Montreal

This bust sensitively captures the beauty and innocence of youth. Her thick hair is worn in a single braid; her head is thrown back as she laughs. The sculptor, who signs indistinctl...

A fine pair of chromed steel and polished brass console tables by Karl Springer fitted with nicely figured granite tops.   

Large cut glass and gilt metal 18 light chandelier.

Pair of Louis XV style yellow upholstered painted wood bergère Chairs. Measure: Seat height 17.5 in.

Baltic 18th century crystal and six-arm candle chandelier with antique crystal pendaloques in form of grape clusters, flowers and leaves, hanging from arms leading from central body ...

Louis XVI style transition cabinet or nightstand with marble top, bronze gallery. Table de salon, it is a marvellous accent for the living room or as a...

Layout Low Square Stool by Studio Super Sunday Dimensions: D 33 x W 33 x H 45,7 cm. Materials: Oak. Available in six different finishes. Prices may vary. Please contact us. We are ...

Layout Counter Stool by Studio Super Sunday Dimensions: D 33 x W 33 x H 61 cm. Materials: Oak. Available in six different finishes. Prices may vary. Please contact us. We are a Can...

Layout Shelves by Studio Super Sunday Dimensions: Ø 152,4 x H 86,4 cm. Materials: Ash. Available in six different finishes and five different sizes. Prices may vary. Dimensions may...

A massive pair of Louis XVI style three light bronze wall sconces, each arm modeled with scrolling acanthus, the back plate with vase-shaped flame finial and of tapering garlanded fo...

Rare French, 19th century, Empire. Large size carved wood and gesso gilt eagle, with its full body, swept back wings, pronounced talons, perched on a ball. Important size. Conditi...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

Two sides of solitude coffee table by Claste Dimensions: D 99 x W 99 x H 30.5 cm Material: Marble Weight: 131 kg Also vailable in two standard sizes. Since 2017 Quinlan Osborn...

Set of 3 polychrome and laminated and polished nickel Art Deco style boxes. Included an ice bucket, a magazine compartment and a small boxe. Signed:...

Large pair of 19th century, patinated bronze, Charles X period candelabras.

"Fusion" bronze patinated sculpture by Augusto Escobedoa beautiful patinated bronze sculpture: "Fusion" by Augusto Escobedo. Mexican artist active since 1953, he devoted himself main...

This one of a kind painting is done in acrylic. The painting is not stretched, shipped in a roll, I try my best to represent the true colors of the paintings in the photos, but somet...

Three fabulous women enjoying coffee and discussing life. Friends forever. Secrets. Mysterious allure. Luxurious black hats. Fashionistas throughout time. Sculpted in palette knife w...

The magic of a starry night and the mystery of an ocean deep, interact through silver leaf and blue acrylic paint. A scintillating energy is created through these two powers of natu...

George III style mahogany table with fret-carved gallery , raised on reeded and turned pedestal and tripod legs. stamped HG Plomer. ...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Unusually these stylish fixtures are made of aluminium and copper plated brass. In those days aluminium was a modern and rather exotic material. They have no markings to indicate c...

Pair of Charles X period gilt and patinated bronze candelabras featuring winged victories holding five light candle holders.

Light green and transparent glass bowl by Daum signed etched: "Daum France".

Pair of lacquered and painted wood Asian style barrel shape side tables fitted with decorative metal handles.

A set consisting of a salad serving spoon and pierced spoon in sterling silver by Karl Poul Petersen in his renowned blossom corn flower pattern.

French Africanist style plaster carved sculpture of a mother carrying water and feeding her child.

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Leo Ayotte, Canadian, 1909-1977 Oil on canvas panel 20 x 24 in Signed and dated '67 lower left framed

Finely cast Louis XV style gilt bronze candlestick lamp.

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Regency solid wood tilt-top eight lobes and dished supper table, shell forms separating each lobe, raised on turned column over four ribbed down swept legs terminating in brass hairy...

Great expectations dining table by Claste. Dimensions: D 137.2 x W 289.5 x H 73.7 cm. Material: Marble. Weight: 443 kg. Since 2017 Quinlan Osb...

Each well modeled as a youth in Renaissance dress, one foot upon a gourd and supporting a four-light candelabrum, the arms cast with acanthus, the st...

A set consisting of a salad serving spoon and fork in sterling silver by Carl Poul Petersen in his renowned blossom corn flower pattern.

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhibitions throughout Canada including, recently, Rideau Hall, Ottawa. Jean’s work can be found in public and private collections, including the Department of External Affairs (Canadian Embassy – The Hague), Musée du Québec, Royal Bank of Canada, Summit Maritime and the Royal Victoria...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Delft Fan dish with florals motives displayed like a peacock. Signature G.V.S is for Geertruy Verstelle, a Woman Faience Manufacturer Established at Delft in...

Beside myself end large table by Claste Dimensions: D 55.9 x W 55.9 x H 55.9 cm Material: Marble, Glass Weight: 48 kg Since 2017 Quinlan Osborne has cultivated an aesthetic in ...

Colorful oil on canvas painting: Le "Poisson" by René Arnoux (1928-2009). Born in Tunisia in 1928 Arnoux moved to Paris in 1956. He also exhibited extensively Canada, the U.S.A. an...

Stylish polychrome glazed ceramic Asian Modern Archaistic style table lamp by Ugo Zaccagnini.

Interior scene depicting a woman with her cat by Georges Delplanque. Signed "G. Delplanque, 88." Oil on canvas. Georges Delplanque (1903-1999). ...

Transition Louis XV-XVI style kingwood and marquetry serpentine front three-drawer commode with conforming marble top. This shapely commode is perhaps more en arbalete than serpentin...

Marble and alabaster figure of Ruth (14" high), resting beside column while gleaning grain; her flesh of carrara marble, her dress of pink stained alabaster, offered with a box-pleat...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research. In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...

Italian clear and amethyst glass and gilt metal 8 light chandelier.

Jean-Robert Drouillard’s practice has its genesis in a background of studies in literature and writing. He is a member of the artist collective la Coop Le Bloc5, an artist-run collec...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models – which Lachapelle has recently begun to make with the help of the latest 3-D printing technology – shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle’s work – for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness – these are the artist’s references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa – Centre d’Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

Peter Horvath is a photo-based and New Media artist. Embracing digital technologies at the birth of the Web, he created audio/video narratives through se...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

Set of 2 Remember Me Round Coffee Table by Claste Dimensions: D 76.2 x W 137.2 x H 35.5 cm Material: Carrara Gioia, Belvedere black, Mont Blanc, Manh...

Paradise lost daybed by Claste Dimensions: D 61 x W 198.1 x H 45.7 cm. Material: glass, marble. Weight: 159 kg Also available in different and materi...

Beside Myself Square Coffee Table by Claste Dimensions: D 106.7 x W 106.7 x H 35.6 cm Material: Marble, Glass Weight: 145 kg Since 2017 Quinlan Osborne has cultivated an aesth...

Paul Beau, doyen of Montreal Arts & Craft metal workers flourished in the first half of the 20th century. He was responsible for much fine work, in both private and public mileaux. H...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

This fine Pietra Dura circular top is delicately inlaid with flowers and fruiting vines, around a central reserve. It is set within a handsome carved tabletop...