New Jersey - Art

Stefanos Sideris original Large Oil on Canvas painting. In good condition measures 51x42

Beautiful Skies Series oil/panel 14 x 18 image unframed, 19.5 x 23.5 framed signed LR Beautiful Skies is an oil painting on canvas panel by award winning contemporary artist Michael ...

Gino Hollander Original Oil Painting On Canvas “boat”. In good condition measures 41x31

This is an paul maxwell original artwork painting. 47 3/4 by 48 3/8 inches Weight 34 lbs Condition with stains throughout, areas of cracking and separation between canvas and rais...

Blue Vase oil/board 12 x 16 unframed, 20 x 24 framed signed LR Here is a gorgeous still life by Salmagundi Club artist Corwin Knapp Linson from SC, 1864-1959. There is a Salmagundi ...

Cotton fabric hand dyed with natural dyes including barberry and avocado.

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

Romero Britto "Sailing" 3D Signed And Numbered. In good condition measures 34x30

This is an Richard Hayley Lever (American, 1876-1958), Oil on Canvas, Cornwall, England, 1905. The painting has been relined. Doesn’t effect the value measures 18x15. In good condition

Medusa vase #4. Hand made porcelain vase. First thrown on the pottery wheel, then hand build and carved. This vase is one from Irina’s series called "Medusa". It's glazed with celado...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed 16 by 20 inches. Mila Akopova is New ...

Sculpture signed on the underside Provenance Measurements Height: 7 inches Weight 2 1/4 lbs. Condition with a few small scuffs on the surface

This is an Erte original bronze the 2 vamps signed and numbered. In excellent condition. Measures 19x18x6 inches

BESSIE MAE is a hand drawn, limited edition lithograph/linocut by the African American artist JONATHAN GREEN printed in 10 colors using hand lithography techniques and linoleum cut o...

Yaacov Agam Relief Painting in Space, 1960 Sculpture: painted wood relief Base: acrylic 46 x 50.8 x 17.1 cm 18 1/8 x 20 x 6 3/4 in

Michel Delacroix original “Laiterie Parisienne” lithograph signed and numbered .In good condition measures 23x28

A very good, richly-inked impression of this scarce color aquatint on Arches Cover. Initialed and numbered 15/28 in pencil by Motherwell. Printed by Catherine Mosley at the artist's ...

Mystical Moonlight oil/panel 8 x 10 unframed 13.25 x 15.25 framed. signed LR An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautifu...

Flags Above the Avenue The image measures 12 x 9 unframed, 18.5 x 15.5 framed An oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases the ...

Gustaf Fredrik Rydberg (Swedish, 1835-1933), Landscape, Oil on Canvas,. In good condition measures 32x24

Carole Jeane Feuerman "Joes Belly" Sculpture signed and numbered. In good condition measures 21x21

Yaacov Agam Agamograph Op Art Signed And Numbered. In good condition well made. Measures 27x26

The dawn chorus is the outbreak of birdsong at the start of a new day. This series pays homage to the mundane moments in nature that we often take for granted. Dawn Chorus No. 35 is...

The dawn chorus is the outbreak of birdsong at the start of a new day. This series pays homage to the mundane moments in nature that we often take for granted. Dawn Chorus No. 33 is...

MAN is a hand pulled, original limited edition relief print created using woodcut and serigraphy(silkscreen) printmaking techniques on white archival heavyweight paper, 100% acid fre...

BELL ALOFT is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniq...

Very cool and collectible book, Banksy’s Banging Your Head Against a Brick Wall. Released in 2001. This is Banksy's first book. He released 3 books in this mini black book format in ...

SHLOMI HAZIZA "SPIRAL" ACRYLIC SCULPTURE. In good condition measures 19x18. Doesn’t come with a stand

Interior design paintings. The work was done with alcohol ink in blue color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene face on a mat bo...

Mr Brainwash signed and numbered lithograph “Marylin spock Monroe”. In good condition measures 27x25

Spring Sparkle Farm oil/panel 8x12 unframed, 13.38 x 17.38 framed, signed LL Spring Sparkle Farm is a beautiful impressionistic landscape oil painting that I did on location near m...

Arthur Grover Rider (American 1885-1975) Offset Litho on board of fisherman in Spain. Professionally framed and matted in gilt frame. Born in Chicago, IL on March 21, 1886. Rider ...

Stephen Fishwick Giclee on canvas signed and numbered “Elephant”. In good condition measures 32x25

Painting on canvas, Felix Raoul Eteve in good condition measures 27x23

FLOWER SPECTRUM II is an original hand drawn lithograph by the American Pop artist Peter Max printed in an edition of 150, using traditional hand lithography techniques on archival paper. FLOWER SPECTRUM II is a pop art lady portrait head depicting a graceful female profile of a goddess woman crowned in leaves and flowers, printed in deep pink, pastel lavender, light pink, teal, light aqua green, yellow, magenta, and reds. FLOWER SPECTRUM II's gorgeous colors - the raspberry rose...

FUJI UNDER SIEGE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archiva...

The dawn chorus is the outbreak of birdsong at the start of a new day. This series pays homage to the mundane moments in nature that we often take for granted. Dawn Chorus No.14 is ...

THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...

Summer Field 8 x 10 image unframed, 14.5 x 16.5 framed Summer Fields I is an oil painting on canvas that showcases the beautiful light of a summer day shinning on a beautiful field o...

Flower Fields III Image measure 9 x 12 unframed, 12 x 15.25 signed LL Flower Fields III is an oil painting on canvas that showcases the beautiful light of a summer day shinning on a...

This Blue Dog work consists of a dog on a silver background. The dog is embellished with dark blue around the nose and has soulful yellow eyes. This pop art animal original print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Top Dog...

The dawn chorus is the outbreak of birdsong at the start of a new day. This series pays homage to the mundane moments in nature that we often take for granted. Dawn Chorus No. 5 is ...

A lovely Post-Impressionist landscape by this very well listed and exhibited Artist. Artwork measures 12 x 20 inches. Signed and dated 1982 lower left. Exhibition label verso. Selec...

An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a romantic moonlit seascape created in an impressionistic realism style with wonderful br...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Jean Garnier (French, 1853-1910) Orientalist Bronze Sculpture rouge griotte marble base Original signed sculpture . 7” high Weighs over 2 pounds

Digital art print on Lex Jet, 170 gram Satin Stock paper Hot pink and purple - indigo abstract geometric kaleidoscope pattern made as abstractions of t...

On Its Side Oil/panel 10 x 16 image Signed LR On Its Side is a Plein air painting I did on location a few years ago at a marina. I really enjoy driving around and finding interestin...

Tim Yanke Dragonfly Red Renewal 1 of 1 Mixed Media Uniquely Embellished by artist Originally purchased from park west gallery Frame is 23 1/2 x 2...

THE JOY OF MARILYN is a fine art exhibition poster by the renowned American photographer and film producer, Sam Shaw produced in 1986 in conjunction with Sam Shaw's photography exhib...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

A magnificent tall abstract example of Seymour Meyer's sculptural forms. This silvered bronze sculpture is signed by the artist and is titled "Up and Away" on the nameplate. It is se...

Interior design paintings. The work was done with alcohol ink in ultramarine blue and grey color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a sty...

FIRST TO ARRIVE by the woman artist Robin Morris, is an original limited edition lithograph printed in 14 colors using hand lithography techniques on archival Arches paper, 100% acid free. FIRST TO ARRIVE is an amusing cocktail party portrait...

Vibrant painting by Graffiti legend Blade, Steven Ogburn on NYC MTA Subway Map. His paintings on subway maps are cool as Blade has painted on over 5000 subway trains so these are nos...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Original Period Newcomb Macklin Frame George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

Interior design paintings. The diptych is made with india ink in black, grey color on Yupo paper. Each work is 11 by 14 inches in size, framed (black) with sizes 16 by 20 in. Mila A...

This is a 9 piece set all signed and numbered by erte. Frames are all new . Gallery sticker in the back of each frame.

UNTITLED ABSTRACT(Dream Figures, Red Window) is an original hand drawn lithograph by the American abstract painter Knox Martin printed using hand lithography techniques on archival R...

Interior design paintings. The work was done with alcohol ink in ultramarine blue color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene face...