave. Wrong. Musselman, an intense taskmaster, held me firm to the basics and taught me how to crawl first. The flying would come after I paid my dues. Musselman had studied at the Los Angeles Art Center and The School of Arts and Crafts in Oakland. Proficient in many styles of painting, he never shied away from demonstrating techniques he felt might spur a student’s progress. About the time I began to suspect he was controlling us all too tightly, he showed the class Hans Namath...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Vibrant and dynamic monoprint by David Stephens (American, 20th Century). Sand (or a similar medium) was used in the pressing of this monoprint, creating a pocked texture in multiple...

A print by James Rosenquist from 1978. This print is multi-layered with different mediums including etching with aquatint, pochoir and paint. Artist: James Rosenquist, American (19...