New Jersey - Art

Interior design paintings. The diptych were done with oil, gold leaf pen 18 kt in green and gold color on watercolor paper 300g. The works are 11 by 14 inches in size, framed (gold o...

PORTRAIT OF JOHN ROTHSCHILD is an original hand drawn, limited edition lithograph by the American woman painter Alice Neel printed on archival Arches paper, 100% acid free, using tra...

One Day in Paradise. Day-dogs fighting (flowers), made in grey, red, orange, black and white color Photographically accurate realism and conceptualism, peacefully coexisting on the c...

Farm Fields Study The image measure 14 x 11 unframed, 17.5 x 20.5 framed Farm Fields is a plein air oil painting on panel by award winning contemporary artist Michael Budden that sho...

Above Cartier's Corner oil/panel image 14 x 18 unframed, 21.75 x 25.75 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden. Cartier is alo...

Watercolor and salt on cold press paper Black crow portrait with blue highlights on gold yellow background Hand-signed by artist Framing available Certifica...

Durr's Flowers is a plein air oil painting on canvas panel that showcases the beautiful light of an early spring day with a view of a flowering field near my studio. Plein air paint...

The Captains House is a beautiful oil painting on panel by award winning contemporary artist Michael Budden that showcases the John Havens Sawyer House, 1835 located in Mystic Ct. I...

Harold E. Larsen Original Painting On Canvas Large. In good condition measures 77x47. Buyer must pickup or arrange shipping

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

CENTER OF ATTENTION is a hand drawn original lithograph printed in blue gray ink using hand lithography techniques on archival Arches printmaking paper 100% acid free. CENTER OF ATT...

Beautiful young lady in a Paris Park, signed, Original Frame, listed size includes the frame.

FARM WOMAN, by JONATHAN GREEN, is a hand drawn, limited edition lithograph printed in 19 colors using hand lithography techniques on archival printmaking paper, 100% acid free. FARM ...

Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michael Budden that showcases a beautifully lit sundown and an egret catching the ligh...

Leandro Velasco Original Oil Painting On Canvas “girl friends”. In good condition measures 64x50.

There is on only one Brooklyn, NYC and it is the chic and trendy corner of New York City. Access to the endless excitement is to enter the gritty subcultures and, yes, read the gra...

TO MARRY is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for h...

Peter Lik "Seventh Heaven" Kauai Hawaii Photograph . In good condition comes coa. Measures 76x37. Buyer is responsible for any additional shipping due to the size

Oil painting on canvas in good condition. 2 small patches Image: 17 3/4 x 11 1/2 inches Overall: 22 1/2 x 16 1/2 inches

This is an original painting by Jean Gaston Mantel. Overall: 37 by 13 1/4 inches sight: 35 by 11 inches Weight Condition painting with overall good condition, frame with some c...

"Door #30 (Bright)" (2018) by Francesca Reyes Original oil & acrylic wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she has photographed ...

THERE IS A WOMAN IN EVERY COLOR is a hand pulled limited edition relief print created using linocut, woodcut, and silkscreen printmaking techniques on white archival printmaking pape...

While the dory, Virdescent, gently rocks by the stone pier overlooking the coral formations, you allow the sun's lullaby to calm your nerves and ready you for the highlight of your d...

A homestead with seemingly endless fields of flowers in an eternal spring has been the fantasy of not only the legendary French Impressionists but of humanity. This original contemporary landscape comes alive as the sun washed flowers, with their alluring combination of yellow, pink, red, blues and greens, grab your attention and nurtures your appreciation of nature's beauty at hand. Polish American artist Eugene Maziarz adds a gentle stillness but with a hint of a breeze to his French impressionist oil painting using...

This Blue Dog work consists of a blue dog and a red alligator on the grassy green river bank next to a blue river. There are blue trees and a yellow sky in the background. The dog a...

Summer Play, Sailboats and the Jetty 6 x 8 unframed, 9.75 x 11.75 framed Summer Play is a study oil painting on canvas by award winning contemporary artist Michael Budden that showca...

Winter Wonderland oil/canvas 14 x 18 unframed An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautifully backlit winter woodland inter...

with Edwin A Ulrich Museum of Art label to verso Measurements Frame: 46 1/2 by 50 1/4 inches Weight 11 lbs Condition with stain to upper right, some areas of vertical cracking to ...

Sculpture signed on the underside Provenance Measurements Height: 7 inches Weight 2 1/4 lbs. Condition with a few small scuffs on the surface

Summer Pasture, Cows is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a beautiful summer view of a meadow with a group of cows an...

A very good, richly-inked impression of this etching with strong contrasts and no sign of wear. Anchor or fleur-de-lys in a double circle watermark. From "Prospectus locorum urbis Ro...

Gustaf Fredrik Rydberg (Swedish, 1835-1933), Landscape, Oil on Canvas,. In good condition measures 32x24

Peter Max serigraph 1970s era signed and numbered. Measures 34x29. In good condition. Not sure of the titled.

Moonlight Marsh oil/panel 8 x 10 unframed 13.75 x 15.5 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden, that showcases a beautiful view...

Shadow & Light oil/panel 8x12 unframed, 11.75 x 15.75 framed Shadow & Light is a beautiful impressionistic landscape study oil painting for the larger piece also listed that I did b...

L. Stephano Oil on canvas Some ware on the frame Picture is in good condition Frame: 44 x 32 Picture: 35 x 23.5

This is an Edward Stratton Holloway original oil on board “Philadelphia”. Signed . Condition of the painting is okay frame is very old and has lots of wear. Frames measures 22x16

This is an original oil on board painting signed. overall good condition , board: 16 by 20 inches, overall: 24 7/8 by 20 3/4 inches

Beautiful Light II, Venice oil/panel 6 x 8 unframed, 12.5 x 14.5 framed Beautiful Light II, Venice is an oil painting on panel by award winning contemporary artist Michael Budden tha...

RENJISHI is a hand drawn, limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed by hand using traditional lithography techniques on archiva...

Ms De Pinna was part of the Provincetown modernist art movement and was a student of legendary artist/teacher Hans Hoffman. Vivian (Foster) De Pinna was a su...

FIRST TO ARRIVE by the woman artist Robin Morris, is an original limited edition lithograph printed in 14 colors using hand lithography techniques on archival Arches paper, 100% acid free. FIRST TO ARRIVE is an amusing cocktail party portrait...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Enrique Ortiz original oil painting on board “Madonna”. In good condition measures 25x21

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

A textured "Cosmic Abstraction " that we attributed to Yeffe Kimball. While the work is unsigned the technique used with the blistering paint closely resembles her work. A dynamic mi...

How wonder filled it is to witness the natural beauty of a sunrise over the ocean on one of those blessed early summer mornings. You feel the ocean amidst while luxuriating in the d...

Oil, acrylic, and mixed media on canvas

This Blue Dog work consists of a yellow background with a blue dog with soulful yellow eyes sitting to the right of an old-fashioned style Coca-Cola machine. This pop art animal ori...

“Paris summer corner” In good condition Stamp of the artist and title are on the back of the picture Measures 18x14 International buyers must cover shipping cost

This Blue Dog work consists of a Reflective Chrome Paper background with the wording and markings for the Rodrigue 20th Anniversary for the New Orleans Studio. There is a single blue...

This is an Ernest Schmitz (1859-1917), Postillon, Bavarian Postman, Oil on Board. Measures 17x16. In great condition

walter whitcomb thompson original painting on canvas. Measures 34x30 in good condition

This Blue Dog work consists of the dog sitting on a black background. The dog's body is a solid pale blue and the head is embellished in shades of blue and white. The dog has soulf...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

5th Avenue Winter, St Thomas Church is an oil painting on canvas panel by award winning contemporary artist Michael Budden. 5th Avenue is obviously a favorite spot to hit while vis...

As the southern Rhone Valley grapes from the lush Vaucluse Vineyards of western Provence in the south of France ripen you find yourself blinking your eyes at the iconic vineyards, farms and estates actually surrounding you. Your mouth thirsts for a lunch of gruyere, ham, bagette and a glass of Chateau Neuf du...

In excellent condition measures 62x62x4 Oil on canvas In my opinion one of the artist best pieces

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

Two color screenprints printed on black wove paper, both very good impressions with strong colors. Both signed, dated and numbered 6/14 and 2/20 in pencil.